Artykuły w czasopismach na temat „United Productions of America”
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1
Ward, Susan, i Anna Potter. "H2O: Just Add Branding: Producing High-Quality Children's TV Drama for Multi-Channel Environments". Media International Australia 133, nr 1 (listopad 2009): 31–42. http://dx.doi.org/10.1177/1329878x0913300108.
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This is a case study of the Australian company Jonathan M. Shiff Productions and its ‘tween’ program, action series H2O: Just Add Water. The program has sold in 150 countries including the United States, where it was ‘the first non-American live action to be bought by Nickelodeon in America’ and screens every Sunday night as family entertainment. It is also the highest rating children's drama series on Nickelodeon UK. While Australia's content regulations are important to its production, of critical importance is ZDF Enterprises, the commercial arm of one of Germany's two public service broadcasting channels, and worldwide distributor and production partner for all Jonathan M. Shiff productions. Case studies such as the following provide useful insights into the shape and operations of mediascapes elsewhere, and where our own media environment may be heading. They also offer a glimpse into the way the international market place is organising along forms of cooperation designed to facilitate global distribution of cultural content. A central proposition of this case study is that the structural conditions of multi-channel environments require certain adjustments in form, content and business modelling that have essentially coalesced around the operation of brand management.
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Chernova, O. V., i D. H. Zaiats. "The Role of TNCs in U.S. Economic Strategy". Business Inform 5, nr 520 (2021): 42–48. http://dx.doi.org/10.32983/2222-4459-2021-5-42-48.
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The article is aimed at analyzing the impact of American transnational corporations (TNCs) on the economic strategy of the United States of America. During the research, the essence of the category of «transnational corporation» is considered and the peculiarities of functioning of the leading TNCs are defined. The key vectors of U. S. economic strategy at the present stage are specified. The activities of transnational (multinational) corporations in the United States of America is analyzed. The article carries out a comprehensive analysis of the existing ratings of American transnational corporations. The key indicators of their activity in various spheres of public production and sectors of economy are analyzed. The impact of transnational corporations on the U.S. economy is evaluated by analyzing the dynamics of exports, imports, indices of gross domestic product (GDP) and gross domestic product per capita. The activities of American TNCs in the territories of foreign countries is studied. The analysis of the dynamics of direct foreign investment of the United States of America abroad and the scale of investment in the national economy of the country from abroad is carried out. The geographical structure of foreign direct investment from the United States of America is considered. Existing threats to the U.S. economy caused by transnational corporations are identified, and their consequences are estimated. Conclusions have been drawn on the future prospects of transnationalization of the US economy and the impact of global companies on the economic strategy of the United States of America.
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Kulikova, Darya. "Cinema as a “Soft Power” Instrument of the State: Examples of Spanish and U.S. Cinematography". Ideas and Ideals 15, nr 2-2 (28.06.2023): 459–75. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-459-475.
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The article considers cinema as an instrument of soft power of states, using the example of cinema in Spain and the USA. Different approaches are shown. On the one hand, the United States, which uses universal concepts, on the other hand, Spain, which uses stereotypical ideas and recognizable images about its country. In American films, most often, universal topics are used that are understandable to all people: the struggle between good and evil (moreover, evil is universal, threatening the whole world, and good is the United States), love, happiness, compassion. Even if purely national issues are raised in American films (for example, African-American racism), these problems are presented as universal, as a problem of human dignity, honor, etc. In Spanish cinema, well-established stereotypes about Spain and its culture are actively used: bullfighting, flamenco, Andalusian folklore, traditional cuisine and clothing (for example, the matador costume), as well as typical, recognizable images of the Spanish man and woman (Spanish macho - Antonio Banderas and swarthy, passionate, beautiful Carmen - Penelope Cruz). All this forms the concept of ‘españolada’. The United States does not officially support its film production, but coordinates and consults with the film productions and directors through unofficial resources, primarily the Motion Picture Association of America, whose leadership includes many former White House officials. Spain, on the contrary, actively supports its filmmakers, helps to promote Spanish films in the international arena, develops joint film production, stimulates the shooting of films at the state level, including foreign ones, using Spanish locations, etc. Thus, one can see two different approaches to cinema as an instrument of soft power, and although American cinema certainly dominates the world market, the obvious success of Spanish cinema, which is becoming increasingly popular, should be noted.
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Roberts, Matthew. "Ajax in America, or Catharsis in the Time of Terrorism". New Theatre Quarterly 36, nr 4 (listopad 2020): 306–19. http://dx.doi.org/10.1017/s0266464x20000652.
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Originally funded by the US Department of Defense in 2009, Theater of War Productions’ first project, Theater of War, performs dramatic readings of Ajax at military bases, hospitals, and academic institutions throughout the United States. Developed by Bryan Doerries, Theater of War brings awareness to the epidemic of suicide and other forms of violence committed by American military service members in the wake of the United States’ so-called ‘war on terror’. But like Ajax, American military personnel typically turn to violence only after being betrayed by the institutions that they served. This article follows how Ajax’s more modern manifestation disrupts the tragic protagonist’s status as a sacrificial victim whose death precipitates tragedy’s cathartic effect, and challenges what René Girard calls the ‘scapegoat mechanism’ and its socio-political function. It argues that Ajax’s appearance as a cathartic figure in American society provokes spectators and artists to reckon with the conditions that can cause military personnel to act violently, and inspires protests against broader hegemonic socio-political structures and the military culture that sustains them. Matthew Roberts is Assistant Professor and Librarian for Comparative and World Literature, English, and Drama at the University of Illinois at Urbana-Champaign.
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Perry, Denielle M., i Kate A. Berry. "Central American integration through infrastructure development: A case study of Costa Rican hydropower". Regions and Cohesion 6, nr 1 (1.03.2016): 96–115. http://dx.doi.org/10.3167/reco.2016.060105.
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At the turn of the 21st century, protectionist policies in Latin America were largely abandoned for an agenda that promoted free trade and regional integration. Central America especially experienced an increase in international, interstate, and intraregional economic integration through trade liberalization. In 2004, such integration was on the agenda of every Central American administration, the U.S. Congress, and Mexico. The Plan Puebla-Panama (PPP) and the Central America Integrated Electricity System (SIEPAC), in particular, aimed to facilitate the success of free trade by increasing energy production and transmission on a unifi ed regional power grid (Mesoamerica, 2011). Meanwhile, for the United States, a free trade agreement (FTA) with Central America would bring it a step closer to realizing a hemispheric trade bloc while securing market access for its products. Isthmus states considered the potential for a Central America Free Trade Agreement (CAFTA) with the United States, their largest trading partner, as an opportunity to enter the global market on a united front. A decade and a half on, CAFTA, PPP, and SIEPAC are interwoven, complimentary initiatives that exemplify a shift towards increased free trade and development throughout the region. As such, to understand one, the other must be examined.
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Kacer, Tomas. "Performing Political Persuasion in the United States in the Early Years of the Republic". Revista Alicantina de Estudios Ingleses, nr 35 (28.07.2021): 61. http://dx.doi.org/10.14198/raei.2021.35.03.
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Theater productions were born out of a paradox in the United States of the Revolutionary War and shortly afterwards. While the nation’s dominant ideology was anti-theatrical, theater often served a nationalist agenda, co-defining the new American nation and its nascent identities – such were, for example, productions of Joseph Addison’s Cato at Valley Forge in 1778 and William Dunlap’s André at the New Park in New York in 1798. These theater events empowered the audience to publicly perform their national identity as Americans and exercise their republican fervor. Similarly, a production of Bunker-Hill by J. D. Burk at the Haymarket in Boston in 1797 was crucial in helping define the social and political identities of its audiences, who were motivated to attend the performances as an expression of their partisan preferences. This article shows that literary, theatrical and social practices served to constitute performatively the early American national identity.
