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Artykuły w czasopismach na temat "Tolkien"
Maratova, Zhamal Zh, i Tatiana V. Nazarova. "W. Morris’s tradition in J.R.R. Tolkien’s epic fantasy". RUDN Journal of Studies in Literature and Journalism 25, nr 3 (15.12.2020): 497–510. http://dx.doi.org/10.22363/2312-9220-2020-25-3-497-510.
Pełny tekst źródłaBusbee, M. B. "Grundtvig and Tolkien on Beowulf: A comparative analysis". Grundtvig-Studier 61, nr 1 (1.01.2010): 12–30. http://dx.doi.org/10.7146/grs.v61i1.16567.
Pełny tekst źródłaZaripova, Sokhiba. "INTERPRETATION OF ST TION OF STYLISTIC DEVICES AND ME YLISTIC DEVICES AND METHODS IN THODS IN ''THE HOBBIT''". Scientific Reports of Bukhara State University 5, nr 2 (24.05.2021): 178–86. http://dx.doi.org/10.52297/2181-1466/2021/5/2/16.
Pełny tekst źródłaMunro, Rebecca. "The Art of The Lord of the Rings: A Defense of the Aesthetic". Religion and the Arts 18, nr 5 (2014): 636–52. http://dx.doi.org/10.1163/15685292-01805002.
Pełny tekst źródłaIlina, Alexandra S. "Christianity in Middle-Earth: St. Augustine and J.R.R. Tolkien". Voprosy Filosofii, nr 9 (2021): 184–93. http://dx.doi.org/10.21146/0042-8744-2021-9-184-193.
Pełny tekst źródłaCossio, Andoni. "Further notes on J. R. R. Tolkien’s photostats of The Equatorie of the Planetis (MS Peterhouse 75.I)". SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 27, nr 1 (28.07.2022): 166–76. http://dx.doi.org/10.17811/selim.27.2022.166-176.
Pełny tekst źródłaCossio, Andoni. "The Missing Letters J. R. R. Tolkien Received from Derek J. Price and R. M. Wilson: Addendum to “Further Notes on J. R. R. Tolkien’s Photostats of The Equatorie of the Planetis (MS Peterhouse 75.I)”". SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 28, nr 1 (31.07.2023): 97–106. http://dx.doi.org/10.17811/selim.28.2023.97-106.
Pełny tekst źródłaDavidsen, Markus Altena. "In de Ban van Tolkien". Religie & Samenleving 10, nr 3 (1.12.2015): 213–34. http://dx.doi.org/10.54195/rs.12238.
Pełny tekst źródłaCollinge, William J. "What Story Are We In? The Use of Tolkien in John Dunne's Recent Works". Horizons 30, nr 2 (2003): 208–26. http://dx.doi.org/10.1017/s0360966900000505.
Pełny tekst źródłaWicher, Andrzej. "Some Boethian Themes in J.R.R. Tolkien’s Lord of the Rings". Romanica Silesiana 20, nr 2 (20.12.2021): 1–24. http://dx.doi.org/10.31261/rs.2021.20.03.
Pełny tekst źródłaRozprawy doktorskie na temat "Tolkien"
Syme, Margaret Ruth. "Tolkien as gospel writer". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=43459.
Pełny tekst źródłaDans la mesure, cette oeuvre d'imagination repond aux crit6res de f6erie de Tolkien en tant que conte "eucatastrophic" qui montre le chemin vers "I'Evangelium", cette eschatalogie qui se situe au moment o0 la volontê de Dieu est accomplie et les effets de la chute sont surmontes, Tolkien peut etre. considers comme un auteur biblique. Le fait qu'il est voulu que son oeuvre soit lue en tant qu'"&angile", "la bonne nouvelle du Royaunie de Dieu" est suggêre par diffèrentes choses: les allusions faites a la mythologie biblique et classique, la vision linêaire de l'histoire, la presentation du texte en tant que compilation d'une tradition provenant de sources diverses, transmise, recueillie et traduite par diffèrentes personnes, la situation geographique dans "Middle earth"(l'empire du Milieu) dans un passé lointain, le fait que l'auteur ait essay6 de crêer un monde conforme au processus connu de l'êvolution. 10anmoins l'auteur n'a pas rêussi dans ce conte a maintenir un point de vue chrêtien. fr
O'Brien, Roderick. "J. R. R. Tolkien (1892-1973) : bases des oeuvres de Tolkien : son art et ses sources". Nancy 2, 1996. http://www.theses.fr/1996NAN21025.
