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Artykuły w czasopismach na temat „Theory, 1578”

Autor: Grafiati

Data publikacji: 28 lipca 2024

Data aktualizacji: 30 lipca 2024

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1

Cecchetti, Dario. "Scévole de Sainte-Marthe, Œuvres complètes: III. «Opera 1575» - Publications 1575-1578 - «Les Œuvres (1579)»". Studi Francesi, nr 172 (LVIII | I) (1.04.2014): 133–34. http://dx.doi.org/10.4000/studifrancesi.2117.

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Cameron, Keith, Jucquel Rougeart i Catherine Magnien-Simonin. "OEuvres completes (1578)". Modern Language Review 85, nr 3 (lipiec 1990): 729. http://dx.doi.org/10.2307/3732250.

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Cropp, Martin. "Euripides, Phoenissae 1567–1578". Classical Quarterly 47, nr 2 (grudzień 1997): 570–74. http://dx.doi.org/10.1093/cq/47.2.570.

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I give the text as printed by James Diggle in his new Oxford Classical Text. His deletion of 1570–6 is rejected by Donald Mastronarde in his recent commentary. Apart from this, Mastronarde's text differs from Diggle's on only a couple of minor points which are immaterial to the main problems.

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Cecchetti, Dario. "Remy Belleau, Œuvres posthumes (1578)". Studi Francesi, nr 143 (XLVIII | II) (1.12.2004): 349. http://dx.doi.org/10.4000/studifrancesi.39118.

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Knecht, R. J., Madeleine Lazard i Gilbert Schrenk. "Pierre de l'Estoile: Registre-Journal du regne de Henri III: Vol. II (1576-1578)". Modern Language Review 96, nr 3 (lipiec 2001): 818. http://dx.doi.org/10.2307/3736775.

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Myers, Mitzi, i Moira Ferguson. "First Feminists: British Women Writers 1578-1799". Tulsa Studies in Women's Literature 5, nr 2 (1986): 314. http://dx.doi.org/10.2307/464002.

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Mastroianni, Michele. "Guy Le Fèvre de La Boderie, Hymnes Ecclesiastiques (1578)". Studi Francesi, nr 173 (LVIII | II) (1.09.2014): 352. http://dx.doi.org/10.4000/studifrancesi.1796.

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Calvillo, Elena. "Authoritative Copies and Divine Originals: Lucretian Metaphor, Painting on Stone, and the Problem of Originality in Michelangelo’s Rome*". Renaissance Quarterly 66, nr 2 (2013): 453–508. http://dx.doi.org/10.1086/671584.

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Focusing on two painted Pietàs, this essay examines the means by which the artists Giulio Clovio (1498–1578) and Sebastiano del Piombo (1485–1547) simultaneously copied Michelangelo’s figures and made claims about their own pictorial mastery. Within the context of concerns about sacred images articulated in the Diálogos em Roma (1548) of Francisco de Holanda (1517–84), Clovio’s and Sebastiano’s painting techniques are discussed for their ability to approximate divine and semi-divine archetypes while signaling ontological difference and the authority of Rome. The metaphoric potential of Clovio’s and Sebastiano’s technical innovations, one invoking a Lucretian veil of atoms according to Holanda and the other a pictorial touchstone, also reveal the extent to which these artists ambitiously tied theory to practice.

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9

Kahn, Didier. "De Pestilitate and Paracelsian Cosmology". Daphnis 48, nr 1-2 (19.03.2020): 65–86. http://dx.doi.org/10.1163/18796583-04801014.

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De pestilitate is an interesting treatise on plague falsely attributed to Paracelsus and published as such by Johann Huser (who believed it authentic) in Paracelsus’s Bücher und Schrifften (1589–1591). It can be dated from before 1578. This article shows that it features conflicting cosmologies issued in different works of Paracelsus. This article also discusses its theory of plague, based on the correspondence between microcosm and macrocosm, as compared with the authentic plague theory of Paracelsus.