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White, Craig Howard. "Natural Law and National Science: The “Star of Empire” in Manifest Destiny and the American Observatory Movement". Prospects 20 (październik 1995): 119–60. http://dx.doi.org/10.1017/s0361233300006037.
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From its revolution based on Newtonian physics to its Star-Spangled Banner on the Moon, the United States of America shares with astronomy a worldview of infinite expansion. As above, so below: in space, myriad galaxies multiply the stars; on earth, cities of light interminably sprawl with people and production. This cosmology of growth, which first materialized in the scientific revolution and conquest of America during the European Renaissance, reemerges in the “American Renaissance” of the 1840s and 1850s when the American Observatory Movement and Manifest Destiny declare expansion a natural law for the heavens and North America.
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Chinnasamy, Sathiyaraj, M. Ramachandran, Sowmiya Soundharaj i Manjula Selvam. "Investigation of Various Cement Productions and Its Characterization". Construction and Engineering Structures 1, nr 1 (1.06.2022): 15–22. http://dx.doi.org/10.46632/ces/1/1/3.
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Concrete Alumina, silica, lime, iron oxide and A powder of magnesium oxide Burned together in a kiln Used as a fine powder a uncooked fabric for mortar and urban: any compound is used for the identical motive. A binding element or object and many others. Water is the primary element When it is mixed with cement Connecting the whole together Creating a paste. Water hardens concrete thru a procedure known as hydration. Cement is a binder used in production to bond, harden and glue other substances together. Cement is rarely used alone, but to bond sand and gravel cement technology, Kothanar Supply Inc. is a privately owned company that supplies hydraulic cement and patch mixtures to businesses throughout North America, including the United States. It is not widely used in cement construction in Canada and Puerto Rico because it has higher thermal hydration than concrete, cement is less durable than concrete and is prone to cracking. It is difficult to cure and thus does not apply to areas that are easily affected by movement. Today, the most important investments in our country’s Infrastructure, transportation, culture and improvement are built with cement and concrete. Infrastructure initiatives such as the Hoover Dam and the Los Angeles Aqueduct helped shape West America, the building block of most bridges, roads, dams, and structures, releasing large amounts of CO2 into concrete each year. The cement industry, the most consumed material on earth besides water, Is the 0.33 largest business source of pollutants, emitting in step with . Against the backdrop of a growing population, per capita consumption represents a dramatic decline. Any use of non-renewable resources is essentially unsustainable. Uses fossil fuels, bulk sand and gravel to make concrete and cement
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Lind, Yvette. "Article: Auditioning for Hollywood: A Comparative Study of Tax Incentives Offered to the Film Industry". Intertax 51, Issue 2 (1.02.2023): 170–82. http://dx.doi.org/10.54648/taxi2023011.
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The European film landscape is characterized by a strong presence of Hollywood productions. In 2019, American productions held approximately 70% of the market within the European Union while European productions had 25%. As a response, the EU has introduced differing types of financial support schemes with the aim of offsetting the imbalance between the American and the European film industries. This article describes and analyses tax incentives offered to the film industry from two main lines of inquiry: (1) a comparative and empirical tax study of twelve jurisdictions (Canada, China, France, Germany, India, Italy, Japan, the Netherlands, Norway, Spain, the United Kingdom, and the United States) in which the design of such tax incentives is investigated, and (2) a conceptual tax policy discussion on how states may design and implement such tax incentives. Tax incentives, sustainability, development, film industry, tax competition, tax design, comparative tax law
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Desnky, Reyandi, Syaparuddin Syaparuddin i Siti Aminah. "Ekspor kopi Indonesia dan faktor-faktor yang mempengaruhinya". e-Journal Perdagangan Industri dan Moneter 6, nr 1 (3.04.2018): 23–34. http://dx.doi.org/10.22437/pim.v6i1.4656.
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This study aims to analyze the influence of Gross Domestic Product of the United States, Indonesian coffee production, international coffee prices and the rupiah exchange rate against Indonesian coffee exports to the United States. The data used is time series data of time period 2000-2015. Data were analyzed descriptively and using multiple regression. The results of the study found that: 1) the average growth of Indonesian coffee exports to the United States was 12.33% per year. The price of coffee has grown by an average of 8.81%, coffee production has an average growth of 2.11%, the US gross domestic product has experienced an average growth of 2.94% average of 2.80%; 2) The Gross Domestic Product of the United States and the rupiah exchange rate have a positive and significant impact while Indonesian coffee production and international coffee prices have no significant effect on Indonesian coffee exports to the United States. Keyword: Indonesian Coffee Export, Gross Domestic Product of America, Indonesian Coffe Production, International Coffee Prices and Rupiah Exchange Rate
Abstrak Penelitian ini bertujuan untuk menganalisis pengaruh Produk Domestik Bruto Amerika Serikat, produksi kopi indonesia, harga kopi internasional dan nilai tukar rupiah terhadap ekspor kopi Indonesia ke Amerika Serikat. Data yang digunakan adalah data sekunder runtun waktu (time series) periode tahun 2000-2015. Data dianalisis secara deskriptif dan menggunakan regresi berganda. Hasil penelitian menemukan bahwa: 1) rata-rata perkembangan ekspor kopi Indonesia ke Amerika Serikat adalah sebesar 12,33% pertahun. Harga kopi mengalami perkembangan dengan rata-rata sebesar 8,81%, produksi kopi mengalami perkembangan rata-rata sebesar 2,11%, produk domestik bruto Amerika Serikat mengalami perkembangan rata-rata sebesar 2,94% dan nilai tukar rupiah mengalami perkembangan rata-rata sebesar 2,80%; 2) Produk Domestik Bruto Amerika Serikat dan nilai tukar rupiah memiliki dampak positif dan signifikan sementara produksi kopi Indonesia dan harga kopi internasional tidak berpengaruh signifikan terhadap ekspor kopi Indonesia ke Amerika Serikat. Kata Kunci : Ekspor Kopi Indonesia, Produk Domestik Bruto America, Produksi Kopi Indonesia, Harga Kopi Internasional, Nilai Tukar Rupiah
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Safitri, Rossi, Fitria Riana i Wiwit Widyawati. "Struktur, Perilaku, dan Kinerja Pasar Benih Jagung (Zea Mays L.) di Amerika Serikat, India, dan Indonesia". Jurnal Ekonomi Pertanian dan Agribisnis 5, nr 4 (1.10.2021): 1019–36. http://dx.doi.org/10.21776/ub.jepa.2021.005.04.6.
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The growth of corn demand in the world has an impact on the lack of fulfillment in the world, so it needs some effort to increase the production through corn seed optimation. The three of corn production center in the world are United States of America, India, and Indonesia. The aim of this study are to analyze and compare the structure, conduct, and performance of corn seed market in United States of America, India, and Indonesia and also to analyze the suitable policy recommendation to improve Indonesian corn seed marketing efficiency. This research used literature review method to analyze the data. The results shows that the market structure of corn seed market in United States of America, India, and Indonesia is oligopoly. The market conduct of corn seed market in United States of America, India, and Indonesia are same, which is a merger and particular agreements practice among the seed companies. The most efficient market is India, with the value of producer price share 76.08%.
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Si, Ruo, i Chi Zhang. "How Far Can French Films Travel in China? An Empirical Analysis from The Cultural Discount Perspective". International Journal of Education and Humanities 10, nr 1 (17.08.2023): 277–87. http://dx.doi.org/10.54097/ijeh.v10i1.11173.
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As the second largest film exporter except the United States, France is not only one of the important export countries of European Union, but also a major exporter in China and North America. Cultural discount has generally been a problem in the cultural trade export. This article analyzes box office figures from 2009 to 2018 to examine whether French films of different genres and copyrights are more or less subject to cultural discount when they travel to mainland China. The results show that science fiction, adventure and thriller are apparently the most universal and that genre of drama and copyrights of ordinary and buy-out are highly particularistic, whereas co-productions are relatively universal due to non-significant test results. As the results, development status and trend analysis of Sino-French co-production cases are typically discussed.
