Gotowa bibliografia na temat „Urban Republic Sociology”

ANKARA, 1923-1950: THE SOCIO-SPATIAL MANIFESTATION OF REPUBLICAN WILL Tak, Ahmet Ph. D., Department of Sociology Supervisor: Prof. Dr. Yusuf Ziya &Ouml<br>zcan February 2007, 248 pages The social, cultural, aesthetic, and spatial aspects of the urban transformation in its specific relationship with a certain ideology is examined in the study. Ankara, as the capital city of a new state, is regarded as a materialized reflection of the modernization program of the Kemalist ideology which defined the main foundations of the Republic and shaped its formation. The formation process of Ankara is tried to be understood in a historical deepness. Therefore, in order to comprehend the nature of the social transformation, in a historical context, Istanbul is taken into consideration as a model for the traditional Ottoman city because it had represented the Ottoman urban ideals with its social, cultural and aesthetic aspects. From the Ottoman period to the Republican, the structural transformation of the cities is tried to be studied with referring to a notion of crisis which has covered the cultural area. Ankara had been the most important place where the endeavors of the Republican elite to build a nation and to create a national culture and identity had became manifest explicitly and in the most pure form. Therefore, the creation process of Ankara presents us an important exemple to understand social and cultural dimensions of the Turkish modernization in the Republican period. In the context of Ankara, the process of establishing a modern and national high culture and identity in the tensions between modernity and traditionalism and its consequences are examined in the study.

CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta pesquisa tem por intenção discutir a construção da cidade republicana no sertão das Minas Gerais, tomando como objeto de reflexão a cidade de Patos, entre 1889 e 1933. A escolha do objeto deve-se, em primeiro lugar, a uma lacuna na reflexão acerca das cidades no período em questão: ainda que a produção intelectual sobre o tema possua notórios avanços, pouco se pensou a respeito do processo que levou à constituição das cidades do interior, notadamente do interior mineiro. Ora, a cidade de Patos, hoje Patos de Minas, possui um núcleo urbano original que, se de um lado dialoga com os grandes projetos de urbanização da época, como a Paris do Barão de Haussmann e o Rio de Janeiro de Pereira Passos, por outro lado também reflete a forma lusitana de povoar. O núcleo urbano que deu origem à cidade é, assim, seccionado em dois. Uma parte, constituída ao norte, atrás da Igreja Matriz de Santo Antônio de Pádua, foi como que "semeada", conforme expressão consagrada de Sérgio Buarque de Holanda, apresentando uma intrincada rede de vielas, ruas estreitas e becos; ao passo que, ao sul, o núcleo corresponde ao modelo urbano de "cidade civilizada" do século XIX, com avenidas e ruas largas, dispostas no formato de tabuleiro. Não obstante a peculiaridade daquela conformação urbana, a pesquisa revelou que se imprimiu nela, como um palimpsesto, o embate entre dois grupos políticos rivais: os presbiterianos, liderados pela família Dias Maciel e os católicos, liderados pela família Borges. Ao mesmo tempo, a pesquisa demonstrou que se a cidade foi espaço e objeto do conflito entre os dois grupos, o foi, ainda, para outros sujeitos sociais: as camadas populares que passaram "ao largo" da disputa entre "Borges e Maciéis". Assim, do processo, depreendem-se, pelo menos, "três cidades de Patos": aquela em que viveram e "atuaram" os Maciéis, em evidente ingerência política; aquela em que viveram os Borges, e a partir da qual se constituíram como oposição aos Maciéis; e, finalmente, a cidade em que viveram os pobres, os negros e desvalidos, assolados pela sífilis, pelo alcoolismo e pela miséria, nos bairros periféricos da Várzea e da "Beira da Lagoa".<br>This research has the intention to discuss the construction of the republican city in the backwoods of Minas Gerais, taking as object of reflection the city of Patos, between 1889 and 1933. The choice of the object is due, first, to a gap in reflection about the cities in the period in question, although the intellectual production on the theme has striking gains, little is thought about the process that led to the establishment of towns, notably the mining interior. Now the city of Patos, today Patos de Minas, has a unique urban core that is a side dialogues with major projects of urbanization of the time, as the Paris of Haussmann Baron and the Pereira Passos’ Rio de Janeiro, for other hand also reflects the Lusitanian way to people. The urban core that originated the city is thus cut in two. A part, consisting north, behind the Church of Santo Antônio de Pádua, it was like that "seeded" as enshrined expression of Sérgio Buarque de Holanda, with an intricate network of alleys, narrow streets and alleys; while to the south, the core corresponds to the urban model of "civilized city" of the nineteenth century, with wide streets and avenues, arranged on the board format. Despite the peculiarity that urban conformation, the survey revealed that printed on it, as a palimpsest, the clash between two rival political groups: the Presbyterians, led by Family Dias Maciel and Catholics, led by Borges family. At the same time, research has shown that if the city was space and object of the conflict between the two groups, was also to other social subjects: the working classes who have gone "off" of the dispute between "Borges and Maciéis". Thus, in the process, be inferred at least "three cities of Patos": on which they lived and "worked" the Maciéis in apparent political interference; that they lived in the Borges, and from which they arose as opposed to Maciéis; and finally, the city where the poor lived, blacks and underprivileged, plagued by syphilis, alcoholism and poverty, in the suburbs of the Várzea and the "Beira da Lagoa".<br>Tese (Doutorado)