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Spong, Andrew, i Bernard Capp. "The World of John Taylor the Water-Poet: 1578-1653". Modern Language Review 92, nr 4 (październik 1997): 949. http://dx.doi.org/10.2307/3734230.

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Mowbray, Carol T., i Sandra E. Herman. "Using multiple sites in mental health evaluations: Focus on program theory and implementation issues". New Directions for Program Evaluation 1991, nr 50 (1991): 45–57. http://dx.doi.org/10.1002/ev.1578.

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Busca, Maurizio. "La comédie à l’époque d’Henri III. Deuxième série. Vol. 7 (1576-1578), «Théâtre français de la Renaissance», fondé par Enea Balmas et Michel Dassonville". Studi Francesi, nr 178 (LX | I) (1.04.2016): 113–14. http://dx.doi.org/10.4000/studifrancesi.2433.

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Barberà i Ibiza, Joan. "Un flequer bandejat: edició i estudi lingüístic d’un procés criminal valencià de l’any 1578". Revista de Filología Románica 36 (5.07.2019): 239–58. http://dx.doi.org/10.5209/rfrm.63515.

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Presentem ací l’edició i l’anàlisi lingüística d’un procés criminal de la localitat de Sueca, datat el 1578, el qual ens narra com un flequer és sorprés de nit en la sala on es guardava el gra de la localitat. Hem seleccionat les declaracions de l’inculpat i dels testimonis, l’escrit de defensa i el fragment de sentència en què se’l declara culpable de robatori. Se li imposa una pena de dos anys de bandeig.

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14

NAYLOR, RON. "Paolo Sarpi and the first Copernican tidal theory". British Journal for the History of Science 47, nr 4 (26.02.2014): 661–75. http://dx.doi.org/10.1017/s0007087413000976.

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AbstractDespite his demanding religious responsibilities, Paolo Sarpi maintained an active involvement in science between 1578 and 1598 – as hisPensierireveal. They show that from 1585 onwards he studied the Copernican theory and recorded arguments in its favour. The fact that for 1595 they include an outline of a Copernican tidal theory resembling Galileo'sDialoguetheory is well known. But examined closely, Sarpi's theory is found to be different from that of theDialoguein several important respects. That Sarpi was a Copernican by 1592 is revealed by other of hispensieri, whereas at that time we know that Galileo was not. The examination of Sarpi's tidal theory and of the work of Galileo in this period indicates that the theory Sarpi recorded in 1595 was of his own creation. The appreciation that the theory was Sarpi's and that Galileo subsequently came to change his views on the Copernican theory and adopted the tidal theory has major implications for our understanding of the significance of Sarpi's contribution to the Scientific Revolution. Moreover, it appears that several of the most significant theoretical features of the tidal theory published by Galileo in theDialogue –and which proved of lasting value – were in reality Sarpi's.

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Kane, Gerald C., Amber G. Young, Ann Majchrzak i Sam Ransbotham. "Avoiding an Oppressive Future of Machine Learning: A Design Theory for Emancipatory Assistants". MIS Quarterly 45, nr 1 (1.03.2021): 371–96. http://dx.doi.org/10.25300/misq/2021/1578.

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WORTH, V. "Review. OEuvres completes (1578). Edition critique par Catherine Magnien-Simonin. Juquel Rougeart". French Studies 44, nr 2 (1.04.1990): 206. http://dx.doi.org/10.1093/fs/44.2.206.

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17

Katritzky, M. A. "Eight Portraits of Gelosi Actors in 1589?" Theatre Research International 21, nr 2 (1996): 108–20. http://dx.doi.org/10.1017/s0307883300014693.

