Artykuły w czasopismach: „Travel writing”

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Sillem, Peter. "Does travel writing travel?" Publishing Research Quarterly 14, nr 2 (czerwiec 1998): 22–25. http://dx.doi.org/10.1007/s12109-998-0016-5.

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Spencer, Robert. "Travel writing". Journal of Postcolonial Writing 48, nr 4 (wrzesień 2012): 454–56. http://dx.doi.org/10.1080/17449855.2012.661941.

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Cintrat, Iva, Muriel Massau, Carmen Mata Barreiro i Lùcia Soares. "Travel writing". Language, Culture and Curriculum 9, nr 1 (styczeń 1996): 35–50. http://dx.doi.org/10.1080/07908319609525217.

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Frank-Wilson, Marion. "African travel writing". African Research & Documentation 92 (2003): 27–38. http://dx.doi.org/10.1017/s0305862x00016319.

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Frank-Wilson, Marion. "African travel writing". African Research & Documentation 92 (2003): 27–38. http://dx.doi.org/10.1017/s0305862x00016319.

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Moroz, Grzegorz. "Travel Writing Studies". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, nr 2 (10.07.2020): 403–6. http://dx.doi.org/10.36770/bp.490.

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Mewshaw, Michael. "Travel, Travel Writing, and the Literature of Travel". South Central Review 22, nr 2 (2005): 2–10. http://dx.doi.org/10.1353/scr.2005.0042.

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Machet, Laurence. "‘A Strict Journal of All the Passages’: John Lawson’s "New Voyage to Carolina" and the Importance of Mobility". Baltic Journal of English Language, Literature and Culture 6 (11.05.2016): 59–71. http://dx.doi.org/10.22364/bjellc.06.2016.05.

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In colonial British America ‘travel writing’ found its way into many different literary genres: religious tracts, scientific accounts, and political or promotional writings, often written to make settlement attractive. Travel writing was also often devoted to mapping and describing landscapes for future travellers or settlers. Whatever its genre, however, early American travel writing is unquestionably a form that makes manifest by implication the actual mobility of the travellers themselves and the need for continued and future mobility. This paper will examine this issue in A New Voyage to Carolina (1709), by British travel writer John Lawson (1674–1711) as little attention has so far been paid to the rhetoric of his implicit assumptions about mobility and the importance of emigration. In this post-colonial context, then, this paper argues that A New Voyage stands as a substantial piece of colonial travel writing, one of whose basic, underlying themes is the importance of freedom of movement, both individual and collective. Lawson’s own experience bears this out insofar as, in addition to his travels, he was himself instrumental in the founding of two early eighteenth-century towns in North Carolina, Bath and New Bern, the latter a community of about 300 Palatine and Swiss emigrants.

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Jones, Rebecca. "‘Nigeria is my Playground’: Pẹlu Awofẹsọ's Nigerian travel writing". African Research & Documentation 125 (2014): 65–85. http://dx.doi.org/10.1017/s0305862x00020665.

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Since the turn of the millennium a crop of travel books by Africans or Africans in diaspora describing their travels within Africa have appeared to assert a fresh African self-representation in travel writing. Noo Saro-Wiwa's travel book Looking for Transwonderland (2012) tells the story of British-Nigerian journalist and travel writer Saro-Wiwa's travels around Nigeria for the first time since the death of her father Ken Saro-Wiwa. Looking for Transwonderland describes Saro-Wiwa's journey all over Nigeria, from Lagos to the north via the east and southwest, including a stop in her father's village in Ogoniland. Saro-Wiwa represents herself as a pioneer, one of the first travel writers of western-published, tourist-oriented travel writing about a country which in global tourism terms is “this final frontier that has perhaps received fewer voluntary visitors than outer space” (p.8).

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Cadiz, Chloe Intruso. "Journeying Filipinas: Classification of Travel Writings by Filipino Women Travelers". Journal of Language and Literature 24, nr 1 (1.04.2024): 1–15. http://dx.doi.org/10.24071/joll.v24i1.7839.

