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Artykuły w czasopismach na temat "Tony (1931-...)"
Vasic, Aleksandar. "Two views on the Yugoslav ideology in Serbian music periodicals between the two world wars". Muzikologija, nr 17 (2014): 155–66. http://dx.doi.org/10.2298/muz1417155v.
Pełny tekst źródłaVincenzini, Vincenzini. "El nacionalcatolicismo fascista de José Pemartín: entre el monarquismo circunstancial franquista y el monarquismo institucional tradicionalista". Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, nr 11 (22.06.2022): 498–513. http://dx.doi.org/10.18239/vdh_2022.11.24.
Pełny tekst źródłaDias, Allister Teixeira. "A pena de morte no debate criminológico do Rio de Janeiro dos anos 1930". Revista Brasileira de História & Ciências Sociais 11, nr 21 (10.07.2019): 9–40. http://dx.doi.org/10.14295/rbhcs.v11i21.528.
Pełny tekst źródłaZocco, Gianna. "Disturbing the Peace of “Two Not So Very Different” Countries: James Baldwin and Fritz Raddatz". James Baldwin Review 3, nr 1 (4.10.2017): 89–109. http://dx.doi.org/10.7227/jbr.3.6.
Pełny tekst źródłaBORIĆ, DUŠAN. "A VIEW OF VINČA FROM CAMBRIDGE: MINNS’ REVIEWS OF THE 1930s PUBLICATIONS BY VASIĆ". ИСТРАЖИВАЊА, nr 27 (19.12.2016): 7–32. http://dx.doi.org/10.19090/i.2016.27.7-32.
Pełny tekst źródłaFortuna, James J. "‘Un'arte ancora in embrione’: international expositions, empire, and the evolution of Fascist architectural design". Modern Italy 25, nr 4 (listopad 2020): 455–76. http://dx.doi.org/10.1017/mit.2020.61.
Pełny tekst źródłaChoma-Suwała, Anna. "Poezja Natalii Liwyckiej-Chołodnej w tłumaczeniach Józefa Łobodowskiego". Acta Polono-Ruthenica 2, nr XXV (24.09.2020): 137–54. http://dx.doi.org/10.31648/apr.5623.
Pełny tekst źródłaDufieux, Philippe. "Hôpital Edouard Herriot à Lyon, Tony Garnier, 1933". Cure and Care, nr 62 (2020): 84–85. http://dx.doi.org/10.52200/62.a.g4wn2u86.
Pełny tekst źródłaRoss, Bruce J. "Tony Rayner 1938 ‐ 1990". New Zealand Economic Papers 24, nr 1 (styczeń 1990): 140–44. http://dx.doi.org/10.1080/00779959009544160.
Pełny tekst źródłaNovoselović, Dario, Ruđer Šimek, Krešimir Dvojković, Alojzije Lalić i Georg Drezner. "Povijesni pregled proizvodnje pšenice u Republici Hrvatskoj". Sjemenarstvo 30, nr 1-2 (15.11.2017): 55–64. http://dx.doi.org/10.33128/s1.30.1-2.6.
Pełny tekst źródłaRozprawy doktorskie na temat "Tony (1931-...)"
Nickel, Vivian. "Trauma, memória e história em A Mercy, de Tony Morrison". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61717.
Pełny tekst źródłaToni Morrison’s latest novel A Mercy (2008), evokes the past of peoples that were historically confined to the margins of the American culture. Morrison goes back to the period of the Anglo-Saxon colonization in the 17th century to tell the story of Florens, who is offered by her mother as the payment of a debt by the plantation owner. Florens’ story is narrated from the point of view of trauma, an aspect that highliths Toni Morrison’s commitment to a political-aesthetical project to recover the history of racial relations in the United States from an inner perspective. This thesis shows how Morrison’s text allows for a different encounter with a historically silenced past, focusing on the interiority of historical experience – i.e., on history as a trauma. Through multiple textual strategies, Morrison’s novel mobilize not only the reader’s critical perception but transform the act of reading into a living experience, one that can reveal the power of literature to change human relations.
El, Helou Rachelle. "La vulnérabilité dans la fiction de Toni Morrison : De l'aliénation à la reconstruction identitaire par le langage". Electronic Thesis or Diss., Université Côte d'Azur, 2023. http://www.theses.fr/2023COAZ2029.