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Tkach, O., V. Tsvykh, M. Khylko, O. Batrymenko i D. Nelipa. "OIL AND GAS FACTOR IN THE FOREIGN POLICY OF LATIN AMERICA". Visnyk of Taras Shevchenko National University of Kyiv. Geology, nr 3 (86) (2019): 27–33. http://dx.doi.org/10.17721/1728-2713.86.04.
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Formulation of the problem. The authors analyze the current state and prospects for the development of the oil and gas complex and their role in the foreign policy of the Latin American states, policies of the use of oil and gas resources as a tool for enhancing influence in the region, as well as the functioning of multilateral oil supply agreements. The possibilities of realization of joint energy projects in Latin America are analyzed. The presence of oil and gas in the region has always been used as a political tool. The United States' reliance on Middle Eastern oil and the carbon emissions produced by the surging demand for fossil fuels in Asia tend to dominate discussions about the role of energy in U.S. foreign policy. But in recent years, the energy relationship between the United States and Latin America has perhaps become more important than other issues, as the largest share of the United States international trade and investment in the energy sector has occurred within the Western Hemisphere. Purpose of the researchis to study the role of the oil and gas complex in the foreign policy of Latin American countries. The oil and gas complex plays an important role in the foreign policy of Latin American countries. The Latin American energy market is quite attractive to transnational energy companies due to the huge volumes of cheap energy resources, the consumer market with growing energy demand. The energy markets of the Americas are deeply integrated. Despite the shale boom, which led to a sharp increase in U.S. oil production and a drop in imports, the United States still relies on Latin America for more than 30 percent of the oil it buys from abroad. The gas and gas complex part of the geological section is characterized by a similar lithological composition and the underlying rocks, containing oil and gas in industrial volumes. Research methods: The following research methods were used to address the issues set in the article: general scientific methods – descriptive, hermeneutic-political, systemic, structural-functional, comparative, institutional-comparative; general logical methods – empirical, statistical, prognostic modeling and analysis; special methods of political science. The preference was given to the method of political-system analysis, by which the common and distinctive characteristics of the basic components of immigration policy strategies were identified, reflecting existing political, public, information and other challenges for international relations and global development. The article of analysis. Latin America, a growing importer of U.S. natural gas and the largest market for U.S., makes refined petroleum products, such as gasoline. American oil companies and utilities are big investors in Argentina, Brazil, Mexico, and Venezuela, helping to develop the energy resources of all those countries. In Brazil, the United States direct investment in oil and gas extraction reached $2,4 billion in 2015; in Mexico, the figure was $420 million. Washington's financing and technical cooperation programs have further helped the development of new energy resources in the region. U.S. institutions and funds back up clean energy investments and provide regulatory and technical guidance to tap the region's shale fields.
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Santos, Fernanda Dias dos, Jussara Cabral Cruz, Alexandre Swarowsky i Roberta Aparecida Fantinel. "Use of the glyphosate herbicide: an integrated review". Acta Scientiarum. Technology 46, nr 1 (16.02.2024): e65057. http://dx.doi.org/10.4025/actascitechnol.v46i1.65057.
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the herbicide glyphosate has a non-selective active ingredient for the functional groups carboxyl, amino, and phosphonate. Its use was accentuated with the opening of agricultural frontiers and the use of genetically modified organisms, due to the great demand for food in the world. Thus, the objective of this study was to analyze what scientific productions from 2010 to 2020 bring about the glyphosate herbicide theme and its impacts on the environment. the study comprised the search for papers in the Capes - Web of Science and Scopus Journals, covering 62 scientific studies. Europe and America stood out in scientific productions, with 38.7 and 37.1% of published works, respectively. the countries that stood out were Argentina, Brazil, United States, and France, both with 7 productions each. Regarding the researched topics, ‘Biological test in a contaminated environment’ stands out, with 9 publications, followed by ‘Adsorption’ with 8 publications. However, there is still a demand for studies, for the development of methods for determining the herbicide glyphosate and its metabolite Ampa, mainly in soil and water, as it is a potential contaminant, to guide decisions about it and propose guidelines that support the technique and scientifically their spectrum of action.
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El-Haj, Thea Renda Abu. ""The Beauty of America": Nationalism, Education, and the War on Terror". Harvard Educational Review 80, nr 2 (23.06.2010): 242–75. http://dx.doi.org/10.17763/haer.80.2.hw3483147u83684h.
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In this article, Thea Renda Abu El-Haj draws on qualitative research conducted with Palestinian American high school students to explore school as a key site for nation building. By focusing on their teachers' talk and practice, she examines how U.S. nationalism and national identities are produced through everyday racialized and gendered discourses and practices inside one school. She argues that this nation building is deeply entwined with the cultural logic that undergirds U.S. imperial ambitions in relation to the current "war on terror" and explores how productions of everyday nationalism and national belonging define an "American" identity in opposition to cultural and political traits and values assumed to characterize Islam. Ultimately, Abu El-Haj demonstrates how complex discourses about the United States engender a view of education as alternately a liberating and disciplining force for Arab American youth. She concludes with implications for educating teachers "to better address the complexities of teaching in contemporary contexts of global migration,transnationalism, and the war on terror."
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Guzmán-Valenzuela, Carolina, Andrés Rojas-Murphy Tagle i Carolina Gómez-González. "Polifonía epistémica de la investigación sobre las experiencias estudiantiles: El caso Latinoamericano". education policy analysis archives 28 (22.06.2020): 96. http://dx.doi.org/10.14507/epaa.28.4919.
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In this article, the production of knowledge about what is known in the international literature as ‘the student experience’ is examined. This construct has been researched in the United Kingdom while, in the United States, the “student engagement” has gained traction. Although in Latin America the production of knowledge in higher education has been increasing in the last decade, studies on student experiences are rather scarce, although there are abundant literatures on higher education in general. By means of a bibliometric analysis and a content analysis of articles published between 2000 and 2017 by Latin American authors in two recognized indexes (Web of Science and SciELO), this article examines the production of knowledge about higher education students' experiences from a geopolitics of knowledge perspective. The results show that, in Latin America, there is a diverse production of knowledge about higher education students, and given this plurality, the concept of “epistemic polyphony” is proposed. On the one hand, there is an epistemic predominance of Anglo-Saxon influences but, on the other hand, it also presents specific features related to higher education systems in the region. The article ends with a reflection on the ways in which knowledge is produced in the Latin American region and how such production has an impact on policies.
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Codman, Ernest. "Re-engineering clinical records for production control". Australian Health Review 24, nr 2 (2001): 71. http://dx.doi.org/10.1071/ah010071.
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Sajid, Zaman, Maria da Silva i Syed Danial. "Historical Analysis of the Role of Governance Systems in the Sustainable Development of Biofuels in Brazil and the United States of America (USA)". Sustainability 13, nr 12 (18.06.2021): 6881. http://dx.doi.org/10.3390/su13126881.
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The United States of America and Brazil are the world’s first and second-largest biofuels producers. The United States (U.S.) has dedicated a significant portion of agricultural land for crops to produce biodiesel, while Brazil has been using sugar cane as raw material to produce ethanol. To make the world’s top producers in global biofuel markets, various institutions in each country have played significant roles. These institutions include renewable energy legislators, bioenergy policymakers, and energy ministries of their governments. This study delineates the historical role of these institutions responsible for the sustainable development of biofuel industries in both countries. It also provides an overview of economic impacts as a result of institutional decisions. The study reveals that systematic legislations and sustainable and robust renewable energy policies of government institutions have helped the U.S. and Brazil to boost their bio-economies. As both countries intend to keep expanding their biofuel productions, the role of key government institutions is vital in the sustainability of biofuels.