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The group of actors from whom the Gelosi company arose are thought to have first come together in 1568, with the amalgamation of two troupes led by the prima donnas Vincenza and Flaminia. They were already known by the name Gelosi when they toured France in 1571; by 1572 they were popular enough to be able to complain that the stanze in Genoa could only hold an audience of 150; in 1574 their performance, and that of their leading lady, Vittoria Piisimi, were the highlight of Henri III's visit to Venice, and their reputation as the foremost com-media dell'arte troupe was fully established. Por-cacchi's pamphlet of 1574 notes some of the Gelosi actors of the time as Simon of Bologna, who played a facchino Bergamasco, Giulio Pas-quati as the Magnifico and Rinaldo. A Mantuan decree of 5 May 1579 names as Gelosi actors Simon the Bergamasco, Orazio and Adriano the innamorati, and Gabriele their friend.

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18

Matei-Chesnoiu, Monica. "The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes". Sederi, nr 24 (2014): 119–39. http://dx.doi.org/10.34136/sederi.2014.6.

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Taking into account the complex authorship of Pericles, Prince of Tyre, this paper surveys the intertextual influence of the Latin verse narrative of the Apollonius saga by Jacob Falckenburgk (London, 1578) and Thomas Twayne’s translation of Orbis terrae descriptio (The Surveye of the world) by Dionysius Periegetes (London, 1572) on the erratic geography of Pericles. Drawing on the Pericles/Apollonius tales (the play and its Latin verse and English prose intertexts), as well as the ancient geographic narrative describing the Eastern Mediterranean spaces of the settings, the play decentres the authority of ancient geography maintained via the well-travelled Apollonius tale or through the weight of classical texts. Pericles destabilizes the authority of both classical language and geography through a process of defamiliarization of and distancing from the legitimization of ancient texts and geographic tradition. Through the suggestion of alterity during the dramatic interaction, the play incorporates the recognition of difference and the support of tolerance within early modern transnational communities.

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Mullaney, Steven. "Princes to Act: Royal Audience and Royal Performance, 1578-1792. Matthew H. Wikander". Modern Philology 93, nr 2 (listopad 1995): 244–48. http://dx.doi.org/10.1086/392311.

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Navarro Durán, Rosa. "Notas para un librillo de memoria cervantino". Edad de Oro 40 (25.11.2021): 373–86. http://dx.doi.org/10.15366/edadoro2021.40.019.

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El Coloquio de las damas (traducción de Fernán Juárez de la 3.ª jornada del Ragionamento de Aretino, 1547), el Honesto y agradable entretenimiento de damas y galanes de Giovan Francesco Straparola, traducido por Francisco Truchado (1.ª parte 1578, 2.ª 1581), la Primera parte de las cien novelas de Giraldo Cinthio, traducida por Luis Gaytán de Vozmediano (1590) y las Noches de invierno de Antonio Eslava (1609) ofrecen motivos literarios, mínimos detalles, que son pruebas de la lectura de esas obras por Miguel de Cervantes porque él les dio nueva vida en las suyas. Están reunidos en este librillo de memoria imaginario junto a la recreación cervantina.

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21

Panin, I., i C. Walter. "On the motivic commutative ring spectrum $\mathbf {BO}$". St. Petersburg Mathematical Journal 30, nr 6 (16.09.2019): 933–72. http://dx.doi.org/10.1090/spmj/1578.

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22

Torreilles, Claire. "Du Bartas (1578), Rosset (1597), Despuech (1633). Trois mises en scène des lieux et des langues". Revue des langues romanes, Tome CXXII N°1 (1.06.2018): 237–39. http://dx.doi.org/10.4000/rlr.644.

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Lardizabal, Carlos F., i Rafael R. Souza. "Open Quantum Random Walks: Ergodicity, Hitting Times, Gambler’s Ruin and Potential Theory". Journal of Statistical Physics 164, nr 5 (11.07.2016): 1122–56. http://dx.doi.org/10.1007/s10955-016-1578-9.

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Bunes Ibarra, Miguel Angel. "Los Requesens- Zúñiga en la diplomacia de Lepanto". Librosdelacorte.es, nr 26 (25.07.2023): 226–45. http://dx.doi.org/10.15366/ldc2023.15.26.010.