Pełny tekst źródłaDuring an interview with Nellie McKay in 1983, Toni Morrison confided to her the following words: “I'm interested in survival―who survives and who does not, and why […] It''s the complexity of how people behave under harshness that is of interest to me―the qualities they show at the end of an event when their backs are up against the wall.” Therefore, in her works which are characterized by a force of vision and a poetic power which has made her writings famous all over the world, the novelist aspires to rectify the errors as well as the omissions of the official History over a period which extends from before the arrival of the first slave ship in Virginia in the 17th century to more contemporary times that go beyond the struggle of black Americans for desegregation and equal civil rights in the 1960s. In her texts that are sometimes elliptical, sometimes ostentatious, Toni Morrison wants to give a voice to marginalized, vulnerable and often “fragmented” characters who are deeply wounded in the flesh in order to put an end to the silence of several decades of racial discrimination which hinder their quest for identity. It is therefore through her pen that the writer reveals the struggles, the tribulations, but also the passions, the hopes, and the strategies of survival which animate her characters who strive to free themselves from the chains of oppression and from the weight of the past. By means of a language which was in turn an instrument of oppression and an instrument of redemption, Morrison makes out of language a mode of expression which reinvests the text with typically Afro-American ways/voices thus creating a symbolic space where Black people can now face the oppression of which they were once a victim and finally reconstitute their own subjectivity
Alliot, Bénédicte. "Figurations du temps dans l'oeuvre de toni morrison et v. S. Naipaul". Paris 7, 1999. http://www.theses.fr/1999PA070009.
Pełny tekst źródłaThe veracity of historical texts is called into question by afro-american and caribbean writers. For instance, toni morrison's the bluest eye, beloved and jazz and v. S. Naipaul's the enigma of arrival and a way in the world are attempts to recover the past. Morrison and naipaul contrast official, partial historical texts with memory which enables the individual and his community to restore speech and does away with censorship. He may then decolonize the space he lives in by developing a poetics of identity. At first colonials are strangers to themselves and are confined within a dialectics of western mimicry. This leads contemporary postcolonial writers such as e. K. Brathwaite, wilson harris or david dabydeen in the caribbean or chinua achebe in nigeria to question the nature of western/postcolonial worldvision by re-telling parts of the past. Thus to naipaul francisco miranda's blind gaze exemplifies the caribbean fate, and his life is one of chaos and confusion. Finally, a postcolonial scattered perspective emerges. In beloved recovered memory feeds the present. However historical traumas remain for ever unsaid and are obstacles to the emergence of the subject within his community. Naipaul offers a prismatic, plural vision of the caribbean subject - he evolves in a space and time which is not geographically defined, but which elaborates subjective aesthetics, that of "floating times"
Le, Fustec Claude. "Crise et regeneration : la quête d'unite dans la fiction de Toni Cade Bambara et Toni Morrison". Toulouse 2, 1996. http://www.theses.fr/1996TOU20002.
Pełny tekst źródłaTorn from their motherland and rejected by those who caused their exile, afro-americans live in a place where they have no recognised identity. Hence, for them, existing will mean bridging the gap between their african and american identities. Since the 1970s, this is precisely what afro-american women writers have been aiming at doing. Toni cade bambara and toni morrison, particularly, have tried to go beyond the imperialist-derived secularism of western culture that fragments reality and caused afro-americans, in du bois' terms, to experience "double-consciousness, this sense of always looking at one's self through the eyes of others". The crisis undergone by the afro-american psyche is thus studied in the etymological sense of the word, i. E. "separation", as reflected by bambara's and morrison's fiction. As a matter of fact, both writers have tried to substitute a regenerating sense of unity for the destructive dualism imposed by the ruling part of the american society. In their progression from a state of existential and stylistic crisis to a unified whole, their fictional writings demonstrate an equal urge to go beyond words in an attempt to grasp the essence of life, far beyond the limited and fragmenting vision conveyed by any ideology
Dabbagh, Lori. "Faire son chemin de Damas : le (soi-disant) Tiers monde et la femme dite "noire": Toni Morrison, Maryse Condé et Mariama Bâ". Paris 3, 1995. http://www.theses.fr/1995PA030136.
Pełny tekst źródłaBefore undertaking the search for the other, it is necessary to travel to the farthest depths of oneself. The works of three so-called "black" women toni morrison, african-american, maryse conde, west indian, and mariama ba, african will help the researcher to reach the other shore and to come back to himself, but transformed by the experience, like saint paul on the road to damascus. For what is called american literature would not exist without the presence of black people, as toni morrison asserts, and without this author's works, the quest for the other in the west indies and in africa would not take place. These three women, as novelists, will have accomplished such a search. As for their characters, very few will manage to overcome obstacles and embrace the "other" element in themselves and find their mirror image reflected in the stranger. Those who finally build a bridge with the other will succeed in doing so in their own community or within their racial cultural group, which is already a step forward
Vegehan-Marshall, Cécile. "Poésie, politique et ironie dans l'oeuvre de Tony Harrison". Bordeaux 3, 2007. https://hal.archives-ouvertes.fr/tel-01526177.