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Travel writings’ long literary tradition in the West had often been viewed as a colonial discourse and had prepared a colony of readership, particularly the narratives during the 19th century (Spurr,1993). However, travel writing is relatively new in the Philippines, and a lot of Filipino women are experimenting with writing in the genre. As such, this study examined the types of contemporary travel writings written by Filipino women using Fussell’s categorization (1982) for travel writings according to the writer's intent of travel: explorer, tourist, and travel. Some of the selected texts fit the said categories, while others combined the mentioned classifications. In this study, the explorer category was also expanded to cover traveler's subjective experiences to accommodate some texts that exemplify this type of narrative. Moreover, the study utilized grounded theorizing (Glaser Strauss, 1967; Strauss Corbin, 1990) to classify other travel texts that did not fall into Fussell’s typologies, which resulted in four new categories, namely 1) backpacker; 2) escape/convalescent; 3) pilgrim; and 4) labor worker. The intent of travel adheres to global categorizations but, at the same time, reflects the fast-changing contemporary narratives accommodated into the travel writing genre which attest to how they write down their impressions and introspections on their travel experiences.

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Calzati, Stefano. "Travel Writing on the Edge: An Intermedial Approach to Travel Books and Travel Blogs". Acta Universitatis Sapientiae, Film and Media Studies 10, nr 1 (1.08.2015): 153–68. http://dx.doi.org/10.1515/ausfm-2015-0032.

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Abstract After discussing the limits and potentialities of the definitions of travel writing proposed by Paul Fussell (1980). Patrick Holland and Graham Huggan (1998) and Jan Borm (2004), the article presents a characterization of travel writing both as a genre with a precise rhetorical status, as well as a praxis of knoivledge, which derives from the interplay between travelling and writing. Building on this, a comparison between two Italian travel books and two Italian travel blogs about China is proposed. Specifically, by considering these texts as “intermedial transpositions” (Wolf 2008) that realize the same generic and epistemological matrix (i.e. travel writing), a Multimodal Critical Discourse Analysis (MCDA) is conducted in order to assess: 1) how the book and the blog, as different medial formats, interpret the rhetorical features of the travel writing genre: and 2) to what extent the gnoseological and cross-cultural potentials of travel writing, as a praxis of knowledge, is affected by the process of transposition.

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Şaşmaz, Emel, i Selcen Çifci. "Determining the Levels of Writing Travel Articles of Secondary School 7th Grade Students". International Journal of Education and Literacy Studies 11, nr 4 (20.10.2023): 76–84. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.76.

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In this study, it was aimed to develop a rubric to determine the travel writing levels of secondary school 7th grade students and to determine the students› travel writing skill levels. The descriptive scanning design of the quantitative model was adopted. It was decided to develop an analytical rubric because it serves to measure the sub-skills of each skill and can be presented as feedback to the students. The rubric consists of three dimensions: layout, spelling, and punctuation, language and expression, and 18 items. It consists of 4 levels 1 (improved), 2 (moderate), 3 (good), and 4 (very good). The study group of the research consists of 114 7th grade students. The students in the study group were asked to write a travel writing text in one class hour and the travel writings were evaluated by two experts using the travel writing rubric. The collected data were analyzed using the descriptive analysis technique. As a result of the research, it was determined that most of the students were at a good level in using titles, including observations and impressions, commenting on the places visited, giving place to their memories about the trip, and making descriptions and coherent writing in their travel writings. In addition, it was determined that the students did not compare the places they visited and the places they lived in their travel writings in terms of place and society, did not give information about the geographical and historical characteristics of the place visited, and did not talk about the traditions and customs of the place visited.

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Seed, David, Glenn Hooper i Tim Youngs. "Perspectives on Travel Writing". Modern Language Review 101, nr 4 (1.10.2006): 1075. http://dx.doi.org/10.2307/20467037.

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Seed, David, i Steve Clark. "Travel Writing and Empire". Modern Language Review 96, nr 1 (styczeń 2001): 146. http://dx.doi.org/10.2307/3735727.

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Simmonds, Alecia. "Travel Writing And Empire". History Australia 7, nr 3 (styczeń 2010): 71.1–71.2. http://dx.doi.org/10.2104/ha100071.

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White, Richard. "Travel, Writing and Australia". Studies in Travel Writing 11, nr 1 (marzec 2007): 1–14. http://dx.doi.org/10.1080/13645145.2007.9634816.

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Jones, Kathryn N., Carol Tully i Heather Williams. "Travel writing and Wales". Studies in Travel Writing 18, nr 2 (3.04.2014): 101–6. http://dx.doi.org/10.1080/13645145.2014.908503.

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Forsdick, Charles. "Travel writing and Xinjiang". Studies in Travel Writing 18, nr 4 (2.10.2014): 313–19. http://dx.doi.org/10.1080/13645145.2014.974886.