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El presente artículo emplea la abundante correspondencia de los hermanos Luis de Requesens (1528-1576) y Juan de Zúñiga (1536-1586) para intentar fijar las características de la diplomacia española en Lepanto. Usando los papeles personales que conservaron en su archivo particular se aprecia perfectamente sus temores, los ritmos de negociación, los recelos con Florencia y Venecia y, sobre todo, las prevenciones y enemistadas que mostraron a lo largo de 1570 y 1571. Aunque durante la preparación y el desarrollo de la batalla los dos hermanos se encuentran separados, se hace evidente la enorme sintonía en las decisiones y opiniones que tienen, además de que se escriben y consultan constantemente para igualar juicios y posturas. Resulta especialmente interesante el enfrentamiento con Marco Antonio Colonna, mostrando su desprecio por el capitán romano que también es súbdito de Felipe II por las posesiones que tiene en el reino de Nápoles.

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Spragins, Elizabeth. "Body as Text/Text as Body: Embodied Knowledge Transmission in Sixteenth Century Morocco". Medieval Encounters 29, nr 4 (26.06.2023): 315–39. http://dx.doi.org/10.1163/15700674-12340167.

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Abstract The stories told about the battle of Wādī al-Makhāzin (August 4, 1578) reveal a major crisis of information for all involved in the event. At the very center of that epistemological crisis were the three warring kings. Even as new leadership gradually wrested the Western Mediterranean out of chaos, there remained a nagging sense that the knowable rested on shaky footing. This article explores one way in which a Maghrebi chronicler of this event contemplates the difficulty of protecting and transmitting reliable knowledge in a broad Mediterranean context. Ultimately, he promotes a theory for the conservation and transmission of knowledge reliant upon the functional interaction of enlightened leadership and information incorporated within situated human bodies.

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Rieu, J. "La "beauté qui tue" dans les "Amours" de Ronsard". Revue d'histoire littéraire de la France o 86, nr 4 (1.04.1986): 693–722. http://dx.doi.org/10.3917/rhlf.g1986.86n4.0693.

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Résumé La présence de la « beauté qui tue » dans les Amours est révélatrice de la sensibilité poétique particulière de Ronsard, et de son itinéraire esthétique. L'amour, plus qu'il n'est sentiment amoureux, est pour le poète amour et quête de la beauté, dont il favorise la contemplation par l'effraction des jeux intertextuels, laissant deviner un au-delà du sens, une beauté indicible et pétrifiante qui, tout près de la faillite du langage, crée l'extase poétique. Le procédé qu'il utilise est celui du ralenti dans le rythme, qui correspond au prolongement d'une contemplation esthétique de plus en plus a-temporelle. L'écriture de Ronsard évolue entre 1552 et 1578 depuis un lyrisme dynamique vers une contemplation esthétique qui s'approche de la transcendance, et jouit de l'effroi délicieux de voir l'affleurement de la beauté et de la mort

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Svanadze, M. "Fundamental solutions in the linear theory of consolidation for elastic solids with double porosity". Journal of Mathematical Sciences 195, nr 2 (22.10.2013): 258–68. http://dx.doi.org/10.1007/s10958-013-1578-0.

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SUPPLE, J. J. "Review. Registre-Journal du regne de Henri III. Tome II (1576-1578). Edite avec une introduction et des notes par Madeleine Lazard et Gilbert Schrenck. L'Estoile, Pierre de". French Studies 51, nr 3 (1.07.1997): 310. http://dx.doi.org/10.1093/fs/51.3.310.

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Zhang, Jin, i Liqun Zhang. "Computer Simulation Research of Desk Design Based on ABC Attitude Theory". Journal of Physics: Conference Series 1578 (lipiec 2020): 012075. http://dx.doi.org/10.1088/1742-6596/1578/1/012075.

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Alsop, James. "‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578". Cahiers Élisabéthains: A Journal of English Renaissance Studies 107, nr 1 (5.01.2022): 24–38. http://dx.doi.org/10.1177/01847678211069466.