Pełny tekst źródłaSince the 1970s, Tony Harrison has constantly played with expectations and relished paradoxes. His poetry, like irony, his favourite mode of writing, defies categories. It is both iconoclastic and traditionalist, popular and elitist, self-conscious and public, inclusive and exclusive. Starting his career with the translation and modernisation of dramatic classics, he has made his mark in the poetic canon with his appropriation of the sonnet form. Half-way between resistance and rebellion, homage and originality, he confronts poetic language with theories of cultural hegemony, and invites the outmoded scholarship boy debate into Thatcherist Britain. In his quest for public poetry, he appropriates non-conformist media and cultural venues. While blurring the traditional distinctions between poetry, theatre and cinema, between art and reportage, Tony Harrison imposes rhymes and strict poetic forms, thus paradoxically appearing to be the most traditional of contemporary English poets. He revives Greek tragedy so that poetry might survive the traumas of the twentieth century, but demonstrates an irrepressible tendency for irony. Thus, he endows the theatrical performance with a ritual quality while, at the same time, debunking the artificiality of poetic language. Tony Harrison’s poetry exhibits texts, poets, languages, dialects and idiolects to celebrate the pleasures of poetry
Finnegan, Sean Justin. "Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279380/.
Pełny tekst źródłaMichlin, Monica. "Toni Morrison & les voix interdites". Paris 4, 1996. http://www.theses.fr/1995PA040254.
Pełny tekst źródłaThis study focuses mainly on the work of the African-American woman writer Toni Morrison. Its aim is to show how Morisson's writing of black bodies and of the African-American heritage, as well as her creation of a unique tragic voice, make hers a forbidden voice, a literary voice of memory (or rememory) and pain, struggling to be heard against the forces of suppression and oblivion. To each of these three themes-the body, the Afro-American heritage, the tragic voice a chapter of this study is devoted. The literary commentary of long extracts from the novels is the main feature of this dissertation, my hope being that such literary analyses may more specifically highlight the subtlety of Toni Morrison's work on language. Throughout these three chapters, other authors (African-American or not)are also the object of textual analysis, either because their voices enter in a call-response pattern with Morrison’s or, on the contrary, because they are emblematic of what Morrison writes against, of what she revises. In singling out writers who have chosen very similar themes, my point is to underline the marked differences in literary or ideological treatment that appear when their work is read in parallel with Morrison’s texts. The last chapter asks the question: "is there such a thing as a black voice?" in order not to avoid the question of the ethnicity of black literature. Without reducing black literature to the linguistic or sociological features it comprises, this chapter attempts to chart the already rich literary tradition that the black voice has behind it, a tradition which, thanks to the writers studied here, arches likes a rainbow from the fertile past into a glorious future
Li, Shujuan. "Ri wei tong zhi xia de Dongbei nong cun, 1931-1945 nian /". Beijing Shi : Dang dai Zhongguo chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0801/2005460075.html.
Pełny tekst źródła"Ha'erbin shi fan da xue you xiu xue shu zhu zuo ji jin zi zhu xiang mu ; Heilongjiang Sheng jiao yu ting ren wen she hui ke xue yan jiu xiang mu bian hao 10542062." 880-05 Includes bibliographical references (p. [311]-324).
TRIKI, DORRA. "L' écriture romanesque de Toni Morrison". Chambéry, 1997. http://www.theses.fr/1997CHAML001.