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Kinsley, Zoë. "Narrating Travel, Narrating the Self: Considering Women‘s Travel Writing as Life Writing". Bulletin of the John Rylands Library 90, nr 2 (wrzesień 2014): 67–84. http://dx.doi.org/10.7227/bjrl.90.2.5.

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This article considers the ways in which eighteenth-century womens travel narratives function as autobiographical texts, examining the process by which a travellers dislocation from home can enable exploration of the self through the observation and description of place. It also, however, highlights the complexity of the relationship between two forms of writing which a contemporary readership viewed as in many ways distinctly different. The travel accounts considered, composed (at least initially) in manuscript form, in many ways contest the assumption that manuscript travelogues will somehow be more self-revelatory than printed accounts. Focusing upon the travel writing of Lady Mary Wortley Montagu, Katherine Plymley, Caroline Lybbe Powys and Dorothy Richardson, the article argues for a more historically nuanced approach to the reading of womens travel writing and demonstrates that the narration of travel does not always equate to a desired or successful narration of the self.

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Wu, Shang. "Writing Travel as Janus: Cultural Translation as Descriptive Category for Travel Writing". Interlitteraria 26, nr 2 (31.12.2021): 403–18. http://dx.doi.org/10.12697/il.2021.26.2.6.

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Abstract: The intersection of the study of travel writing and the study of translation produces two major perspectives: travel writing in translation and translation in travel writing. The first one looks into how the travel narrative is reshaped in a different linguistic and cultural context; the other looks into the translational character of the travel narrative, as the traveller is constantly moving between languages and cultures. Though the conceptual analogy between traveller and translator has been long noted, the linguistic dimension that marks the language difference in travel narrative is rarely underlined. In this essay, in order to explore the possibility of foregrounding both the conceptual link between travel and translation and the linguistic dimension of travel narrative, I propose to integrate an attention to language difference into a reinvention of the contested yet promising term ‘cultural translation’. The American writer Peter Hessler’s travel account Country Driving is cited as a case study.

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LeFanu, Sarah. "The Art of Rambling: Journeys through Space and Time with Mary Kingsley, Rose Macaulay, Ursula Le Guin, Naomi Mitchison and Octavia Butler". Postscriptum Polonistyczne 27, nr 1 (30.06.2021): 31–49. http://dx.doi.org/10.31261/https://doi.org/10.31261/ps_p.2021.27.02.

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In “The Art of Rambling: Journeys Through Space and Time”, Sarah LeFanu will look at the travels and travel-writings of, predominantly, Mary Kingsley and Rose Macaulay, and will boldly suggest some connections with the science fictional spacewomen and time-travellers of the second wave of feminism. She will talk about five travelling women whose lives span over one hundred years, and look at some of the connections between them in their lives and in their writing. By focusing on the experience of the five authors in a larger socio-cultural and literary context, LeFanu will trace the implications of writing and travelling vis-à-vis the intersectionality of one’s personal commitments and motivations, with the aim to discovering how these are inflected by questions of gender and gender bias, consequently bearing upon the shape of modern discourses of women travel and travel writing. While each of the women travelled in different modes and to different places, for every one of them the imaginative worlds of their childhoods inspired them to engage with the world outside, an engagement that was not just personal but was also profoundly political.

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Beaver, Harold, i Philip Dodd. "The Art of Travel: Essays on Travel Writing". Yearbook of English Studies 16 (1986): 221. http://dx.doi.org/10.2307/3507778.

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Bessière, Jean. "Voir ce que je vois, voir ce que je m’attends à voir : degré zéro de l’écriture du voyage et écriture littéraire du voyage. En citant Henri Michaux et Michel Butor". Interlitteraria 26, nr 2 (31.12.2021): 359–72. http://dx.doi.org/10.12697/il.2021.26.2.3.

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Abstract: To see what I expect to see: travel writing's degree zero and literarytravel narratives. With references to Henri Michaux and Michel Butor. This essay examines what arguments can be put forward to explain why readers and critics view travel writing as literary. It offers an answer that does not imply any coded definition of literature and literary works: literary travel writing is the mimesis of the questioning which characterises any literary work. This questioning rests on: 1. The duality of travellers’ perceptions of the foreign lands they discover. They see what they see and what they expect to see; their perceptions are mediated and unmediated, and consequently reflexive and congruent with the cognitive undecipherability of the foreign lands. 2. The paradox of the situation of the traveller/writer. Abroad, the traveller is not viewed as a foreigner; the least difference he/she embodies highlights a paradoxical cognitive undecipherability. The effect of the auctorial enunciation is limited by this paradox. 3. The reflexive construction of the piece of travel writing. Because they bar any meta-description of the foreign land and its people, the duality of perceptions and the traveller’s paradox make the evocations of places and people at once autonomous and implicitly related. 4. The behaviourist approach to the people of the foreign land(s). These restrictions to the traveller’s power to interpret makes the behaviourist approach obligatory. People of foreign lands can be viewed as objective entities. 5. The implicit inferences that human objective entities motivate and suggest an overall questioning. These critical and theoretical views utilise references to Michaux’s and Butor’s travels abroad and their travel writing.