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Azhar, Faisal. "Persepsi dan Produksi Tuturan Bahasa Indonesia Bagi Penutur Asing oleh Penutur Jati Bahasa Inggris". Jurnal Bahasa Indonesia bagi Penutur Asing (JBIPA) 2, nr 2 (15.12.2020): 48. http://dx.doi.org/10.26499/jbipa.v2i2.2847.
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Speakers of two or more languages or known as multilinguist who could produce speech yet differently from their perception. A language which used outside their social context generally known as foreign language. The Ministry of Education and Culture of the Republic of Indonesia has since 2017 held a program titled Apresiasi PemenangLomba Berpidato dan Bercerita (APLBB BIPA) which awardees are from around the globe. In 2019, the awardees were the winner of speech and story-telling competition in Indonesian Embassies and Consulates from twenty-one countries, including the L1 English-speaker from Australia, and the United States of America. L2 speakers often produce different speech than they have perceived, in this case, with the awardees of APLBB BIPA L1 English-speakers. Based on perception and speech production analysis, it is found that phonological variables such as vocals, consonants, and sound-added vocals produced by L1 English-speaker awardees appeared. This means that they perceived the sounds differently from their speech productions
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Schrader, Valerie Lynn. "‘Who Tells Your Story?’: Narrative Theory, Public Memory, and the Hamilton Phenomenon". New Theatre Quarterly 35, nr 03 (18.07.2019): 261–74. http://dx.doi.org/10.1017/s0266464x19000265.
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The popularity of Lin-Manuel Miranda's hit musical Hamilton has been unprecedented. Hamilton tells the story of the first United States Secretary of the Treasury, Alexander Hamilton, a founding father who, until recently, was often forgotten in American public memory. Miranda's unique musical, which fuses an eighteenth- and nineteenth-century story with contemporary music and text, features actors of various races and genders in order to tell the story of ‘America then’ by and for ‘America now’. Through a close textual analysis of the musical's script, cast recording, and sheet music, Valerie Lynn Schrader uses narrative theory to explore how Hamilton creates public memory of one of the lesserknown US founding fathers. She argues that, through the narrative paradigm, Hamilton creates what narrative theorist Walter Fisher refers to as ‘public moral argument’,1 through which audience members can discern life lessons, or ‘equipment for living’,2 for their own lives. Finally, the article suggests that the rhetorical theory of Burkean identification may play a role in how public memory of Hamilton's story is formed and how audience members learn life lessons from the musical. Valerie Lynn Schrader is Associate Professor of Communications Arts and Sciences at the Schuylkill Campus of the Pennsylvania State University. Her research focuses on rhetorical messages in theatre works, especially musical theatre productions. She is herself a classically trained lyric soprano/soubrette.
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Osipitan, O. Adewale, Jeneen S. Fields, Sassoum Lo i Ivan Cuvaca. "Production Systems and Prospects of Cowpea (Vigna unguiculata (L.) Walp.) in the United States". Agronomy 11, nr 11 (16.11.2021): 2312. http://dx.doi.org/10.3390/agronomy11112312.
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Cowpea (Vigna unguiculata (L.) Walp.) is an important legume crop with enormous nutritional, agronomic and economic value. Cowpea constitutes a large portion of the daily diet among many people in Africa, Asia, Central America, and Southern America. The United States was among the top 10 global producers of cowpea until 1967, when cowpea was grown primarily for soil management and livestock feed. With the projected increase in the minority population in the United States, from 25% in 1992 to 47% in 2050, it is expected that the consumption of cowpea in the nation will increase substantially. In this review, we provide information about cowpea production systems and prospects in the United States.
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Smith, Paul Julian. "Screenings". Film Quarterly 71, nr 3 (2018): 72–76. http://dx.doi.org/10.1525/fq.2018.71.3.72.
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Italian television scholar Milly Buonanno has often complained that, in this second Golden Age of TV, academic attention is focused almost exclusively on the United States. Even in a country like Spain, newspapers dutifully recap each episode of American premium-cable and streaming-service series while ignoring their own local productions. Hence, the importance of Buonanno's new collection Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, which tracks its female figures on screens from Italy and France to Australia and Brazil. Smith examines two prominent Spanish language TV shows featuring women in prison and concludes that Buonanno's invaluable book shows it is no longer necessary to ask where the female Tony Sopranos or Walter Whites may be. And, thanks to the compelling examples of Capadocia (HBO Latin America, 2008–12) and Spain's Vis a vis (Antena 3/Fox, 2015–), it is now clear that difficult women can speak Spanish as well as English on global TV screens, even as they are confined within them to the smallest of prison cells.
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Alvarez, Linda. "No Safe Space: Neoliberalism and the Production of Violence in the Lives of Central American Migrants". Journal of Race, Ethnicity, and Politics 5, nr 1 (30.09.2019): 4–36. http://dx.doi.org/10.1017/rep.2019.23.
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AbstractThis paper explores the ways in which neoliberal policies enacted by elites across the Northern Triangle have led to increased violence in Central America, a lived experience that continues as individuals migrate to Mexico and the United States. In this work, I examine how neoliberal polices in the region have created limited economic opportunities and means of subsistence for the poor in Central America, as well as the rise of extra-legal actors and criminal enterprises. Together these conditions leave Central Americans with no choice but to migrate north. This paper then explores the violence migrants experience as they move through Mexico. In this stage of the journey, migrant bodies are objectified and then commodified as cheap labor for the global market as well as local economies of violence. Lastly, I discuss the multiple zones of violence that migrants experience at Mexico's border with the United States. This project relies on in-depth, semi-structured interviews (n = 99) with Central American migrants over the course of 4 years (2014–18). Ultimately, I find that for Central American migrants, violence can be a seemingly inescapable reality as neoliberal forces maintain and normalize violence in order to preserve an established social order at the expense of these migrants.
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Singh, Damien, Frederick Cubbage, Ronalds Gonzalez i Robert Abt. "Locational determinants for wood pellet plants: A review and case study of North and South America". BioResources 11, nr 3 (14.07.2016): 7928–52. http://dx.doi.org/10.15376/biores.11.3.singh.
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The European Union’s Renewable Energy Directive has led many electricity producers in Europe to use wood pellets in place of fossil fuels. North America has become one of the primary suppliers of wood pellets to Europe. This paper critically examines literature, economic models and data, as well as the supply chain and country risk factors, related to wood pellet production to anticipate where North and South American pellet mills should be built to meet Europe’s demand. Canada, the United States, and Brazil maintain the largest natural forest area, planted forest area, and industrial roundwood production; however, South American countries achieve faster plantation growth rates. The World Bank’s Logistic Procurement Index and IHS’s Country Risk Index were used to score and rank countries’ investment climates, based on their supply chain and risk factors. In this regard, the United States, Canada, and Chile performed best, in contrast to Venezuela, Bolivia, and Ecuador. When considering both wood supply and investment climates, the United States, Canada, and Chile were the most attractive countries to build a pellet mill, while countries, such as Argentina, Brazil, Colombia, Paraguay, and Peru present significant trade-offs between having significant wood resources and riskier investment climates.
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P, Nishanth, i Swethana R. "Analysis of heterogeneous and distributed manufacturing environment using Gray Relational Analysis (GRA) Method". 4 1, nr 4 (1.12.2022): 25–32. http://dx.doi.org/10.46632/jame/1/4/5.
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Manufacturing Environment Production of one or more products Dedicated production lines to do or areas. Convenience stores stock items that can manufacture or have them made to order, only if requested by the buyer. The objective of this thesis Finding the best cleaning location Manufacturing Environment or Gray Relational Analysis (GRA) method showing. GRA (Gray Relational Analysis) Method, Cincinnati Milagron T3-726, Cybotech V15 Electric Robot, Hitachi America Process Robot, Unimation PUMA 500/600, United States Robots Maker 110 Alternatives or Load Capacity, Computational Steps for Solving Repeatable Multi-Attribute Decision-Making Problems Node Speed, Memory Capacity, the evaluation parameters reached by the handler The United States Robots Maker 110is got the first rank whereas the Hitachi America Process Robot is having the lowest rank. In this paper Manufacturing Environment United States Robots Maker 110is got the first rank whereas the Hitachi America Process Robot is having the lowest rank
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Spalink, Angenette. "Theresa J. May. Earth Matters on Stage: Ecology and Environment in American Theater." Modern Drama 64, nr 4 (1.12.2021): 508–10. http://dx.doi.org/10.3138/md.64.4.br4.