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The convoluted and contested foundation of the Grammar School at Oundle, Northamptonshire, in 1573 illustrated the complexities involved in giving concrete shape to pious wishes in 16th-century post-mortem bequests. Although the founder was Sir William Laxton (d. 1556), the key figure was his widow, the assertive matriarch Dame Joan Kirkeby-Luddington-Laxton, the richest woman of early Elizabethan London. This paper analyses the politics, religious context, and family strife of this dispute, and in so doing illuminates the contours of early Elizabethan London.

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Specland, Jeremy. "Competing Prose Psalters and Their Elizabethan Readers". Renaissance Quarterly 74, nr 3 (2021): 829–75. http://dx.doi.org/10.1017/rqx.2021.102.

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Layouts and paratexts of Elizabethan prose psalters advocate two competing reading methods: reading sequentially according to the church calendar or selecting psalms by occasion. Marked psalters and bibles, however, show that Elizabethan readers often disregarded printed prescription, practicing either method, or both, as they chose. To capitalize on reader independence, printers eventually produced texts that encouraged comparative reading across multiple translations, culminating in the two-text psalter of the 1578 Geneva Bible. This episode in the history of devotional reading demonstrates the tendency of Elizabethans to slip the confessional categories into which their own texts, and later historiography, would place them.

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GIMÉNEZ ZÁLVEZ, ROCÍO. "Una edición no identificada de la obra Libellus de octo orationis partium constructione de Erasmo de Rotterdam atribuida a John Colet (Barcelona 1578)". Minerva. Revista de Filología Clásica, nr 36 (21.12.2023): 197–216. http://dx.doi.org/10.24197/mrfc.36.2023.197-216.

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Este artículo tiene por objeto la presentación y el estudio de la edición no identificada hasta el momento de la obra de Erasmo de Rotterdam Libellus de octo orationis partium constructione impresa por Sansón Arbús en Barcelona en 1578. Tras trazar una aproximación a la obra y a su tradición editorial, se ofrece la descripción material de esta edición y de su único ejemplar conservado (Biblioteca Civica Romolo Spezioli, Fermo), así como un acercamiento a la forma textual de la edición en relación con la tradición editorial previa en el contexto de las reacciones de la época contra Erasmo.

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Mastroianni, Michele. "Robert Garnier, Hippolyte (1573). La Troade (1579)". Studi Francesi, nr 194 (LXV | II) (1.08.2021): 362–63. http://dx.doi.org/10.4000/studifrancesi.44923.

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Metan, Saskia. "Editorische Verflechtungen". Zeitschrift für Slawistik 64, nr 4 (30.10.2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.

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Summary Among the various descriptions of „Sarmatia“ which have been printed in the 16th century, the works of Maciej z Miechowa, Marcin Kromer and Alessandro Guagnini possessed the largest distribution: Published between 1517 and 1578, their works – containing information about the geography, history and population of the eastern part of the European continent – were reprinted and translated several times at several places until the middle of the 17th century. With a focus on paratexts and metatextual comments, the present article considers the entangled history of their editions in the 16th and 17th century and deduces receptions of these texts.

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Carneiro, Sarissa. "Vuelo y caída del héroe en la épica de Arauco: constancia y metamorfosis de una imagen mnémica:Flight and Fall of the Hero in the Epic of Arauco: Constancy and Metamorphosis of a Mnemic Image". Calíope 27, nr 2 (1.10.2022): 133–56. http://dx.doi.org/10.5325/caliope.27.2.0133.

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Abstract During the early modern period, the flight and fall of the hero, encrypted in figures such as Icarus and Phaethon, represented not only excessive recklessness and its fatal outcome, but also the value of audacity whose reward would be immortal fame. This article examines the development of this mnemic image in cantos XIX and XX of La Araucana by Alonso de Ercilla (Segunda parte, Madrid, 1578) and cantos V and VI of Arauco domado by Pedro de Oña (Lima, 1596). The importance of allusive art and figurative culture in the invention of these fragments is highlighted.