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Upadhyay, Toya Nath. "Vikram Seth’s From Heaven Lake as a Counter-Orientalist Travel Narrative". SCHOLARS: Journal of Arts & Humanities 5, nr 1 (15.02.2023): 45–52. http://dx.doi.org/10.3126/sjah.v5i1.52476.

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This study reads Vikram Seth’s From Heaven Lake: Travels through Sinkiang and Tibet (1983) as a counter-orientalist travel narrative that destabilizes the conventions of Western travel writing genre. Conventional Western travel writing, as postcolonial scholars such as Edward Said, Homi K. Bhabha and others claim, functioned mostly as a colonial or orientalist discourse by being involved in producing knowledge about the Orient for Western domination and control. It created a binary between the West and the Orient and treated the latter in negative and derogatory terms. The residues of colonial discourse, as critics such as Debbie Lisle, Mary Louise Pratt and others argue, persist in the postcolonial travel writing as well. This paper examines Seth’s travelogue and claims that the travelogue counters the orientalist discourse primarily in two ways. One, it renders differences upon the peoples and their cultures in positive terms, and another, it avoids the conventional home-away-home trajectory of journey. For the analytic purpose, the study engages both available critical responses and theoretical insights from scholars in travel writing and postcolonial theories such as Carl Thompson, Debbie Lisle, Tim Youngs, Edward Said and so on. Finally, the study expects to open up a new approach in the study of post-empire travel narratives, especially written by non-Western writers.

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Davis, Robert Murray, i Evelyn Waugh. "Waugh Abroad: Collected Travel Writing". World Literature Today 78, nr 3/4 (2004): 106. http://dx.doi.org/10.2307/40158557.

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O'Connor, Maura, i Robin Jarvis. "Romantic Writing and Pedestrian Travel". Albion: A Quarterly Journal Concerned with British Studies 30, nr 3 (1998): 527. http://dx.doi.org/10.2307/4053332.

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Bassnett, Susan. "TRAVEL WRITING WITHIN BRITISH STUDIES". Studies in Travel Writing 3, nr 1 (styczeń 1999): 1–16. http://dx.doi.org/10.1080/13645145.1999.9634884.

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Hulme, Peter. "Preface: Travel writing and Cuba". Studies in Travel Writing 15, nr 4 (grudzień 2011): 345–46. http://dx.doi.org/10.1080/13645145.2011.617963.

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Forsdick, Charles. "Travel Writing, by Carl Thompson". Studies in Travel Writing 17, nr 1 (luty 2013): 103–4. http://dx.doi.org/10.1080/13645145.2012.746805.

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Howell, Jessica. "Women, travel writing, and truth". Studies in Travel Writing 21, nr 1 (2.01.2017): 111–13. http://dx.doi.org/10.1080/13645145.2017.1313431.

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Youngs, Tim. "Postcolonial Travel Writing: critical explorations". Prose Studies 35, nr 2 (sierpień 2013): 202–5. http://dx.doi.org/10.1080/01440357.2013.830841.

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Carey, Daniel, i Claire Jowitt. "Introduction: Early Modern Travel Writing". Studies in Travel Writing 12, nr 1 (marzec 2008): 1–5. http://dx.doi.org/10.3197/136451408x273808.

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Kent-Drury, Roxanne. "Geography and Transoceanic Travel Writing". Journal for Early Modern Cultural Studies 3, nr 1 (2003): 147–65. http://dx.doi.org/10.1353/jem.2003.0012.

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Gannouni Khemiri, Imene. "“Pretty as a Picture”". Journeys 22, nr 1 (1.06.2021): 89–106. http://dx.doi.org/10.3167/jys.2021.220106.