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In Earth Matters on Stage, Theresa J. May explores a range of significant plays and productions from crucial moments in the United States’ environmental history to demonstrate the myriad ways that American theatre has represented, challenged, and been complicit in environmental imperialism.
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Lozano, Jose Carlos. "From Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversity". Anagramas Rumbos y Sentidos de la Comunicación 20, nr 40 (19.05.2022): 200–223. http://dx.doi.org/10.22395/angr.v20n40a9.
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The supply of films and TV series in the United States has been historically dominated by national programming produced by its powerful media conglomerates, significantly limiting the diversity and plurality of choices for their American viewers. Netflix and other video-on-demandplatforms are changing this situation, significantly increasing the availability in the United States of fiction produced in different regions of the world, potentially exposing their subscribers to new narrative styles, scenarios, ethnicities, nationalities, languages, and cultural features. This study, based on the methodology of content analysis, analyzes the geographical origin and production type of new Netflix scripted television releases in the United States from January 2017 to June 2018 and discusses their potential relevance in broadening the degree of geographical diversity among American subscribers to the platform. The paper concludes that while Netflix USA substantially increased the supply of foreign television series in its catalog during that period, a sizeable part of the imports came from countries with high degrees of “cultural proximity” with the United States. The article concludes by discussing the possible “Americanization” of foreign audiovisual productions, formats, and genres bought or produced by Netflix.
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Lyon, Scott W., Henry Quesada-Pineda i Robert L. Smith. "A Case Study to Determine Drivers and Barriers of Appalachian Forest Products in Central America". Revista Forestal Mesoamericana Kurú 9, nr 22 (9.09.2012): 40. http://dx.doi.org/10.18845/rfmk.v9i22.362.
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The purpose of this research was to determine drivers and barriers of Appalachian wood product competitors in Central America. Potential market opportunities for Appalachian forest product companies in Central America were evaluated and strategies were developed to increase exports of Appalachian wood products to Central America. The findings support the claim that United States forest product companies have not put enough effort into marketing forest products to Central America. Forests in El Salvador, Panama, and Costa Rica are limiting harvests and the industry lacks support from the government, reducing the amount of raw material and production. Inconsistencies between Appalachian and Central American wood products industries (e.g., dimensions) act as a barrier to the efficient exchange of wood products. The best market strategies for Appalachian forest products companies to increase sales into Central America are: partner with local wholesalers, offer higher value-added products, and maintain similar pricing with competition. An outside source of wood is needed to meet the needs of growing regional infrastructure.
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Dung, Jeremiah K. S. "Verticillium Wilt of Mint in the United States of America". Plants 9, nr 11 (18.11.2020): 1602. http://dx.doi.org/10.3390/plants9111602.
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Verticillium wilt, caused by the fungus Verticillium dahliae, is the most important and destructive disease of mint (Mentha spp.) in the United States (U.S.). The disease was first observed in commercial mint fields in the Midwestern U.S. in the 1920s and, by the 1950s, was present in mint producing regions of the U.S. Pacific Northwest. Verticillium wilt continues to be a major limiting factor in commercial peppermint (Mentha x piperita) and Scotch spearmint (Mentha x gracilis) production, two of the most important sources of mint oil in the U.S. The perennial aspect of U.S. mint production, coupled with the soilborne, polyetic nature of V. dahliae, makes controlling Verticillium wilt in mint a challenge. Studies investigating the biology and genetics of the fungus, the molecular mechanisms of virulence and resistance, and the role of soil microbiota in modulating host-pathogen interactions are needed to improve our understanding of Verticillium wilt epidemiology and inform novel disease management strategies. This review will discuss the history and importance of Verticillium wilt in commercial U.S. mint production, as well as provide a format to highlight past and recent research advances in an effort to better understand and manage the disease.
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Gudkov, Maxim M. "Incorporation of Vsevolod Meyerhold’s theatrical ideas into the stage practice of the USA: The directorial activity of Herbert Biberman". ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, nr 2 (2023): 32–62. http://dx.doi.org/10.35852/2588-0144-2023-2-32-62.
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The study focuses on the incorporation of Vsevolod Meyerhold’s theatrical methodology to American stage practices specifically through the directing activities of Meyerhold’s follower in the US Herbert Biberman. The characteristic of the main ways for exporting Meyerhold’s ideas overseas are provided. Among them — the arrival of American theatrical figures in Moscow, studying with the master at the Meyerhold’s Moscow State Theatre, as well as the translation and publication of Soviet theatrical literature about the director and his method. The reception of Meyerhold’s stage work is given by theatrical figures of the USA (among them — Brooks Atkinson, Henry Dana, Norris Houghton). On the basis of Biberman’s first two productions, the material for which was Soviet dramaturgy — “Konstantin Terekhin (Rust)” by Vladimir Kirshon and Andrey Uspensky and “Roar, China!” by Sergey Tretyakov — the continuity of the stage practice of the American director to the Meyerhold’s theatrical principles is revealed. The Broadway production of “Rust” was distinguished by poster expressiveness and conciseness of style, generalized and relief techniques of the acting. In the performance based on Tretyakov’s play, Biberman built expressive, almost graphic mise en scene and acting angles. The author presents an analysis of “Meyerholdovsky” theatrical ideas overseas on the basis of materials from the collections of the New York Public Library for the Performing Arts (newspaper and magazine reviews) and the Russian State Archive of Literature and Arts (RGALI, Moscow), as well as documents from the Houghton Library at Harvard University and the Beinecke Rare Book and Manuscript Library at Yale University. The work is aimed at expanding both the understanding of Vsevolod Meyerhold’s theatrical ideas in the United States and the stage fate of Soviet plays in America.
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Chambliss, Julian Carlos, Nicole Huff, Kate Topham i Justin Wigard. "Days of Future Past: Why Race Matters in Metadata". Genealogy 6, nr 2 (26.05.2022): 47. http://dx.doi.org/10.3390/genealogy6020047.
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While marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the MSU Library Comics Art Collection (CAC), which contains over 300,000 comics and comic artifacts dating as far back as 1840. As noted on the MSU Special Collections’ website, “the focus of the collection is on published work in an effort to present a complete picture of what the American comics readership has seen, especially since the middle of the 20th century”. As one of the world’s largest publicly accessible comics archives, a community of scholars and practitioners created the Comics as Data North America (CaDNA) dataset, which comprises library metadata from the CAC to explore the production, content, and creative communities linked to comics in North America. This essay will draw on the Comics as Data North America (CaDNA) dataset at Michigan State University to visualize patterns of racial depiction in North American comics from 1890–2018. Our visualizations highlight how comics serve as a visual record of representation and serve as a powerful marker of marginalization central to popular cultural narratives in the United States. By utilizing data visualization to explore the ways we codify and describe identity, we seek to call attention to the constructed nature of race in North America and the continuing work needed to imagine race beyond the confines of the established cultural legacy.
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Kleshchenko, Liudmila. "The image of Latin America in Soviet and American Cold War Cinema". Metamorphoses of history, nr 25 (2022): 0. http://dx.doi.org/10.37490/s230861810023095-4.