Pełny tekst źródłaIn all his works, and in particular in the lord of the rings, the fantasy world created by Tolkien reflects his philosophy of art. The first part of the thesis seeks to analyze this philosophy of art, of which the kernel is "sub-creation»: parallel to divine creation there is, according to Tolkien, a sub-creation which is the artist's work. By means of this sub-creation Tolkien is able to create a fantastic realism, a new sort of truth. He manages this by using a blend of traditional literary forms (quest, heroic adventures, fairy-stories, legends) and personal inventions (world of "middle-earth"). If one considers this literary creation based on a mixture of erudition and invention, it may be wondered which type of reader Tolkien wished to address: child or adult? The second part studies the sources that nourished Tolkien’s works, by attempting to differentiate between myths, legends and fairy-stories. This part reinforces the idea that Tolkien, who was highly erudite, indeed follows a great tradition, but he also adds to it another dimension, thereby leaving his own personal and original mark on the traditional material. The aim of part three is to evaluate the use of personal experience in Tolkien’s works: Tolkien is a twentieth-century man and so inevitably this world is reflected in his tales. This part of the study is not only about the author's roots and the place of contemporary history in his work, but also his fundamental motivations - religion, friendship and love. In conclusion it may be said that in his "fantasy" books, Tolkien did not evade the real world as it is, but wished to disguise it so as to speak more effectively about reality as he perceives it
Klautau, Diego Genu. "Paideia Mitopoética: a educação em Tolkien". Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/1873.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This thesis is a systematic exposition of the theory of the education existent in the production of J.R.R Tolkien, that we call of Mythopoetic Paideia. From a phenomenological hermeneutics of its works of philological medieval poem analysis, of its theoretical assay on literature, its mythopoetics novels and its personal letters, we systemize a theory of the composed education of clear concepts of subject, object and method. In this theory, there is an anthropology that dialogues with the philosophical tradition Greek, the patristic and the scholastic, and that it is harmonic with the phenomenology of century XX; in the same way, the basic object is the sacred, understood as category of sciences of the religion, in historical and noetic key, that if express through the sacred narratives, either in the forms of the alive myth, either in the forms of the mythical reminiscences of the epic poetry or the modern romances of fancy. The method is the myth manufacture as form of meditation of the reading of texts of religious traditions, as well as the dialogic sharing with a group, that culminates in the publication of the manufactured workmanship. Thus, the subject that is open to the experience of the totality of the Being through the hierofania through poetical or literary narrative, through a method that integrates tradition, communion, creativity and work, makes acquaintance with the founding object of the conscience and the culture: the sacred
Esta tese é uma exposição sistemática da teoria da educação presente na produção de J.R.R. Tolkien, que denominamos de Paideia Mitopoética. A partir de uma hermenêutica fenomenológica de seus trabalhos de análise filológica de poemas medievais, de seu ensaio teórico sobre literatura, de seus romances mitopoéticos e de suas cartas pessoais, sistematizamos uma teoria da educação composta de conceitos claros de sujeito, objeto e método. Nessa teoria, existe uma antropologia que dialoga com a tradição filosófica grega, com a patrística e com a escolástica, e que é harmônica com a fenomenologia do século XX; da mesma forma, o objeto fundamental é o sagrado, entendido como categoria das ciências da religião, em chave histórica e noética, que se expressa através das narrativas sagradas, seja nas formas do mito vivo, seja nas formas das reminiscências míticas da poesia épica ou dos romances de fantasia modernos. O método é a fabricação de mitos como forma de meditação da leitura de textos de tradições religiosas, assim como o compartilhamento dialógico com um grupo, que culmina na publicação da obra fabricada. Assim, o sujeito aberto à experiência da totalidade do Ser através da hierofania via narrativa poética ou literária, através de um método que integra tradição, comunhão, criatividade e trabalho, se relaciona com o objeto fundador da consciência e da cultura: o sagrado
Herlin, Ulf. "Att översätta Tolkien. En jämförande studie". Thesis, Malmö högskola, Institutionen för globala politiska studier (GPS), 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23513.