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Recently, there has been an upsurge of interest in travel writing, postcolonialism, and landscape politics. However, studies of travel writing addressing the notion of the picturesque have not yet explored the idea of aesthetic sensibility in British travel narratives in the Regency of Tunis. This article examines the aesthetics of the picturesque in three British travel accounts: Grenville Temple’s Excursions in the Mediterranean: Algiers and Tunis (1835); Robert Lambert Playfair’s Travels in the Footsteps of Bruce in Algeria and Tunis (1877); and Henry Spencer Ashbee and Alexander Graham’s Travels in Tunisia (1887). These travelers used the picturesque in different but interlinked ways; they oscillated between finding the uncanny landscape an object of delight where it conformed to British aesthetic doctrine and an object of derision where they noted aesthetic deficiencies. By the turn of the nineteenth century, this picturesque way of seeing shifted into an Orientalist desire for “Otherness.”

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Hulme, Peter. "TRAVEL AND TRAVEL WRITING: SOME RECENT COLLECTIONS OF ESSAYS". Studies in Travel Writing 4, nr 1 (styczeń 2000): 184–88. http://dx.doi.org/10.1080/13645145.2000.9634905.

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Jr., Theodore J. Cachey, i Loredana Polezzi. "Translating Travel: Contemporary Italian Travel Writing in English Translation". Modern Language Review 99, nr 1 (styczeń 2004): 224. http://dx.doi.org/10.2307/3738935.

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Amimo, Maureen. "Contestations of nationhood and belonging in contemporary African women travel writing". Feminismo/s, nr 36 (3.12.2020): 157. http://dx.doi.org/10.14198/fem.2020.36.07.

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Contemporary African travel writing produces interesting possibilities redefining the directions of the genre. One of these promises manifests in how the crisis of nationhood and belonging impacts subjects’ navigation of sites of travel. African travel narratives by women foreground fractured intimacies encumbering journeys, especially when subjects travel «home». Such texts extensively grapple with the complexities of negotiating the personal and the collective in a bid to unravel belonging. This article examines two travelogues by African women: Leah Chishugi’s A Long Way from Paradise: Surviving the Rwandan Genocide and Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria as explorations of how reading precarities of nationhood through embodied travel re-imagines private journeys as a means to tease out public anxieties of nationhood and belonging. In the process of narrating precarious journeys, African women complicate the travelogue into a political statement of belonging and its paradoxes.

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Amimo, Maureen. "Contestations of nationhood and belonging in contemporary African women travel writing". Feminismo/s, nr 36 (3.12.2020): 157. http://dx.doi.org/10.14198/2020.36.07.

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Contemporary African travel writing produces interesting possibilities redefining the directions of the genre. One of these promises manifests in how the crisis of nationhood and belonging impacts subjects’ navigation of sites of travel. African travel narratives by women foreground fractured intimacies encumbering journeys, especially when subjects travel «home». Such texts extensively grapple with the complexities of negotiating the personal and the collective in a bid to unravel belonging. This article examines two travelogues by African women: Leah Chishugi’s A Long Way from Paradise: Surviving the Rwandan Genocide and Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria as explorations of how reading precarities of nationhood through embodied travel re-imagines private journeys as a means to tease out public anxieties of nationhood and belonging. In the process of narrating precarious journeys, African women complicate the travelogue into a political statement of belonging and its paradoxes.

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Perry, Nicole. "Writing from the Periphery: Alma Karlin's Autobiography, Travel Writing and the Journey towards Self-Discovery". Austrian Studies 31, nr 1 (2023): 106–20. http://dx.doi.org/10.1353/aus.2023.a919426.