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The article examines the peculiarities of the representation of Latin American images in Soviet and American cinema during the Cold War. The author concludes that there are certain similarities in the representation of Latin America in the films of the USA and the USSR: both of them mainly create the image of Latin American countries as being at a lower stage of social development. The inclusion of images of third countries, including Latin American countries, in the film narrative was intended to perform the following functions: to demonstrate the atrocities of the enemy (against the population of third countries) or the courage of "their", designed to protect allies from third countries in need. The fulfillment of these functions is conditioned by the specifics of the interpretation of Latin American countries in Soviet and American cinema as "third world countries": uncivilized, wild, and full of dangers. In turn, the activities of an opponent country in the international arena in the Latin American region are often viewed as harmful, hindering its political development. The difference between the images of Latin America in American cinema is their greater diversity, which became possible due to less strict regulation of film production, as well as due to the historical and geographical proximity of Latin America to the United States, which led to the persistent interest of cinematographers in Latin American issues. The specificity of Soviet cinema is, firstly, the desire to create a collective image of Latin America without differentiation by country. Secondly, the glorification of Latin American revolutionaries.
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Blank, Martin. "Eugene O'Neill in South Africa: Margaret Webster's Production of A Touch of the Poet". Theatre Survey 29, nr 1 (maj 1988): 113–16. http://dx.doi.org/10.1017/s0040557400009133.
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Margaret Webster (1905–1972), British-American producer-director perhaps best remembered for her production of Othello with Paul Robeson, was also a distinguished writer, lecturer and actress. It was in these several capacities that Webster was invited in 1961 by the United States Department of State to visit South Africa. Webster was to lecture on theatre, offer her one-woman recitals of Shakespeare and Shaw, and direct an “American classic” for the South African National Theatre Organization. In discussions with members of the State Department and the National Theatre Organization, the plays of several writers, including Williams, Miller, Wilder, Hellman and MacLeish, were considered but eventually eliminated for reasons of suitability, individual taste or because of recent productions in South Africa. Eventually, A Touch of the Poet was selected for production.
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Mougenot, Benoit, i Percy Herrera-Añazco. "A bibliometric analysis of literature on the out-of-pocket expense in health in Latin America". Revista del Cuerpo Médico Hospital Nacional Almanzor Aguinaga Asenjo 15, nr 2 (30.06.2022): 241–46. http://dx.doi.org/10.35434/rcmhnaaa.2022.152.1080.
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Objetive: perform a bibliometric analysis of the scientific production on out-of-pocket expense (OOPE) published in Latin America from the period 2002 to 2020 is conducted. The study: we use the Scopus database to select related articles about OOPE in Latin America. Bibliometric indicators were analyzed using Bibliometrix and Biblioshiny R packages. Findings: we identified 207 documents and 828 authors during the period 2002-2020. The number of publications increased (12.62% annual growth rate). “Salud Publica de Mexico” was the leading journals in number of publications. The majority of publications came from developing country collaboration with developed countries such as United States or United Kingdom. Mexico was the most productive and cited country in OOPE in Latin America. Conclusions: the documents published in journals related to OOPE in Latin America are increasing, being Mexico the most productive and cited country in out-of-pocket expense fields in the region.
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Campbell, Colin. "Livestock diversificaiton the potential for farming camelids in the united kingdom". Proceedings of the British Society of Animal Production (1972) 1990 (marzec 1990): 75. http://dx.doi.org/10.1017/s0308229600018560.
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The British government is encouraging livestock diversification and the production of those animal products which are still being imported. Currently most farm animal fibres such as mohair, cashmere and alpaca are imported with the result that there is a potential for developing production in the U.K. South American camelids can all be farmed for their fibre and present few nutritional or managemental problems. The llama is the largest of the four species with the male weighing about 116 kg. It produces coarse fibre of various colours. The alpaca is smaller than the llama, has short ears, a woolly face and a rounded rump. It averages 1 m in height and the male weighs 64 kg. There are two types of alpaca with different characteristics, the Huacaya and the Suri. Yields of 2.00 kg of good quality 18-30 micron fibre are normal. In South America the vicuna and the guanaco exist only in the wild state. Guanacos have shaggy coats of fine texture, usually chestnut borwn.
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Ebel, Roland, Esmaeil Fallahi, John L. Griffis, Dilip Nandwani, Donielle Nolan, Ross H. Penhallegon i Mary Rogers. "Urban Horticulture, from Local Initiatives to Global Success Stories". HortTechnology 30, nr 1 (luty 2020): 4–5. http://dx.doi.org/10.21273/horttech04525-19.
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Urban horticulture describes economically viable horticultural production activities conducted in a city or suburb. It is a growing segment of horticulture in the United States as well as in developing countries, where the enormous growth of megalopolis is not backed by a simultaneous increase of farmland or agricultural productivity. Today, urban horticulture includes food sovereignty in underprivileged neighborhoods, increased availability of vegetables and fruits in big cities, healthy and diverse diets, improved food safety, low transportation costs, efficient resource use, and the mitigation of environmental impacts of horticultural production such as the emission of greenhouse gases. The workshop “Urban horticulture: From local initiatives to global success stories,” held at the 2018 American Society for Horticultural Science (ASHS) conference in Washington, DC, featured present and historical success stories of urban horticulture from Asia, Africa, Latin America, and the United States.
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Slade, Christina. "Telenovelas and Soap Operas: Negotiating Reality from the Periphery". Media International Australia 106, nr 1 (luty 2003): 6–17. http://dx.doi.org/10.1177/1329878x0310600103.
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Latin American telenovelas, like the Australasian soap operas, have been globally successful. It is a remarkable feature of this success that it has reversed the flow from the centres of production in Europe and the United States. I argue that we should assess these products from the ‘periphery’ in their own terms, and not through the lens of the industries of the heartland. I lake the Mexican case as a specific example, and turn then to comparisons between the Australasian soap industry and that in Latin America.
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STEIGERWALD ILLE, MEGAN. "Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera". Journal of the Society for American Music 14, nr 4 (listopad 2020): 419–50. http://dx.doi.org/10.1017/s1752196320000322.
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AbstractTwenty-first-century North American opera houses have attempted to bring in new audiences to make up for a declining and aging population of subscribers through means both traditional and unorthodox. The San Francisco Opera's SF Lab Initiative (2015–2018) was created with such goals in mind. Alternative forms of programming, which I categorize as auxiliary programming, have gained traction as a marketing and aesthetic strategy in recent years, and ultimately signal a dramatic shift in approaches to regional opera production in the United States. While scholars have explored the creation and funding of contemporary operatic productions in the United States, little attention has been given to forms of programming beyond the operatic mainstage. Using interviews with company members and analysis of advertising and reception of the events, I examine the SFO Lab programming as a site of negotiation between operatic convention and experimentation. Based on a populist vision of operatic access, the SF Opera Lab re-contextualized rather than eliminated class and intellectual hierarchies. More broadly, this application of experimental performativity contributes to discourses about Pan-American experimentalism(s) and demonstrates the ways in which a focus on local encounters can yield broad applications for genres and/or scenes beyond opera in the United States.
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Kolowratnik, Nina Valerie. "The Dilemmas of Silence: Evidence, Indigenous Traditional Knowledge and Secrecy in Four Cases Involving Indigenous Peoples in Cultural and Territorial Isolation". Andares: Revista de Derechos Humanos y de la Naturaleza, nr 2 (6.04.2023): 26–39. http://dx.doi.org/10.32719/29536782.2022.2.3.