Pełny tekst źródłaJohnston, Amanda J. "J. R. R. Tolkien, War, and Nationalism". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_diss/54.
Pełny tekst źródłaFawcett, Christina. "J.R.R. Tolkien and the morality of monstrosity". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/4993/.
Pełny tekst źródłaStainle, Stéfano [UNESP]. "Gandalf: a linha na agulha de Tolkien". Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141473.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Com essa pesquisa pretende-se, a partir de uma abordagem teórico-crítica de O Senhor dos Anéis, obra máxima de J. R. R. Tolkien, analisar o modo de atuação da personagem Gandalf, de forma a esclarecer e melhor compreender como essa personagem atua na narrativa e, com essa atuação, possibilita a existência da narrativa em si mesma, equilibrando ou desequilibrando o compasso do enredo. A forma como ela se movimenta e se manifesta no enredo é que permite concluir que cabe a Gandalf a responsabilidade de ser o urdidor dos elementos narrativos. Ele possilita que os elementos distintos da obra se conectem e dessa forma impulsionem a narrativa. Para tal análise há a mobilização de teorias que se referem à atuação da personagem e ao contexto literário em questão. Tais teorias são relacionadas aos gêneros romance, épica, contos de fadas, novelas de cavalaria e mito, bem como a psicanálise, religião, personagem e herói. Partindo do estudo da referida personagem, intenciona-se contribuir, em última instância, para uma melhor compreensão do universo ficcional criado pelo autor e um melhor entendimento dos recursos utilizados na composição da atuação da referida personagem na narrativa, aspecto que até o momento não foi adequadamente abordado e analisado pela crítica especializada na obra do autor.
With this research it is intended to analyse the way of acting of the character Gandalf departing from a theoretical-critical approach of The Lord of the Rings, J. R. R. Tolkien’s masterpiece, and by this, searching the enlightment and better understanding of how this character acts on the paths of the narrative and how this acting makes possible the existence of narrative itself, by balancing or even unbalancing the plot’s compass. The way he moves and acts in the plot allows us to conclude that Gandalf is the responsible for manipulating the narrative elements. He makes possible the connection among different elements of the plot, boosting the narrative. There is a mobilization of theories concerning the character's performance and the literary context to do such analysis. The theories are related to the genres novel, epic, fairy tale, romance and myth, as well as to the psychoanalysis, the religion, the character and the hero. Departing from the study of the referred character, it is intended to contribute, in the last resort, to a better understanding of the fictional universe created by the author and a better comprehension of the resources used in the composition of the reported character’s performance in the narrative, an aspect that was not properly approached and analysed by the critics on the work of the author.
Stainle, Stéfano. "Gandalf : a linha na agulha de Tolkien /". Araraquara, 2016. http://hdl.handle.net/11449/141473.
Pełny tekst źródłaBanca: Karin Volobuef
Banca: Marcio Scheel
Resumo: Com essa pesquisa pretende-se, a partir de uma abordagem teórico-crítica de O Senhor dos Anéis, obra máxima de J. R. R. Tolkien, analisar o modo de atuação da personagem Gandalf, de forma a esclarecer e melhor compreender como essa personagem atua na narrativa e, com essa atuação, possibilita a existência da narrativa em si mesma, equilibrando ou desequilibrando o compasso do enredo. A forma como ela se movimenta e se manifesta no enredo é que permite concluir que cabe a Gandalf a responsabilidade de ser o urdidor dos elementos narrativos. Ele possilita que os elementos distintos da obra se conectem e dessa forma impulsionem a narrativa. Para tal análise há a mobilização de teorias que se referem à atuação da personagem e ao contexto literário em questão. Tais teorias são relacionadas aos gêneros romance, épica, contos de fadas, novelas de cavalaria e mito, bem como a psicanálise, religião, personagem e herói. Partindo do estudo da referida personagem, intenciona-se contribuir, em última instância, para uma melhor compreensão do universo ficcional criado pelo autor e um melhor entendimento dos recursos utilizados na composição da atuação da referida personagem na narrativa, aspecto que até o momento não foi adequadamente abordado e analisado pela crítica especializada na obra do autor.