Made available in DSpace on 2016-04-27T19:31:22Z (GMT). No. of bitstreams: 1 Tese ANGELA APARECIDA TELES.pdf: 6420322 bytes, checksum: d5b4bf4b234472eff882d46135ae3bd9 (MD5) Previous issue date: 2006-06-22<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis interprets the São Paulo built through images by the film maker Ozualdo Candeias from 1967 to 1992 as a problematization of the exchanges held at the frontier between the urban world and the rural one, born from the process of industrialization and urbanization intensified in the fifties. By means of the creation of a Esthetics of Precariousness, the film maker invented cinematographic procedures for narrating the process of unstructuring of the paulista rural world on its meeting with the city. The geographic and cultural disterritorialization and the movement of reconstitution and resignifying of new territories in the city were aesthetically constructed through the mobility and orality of the rural populations received by the city, as well as the urban precariousness received by the country. In the chapter Cinema and Memory: Candeias at the Trash Point, we discuss the historical experience of the Cinema at the Boca do Lixo and its importance for the trajectory of Candeias as a city resident as well as a movies director. Starting from the fragments of memory registered in published statements, from the photos and documentaries on the Boca Cinema , we interpret the meanings which the director attributed to the rua do Triunfo (Triumph Street) as a social space for the movies people , and for some other sociabilities that anchored their existences in that street and neighborhood. In the chapter São Paulo, between the rural and the urban, we interpret the cinematographic representation of the process of disterritorialization and reterritorialization of the countryman in the city, interlaced with the experience of the cultural dislocation also lived by Candeias. In the chapter An Esthetics of Precariousness, we work the elements of what we named as the Esthetics of Precariousness: the mobility, the orality, and the precariousness esthetically worked out by means of the mixing up of fiction and documentary, of the disconstruction of classical cinema clichés based on photogeny, diegesis, scenery, characters and editing<br>Esta tese interpreta a São Paulo construída em imagens pelo cineasta Ozualdo Candeias entre 1967 e 1992 como uma problematização das trocas realizadas na fronteira entre o mundo urbano e o rural, suscitadas pelo processo de industrialização e urbanização intensificado nos anos 50. Por meio da criação de uma estética da precariedade, esse cineasta inventou procedimentos cinematográficos para narrar o processo de desestruturação do mundo rural paulista no seu encontro com a cidade. A desterritorialização geográfica e cultural e o movimento de reconstituição e ressignificação de novos territórios na cidade foram construídos esteticamente através da mobilidade e oralidade das populações rurais recebidas pela cidade e da precariedade urbana recebida pelo campo. No Capítulo I discute-se a experiência histórica do Cinema da Boca do Lixo e sua importância na trajetória de Candeias como morador da cidade e cineasta. Partindo dos fragmentos de memória registrados em depoimentos publicados, das fotografias e documentários sobre o Cine Boca, interpretam-se os sentidos que o diretor atribuiu à rua do Triunfo como espaço social da gente de cinema e de outras sociabilidades que ancoravam suas existências naquela rua e imediações. No Capítulo II trata-se da representação cinematográfica do processo de desterritorialização e reterritorialização do caipira na cidade, entrelaçada à experiência de deslocamento cultural também vivido por Candeias. No Capítulo III trabalham-se os elementos do que foi aqui nomeado estética da precariedade: a mobilidade, a oralidade e a precariedade esteticamente elaboradas através das mesclas entre a ficção e o documentário, da desconstrução dos clichês do cinema clássico em torno da fotogenia, da diegese, dos cenários, dos personagens e da montagem

Spa in the Czech Republic With a focus on spa Jeseník, Luhačovice, Třeboň and Františkovy Lázně As the subject of my work I chose the Czech Republic spa. I look at the spa environment as a social phenomenon that affects many areas of social life and has a great tradition in Czech culture. With its unique atmosphere and the composition of the clients who visit them, they are more than just popular places by tourists or health facilities but they have also influence on the life of the living there and spa visitors. The work is intended to serve as a general base that could be suitable for further exploration of this area, and therefore tries to cover as many areas of the issue as possible. I try to work with examples from history to point out the role of the spa in the past and how they gradually transformed into what they are today. I also look at services that are offered at the spa and the structure of clients who come to the spa. My field of interest was also the formation of spa towns and life in them. This area is distinguished from others for a large number of changing spa clients. In my work I also did a probe between clients and employees of spa Jeseník, Luhačovice, Třeboň and Františkovy Lázně. With it, I was able to outline some of the differences between the various spas. Spas in the...