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Zhang, Ming, Elie El Ajaltouni i Azzedine Boukerche. "A scheduling and load balancing scheme for dynamic P2P-based system". Concurrency and Computation: Practice and Experience 22, nr 10 (20.04.2010): 1325–34. http://dx.doi.org/10.1002/cpe.1578.

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Mahaye, Ngogi Emmanuel. "The Decolonisation of Religion and Spirituality: A Case of Shembe Philosophy". International Journal of Culture and Religious Studies 4, nr 3 (18.12.2023): 42–57. http://dx.doi.org/10.47941/ijcrs.1578.

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Purpose: The purpose of this scholarly work or study in the sight of the public is not crafted to drive or to win any theological debate or argument but I simple seek to advance the understanding of Shembe in the specific area of His philosophy not the holistic Shembe. This I say because no one on earth can claim in totality that he or she has a better understanding of Shembe, hence choosing the concept of philosophy which is the critical examination of ground fundamental beliefs and analysis of concept, doctrines, and practices was relevant for this academic paper. The process of decolonization has been a significant area of scholarly inquiry in various fields, including religion and spirituality. Shembe philosophy placed a strong emphasis on cultural revival and the restoration of African spiritual practices. The movement sought to reclaim African spirituality while accommodating certain aspects of organic Christianity. Central to Shembe philosophy was to reconnect the so-called lost generation of Abantu in the ancestral connection, the veneration of ancestors, and the preservation of African traditions (Wababa, 2018). The complexity of such role from Jehovah was delicate and crucial. Isaiah Shembe known as Umqaliwendlela would hear a voice singing new unexpected words. Methodology: A qualitative study method, interprevist paradigm and phenomenological design was employed in this study to enable a comprehensive exploration of the experiences, perspectives, and practices within Shembe communities. Findings: The study findings revealed that the key principles and teachings of Shembe philosophy have a massive influence and understanding of decolonization in guiding the community’s beliefs and practices. The community have incorporation of Shembe philosophy into their daily lives for decolonial transformation. The findings further revealed although numerous challenges faced by the Shembe community in their pursuit of decolonization and cultural heritage preservation, but the post-colonial era in South Africa has made much better to defend His philosophy using the current constitution chapter 2 which clearly stipulated in the Bill of Rights, which states that everyone has right to freedom of religion, belief, and opinion. Section 9, the equality clause, prohibits unfair discrimination on various grounds including religion. Shembe fought spiritual the above religious right from as early as 1900 until the formation of the South African Native National Congress (SANNC), later known as the African National Congress (ANC) on the 08 January 1912. Unique Contributor to Theory, Policy and Practice: In conclusion, the Shembe philosophy has a lightning influence in guiding the community’s beliefs and practices. The post-colonial role of Shembe philosophy in the decolonization of religion and spirituality requires further exploration and development.

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Guitteny, Jean-Louis. "La métairie d'Avallou. Un exemple de mise en valeur du domaine de la seigneurie de l'Hôtel-Dieu Saint-Jean l'Évangéliste d'Angers (1578-1784)". Annales de Bretagne et des pays de l’Ouest 106, nr 3 (1999): 65–92. http://dx.doi.org/10.3406/abpo.1999.4043.

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Chen, Haowen, Yunping Qi, Jinghui Ding, Yujiao Yuan, Zhenting Tian i Xiangxian Wang. "Independently tunable dual resonant dip refractive index sensor based on metal–insulator–metal waveguide with Q-shaped resonant cavity". Chinese Physics B 31, nr 3 (1.03.2022): 034211. http://dx.doi.org/10.1088/1674-1056/ac48fe.