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Within many Indigenous cultures, traditional and spiritual knowledge is considered secret. It requires initiation and is safeguarded by different groups or levels of religious authority within a community. Transmission of such knowledge is usually performed at specific times, places and to selected peoples only. When Indigenous communities are claiming their rights to traditional land in western-oriented legal forums, they are required to provide proof of their connection to the lands and speak about the importance the sacred grounds hold in their tradition–and are required to do so according to Western legal discourse and protocol. When requirements for evidence neither represent nor respect Native culture, Indigenous parties to the claim often go silent, or else risk silencing the practices they originally aimed to protect. This article discusses the dilemma Indigenous communities face when asked to provide evidence despite cultural restrictions on traditional knowledge transfer. It first looks at evidence and secret knowledge in the case Pueblo of Jemez vs. United States of America (2019) adjudicated in federal US courts, and suggests a set of alternative evidentiary mappings that respect Jemez Pueblo rules of traditional knowledge sharing, produced by the author and Jemez tribal members. It then turns to acts of refusal to share detailed information on sacred sites and its consequences, litigated over in the US federal court cases Havasupai Tribe v. United States of America (1990) and Pueblo of Sandia vs. United States of America (1995). Finally, it discusses questions of evidence production in the case Pueblos Indígenas Tagaeri y Taromenane vs Ecuador, the first case on peoples in voluntary isolation to be adjudicated by the Inter-American Court of Human Rights.
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Ruiz Martinez, Luz A. "Indymedia Cancún, Radio Hurakán, and the Sounding of Altermundos Sonoros". Resonance 2, nr 3 (2021): 433–52. http://dx.doi.org/10.1525/res.2021.2.3.433.
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This paper explores the sonic engagements and possibilities brought forward at Radio Hurakán and the Indymedia Cancún audio space, temporarily set up in 2003 during the mobilizations against the World Trade Organization’s (WTO) fifth Ministerial Meeting in Cancún, Mexico, where close to 300 media activists from Latin America, the United States, and Europe converged to provide independent coverage of alternative actions, forums, and events. It reconstructs and (re)sounds this experience by examining a variety of Indymedia Cancún and Radio Hurakán artifacts and materials, including Indymedia Cancún audio productions found in online audio archives and websites, and interviews highlighting the audio and radio collectives from the Global South that participated in Radio Hurakán, particularly focusing on community radio activists from Mexico. In this way, this paper poses that audio and radio activists were engaged in the making of altermundos sonoros, or sonic alterworlds, through skill-sharing efforts, collaborative organizing and production practices, and autonomously developed tech, generating a bottom-up sonic infrastructure to make audible a variety of sounds, textures, tonalities, and stories that resonated near and far, making possible the sounding of radical imaginaries and the opening of pathways for different ways of listening.
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Kester, Janet E., i David A. Morgott. "Ethylbenzene exposure in North America - an update". Journal of Environmental Exposure Assessment 2, nr 1 (2023): 1. http://dx.doi.org/10.20517/jeea.2022.22.
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Chronic ethylbenzene exposures and attendant potential health risks for United States children and prospective parents were first evaluated under the United States Environmental Protection Agency’s Voluntary Children’s Chemical Evaluation Program. Using updated data and methods, a 2015 reevaluation observed declines in ethylbenzene releases and concentrations in ambient and indoor air. Both assessments identified inhalation as the dominant exposure route and smoking as the greatest contributor, with dietary intake much lower. Children’s exposure concentrations were similar to that of adults, but their intakes were higher. Neither breastfeeding nor toy mouthing was a significant source. This report updates the previous assessments, summarizing current ethylbenzene concentrations in air and foods, exposures during the use of household and consumer products, nationally representative biomonitoring data, including expanded demographic groups, and a new survey of worker exposures in styrene production facilities. General population ethylbenzene exposures appear to have declined for all age groups. The ethylbenzene/styrene chain of commerce contributes an estimated 0.1% to total air emissions and 7%-12% to dietary concentrations. Total estimated ethylbenzene intakes are consistent with biomonitoring data. Lactational transfer is not a significant exposure pathway for breastfed infants. Production workers’ exposure is well below occupational guidelines. Updated exposure estimates for each pathway suitable for potential health risk assessment are proposed.
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Kanellos, Nicolás. "Recovering the U.S. Hispanic Literary Heritage". PMLA/Publications of the Modern Language Association of America 127, nr 2 (marzec 2012): 371–74. http://dx.doi.org/10.1632/pmla.2012.127.2.371.
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Recovering the U.S. hispanic literary heritage is a program that works with an international board of scholars, librarians, and archivists to constitute and make accessible an archive of cultural productions by Hispanic or Latino peoples who have existed since the sixteenth century in the areas that eventually became part of the United States. Founded in 1992 with support from the Rockefeller Foundation and subsequently funded by many other organizations, the project brought together scholars who wanted to make accessible to any interested person, with any level of education, the full range of texts generated by Hispanic peoples and to reform the concept of American nationhood. Depending on available funds, the program underwrites scholarly research, creates virtual and paper archives, microfilms for preservation, digitizes for accessibility, publishes material in conventional and digital form, organizes conferences, and maintains communications with some five thousand associates. The program has found, accessioned, and made accessible tens of thousands of books and documents that were heretofore unknown. It has digitized more than 500,000 items, ranging from published books and newspapers to manuscripts of varying lengths from the first encounters between Hispanic and indigenous peoples in North America to broadsides and photographs from the twentieth century—in short, all the materials that a literate community generates over centuries.
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Schrader, Valerie Lynn. "‘Another National Anthem’: Public Memory, Burkean Identification, and the Musical Assassins". New Theatre Quarterly 33, nr 4 (11.10.2017): 320–32. http://dx.doi.org/10.1017/s0266464x1700046x.
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In this article Valerie Lynn Schrader examines the musical Assassins through the rhetorical lenses of public memory and Kenneth Burke's theory of identification. Offering a close textual analysis of the musical's script and cast recording, she argues that Assassins, along with its audiences, serves to co-create a public memory of the men and women who attempted to assassinate Presidents of the United States of America. Her article contends that Assassins creates a chilling consubstantiality between the characters in the musical and theatregoers through Burkean identification, which may cause cognitive dissonance for many audience members. Through identifying key themes in the musical, she argues that these both connect with the assassins' motives and are common human experiences, serving not only to create public memory of the stories, but also to humanize the assassins and create a bond between audience and characters – while the song ‘Something Just Broke’ undermines this connection and encourages audience members to identify with the mourning American public. Valerie Lynn Schrader is Associate Professor of Communications and Interim Director of Academic Affairs at the Schuylkill Campus of the Pennsylvania State University. Her research focuses on rhetorical messages in theatre works, especially musical theatre productions. She is herself a classically trained lyric soprano/soubrette.
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Da Silva, Rafael Almeida, Nelson Enrique Arenas, Vera Lucia Luiza, Jorge Antonio Zepeda Bermudez i Sian E. Clarke. "Regulations on the Use of Antibiotics in Livestock Production in South America: A Comparative Literature Analysis". Antibiotics 12, nr 8 (9.08.2023): 1303. http://dx.doi.org/10.3390/antibiotics12081303.
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As a global health problem, antimicrobial resistance (AMR) crosses national borders, leading UN (United Nations) multilateral agencies to call for all countries to improve the stewardship of antibiotics in humans and animals. South American countries have changed their regulations regarding antibiotic use in livestock production. This literature review examines how far the five largest meat-producing countries in South America (Argentina, Brazil, Chile, Colombia, and Uruguay) have come in terms of the relevant legislation. Rules on market entry (marketing authorization and official distribution systems) are already set in all countries examined. Four countries do not allow growth promoters based on critically important antibiotics, and countries have also begun to set guidelines and minimum welfare and biosecurity requirements to reduce the therapeutic demand for antibiotics. Nonetheless, there are aspects related to the distribution, use, and disposal of antibiotics that need to be developed further. In conclusion, legislation in South American countries is moving towards the goals set by UN multilateral agencies, but more can be done. Differences between countries’ rules and the gold standards set by the World Organization for Animal Health (OIE), World Health Organization (WHO), and Food and Agriculture Organization of the United Nations (FAO) reveal possible adaptations to the countries’ realities. Further studies must examine compliance with the legislation already set and investigate other tools that can be used alongside legislation as a driving force to change stakeholder behaviour.