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Abstract: Alma Karlin is considered the most famous female Austrian travel writer of the 1920s and 1930s. On her typewriter 'Erika', she documented her eight-anda-half-year global journey before returning home to Cilli/Celje in present-day Slovenia. This article considers Alma Karlin's autobiography Ein Mensch wird and excerpts from the first volume of her travel trilogy Einsame Weltreise as examples of her self-perception as a solitary female traveller. The analysis takes into consideration Annegret Pelz's work on the relationship between travel literature and female autobiographical writing together with Bernd Stiegler's discussion of 'room travel', to argue that the act of travelling within oneself and the physical act of travel adhere to similar principles and possess a similar status in the identity household of the agents. Karlin's writing affords insights into her experiences that are partly personal and partly political; they have to do with gender, disability and citizenship. Her dissatisfaction with her Yugoslav passport, for example, allows us to consider to what degree Karlin's travels and identity were impaired in light of her new-found status as a 'Slav'. Alma Karlin gilt als die berühmteste deutschsprachige Reiseschriftstellerin der 1920er und 1930er Jahre. Mit ihrer Schreibmaschine 'Erika' dokumentierte sie ihre achteinhalbjährige Weltreise, bevor sie nach Cilli/Celje im heutigen Slowenien zurückkehrte. Der vorliegende Artikel betrachtet Alma Karlins Autobiographie Ein Mensch wird und Auszüge aus dem ersten Band ihrer Reisetrilogie Einsame Weltreise als Beispiele für ihre Selbstwahrnehmung als allein reisende Frau. Die Analyse berücksichtigt Annegret Pelz' Arbeit über Reiseliteratur als weibliches autobiographisches Schreiben sowie Bernd Stieglers Diskussion über 'Zimmerreisen', um zu argumentieren, dass Reisen im eigenen Selbst und der physische Akt des reisenden Ausgriffs im Raum ähnlichen Prinzipien folgen und eine parallele Bedeutung für den Identitätshaushalt der Betroffenen haben. Karlins Texte, ihre Auseinandersetzungen mit Geschlecht, Behinderung und Staatszugehörigkeit ermöglichen Einsichten sowohl privater wie politischer Natur. Ihre Abneigung gegen den ihr nach 1918 verordneten jugoslawischen Pass gibt einen Eindruck davon, wie stark Karlins Reisetätigkeit und ihr Selbstverständnis von der aufgezwungenen Identität als 'Slawin' beeinträchtigt waren.

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Edwards, Elizabeth. "‘A Kind of Geological Novel’: Wales and Travel Writing, 1783–1819". Romanticism 24, nr 2 (lipiec 2018): 134–47. http://dx.doi.org/10.3366/rom.2018.0367.

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This article explores the layered and multivocal nature of Romantic-period travel writing in Wales through the theme of geology. Beginning with an analysis of the spectral sense of place that emerges from William Smith's 1815 geological map of England and Wales, it considers a range of travel texts, from the stones and fossils of Thomas Pennant's A Tour in Wales (1778–83), to Humphry Davy and Michael Faraday's early nineteenth-century Welsh travels, to little-known manuscript accounts. Wales is still the least-researched of the home nations in terms of the Enlightenment and the Romantic period, despite recent and ongoing work that has done much to increase its visibility. Travel writing, meanwhile, is a form whose popularity in the period is now little recognised. These points doubly position Welsh travel writing on the fringes of our field, in an outlying location compounded by the genre's status as a category that defies easy definition.

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Liu, Zhen. "Write as another: Edith Eaton’s ‘Wing Sing of Los Angeles on His Travels’". British Journal of Canadian Studies: Volume 34, Issue 1 34, nr 1 (1.03.2022): 59–79. http://dx.doi.org/10.3828/bjcs.2022.4.

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With the recent publication of Becoming Sui Sin Far (2016), the travel writing of Chinese North American writer Edith Eaton, which is quite unique in her oeuvre in terms of both genre and style, became available in complete form for the first time. In this article I explore the many strategies and devices Eaton invented for her travel writing and argue that ‘Wing Sing of Los Angeles on His Travels’ is of great significance in the criticism of Eaton’s writing as it manifests a progressive set of identity politics. Eaton dismantles the binary opposition between self and other by writing as another; that is, by taking on a persona that enables her to see through another’s eyes, and thus to neutralise the orientalist gaze and promote individuality over group stereotypes. The travel series sparkles in many places with perspectives and conceptions well ahead of its time, which demonstrates clearly that Eaton embraces an ideal of tolerance and openness.

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Sharp, Joanne P. "Writing Travel/Travelling Writing: Roland Barthes Detours the Orient". Environment and Planning D: Society and Space 20, nr 2 (kwiecień 2002): 155–66. http://dx.doi.org/10.1068/d220t.

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This paper offers a contribution to the recent emergence in geography of studies of travel writers and the production of other representations of the non-Western world. I consider a rather different text to those normally studied in that the book, Empire of Signs by Barthes, purports not to represent any real place. A number of writers, influenced by Said's pathbreaking work Orientalism, have considered whether Barthes perpetuates Orientalist images. Rather than structure my argument around the binary of Orientalist/not-Orientalist I will consider the ways that Barthes subverts the structure of Orientalism from within. Barthes counterfeits travel: playing with the concept of ‘wonder’ which halted the representational language of more conventional travellers. Through the construction of his own ‘hyper-Orientalist’ account, Barthes produces a poststructural ethics which I argue offers some important reflections on the politics of representation both of travel writing and of academic critiques of it.

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Rabbi, Shakil. "Informative Travels:". Crossings: A Journal of English Studies 3, nr 1 (1.12.2011): 219–26. http://dx.doi.org/10.59817/cjes.v3i1.388.

