Gotowe bibliografie tematyczne / Trappers – Fiction

Gotowa bibliografia na temat „Trappers – Fiction”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Trappers – Fiction"

Hauan, Marit Anne. "Ei lita bok biter seg fast. Wanny Woldstads fangstmannsberetning". Nordlit, nr 32 (23.07.2014): 71. http://dx.doi.org/10.7557/13.3071.

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A little book bites stuck. A trapper biography of Wanny Woldstad.Wanny Woldstad, who still is a well-known polar hero and made more and more famous the last decades through theater plays, songs and writings, wintered over at Svalbard as a trapper and hunter from 1932-37. She left her job as a taxi driver in Tromsø for a tiny little hut and a hunter’s life in Hornsund together with a man she just met. Nearly 20 years after returning to the civilization she wrote a book about her polar experience. Wintering as trappers and hunters seems to have also in a literary project and a lot of trappers have told them polar stories between book covers.Woldstad writes mainly about her first wintering. She is able to share that she in this first year was overwhelmed by her new surroundings; she was thrilled by the opportunity to hunt birds, foxes and polar bears. She describes enthusiastically nature and the hunting situations. Even everyday activities as making food, celebrating Christmas and writing diary are topics. In her book she gives credit to her partner as a teacher and mentor in the field of hunting and trapping. But through her writing she brings her own competence and capabilities in focus. Her book gives a profound knowledge of a year in on hunting station on Svalbard. It is written as a true story – an autobiography although retrospective, but has its elements of fiction.

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Mekh, Nataliia. "Interpretation of the Tiger Trappers Novel by Ivan Bahrianyi in the Ukrainian Cinematography of the 1990s and Musical Theatre of the 2020s". Folk Art and Ethnology, nr 2 (30.06.2024): 35–43. http://dx.doi.org/10.15407/nte2024.02.035.

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Attention is paid in the article to the landmark event of modern Ukrainian culture – the book celebrating its anniversary in 2024 – Ivan Bahrianyi’s novel the Tiger Trappers and the rethinking, interpretation of this work in the modern Ukrainian artistic space, in particular in cinematographic and theatrical texts. This year, 80 years have passed since the world saw the adventure work with autobiographical elements, which resonated not only at home, but also abroad. And this is not surprising, because Tiger Trappers has been translated into many languages of the world and had a circulation of over a million copies. Ivan Bahrianyi has submitted to a wide audience a very Ukrainian in spirit and worldview action, which even today in the 21st century is able to interest young people with its truthfulness and insight, its thirst and desire for freedom. The film version of the Tiger Trappers novel, which has appeared in 1994 at the Ukrtelefilm studio is analysed in the investigation. A well-known figure of Ukrainian culture Rostyslav Synko is a director and screenwriter of the film. The film text is based on the original source, but there are also differences those testify not only to another time period, the other era in which the film was shot, but also to certain new accents, a new vision, a reinterpretation of Ivan Bahrianyi’s novel about the young aviator Hryhorii Mnohohrishnyi. According to the plan of the author of the film story has another name. He is called Andrii Chumak in the film. There are also the other details those differ in the novel and in the fictional strip of the same name. And this is quite natural, because it is about the author’s interpretation, reinterpretation of a well-known work. The film of the same name also draws the viewer’s attention to the two Ukraines of the main characters: to the distant, dreamed-of real Ukraine with Golden-topped Kyiv and to the Second Ukraine, which immigrants, exiles from their native land, have built for them in the Far East in the bloody 20th century. In our time, this motif acquires new shades, because again, already in the 21st century, there are Ukrainian immigrants, again there are people who are forced to seek refuge all over the world, escaping from the terrible Russian invasion. Will new immigrants be able to find their Second Ukraine? Will they be able to return to their homeland? Life will show... The interpretation of the novel in modern Ukrainian musical theater is considered. Last year the musical Tiger Trappers directed by Serhii Pavliuk has been released basing on the novel of the same name by Ivan Bahrianyi. This fact, without exaggeration, has become a landmark artistic event, which has success with the audience and favourable reviews of critics. It is emphasized in the article that when we see a finished cultural product of the Ukrainian artistic space, whether it is a film or a theatrical production, a musical, etc., based on a certain work of fiction, we realize that this is already an interpretation, a reinterpretation. So, we are already talking about the creation of a new cultural text – a film text, a theatrical text, a musical text, etc. The significance of modern theater and film art is understood. It is claimed that the mission of art today is exactly rehabilitation through art. An artistic product should give hope, show a happy version of the course of events. Faith in the victory of good over evil, glorification of love that does not pass away – all this should be present in modern theatrical, musical and film texts today. After all, there is a demand for such cultural products in the modern time slice of the 2020s.