Abstract: With this research it is intended to analyse the way of acting of the character Gandalf departing from a theoretical-critical approach of The Lord of the Rings, J. R. R. Tolkien's masterpiece, and by this, searching the enlightment and better understanding of how this character acts on the paths of the narrative and how this acting makes possible the existence of narrative itself, by balancing or even unbalancing the plot's compass. The way he moves and acts in the plot allows us to conclude that Gandalf is the responsible for manipulating the narrative elements. He makes possible the connection among different elements of the plot, boosting the narrative. There is a mobilization of theories concerning the character's performance and the literary context to do such analysis. The theories are related to the genres novel, epic, fairy tale, romance and myth, as well as to the psychoanalysis, the religion, the character and the hero. Departing from the study of the referred character, it is intended to contribute, in the last resort, to a better understanding of the fictional universe created by the author and a better comprehension of the resources used in the composition of the reported character's performance in the narrative, an aspect that was not properly approached and analysed by the critics on the work of the author.
Mestre
Modin, Anna. "Power and corruption : Evil in Tolkien´s Eä". Thesis, University of Kalmar, School of Human Sciences, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-844.
Pełny tekst źródłaWhyte, Alastair James Murray. "Utopian Intersections in the works of J.R.R. Tolkien". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15299.
Pełny tekst źródłaKsiążki na temat "Tolkien"
Rosebury, Brian. Tolkien. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2.
Pełny tekst źródłaRosebury, Brian. Tolkien. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987.
Pełny tekst źródłaHarold, Bloom, red. J.R.R. Tolkien. New York: Bloom's Literary Criticism, 2008.
Znajdź pełny tekst źródłaParker, Victoria. J.R.R. Tolkien. Chicago, Ill: Heinemann Library, 2006.
Znajdź pełny tekst źródłaAndrew, Blake. J.R.R. Tolkien. London: Hodder & Stoughton, 2003.
Znajdź pełny tekst źródłaHeims, Neil. J.R.R. Tolkien. Philadelphia: Chelsea House Publishers, 2004.
Znajdź pełny tekst źródłaHarold, Bloom, red. J.R.R. Tolkien. Philadelphia: Chelsea House Publishers, 2000.
Znajdź pełny tekst źródłaLevine, Stuart P. J.R.R. Tolkien. San Diego: Lucent Books, 2004.
Znajdź pełny tekst źródła1920-2005, Schuchart Max, i Tolkien Genootschap "Unquendor", red. Tolkien lexicon. Wyd. 3. Houten: Winkler Prins, 2012.
Znajdź pełny tekst źródłaC, Wallner John, red. J.R.R. Tolkien. New York: Holiday House, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Tolkien"
Rosebury, Brian. "Introduction". W Tolkien, 1–6. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2_1.
Pełny tekst źródłaRosebury, Brian. "The Lord of the Rings: (1) Conception". W Tolkien, 7–53. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2_2.
Pełny tekst źródłaRosebury, Brian. "The Lord of the Rings: (2) Execution". W Tolkien, 54–80. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2_3.
Pełny tekst źródłaRosebury, Brian. "Minor Works, 1914–1973". W Tolkien, 81–120. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2_4.
Pełny tekst źródłaRosebury, Brian. "Tolkien and the Twentieth Century". W Tolkien, 121–52. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22133-2_5.
Pełny tekst źródłaRosebury, Brian. "Introduction". W Tolkien, 1–9. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987_1.
Pełny tekst źródłaRosebury, Brian. "The Lord of the Rings: Imagining Middle-earth". W Tolkien, 11–59. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987_2.