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Travel writing has played an active role in the discourse of colonialism and the aggrandizements of European empires since the Renaissance. In her book Imperial Eyes: Travel Writing and Multiculturalism, noted critic Mary Louise Pratt observes that the sentimental travel writings which accompany colonial appropriations functioned as a way of capital infiltrations into the ‘contact zone’ and that even passive European travel writers rely on and extend the reach of colonizing structures. She also observes that the passive travel writers go through a form of anti-conquest based on reciprocity, which function as spreading points of the imperialist economy into the textual landscape of the ‘contact zone’. But the revisions brought about in episteme by post[1]structuralism (more specifically post-colonialism) over the last fifty years have problematized older – or traditional – methods of representation of the ‘contact zone’ in travel-writing. By looking at travel pieces by Pico Iyer, Vikram Seth, and Amitav Gosh in the context of arguments and theories developed by critics such as Said, Bhabha, Lyotard, Pratt, etc., I propose to show how the new hybridized travel writers consciously historicize the ‘contact zones’ they write on (making them texts-in-context), represent the ubiquitous hybrid or mutt presences, and show a form of local determinism and resistance which fits within what Lyotard dubs postmodern paralogy.

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Pellérdi, Márta. "Travel Writing, Literature, and Romance: Polixéna Wesselényi’s Travels in Italy and Switzerland". Acta Universitatis Sapientiae, Philologica 13, nr 3 (1.12.2021): 1–15. http://dx.doi.org/10.2478/ausp-2021-0024.

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Abstract Polixéna Wesselényi’s Travels in Italy and Switzerland, the first travel narrative that was written by a woman in Hungary and Transylvania, is a work little known to the wider international public, as it was published in Hungarian in 1842, seven years after her tour. There are few travel narratives written by East-Central European women in the first half of the nineteenth century. This essay attempts to reflect upon Wesselényi’s personal motives, her intellect and literary craftsmanship, as well as the cultural constraints she had to encounter. The romantic nature of the relationship between Wesselényi, a married woman, and the fellow travel writer John Paget, is also mirrored by the text. Travels in Italy and Switzerland not only offers an insight into the relatively favourable situation of Transylvanian women of the aristocracy in the 1830s but also shows that it had the power to inspire the works of celebrated Hungarian novelists after its publication. Although Wesselényi’s style conforms to the picturesque and sentimental travel writing published by European women in the period, it justly demands a place for itself on the list of distinguished nineteenth-century European travel writing by women.

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Mustofa, Andi, Wening Udasmoro i Sri Ratna Saktimulya. "Writing the Self: Interior Voyage in 19th Century French Travel Writing". Journal of Language and Literature 23, nr 1 (23.03.2023): 158–66. http://dx.doi.org/10.24071/joll.v23i1.4844.

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Travel is a momentum to look inside that influences the travelers' existence, along with meeting and interacting with others. The self as a traveler experiences internal dynamics reflected in the travel writings. This paper analyzes five French travel writings to reveal the self-construction of travelers who explored the East in the 19th century. The analysis results show that travelers’ self-construction is divided into Enlightenment or Romantic subjects and true travelers or travelers as tourists. The Enlightenment subject prioritizes facts and empirical knowledge outside of the self for the broader interest. In contrast, the Romantic subject puts forward subjective and emotional attitudes in dealing with and narrating others used for personal gain. True travelers look for difficulties in other places to prove themselves in conquering the challenges. Travelers as tourists try to avoid the obstacles by seeking safety and comfort during the trip. The East as a travel destination is a space that offers difficulties in constructing and legitimizing the traveler's self-image with the attributes that society expects, such as courage and persistence. The five French travelers, both Enlightenment or Romantic subjects and true travelers or tourists, had various knowledge of the others due to factors such as the purpose of the trip, profession, social status, and duration of the trip. Knowledge of the others and self-disclosure narrated in travel writings manifest the French travelers’ power to control and manage themselves and represent the Other.

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Dutton, Jacqueline. "Taking Time Out to Travel: Competing Temporalities in Contemporary French Travel Writing". Nottingham French Studies 51, nr 1 (marzec 2012): 1–13. http://dx.doi.org/10.3366/nfs.2012.0002.