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Guangzhao, Lyu. "Waste People and the Vampiric Society". Extrapolation: Volume 62, Issue 3 62, nr 3 (1.12.2021): 309–29. http://dx.doi.org/10.3828/extr.2021.17.

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Chen Qiufan’s 2013 novel Waste Tide has become one of the most popular stories in Chinese New Wave Science Fiction, especially after the publication of its English version in 2019. This essay argues that in addition to the environmental concerns Waste Tide brings to the fore, the novel also calls for a discussion centered on migrant workers in China. Rendered as waste people on Silicon Isle, these migrant workers find themselves trapped in the duality of "economic acceptance" and "social rejection," forming an autonomous community that can be read through Michel Foucault’s notion of heterotopia. Out of the humiliation imposed by the Silicon Isle natives and the resulting mentality of failure and trauma, the waste people have developed a desire for change and transgression. However, their efforts and sacrifice for self-liberation turn out to be in vain, because in doing so, they are consumed by the vampiric logic of market competition. Such a competition, in fact, is evident not only in the fictional Silicon Isle, but also in the real cities benefitting from China’s market-oriented transition.

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Widjaya, Freddy Setiawan, Juanda i Asep Supriadi. "CROSS-CULTURAL FICTION IN FIRE EMBLEM FATES". Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 7 (26.06.2024): 88–93. http://dx.doi.org/10.34010/d1e09923.

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The purpose of this research is to analyze the cross-cultural fiction in Fire Emblem Fates. The data analysis based on qualitative method. Qualitative research as defined by Denzin and Lincoln (in Joubish, 2011, p. 2083) is a method which studies the things in the natural setting. The qualitative research is aimed to find the reasons and explanations, but not simply the description of the method of research and the sum of its results. For this analysis, the data uses the story from the game to analyze the cultural problem that is two different nations with different culture, as well as the effect on the main character who is trapped between the two nations at war. The result showed that cross-cultural affect the main character on the decision s/he will choose, whether s/he will choose to pick a side with one of the nations or make his/her own fate trying to make two nations at peace.

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Drabek, Thomas E. "Trapped: Expanding Student Understanding of Multiorganizational Coordination through the Use of Fiction". International Journal of Mass Emergencies & Disasters 36, nr 3 (listopad 2018): 247–63. http://dx.doi.org/10.1177/028072701803600304.

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While professors in other sub-fields of sociology occasionally have incorporated fictional works into their courses, rarely, if at all, has this been attempted in disaster and hazard studies. This paper is a summary of one such effort including both the rationale and approach. Following discussion of context, a case example of an original fictional story is described including its origins and method of analysis. The story is rooted in an actual disaster and based on data obtained shortly afterwards. This approach provides both links to the humanities and greater depth of student understanding of core concepts, like multiorganizational coordination which is used in this case example. Through this strategy students enhance their ability to empathize with disaster responders and victims who too often are trapped in social structures that result in failure.

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Addison-Smith, Helen. "E.T. Go Home: Indigeneity, Multiculturalism and ‘Homeland’ in Contemporary Science Fiction Cinema". Papers: Explorations into Children's Literature 15, nr 1 (1.01.2005): 27–35. http://dx.doi.org/10.21153/pecl2005vol15no1art1257.

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Readings of films involving alien invasions do not take into account the fact that in many science fiction films, notably 'E. T', aliens are benign and friendly, are trapped in human societies, and desire above all to return to their homelands. A key to understanding such good aliens is the idea of the 'Indian', a figure widely used in the US to encode ideas about home, belonging and identity, often through the deployment of New Age discourses.

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Al Thobaiti, Fatmah. "Portraying the Male Abuser in Contemporary Women’s Fiction". ELOPE: English Language Overseas Perspectives and Enquiries 19, nr 2 (31.12.2022): 197–210. http://dx.doi.org/10.4312/elope.19.2.197-210.