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A plasmonic resonator system consisting of a metal–insulator–metal waveguide and a Q-shaped resonant cavity is proposed in this paper. The transmission properties of surface plasmon polaritons in this structure are investigated by using the finite difference in time domain (FDTD) method, and the simulation results contain two resonant dips. The physical mechanism is studied by the multimode interference coupled mode theory (MICMT), and the theoretical results are in highly consistent with the simulation results. Furthermore, the parameters of the Q-shaped cavity can be controlled to adjust the two dips, respectively. The refractive index sensor proposed in this paper, with a sensitivity of 1578 nm/RIU and figure of merit (FOM) of 175, performs better than most of the similar structures. Therefore, the results of the study are instructive for the design and application of high sensitivity nanoscale refractive index sensors.

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Zhu, Kun, Hangyu Luo, Boshi Pang i Wenjia Zhang. "The Method of Improving the Seismic Reliability of Building Structure Based on Kriging Optimization Theory". Journal of Physics: Conference Series 1578 (lipiec 2020): 012237. http://dx.doi.org/10.1088/1742-6596/1578/1/012237.

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Hagens, Jan L. "SPIELEN UND ZUSCHAUEN IN JAKOB BIDERMANNS PHILEMON MARTYR". Daphnis 29, nr 1-2 (30.03.2000): 103–57. http://dx.doi.org/10.1163/18796583-90000703.

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Jacob Bidermann's (1578-1639) Jesuit drama, Philemon Martyr (1618), presents the world as a theater, not only within its plot, but also through structural and stylistic features. Ironically, precisely because of his dubious profession, the pagan comedian Philemon, as he plays a Christian, is granted , and grasps, the chance to convert. Though his perfect model may inspire the audience, Philemon can effect the play's moral only in tandem with Arrianus, his antagonist, who turns from pagan spectator to Christian actor: it is Arrianus' more realistic role conversion which assures the spectator that salvation is actually within reach. Through the ideas of play-acting and play-watching, Bidermann illustrates the Jesuit view, not only of secular theater and society, but also of religion, human nature, and our appropriate role in life. Going beyond a scena vitae, which would merely focus on human performance, the play constructs a more complex theatrum mundi, which includes divine director and spectator. In terms of dramatic genre, Bidermann advocates tragicomedy , in terms of attitude, a contemptus mundi. As school theater, Philemon Martyr provides an antidote to the rigid Jesuit conception of education, activating the students through a playful version of pedagogy.

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Alegría, Diego. "“Un ojo sin luz de nacimiento”: discapacidad de Caupolicán en "La Araucana" y "Canto General"". Anales de Literatura Chilena, nr 39 (14.06.2023): 149–63. http://dx.doi.org/10.7764/analeslitchi.39.09.

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Este artículo argumenta que la discapacidad de Caupolicán, un héroe mapuche tuerto, funciona como recurso literario y como categoría interpretativa en La Araucana (I: 1569; II: 1578; III: 1589) de Alonso de Ercilla y Canto General (1950) de Pablo Neruda, en especial dentro de la llamada “prueba del tronco”. Aunque no se menciona de manera explícita su anomalía física, ambos textos despliegan distintas retóricas visuales. En el Canto II de La Araucana, una visión exótica y maravillosa se detiene, a la vez que erotiza la fuerza del toqui mapuche y su cuerpo discapacitado. Esta mirada limitada y este discurso colonial otorgan el carácter épico del líder araucano dentro de la recepción española y europea. En el poema “Toqui Caupolicán” de Neruda, el mundo natural retrata el poderío del héroe y su discapacidad ignorada a partir de una retórica realista, sustentada en imágenes metafóricas. Esta figuración encarna la resistencia comunal y la unión geográfica del pueblo mapuche dentro de la recepción chilena e hispanoamericana. Así, desde la inclusión de la discapacidad como categoría analítica, crítica y contrastiva, este artículo explora la materialidad de la metáfora y su rol en la caracterización de personajes épicos indígenas.