Pełny tekst źródłaRosebury, Brian. "The Lord of the Rings: Achieving the Narrative". W Tolkien, 60–88. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987_3.
Pełny tekst źródłaRosebury, Brian. "Fiction and Poetry, 1914–73". W Tolkien, 89–133. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987_4.
Pełny tekst źródłaRosebury, Brian. "Tolkien and the Twentieth Century". W Tolkien, 134–57. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230599987_5.
Pełny tekst źródłaStreszczenia konferencji na temat "Tolkien"
Gao, Qingxue. "Interpretation of Tolkien Creation Idea from qThe Hobbitq". W 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.12.
Pełny tekst źródłaKonograi, A. S. "THE ONOMASTIC SPACE CREATION IN THE MASTERPIECES OF J.R.R. TOLKIEN". W V International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Prague: Premier Publishing s.r.o., 2020. http://dx.doi.org/10.29013/v-symposium-pp-5-44-47.
Pełny tekst źródłaKonograi, A. S. "THE ONOMASTIC SPACE CREATION IN THE MASTERPIECES OF J.R.R. TOLKIEN". W V International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Prague: Premier Publishing s.r.o., 2020. http://dx.doi.org/10.29013/v-symposium-pp-6-44-47.
Pełny tekst źródłaAmaral de Oliveira, Anderson, i ULISSES KARNIKOWSKI. "Uma Sombra do Passado: Figurações do Monstro Gótico em Tolkien". W XVI Colóquio Internacional "Educação e Contemporaneidade". Grupo de Estudos e Pesquisas "Educação e Contemporaneidade", 2022. http://dx.doi.org/10.29380/2022.16.12.08.
Pełny tekst źródłaPantin, Isabelle. "L’Autre Monde introuvable dans l’œuvre de J. R. R. Tolkien". W Voyages imaginaires et récits des autres mondes (XIXe-XXIe siècles). Fabula, 2017. http://dx.doi.org/10.58282/colloques.4809.
Pełny tekst źródłaMagomedov, G. YU, i S. V. SHahemirova. "Translation of onomastic realities on the example of translations of the novel by J. R. R. Tolkien “Lord of the rings”". W Scientific dialogue: Young scientist. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-22-05-2020-13.
Pełny tekst źródłaLarsen, Kristine, i Dimitra Fimi. "“IT MAKES ME WEEP TO LEAVE THEM”: THE IMPACT OF THE CHEDDAR GORGE, SOMERSET, CAVE SYSTEM ON THE IMAGINATION OF J.R.R. TOLKIEN". W Joint 69th Annual Southeastern / 55th Annual Northeastern GSA Section Meeting - 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020se-343114.
Pełny tekst źródłaXu, Liang. "The Psychological Journey of Bilbo Baggins--Tolkien's The Hobbit from a psychoanalytic perspective". W 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.66.
Pełny tekst źródłaМанцаева, Айна Новрдиевна, i Фарида Абдулхаевна Ибрагимова. "MEANINGS OF NAMES IN THE WORKS OF BRITISH WRITERS: NAMES IN J. R. R. TOLKIEN’S FICTION". W Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2020). Crossref, 2020. http://dx.doi.org/10.37539/srp290.2020.42.50.014.
Pełny tekst źródłaRaporty organizacyjne na temat "Tolkien"
Bueno Purificaçao, Yeray, i Jaime Oliveros Garcia. “UN VIAJE DE IDA Y VUELTA”. ESTUDIO DE LA IDENTIDAD DE BILBO BOLSÓN EN EL HOBBIT. Fundación Avanza, maj 2024. http://dx.doi.org/10.60096/fundacionavanza/7032024.
Pełny tekst źródłaNjå, Ove, i Kirsti Russell Vastveit. Norske kommuners planlegging, gjennomføring og bruk av risiko- og sårbarhetsanalyse i forbindelse med samfunnssikkerhetsarbeidet. University of Stavanger, październik 2016. http://dx.doi.org/10.31265/usps.164.
Pełny tekst źródła