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Artykuły w czasopismach na temat "Trio Concertante for guitar"
Ophee, Matanya. "Elsa Just’s Ständchen for Guitar Trio". Soundboard Scholar 8, nr 1 (2022): 1–7. http://dx.doi.org/10.56902/sbs.2022.8.17.
Pełny tekst źródłaConway, Paul. "John McCabe CD round-up". Tempo 58, nr 229 (lipiec 2004): 53–54. http://dx.doi.org/10.1017/s0040298204290222.
Pełny tekst źródłaHensley, Douglas. "Guitar Forum: The Flute, Viola, Guitar Trio: Its History, Literature and Performance". American String Teacher 36, nr 4 (listopad 1986): 73–76. http://dx.doi.org/10.1177/000313138603600433.
Pełny tekst źródłaGurgul, Wojciech. "Adam Franciszek Epler (1902–1940): A Forgotten Musician of Interwar Lviv". Kwartalnik Młodych Muzykologów UJ, nr 45 (2) (2020): 23–58. http://dx.doi.org/10.4467/23537094kmmuj.20.029.13902.
Pełny tekst źródłaZwally, Randall. "The Super Guitar Trio and Friends in Concert (review)". Notes 63, nr 1 (2006): 182–83. http://dx.doi.org/10.1353/not.2006.0131.
Pełny tekst źródłaVERMAZEN, BRUCE. "“Those Entertaining Frisco Boys”: Hedges Brothers and Jacobson". Journal of the Society for American Music 7, nr 1 (luty 2013): 29–63. http://dx.doi.org/10.1017/s1752196312000478.
Pełny tekst źródłaOphee, Matanya. "Carlos Pedrell’s Al atardecer en los jardines de Arlaja". Soundboard Scholar 8, nr 1 (2022): 1–8. http://dx.doi.org/10.56902/sbs.2022.8.14.
Pełny tekst źródłaYates, Stanley. "Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective". Soundboard Scholar 8, nr 1 (2022): 1–5. http://dx.doi.org/10.56902/sbs.2022.8.12.
Pełny tekst źródłaRickards, Guy. "Icarus Soaring: the music of John Pickard". Tempo, nr 201 (lipiec 1997): 2–5. http://dx.doi.org/10.1017/s0040298200005763.
Pełny tekst źródłaOphee, Matanya. "Rudolph Süss’s Lyrische Suite no. 2, op. 24". Soundboard Scholar 8, nr 1 (2022): 1–10. http://dx.doi.org/10.56902/sbs.2022.8.16.
Pełny tekst źródłaRozprawy doktorskie na temat "Trio Concertante for guitar"
Pulido, Cordoba Pablo Arturo. "O bambuco Florecita del camino para violão solo de Jaime Romero : uma análise para a interpretação a partir da versão original para trio típico colombiano". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/141344.
Pełny tekst źródłaThe purpose of this study is to investigate the interpretation of the bambuco Florecita del camino by the Columbian composer Jaime Romero (b. 1966) for solo guitar. It was originally composed for the Columbian trío típico, by the same composer, for three stringed instruments. The bambuco is the most representative of Columbian music of the Andes. Information about the form and structure of the bambuco were presented, as well as an analysis and comparison of the original version with the guitar solo version. Two articles by the composer and an interview served as the basis of this work. As for the interpretation of the bambuco, I created exercises and microstudies to overcome the technical difficulties I encountered, including fingering, as well as expressive difficulties in the piece. This material may be used to help those learning to perform the bambuco, making this genre of Columbian music of the Andes more accessible to listeners, as well.