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HADFIELD, ANDREW. "RORY OGE O'MORE, THE MASSACRE AT MULLAGHMAST (1578), JOHN DERRICKE'S THE IMAGE OF IRELANDE (1581), AND SPENSER'S MALENGIN". Notes and Queries 47, nr 4 (1.12.2000): 423–24. http://dx.doi.org/10.1093/nq/47-4-423.

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HADFIELD, ANDREW. "RORY OGE O'MORE, THE MASSACRE AT MULLAGHMAST (1578), JOHN DERRICKE'S THE IMAGE OF IRELANDE (1581), AND SPENSER'S MALENGIN". Notes and Queries 47, nr 4 (2000): 423–24. http://dx.doi.org/10.1093/nq/47.4.423.

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Hussey, M. Edmund, i Robert M. Kingdon. "Myths about the St. Bartholomew's Day Massacres, 1572-1576". Antioch Review 46, nr 4 (1988): 523. http://dx.doi.org/10.2307/4611969.

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Li, Ying, Lei Han, Xiaowei Lu, Xiuli Ning i Yingcheng Xu. "Comprehensive Assessment of Explosion Risk of Glass Shower Enclosures Based on Dempster-Shafer (D-S) Evidence Theory". Journal of Physics: Conference Series 1578 (lipiec 2020): 012226. http://dx.doi.org/10.1088/1742-6596/1578/1/012226.

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Chajes, J. H. "Jacob Ṣemaḥ, Humanist". European Journal of Jewish Studies 16, nr 1 (2.11.2021): 93–116. http://dx.doi.org/10.1163/1872471x-bja10032.

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Abstract Jacob Ṣemaḥ (ca. 1578–1667), an erudite physician-kabbalist, was raised amongst the conversos of Viana de Caminha in northwest Portugal. He fled the country in his mid-thirties to live openly as a Jew, arriving first in Salonica. Ṣemaḥ was responsible for the consolidation of the Lurianic literary corpus in the second third of the seventeenth century. His contribution, I argue, should be situated in the broader context of a scholarly curriculum vitae that began decades before his flight from Portugal, as Ṣemaḥ embraced Jewish life as a humanist. Coupled with his natural gifts and genius, Ṣemaḥ’s humanist education served him remarkably well in his new life. The interesting question is therefore not “how might he have learned Torah in Portugal” but “how did his Portuguese educational background affect—indeed, effect may be the more apt term—his Jewish scholarship?”

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Chalendar, I., i J. R. Partington. "Doubly-Invariant Subspaces for the Shift on the Vector-Valued Sobolev Spaces of the Disc and Annulus". Integral Equations and Operator Theory 61, nr 2 (11.03.2008): 149–58. http://dx.doi.org/10.1007/s00020-008-1578-5.

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Zhu, Xiurong. "Teaching Mode of “Integration of Theory and Practice” of NC Machining Technology and Programming in Application-Oriented Universities". Journal of Physics: Conference Series 1578 (lipiec 2020): 012187. http://dx.doi.org/10.1088/1742-6596/1578/1/012187.

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Shuger, Debora. "Irishmen, Aristocrats, and Other White Barbarians". Renaissance Quarterly 50, nr 2 (1997): 494–525. http://dx.doi.org/10.2307/3039188.

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Et virum bonum quom laudabant, ita laudabant, bonum agricolam bonumque colonum.—Cato, De agri culturaIn 1578 Hubert Languet wrote to his young protegee Philip Sidney concerning the latter's plan to assist the Low Countries in their fight against Spain. Surprisingly, the old republican Calvinist monarchomach vetoed the idea, bluntly informing the impulsive teenager that “you and your fellows, I mean men of noble birth, consider that nothing brings you more honour than wholesale slaughter, and you are generally guilty of the greatest injustice.” This hostile assessment of the aristocratic warrior ethos — what Languet derides as “mere love of fame and honour and … displaying your courage” — bears witness to a major ideological upheaval of the early modern period: the attack on the aristocratic politics of violence and, to quote another Elizabethan, “glory got by courage of manhood.”

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