Pełny tekst źródłaThis dissertation deals with the writing techniques in Toni Morison’s six novels. First it applies to the division of the different sections of the text and its deep structure. This structure is depicted on the one hand, as a strategy alluding to "signification" and on the other hand as a mirror reflecting relationships between characters. This relationship, in turn, is considered as a path full of riddles and false tracks where sometimes linearity breaks out and the end remains open. Second, it shows the distinction between male's space and women's places. House, family and home all places, from a geagraphical stand point, are associated to an envionment proper to women as if these places aretheir stage of mobility. Whereas space of modernity, territories of "la grande migration" are supposed to be male's space. Still this study proves, with multiple examples from the novels, the possible discorder of the landmarks. Third, the framework and levels of times put up a theory of women's time and black time. In other words, the linear lived time and the cyclic one, including notions like return to origins, expansion of the temporal, call to memory the notion of transcending the past into the present. The name plays an important role in this study. It is presented as a broad hint to identity that is a sign of belonging to the group and anchored in the genealogy. But, at times, it appears as a parody of the christian symbolism or a mark of indetermination. Naming on the other hand goes beyond its role of power and becomes an indivisible part of the novel. The analysis of the narratives reveals the unequality of the narrators. In fact we find that, in jazz, the narrator is more present, more powerful and can also influence the reader's opinion. In jazz the narrator speaks and illustrates the artistic intrusions. Finally, the study speaks about creative expression, metaphor of working, the reccurents themes of "l'artiste manquée" and the collective expression of the community, including flight, creative expansion and the practice of oral communications (tales, chant, songs. . . ). Emphacising on the refusal of the "cliché" and "l’oeuvre ouverte", the conclusion leads to almost a constant use of the "differance" and to the coexistance of multiple meanings
Książki na temat "Tony (1931-...)"
Cragg, Tony. Tony Cragg, dibujos, 1991-1992 =: Tony Cragg, drawings, 1991-1992. [València]: IVAM Collecció Centre del Carme, Generalitat Valenciana, Conselleria de Cultura, Educació i Ciencia, 1993.
Znajdź pełny tekst źródłaGallery, Orchard, red. Tony Hayward: Sculpture, 1981-86. Londonderry: Orchard Gallery, 1986.
Znajdź pełny tekst źródłaHayward, Tony. Tony Hayward: Sculpture 1981-1986. Derry: Orchard Gallery, 1986.
Znajdź pełny tekst źródłaMinne, Richard. Een tong van lijntses: Geannoteerde leeseditie van de Brieven van Pierken (1931-1935). Gent: Koninklijke Academie voor Nederlandse Taal- en Letterkunde, 2002.
Znajdź pełny tekst źródłaQiang, Xiangsheng. Shenyang tong shi. [Taibei xian Yonghe Shi]: Wen hai chu ban she, 1987.
Znajdź pełny tekst źródłaXu, Ping. Qin Hua Ri jun tong lan, 1931-1945. Beijing: Jie fang jun chu ban she, 2012.
Znajdź pełny tekst źródłaPing, Xu. Qin Hua Ri jun tong lan(1931-1945). 三聯書店(香港)有限公司: 2014., 2014.
Znajdź pełny tekst źródłaJue, Chen, red. "Jiu yi ba" hou guo nan tong shi. Shenyang: Liaoning jiao yu chu ban she, 1991.
Znajdź pełny tekst źródłaBeloved, Toni Morrison. New York, NY: Spark Pub., 2002.
Znajdź pełny tekst źródłaLin, Qing. The Diachrony of Tone Sandhi. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1939-6.
Pełny tekst źródłaCzęści książek na temat "Tony (1931-...)"
McEwan, Neil. "Tony Harrison 1937–". W The Twentieth Century (1900–present), 579–83. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_76.
Pełny tekst źródłaBalfour, Lawrie. "Toni Morrison (1931–)". W Fifty-One Key Feminist Thinkers, 165–70. Abingdon, Oxon; New York, NY : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315558806-33.
Pełny tekst źródłaKostelanetz, Richard, i Steve Silverstein. "Tone Color (1939)". W Aaron Copland, 15–25. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003061724-4.
Pełny tekst źródłaHindle, Wilfrid. "High Tory: 1867–1914". W The Morning Post, 1772-1937, 220–34. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003407348-13.
Pełny tekst źródłaLin, Qing. "A Position-Based Diachronic Perspective to Tone Sandhi". W Frontiers in Chinese Linguistics, 23–43. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1939-6_2.
Pełny tekst źródłaBrowaeys, Antoine, i Thierry Lahaye. "Interacting Cold Rydberg Atoms: A Toy Many-Body System". W Niels Bohr, 1913-2013, 177–98. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-14316-3_7.
Pełny tekst źródłaChu, Cindy Yik-yi. "Kwun Tong and Chai Wan in the 1960s". W The Maryknoll Sisters in Hong Kong, 1921–1969, 129–47. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981615_7.
Pełny tekst źródłaFinke, Gesa. "Komponistin und »Scherchentochter«". W Gender und Neue Musik, 69–82. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839447390-004.
Pełny tekst źródłaBartók, Béla. "“Whole-Tone Scale,” No. 136 from Mikrokosmos, Vol. 5 (1932–39)". W Anthology of Post-Tonal Music, 23–25. Wyd. 2. Second edition. | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429340147-6.