Bittencourt, Alexis da Silveira. "A guitarra Trio inspirada em Johnny Alf e João Donato : uma abordagem do estilo de interpretação de Johnny Alf e João Donato ao piano, direcionada a performance da guitarra em contexto instrumental trio (guitarra, contra-baixo e bateria/percussão)". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284740.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-07T17:47:31Z (GMT). No. of bitstreams: 1 Bittencourt_AlexisdaSilveira_M.pdf: 1695226 bytes, checksum: 92231c6957e04d697fa545b4571049d8 (MD5) Previous issue date: 2006
Resumo: Este trabalho parte da tese de que o estilo interpretativo ao piano, em contexto instrumental Trio (piano, contra-baixo e seção rítmica), de Johnny Alf e João Donato, constitui uma espécie de elo norteador à interpretação da música popular brasileira a partir da segunda metade do século passado, com raízes no samba e forte influência jazzista. Tem, portanto, o objetivo de definir esse elo e demonstrar como esse pode ser uma valiosa referência ao guitarrista, servindo de fonte para este reavaliar sua prática interpretativa da música popular brasileira
Abstract: This research is based on the thesis, that the piano playing style, of Johnny Alf and João Donato, in the piano instrumental trio performance (with double-bass and drums and/or percussion), can be defined as a link, that could be perceived as a guide of how to play the Brazilian Popular Music from the second half of the last century to our days. This kind of music finds its roots in samba, however is strongly affected by the jazz influences. Our goal is to define the link among Alf and Donato, and demonstrate how it can provide valuable references to the guitarist, within the guitar trio situation, as a source for a reevaluation of his directions on playing the Brazilian Popular Music
Mestrado
Mestre em Música
Pennington, Anna Ohlsson Eric Paul Pasculli Antonino. "Days of bliss are in store Antonino Pasculli's "Gran trio concertante per violino, oboe, e pianoforte su motivi del Guglielmo Tell di Rossini" /". Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-06292007-235916/.
Pełny tekst źródłaAdvisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.
Książki na temat "Trio Concertante for guitar"
Paganini, Nicolò. Terzetto concertante for viola, guitar, and violoncello. Miami Lakes, Fla: Masters Music Publications, 1989.
Znajdź pełny tekst źródłaDevienne, François. A favourite trio concertante (1787) for the pianoforte, flute, & bassoon or violoncello. Lemars, Ia: Medici Music Press, 1989.
Znajdź pełny tekst źródła1954-, Di Meola Al, Lagrène Biréli 1966-, Super Guitar Trio (Musical group), Montreux Sounds i Eagle Eye Media (Firm), red. Super Guitar Trio: Live at Montreux 1989. [s.l.]: Eagle Eye Media, 2007.
Znajdź pełny tekst źródłaVivaldi, Antonio. Trio in G minor for lute (guitar), violin, and basso continuo, RV 85. Bryn Mawr, Pa: T. Presser, 1991.
Znajdź pełny tekst źródłaBach, Johann Sebastian. Bach for relaxation. New York, NY: RCA Victor, 1998.
Znajdź pełny tekst źródłaGranados, Enrique. Cinco Piezas Populares for Guitar Trio. Clear Note Publications, 2021.
Znajdź pełny tekst źródłaMetheny, Pat. Pat Metheny - Trio 99-00 (Tab). Hal Leonard Corporation, 2005.
Znajdź pełny tekst źródłaCall, Leonard Von. Easy Trio in C Major for Three Guitars, Op. 26. Alfred Publishing Company, Incorporated, 1985.
Znajdź pełny tekst źródłaAlbéniz, Isaac. Suite from the Magic Opal Arranged for Guitar Trio. Clear Note Publications, 2021.
Znajdź pełny tekst źródłaLopez, Victor. Flex-ability Pops: Solo-duet-trio-quartet With Optional Accompaniment (Flex-Ability Series). Alfred Publishing Company, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Trio Concertante for guitar"
van Delden, Ate. "Postwar Trio Years". W Adrian Rollini, 365–86. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0020.
Pełny tekst źródłaBolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen i David Evans. "The Collier Trio". W Fiddle Tunes from Mississippi, 98–110. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0013.
Pełny tekst źródłaRussell, Tony. "“Home Again Medley”". W Rural Rhythm, 101–3. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091187.003.0027.
Pełny tekst źródłavan Delden, Ate. "A Shop and a Trio". W Adrian Rollini, 317–31. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0018.
Pełny tekst źródłavan Delden, Ate. "Trio Years: Before and during the War". W Adrian Rollini, 332–64. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0019.
Pełny tekst źródłaFriedwald, Will. "Entr’acte". W Straighten Up and Fly Right, 210–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190882044.003.0006.
Pełny tekst źródłaBolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen i David Evans. "Mumford Bean and his Itawambians". W Fiddle Tunes from Mississippi, 62–65. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0008.
Pełny tekst źródłaKrakauer, Ben. "Distinctive Qualities of Southwestern Ohio Bluegrass". W Industrial Strength Bluegrass, 175–88. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043642.003.0011.
Pełny tekst źródłaCrow, Bill. "Garner & Monk". W From Bird land to Broadway, 144–48. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0031.
Pełny tekst źródłaFriedwald, Will. "Interlude". W Straighten Up and Fly Right, 145–78. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190882044.003.0004.
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