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Taking time out to travel is one of the defining activities enjoyed by members of modern affluent societies. As a corollary to the rise in travel for leisure, there has also been an increase in the number of travel writers who relate their encounters with other people, places and politics in various destinations around the globe. Naturally, studies of travel writing and tourism are therefore also on the increase and encompass not only the written text right across the genres, but also film and other visual representations that privilege the narratives of travel. This article will introduce a new focus on time in travel writing, which is developed throughout this special issue. After presenting an overview of the various ways in which time has become a central preoccupation in studies of travel writing, this article proposes a methodological framework for assessing the impact of competing temporalities in contemporary French travel writing – nostalgia for the past, nostalgia for the future, and futuristic projections – on intercultural relations.

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Margawati, Prayudias. "TRAVEL WRITING: AN APPLICATION OF WRITING WORKSHOP TO ENHANCE STUDENTS’S CREATIVE WRITING". Jurnal Pendidikan Bahasa dan Sastra 14, nr 2 (1.10.2014): 187. http://dx.doi.org/10.17509/bs_jpbsp.v14i2.724.

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Writing is often assumed as uneasy skill to either learn or teach. For students, they find it difficult to develop ideas in writing. On the other hand, teachers, many of them, only ready with the materials but confuse with the appropriate ways to teach. This paper intends to describe and discuss a method of teaching writing namely writing workshop to improve students’ writing skill through travel writing. Writing workshop proposed by Calkins that consists of mini lesson, work time, peer conferring and/or response groups, share sessions, and publication celebration is applied in writing class for methodological purposes. In mini lesson, teacher offers something to the class that is meant to introduce a writing strategy done at the beginning of the workshop. During work time point, students start their new piece of writing. Teacher moves among students conferring with them while checking their works. Peer conferences or response groups provide a forum for students to talk about works in progress. When students work in group, one of them could arrange his/ her group needs during the work time. A share session may be varied, one possible way is each group shares their process of writing to other students. At the end of writing class, student writers come together to publish and/ or celebrate their final work. The publication could be in the form of portfolio, students’ diary, blog, or others. Travel writing genre is chosen as it could develop students’ creativity in describing/ narrating their own stories during, let say holiday or things they used to see on the way home weekly or monthly. Furthermore, travel writing as the product of creative writing teaches the readers of values, characteristics, and way of life. Last but not least, a professional writing teacher should set the writing workshop components in variety ways to achieve effective running-class.

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Satrya, I. Dewa Gde. "Storytelling of Destinations Through Travel Writing". International Journal of Global Operations Research 4, nr 2 (7.05.2023): 88–94. http://dx.doi.org/10.47194/ijgor.v4i2.219.

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Traveling is a pleasant experience. For marketers, the media to promote tourist destinations requires honest recognition from tourists who have visited. Currently, a tourism promotion tool can be carried out using a place storytelling approach that is packaged into a travel writing book. This article is the result of qualitative research using the primary data source of interviewing travel writers and studying travel writing works. Secondary data comes from literature studies. The formulation of the problem in this research is how to implement place storytelling through travel writing? The conclusion of this study is that originality is the main key to place storytelling and travel writing books are an effective promotional tool for marketing tourist destinations.

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Solovev, Andrei Iurievich. "RUSSIAN TRAVEL WRITING IN RECENT STUDIES". Russkaya literatura 3 (2021): 254–62. http://dx.doi.org/10.31860/0131-6095-2021-3-254-262.

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The overview article examines the modern philological study of Russian travel writing before the modernist era through the prism of the «travel literature» / «literary travel» opposition. A special emphasis is laid on the problem of bibliography of the material, the advantages and disadvantages of existing approaches are considered.

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Elbarbary, Ayman S. "Ahmed Ibn Fadlan and Bayard Taylor: Travel Writers or Translators?" Vertimo studijos 16 (11.10.2023): 45–66. http://dx.doi.org/10.15388/vertstud.2023.3.

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In this article, two works of travel writing, Resala (922) by Ahmed Ibn Fadlan and Travels in Arabia (1889) by Bayard Taylor, are explored to show how the genre as a whole serves as one way of translating culture in order to better understand and discover it. It examines how ideology affects cultural translation in travel writing and how this leads to othering. We begin with close readings of the texts for major content themes, including religion, sex, traditions, etc. These are analyzed for instantiations of inaccurate cultural translation, ideology, and othering. The use of pronouns, nouns, and adjectives is looked at to explore their othering effect. The results show that inaccurate cultural translations are sometimes influenced by ideology and usually lead to othering. The analyzed samples of travel writing rather reveal the predominant mindsets and leanings of their authors and cultures of their origin than those they attempt to introduce to their readers.

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