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Newspaper headlines show that awareness of intimate partner violence is a complicated issue that needs further examination. Works of fiction narrated by women trapped in abusive relationships are useful sites for the exploration of what intimate partner violence usually includes, and the identification of subtle behaviours that can be defined as violent and abusive but usually go unnoticed. This article submits two contemporary works of fiction, First Love and the Fifty Shades series, for a study of the covert mechanisms of emotional abuse. To understand such mechanisms, the article engages with feminist as well as postfeminist contemporary thinking on intimate partner violence. The analysis shifts the focus back to the male abuser by carefully depicting how he uses under-recognized, gendered forms of power to abuse his partner. The aim is to elucidate the capacity of first-person narratives to allow access to the abused woman’s mind, while simultaneously provoking questions about the abusers’ behaviours, making them a more powerful tool for understanding intimate partner violence than a newspaper report.

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Dai, Yan, i Benjamin Arnberg. "“We Have to Survive, First”: Speculative Ethnographies of Chinese Student Experience During COVID-19". Cultural Studies ↔ Critical Methodologies 22, nr 1 (25.10.2021): 53–65. http://dx.doi.org/10.1177/15327086211050041.

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Our speculative ethnography of Chinese student experience in the United States during COVID-19 weds the tradition of speculative fiction (exemplified by the likes of Margaret Atwood and Octavia Butler) and digital autoethnography. The study is two-pronged: First, we articulate/map the methodological merits of speculative and digital autoethnography as particularly conducive to the crisis context of COVID-19 and its accompanying social isolation; second, we deploy said methodology within a population of nine Chinese students “trapped” in the United States during the COVID-19 period.

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AYUSO NOGUEIRAS, ANA. "¿Qué puedes aportar tú realmente?" RE-VISIONES, nr 12 (grudzień 2022): 14–19. http://dx.doi.org/10.57149/re-visiones.12.2.

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The presented article aims to introduce a series of questions that derive from a context in which “we are what we work” because labour has become the articulating centre of life, the scale of what we are worth; what are the forces at play to keep us perpetuating these ways of life?; why are we still trapped in the ideal of a stable job as the good life? Through an auto-ethnographic artistic research into the fictions we construct of ourselves in the processes of job applications, I try to understand how and why we remain trapped in a reality that prevents us from thriving.

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Fedor, Bob, i Jeremy Straub. "A Particle Swarm Optimization Backtracking Technique Inspired by Science-Fiction Time Travel". AI 3, nr 2 (1.05.2022): 390–415. http://dx.doi.org/10.3390/ai3020024.

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Artificial intelligence techniques, such as particle swarm optimization, are used to solve problems throughout society. Optimization, in particular, seeks to identify the best possible decision within a search space. Problematically, particle swarm optimization will sometimes have particles that become trapped inside local minima, preventing them from identifying a global optimal solution. As a solution to this issue, this paper proposes a science-fiction inspired enhancement of particle swarm optimization where an impactful iteration is identified and the algorithm is rerun from this point, with a change made to the swarm. The proposed technique is tested using multiple variations on several different functions representing optimization problems and several standard test functions used to test various particle swarm optimization techniques.

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Książki na temat "Trappers – Fiction"

Forgiven: A Demon trappers novel. New York: St. Martin's Griffin, 2012.

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Faris-Avery, Kay Beth. Tales from the trappers' trail. Lake City, CO: Western Reflections Publishing Company, 2010.

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Cherry, Bob. Spirit of the raven: An Alaskan novel. Seattle: Picaro Press, 1999.

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Faust, Frederick Schiller. The tyrant: A north-western story. Waterville, Me: Five Star, 2001.

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Faust, Frederick Schiller. The tyrant: A north-western story. Waterville, Me: Thorndike Press, 2002.

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Gardiner, Scott. The dominion of Wyley McFadden: A novel. Toronto: Random House Canada, 2000.

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The dominion of Wyley McFadden: A novel. Toronto: Vintage Canada, 2001.

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Punke, Michael. Shen gui lie ren. Wyd. 8. Taibei Shi: Ying shu Weijing qun dao shang Gao bao guo ji you xian gong si Taiwan fen gong si, 2015.

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Eagle, Kathleen. Heaven and earth. Richmond: Mills & Boon, 1996.

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Grosz, Terry. The adventures of Hatchet Jack. Denver, CO: Flying Pen Press Westerns, 2013.

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Części książek na temat "Trappers – Fiction"

Lanzendörfer, Tim. "Sadie and Allison in the Apocalypse". W Books of the Dead, 126–60. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819062.003.0006.