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Osho, Gbolahan Solomon, Michael Adams, Quonna Coleman i Matthew Uwakonye. "2020 Stimulus Coronavirus Aid, Relief and Economic Security Act: Comparative Analysis of President Roosevelt’s New Deal Programs and President Obama’s American Recovery and Reinvestment Act of 2009". Journal of Social and Development Sciences 11, nr 1(S) (11.11.2020): 19–26. http://dx.doi.org/10.22610/jsds.v11i1(s).3070.
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America is facing an economic disaster and is in need of federal relief to remain leading nation. Is America currently facing another Great Depression? In the 1930s the United States suffered from an economy downturn; the stock market crashed, spending declined, there was a drop in production, jobs were lost, bills went unpaid, and the market for produce reduced. President Franklin D. Roosevelt implemented the New Deal Programs to recover the economic damage of the United States. President Barack Obama inherited a stressed economy from former President George W. Bush with a national debt of $10.627 trillion. As President Roosevelt once did, President Obama is now working toward a plan to recover the damaged United States economy? The uncontainable depression later referred to as the Great Depression attacked the economy of the United States. In 2007 the United States began to take an economy downtown again. President Franklin D. Roosevelt implemented the New Deal Programs to recover the economic damage of the United States. President Barack Obama inherited a stressed economy from former President George W. Bush with a national debt of $10.627 trillion.
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Khadduri, Walid. "Arabs and the future of oil". Contemporary Arab Affairs 6, nr 4 (1.10.2013): 582–91. http://dx.doi.org/10.1080/17550912.2013.856080.
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The discovery of shale oil and gas in North America (the United States and Canada) is considered a ‘game changer’ in the global petroleum industry. It provides an opportunity for the United States to achieve the energy self-reliance it has sought since the 1970s. It is also expected to allow the United States, the largest petroleum consumer and importer globally, to focus its attention on maximizing the economic benefits and comparative advantages of becoming a self-reliant energy state. It could also enable the United States to reprioritize its strategic interests, sharing responsibility for the security of the oil export routes in the Gulf with its European and Asian allies, rather than shouldering that task almost single-handedly, as is presently the case. However, realization of the advantages that North American shale oil and gas discoveries are purported to bring about will depend on whether the depletion rate can be slowed down and minimized and on whether the cost of production can remain competitive compared with that of conventional hydrocarbons. It will also depend on whether the United States will allow a large percentage of its shale petroleum to be exported, rather than be consumed domestically.
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Adriansyah, Muhammad Ivan. "PROMOSI EKSPOR INDONESIA DALAM UPAYA PENINGKATAN EKSPOR KOPI KE AMERIKA SERIKAT PERIODE 2017-2020". Sriwijaya Journal of International Relations 2, nr 1 (29.06.2022): 51–69. http://dx.doi.org/10.47753/sjir.v2i1.36.
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This study will discuss the economic diplomacy pursued by Indonesia through its export promotion strategy to increase its coffee exports in the United States. The results of Indonesia's economic diplomacy show a positive impact, although it does not have a direct impact on export numbers. Indonesian coffee industry has to develop to meet the standards of international coffee market demands, and also have to increase the rate of coffee productions productivity in order to be able to compete with the other competitors. Economic diplomacy through export promotion is just one of many factors that could help boost Indonesian coffee export figures to the United States in the next period.
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علوان, أ. م. د. سطام حسين. "American hegemony over the Persian Gulf oil After the 1991 Gulf War and the Gulf War III in 2003". مجلة العلوم السياسية, nr 51 (20.02.2019): 131–48. http://dx.doi.org/10.30907/jj.v0i51.102.
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Since the end of World War II, the United States of America began to look at the Gulf States and Iraq due to the possession of huge quantities of oil, after taking the American oil depletion in order to tighten control over the oil of these countries, has pursued various means, political and military, in the framework of its strategy So that it could achieve this control, which focused on control of production and prices, for the conviction that those who control oil impose control over the political decision of the countries of the world.
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Izza, Afifah Nurul, i Mochamad Aviandy. "REPRESENTASI AMERIKA SERIKAT DALAM ANIMASI МИЛЛИОНЕР (MILLIONER) SEBAGAI BENTUK PROPAGANDA UNI SOVIET PADA ERA PERANG DINGIN". SUSASTRA: Jurnal Ilmu Susastra dan Budaya 12, nr 1 (15.11.2023): 31–44. http://dx.doi.org/10.51817/susastra.v12i1.96.
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Animation is generally used as a medium of entertainment. However, the Soviet Union used animation as a propaganda medium that combined the production of visual images, narration and sound to build enemy framing and lead public perception of the United States during the Cold War era. This research discusses the representation of the United States in the animated film Миллионер (The Millionaire) made by the Soviet Union as a form of propaganda. This article aims to show how the Soviet Union represented the United States as a negative things in an effort to carry out propaganda. Stuart Hall’s representational theory suggests that meaning is produced by language. Based on the presentation of the representation of the United States in the animation Миллионер (The Millionaire) it is known that the animation has a role as a propaganda tool for the Soviet Union to criticize US imperialism and shape public opinion towards a more negative depiction of America. The United States is portrayed as a country of antagonistic, capitalist, industrialist, careless and greedy bourgeoisie. AbstrakAnimasi secara umum digunakan sebagai media hiburan. Akan tetapi, Uni Soviet menggunakan animasi sebagai media propaganda yang memadukan produksi citra visual, narasi, dan suara untuk membangun framing musuh dan menggiring persepsi publik terhadap Amerika Serikat pada era Perang Dingin. Penelitian ini membahas representasi Amerika Serikat dalam film animasi Миллионер (Millioner) yang dibuat oleh Uni Soviet sebagai bentuk propaganda. Artikel ini bertujuan menunjukkan cara Uni Soviet merepresentasikan Amerika Serikat sebagai hal yang negatif dalam upaya melakukan propaganda. Teori representasi Stuart Hall menunjukkan bahwa makna diproduksi oleh bahasa. Berdasarkan pemaparan representasi Amerika Serikat dalam animasi Миллионер (Millioner) diketahui bahwa animasi tersebut memiliki peran sebagai alat propaganda Uni Soviet untuk mengkritik imperialisme Amerika Serikat dan membentuk opini publik terhadap penggambaran Amerika ke arah yang lebih negatif. Amerika Serikat digambarkan sebagai negara kaum borjuis yang antagonis, kapitalis, industrialis, ceroboh, dan serakah.
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See, M. Todd. "— Invited Review — Current status and future trends for pork production in the United States of America and Canada". Animal Bioscience 37, nr 4 (1.04.2024): 775–85. http://dx.doi.org/10.5713/ab.24.0055.
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Pork production is a significant agricultural enterprise in the United States and Canada. The United States is the third-largest global producer of pork and Canada ranks seventh in pork production. The North American Free Trade Agreement and its successor, the U.S.-Mexico-Canada Agreement, have facilitated trade and integration between the two countries. The majority of production systems are modern and intensive, characterized by large vertically integrated farms using advanced technologies. Both nations benefit from their status as major producers of feed grains, with the United States leading in corn and soybeans, while Canada excels in canola and barley production. The regulatory frameworks for food safety, animal welfare, and environmental stewardship differ slightly, with the FDA and USDA overseeing these aspects in the United States, and Health Canada and the Canada Food Inspection Agency in Canada. The United States and Canada also have well-established distribution networks for pork products, relying on both domestic and international markets. Export markets play a crucial role, with the United States being a major importer of Canadian pigs, and both countries exploring opportunities in Asia. Despite a rise in global demand, domestic pork consumption trends differ, with per capita consumption remaining stable in the USA and declining in Canada. Changing consumer preferences, including a demand for ethically raised and locally sourced pork, may influence production practices. Future trends in pig production include a focus on consumer concerns, sustainability, disease prevention, reduction of antimicrobial use, and advancements in technology. The industry is adapting to challenges such as disease outbreaks and changing regulations, with a strong emphasis on animal welfare. Labor and workforce considerations, along with advancements in technology and automation, are expected to shape the efficiency of pork production in the future.