Pełny tekst źródłaEllenzweig, Allen. "You’ve Got to Have Friends". W George Platt Lynes, 132–44. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0010.
Pełny tekst źródłaStreszczenia konferencji na temat "Tony (1931-...)"
Pugliano, Nick, Patrick J. Bolton, Tony Barbieri, Matt King, Michael T. Reilly, William Lawrence, Doris Kang i George G. Barclay. "Negative tone 193-nm photoresists". W Microlithography 2003, redaktor Theodore H. Fedynyshyn. SPIE, 2003. http://dx.doi.org/10.1117/12.485075.
Pełny tekst źródłaCho, Sungseo, Anthony Vander Heyden, Jeff D. Byers i C. Grant Willson. "Negative-tone 193-nm resists". W Microlithography 2000, redaktor Francis M. Houlihan. SPIE, 2000. http://dx.doi.org/10.1117/12.388343.
Pełny tekst źródłaRothschild, M. "193 nm—Moderately EUV". W Extreme Ultraviolet Lithography. Washington, D.C.: Optica Publishing Group, 1994. http://dx.doi.org/10.1364/eul.1994.elpm.10.
Pełny tekst źródłaKuhara, Koichi, Shigeyasu Mori, Yuko Kaimoto, Taku Morisawa, Takeshi Ohfuji i Masaru Sasago. "Negative-tone TSI process for 193-nm lithography". W 23rd Annual International Symposium on Microlithography. SPIE, 1998. http://dx.doi.org/10.1117/12.312407.
Pełny tekst źródłaFu, ShihChi, Kuo-Huang Hsieh i Lon A. Wang. "Negative-tone cycloolefin photoresist for 193-nm lithography". W 26th Annual International Symposium on Microlithography, redaktor Francis M. Houlihan. SPIE, 2001. http://dx.doi.org/10.1117/12.436906.
Pełny tekst źródłaBorucu, Süleyman, i Uzay Karahalil. "Changes in Forest Biomass Carbon Storage Between 1971 and 2018 in Tonya". W 3rd International Congress on Engineering and Life Science. Prensip Publishing, 2023. http://dx.doi.org/10.61326/icelis.2023.32.
Pełny tekst źródłaHattori, Takashi, Yoshiyuki Yokoyama, Kaori Kimura, Ryoko Yamanaka, Toshihiko Tanaka i Hiroshi Fukuda. "Development of high-performance negative-tone resists for 193-nm lithography". W Microlithography 2003, redaktor Theodore H. Fedynyshyn. SPIE, 2003. http://dx.doi.org/10.1117/12.485203.
Pełny tekst źródłaWatanabe, Hiroyuki, Isao Satou, Masayuki Endo i Hiroaki Morimoto. "Study of bilayer negative-tone silylation process for 193-nm lithography". W Microlithography 2000, redaktor Francis M. Houlihan. SPIE, 2000. http://dx.doi.org/10.1117/12.388261.
Pełny tekst źródłaDieu, Laurent, Eric L. Fanucchi, Greg P. Hughes, John G. Maltabes, David L. Mellenthin, Will Conley, Lloyd C. Litt i in. "Advanced 193 tri-tone EAPSM (9%-18%) for 65 nm node". W Photomask Technology 2002, redaktorzy Brian J. Grenon i Kurt R. Kimmel. SPIE, 2002. http://dx.doi.org/10.1117/12.467783.
Pełny tekst źródłaSerra, Juan, Jorge Llopis, Ana Torres i Manuel Giménez. "Criterios de combinación de colores para la arquitectura en Salubra I: estudio de tonos". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.570.
Pełny tekst źródłaRaporty organizacyjne na temat "Tony (1931-...)"
DeAnna, Dixon, i Hodo Wayne. Finite element analysis of quoin block deterioration and load transfer mechanisms in miter gates : pintle and pintle connections. Engineer Research and Development Center (U.S.), czerwiec 2021. http://dx.doi.org/10.21079/11681/40842.
Pełny tekst źródłaMelbourne Project - December 1961-September 1966 - EA Watts Pty Ltd 20 ton crane - 12 September 1962. Reserve Bank of Australia, marzec 2023. http://dx.doi.org/10.47688/rba_archives_pn-011652.
Pełny tekst źródłaScale-up of mild gasification to be a process development unit mildgas 24 ton/day PDU design report. Final report, November 1991--July 1996. Office of Scientific and Technical Information (OSTI), marzec 1996. http://dx.doi.org/10.2172/393351.
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