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This chapter discusses the argument that zombie fictions are in a privileged position to discuss progressive visions of gender politics. Following the book’s larger argument that zombies open spaces of possibility, rather than symbolically represent a particular politics, it briefly reads a number of zombie fictions for their depiction of women’s roles and relates them to literary form. It posits the possibility of something like a “genrécriture feminine” that limits writers in the ways they can depict women in the zombie apocalypse, a possibility explored by contrasting the initial set of texts with an exploration of two novels, Madeleine Roux’s Allison Hewitt is Trapped and Sadie Walker is Stranded. Ultimately, the chapter concludes, while zombie fiction offers possibilities to explore progressive gender positions, few texts actually make use of this possibility.

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Kennon, Patricia. "“Superpowers Don’t Always Make You a Superhero”". W Posthumanism in Young Adult Fiction, 117–34. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816696.003.0006.

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Michael Grant’s popular Gone series, as Patricia Kennan argues, is mostly a failed attempt at exploring posthuman possibilities. As characters under the age of 15 are trapped under a city-wide dome to fend for themselves, having to deal with mutations that make many of them superhuman, they regress to acting out the worst of human traits. The few who are generous and social-minded are heroic in their intentions but are overrun by those whose powers are fed by greed. Grant seems to delight in describing monstrous mutations, while characterizing homosexuality, special needs children, and nonwhite races or ethnicities as less than human.

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Einboden, Jeffrey. "“The Runners”". W Jefferson's Muslim Fugitives, 123–34. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190844479.003.0012.

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This chapter describes the fanciful character “Mustapha Rub-a-Dub Keli Khan” created by early America’s leading fiction writer, Washington Irving. Mustapha is a Tripoli ship captain “held prisoner in New York.” Trapped behind enemy lines, he spies on the land of his captivity, writing home to his friend Asem. Mustapha’s concern, however, is America’s own “Bashaw”: Thomas Jefferson. Jefferson is pictured as a “grand” Sultan who “governs” a New World “empire.” Although Irving’s letters were facetious, they capitalized on serious anxieties confronting Jefferson’s America. Interweaving Islam and imprisonment, while sending covert reports of an American President to a “slave-driver” in North Africa, Irving’s parody cuts rather close to home, even though framed through a Muslim lens.

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Hemmann, Kathryn. "Dangerous Women and Dangerous Stories". W Rethinking Japanese Feminisms. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824866693.003.0011.

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In her two bestselling novels Grotesque and Real World, Kirino Natsuo (1951–) contrasts the commodified sexuality of young women with the sexual alienation of older women. Through her fiction, the author responds to several strands of discourse on women and social responsibility that shaped public policy in Japan during the late 1990s, in which women were blamed for issues such as Japan’s low birthrate and economic stagnation. At the center of these debates was women’s sexuality, which politicians and the media alternately worshipped and villainized. Kirino critiques the contradictions inherent in these discourses by demonstrating their effect on her female characters, who find themselves trapped in a cycle of outwardly imposed misogyny and internalized self-hatred that they in turn direct toward other women.

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Orlik, Thomas. "War-Gaming a China Crisis". W China, 176–93. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197598610.003.0011.

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Abstract This chapter cites the novel China Dream by exiled storyteller Ma Jian and Liu Cixin’s science fiction fantasy The Dark Forest, which are used to describe China’s future. It explains that Ma Jian’s dystopian rhapsody tells of a society trapped by its failure to come to terms with its past. It also analyzes Liu Cixin’s vision of a China that is effortlessly part of global political, economic, and technological leadership. The chapter refers to calculations of China’s debt that focus on the borrower side, wherein loans to business, households, and government are added up. It clarifies how China’s combination of advanced economy debt levels and emerging market income levels is a unique disadvantage, emphasizing that maxing out on debt at a middling level of development made it more difficult for China to close the gap with high income countries.

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Redford, Bruce. "Transmitting Johnson". W Designing the Life of Johnson, 111–36. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198187394.003.0005.

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Abstract In the autumn of 1790, Frances Burney, then serving as second keeper of the robes to Queen Charlotte, finds herself re-enacting the role of one of her fictional heroines. Like the well-named Evelina Anville, upon whom shamelessly aggressive males are forever hammering, Burney is trapped in a crowded public space by an importunate suitor. In this instance the setting is Windsor Castle and the suitor is James Boswell, who is seeking not sexual but literary favours. First Boswell embarrasses Burney by declaring, in the midst of ‘a multitude’, that she must resign her position at Court.

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Withers, Jeremy. "Introduction". W Futuristic Cars and Space Bicycles, 1–24. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621754.003.0001.

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For the May 1967 issue of Analog, the influential science fiction magazine that began under the name Astounding Stories of Super-Science in 1930, editor (and sometimes author) John W. Campbell, Jr. composed an editorial titled ‘The Safest Form of Transportation.’ Campbell wrote the editorial, he tells us, in the days immediately following the Apollo 1 disaster, an incident that occurred on January 27, 1967, in which a cabin fire broke out in a space module as it sat on the ground during a launch rehearsal test. Three NASA astronauts were trapped inside the module and killed by the fire. Campbell, concerned that this disaster might halt subsequent development of human space flight programs, opens his editorial by brazenly declaring: ‘As of January 30th, 1967 travel by spaceship retains its unblemished record as the safest known form of travel; in hundreds of millions of miles of travel, not one person has been killed or injured.’...

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Gardella, Peter (Petra), i Laurence Krute. "Bird Heroes and Villains". W Wings of the Gods, 77–109. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197691878.003.0004.

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Abstract Birds save kings from the Manchu dynasty of China to King Arthur and the Tower of London. In the Hindu Ramayana, a vulture saves Queen Sita. Geese saved the Roman republic from Gauls. Sparrows throwing stones saved Mecca from war elephants in the year when Prophet Muhammad was born. Seagulls saved Mormons in Utah by eating insects that devoured their first crop. In World War I, a pigeon saved an American battalion trapped behind German lines. In the Israeli Six-Day War of 1967, a dove guided and saved a soldier and became a hero to fundamentalist Jews and Christians. Fictional bird interventions drive the plots of Aristophanes in The Birds, of Siegfried in Norse mythology, of Swan Lake, and of Angels in America.

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Böhlau, Sarah. "‘Lorca, I’m Really Gonna Miss Killing You’". W Fighting for the Future, 127–44. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.003.0008.

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While time travel as a narrative device has been firmly entrenched in popular culture since the late 19th century, its sub-trope, the time loop, has been largely neglected until the 1990s. Star Trek, never a franchise to shy away from bold narrative tools, first introduced a time loop in the Star Trek: The Next Generation episode “Cause and Effect” (1992). Since then, the trope has become a well-known storytelling device, especially within the realms of science fiction television series. A time loop occurs when the temporal fabric of a narrative world enfolds one or several characters in a recurring circular loop, while for the rest of the story world, time flows in its natural direction. Most crucial in many of these narratives is the question of emotional development and human connection, both equally enabled and denied by the time loop. This is also the case in Discovery’s seventh episode “Magic to Make the Sanest Man Go Mad” (2017). This chapter looks at the episode, at the special narrative space created by the time loop, the counterfactuals it generates, and the emotional development it affords to the characters trapped inside – and outside.

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Dawkins, Laura. "“It Won’t Be Long Before the Grind-Mill Gets Hold of Him”: Child Labor in Mary E. Wilkins Freeman’s The Portion of Labor". W New Perspectives on Mary E. Wilkins Freeman, 147–63. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399504478.003.0009.

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This chapter argues that The Portion of Labor is one of the few works of fiction that examines the controversial issue of child labor in the late nineteenth and early twentieth centuries. Freeman protests the theft of education, vitality, and individuality from generations of children who began to work for wages at an early age. Writing in the tradition of “moral realism” exemplified by Jacob Riis’s How the Other Half Lives (1890), Freeman departs from Riis in her insistence that only the organization of labor unions and the political activism of the working class—not the middle-class social reform and philanthropy that Riis espouses—can effectively address the problems of worker exploitation and childhood poverty. She demonstrates how working-class parents become trapped within a family wage economy in which older workers are discharged so that their preadolescent children, a cheaper source of labor, can fill their places. Her haunting portraits of child laborers, like her more familiar depictions of aging, impoverished women, attempt to awaken the social conscience of America and expose the ills of industrialism and assert the nation’s obligation to protect its most vulnerable citizens.

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Streszczenia konferencji na temat "Trappers – Fiction"

Lancry, Matthieu, Nadège Ollier, Christian Herrero i Bertrand Poumellec. "Temperature reversible Self-Trapped Holes in fictive temperature-treated silica". W Bragg Gratings, Photosensitivity and Poling in Glass Waveguides and Materials. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/bgppm.2018.jtu2a.5.

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