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Chatelet, Claire. "Des mythes et des réalités de l'avant-garde à Dogme 95, entre tradition et invention". Toulouse 2, 2004. http://www.theses.fr/2004TOU20058.
Pełny tekst źródłaIf Dogme 95, the danish collective of film directors founded in 1995 by Lars von Trier et Thomas Vinterberg, repeat the schema of the avant-garde (establishing a group, oppositional position, drawing up a doctrine in a provocative manifesto, proposing a program with international ambition, questioning of the status of the work of art and the bourgeois ideology of art, premeditated using of medias for a high visibility), it is more in keeping with a certain artistic tradition, rather than a rupture's logical. Before looking into the theoretical groundings, political and economical implications, aesthetical position of the movement ; its motivations, its stakes, its contradictions and its limits, through the analysis of its grounding texts and its films, we apply ourselves to define the concept of "avant-garde", considering the discourse and the practices of certain movements of the "radical" avant-garde
Treija, Lauma. "Les traces de mythes dans Le Petit Prince d'Antoine Saint-Exupery : Une analyse fondée sur la théorie du Carl Gustav Jung". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-55118.
Pełny tekst źródłaFontana, Audrey. "Élaboration d’une théorie des représentations culturelles des identités politiques : l’exemple de la politique culturelle du Front national de 1986 à 1998". Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20003/document.
Pełny tekst źródłaThis thesis joins in the field of a reflection, which suggests thinking of the cultural mediation as a shape of representation and expression of the political identities. The thesis studies more particularly the cultural policy of the National Front between 1986 and 1998 The first part studies, generally speaking the inseparable relation between culture and politics, by proposing a definition of cultural policies and cultural mediation.A second part presents the characteristics of the political identity of the F.N.: it is about a political speech based on the exclusion from the other one, on the particular shape of expression of the identity and, on the modalities of sublimation of the actors.The third part concerns cultural policies implemented in the cities of Vitrolles, Marignane, Orange and Toulon, during the actual exercise of the power between 1995 and 1998, by analyzing the most characteristic actions of the F.N.’ identity : the cancellariat of municipal subsidies, the "censorship" exercised within municipal libraries, etc. …These actions express in particular the contesting of the state power and propose a specific approach of the national identity.The fourth part proposes a reflection on the political ideal and on the place of the imagination in the political identity of the F.N. The ideology of the National Front rests on a fantasized political ideal, the guideline of which is to arouse the gathering by a strategy that dresses a shape of paranoiac speech.The fifth part is dedicated to the aesthetic and cultural references of the National Front in the field of the cultural mediation (plastic arts, architecture, live performance, edition, music, cinema and broadcasting).The cultural policies of the F.N. express, so, fantasies of persecution -the plot and the fear-, which join a fantastical dimension of the political identity of the National Front
Savaux, Éric. "La théorie générale du contrat : mythe ou réalité ?" Paris 1, 1993. http://www.theses.fr/1993PA010286.
Pełny tekst źródłaThe french law schools jurists use the words "general theory of contract" to describe the rules of positive law that are applicable to all agreements, when they do so, they actually mistake the general theory for the commonlaqw of contracts and confer upon the former a positivity which is illusory. Indeed, the analysis of the applicatioin of the theory by the same jurists shows that the general theory actually refers to one actvity of texte authorities aiming permanently at finding the nature of the deed. It also refers to the result of this activity. That is to say a scholarly common law which is a coherent set of rules emanating from a a principle related to the nature of the deed. The positivity of the general theory of contract which is usually acknowledged is therefore a myth. Its existence partakes of the whish to create an objective legal science and is also linked to teaching purposes. Moreover, its enables the text authorities to transform law while remaining seemingly respectful of the decisions made by the institutional powers
Ganem, Angela. "Théorie de l'équilibre général : le mythe d'un ordre rationnel". Paris 10, 1993. http://www.theses.fr/1993PA100145.
Pełny tekst źródłaCazals, Philippe. "Place et fonction du mythe dans la théorie et la clinique psychanalitiques". Montpellier 3, 2003. http://www.theses.fr/2003MON30039.
Pełny tekst źródłaFrom the start, the Freudian “ new science ” was forced by the real of its object, the subject of unconscious, to agree to the fiction : the clinic being the generating point to the theory. The Freudian use of the myth - from Totem and Taboo to Moses - derives from this logic. Though this use is persisting in confusing the real of enjoyment with a “ historical ” reality in quest of which it sets out, nevertheless it was a bridge giving access to the truth : that of a human subject torn on this way of enjoyment by the structure. When Lacan returned to Freud, he performed at first a structural reading that seemed to be on the verge of demythologising. Yet this transition from myth to structure was only the first moment of the process. Since far from eliminating this part of the Freudian legacy, he returned in this way to the myth, going beyond the structure. He defended these fictions as necessary aporias, therefore something that insists on being written and inviting us to decipher it
Jacob, Subrenat Virginie. "Formes de l'intime, figures d'intimité : pour une théorie psychanalytique de l'intime et des intimités". Nice, 2010. http://www.theses.fr/2010NICE2006.
Pełny tekst źródłaWhat is “intime” is located in what is dissimulated, hidden and kept secret. While “intimités” depend on the myths and on the constructions of the logos. From this statement, we suggest that the “intimités”, in their relation with constructions based upon myths and fictions, could be considered as defensive answers when we draw nearer the “intime” – a notion filed with mystery, especially when it is closed to the question of the origins. In order to distinguish “intime” and “intimités”, we have used the difference between mystical and tragical concepts. And we have established that “intime” was depending of tragic, while “intimités” depend of the myths. Man finds in the intimacies a representation of his identity. While the notion of “intime” allows a metaphoric re-presentation. This one comes as en echo towards what is strange in “my own being”. For our demonstration, we relay upon the re-presentation which is given by art (what even art is pictorial, musical or poetical). The intimate is located beyond the “intimités”, which are characteristic of the human being, in an an-historical place, which is found in the original “yes”. This sentence, always ready to be repeated, is called Bejahung. In our opinion, we can find the “intime” in this presence saying “yes”, the strangeness of which is total, and which shows that the “subject of the unconscious”. Besides, this idea coincides with the external side of the intimate, mentioned by Lacan and named by him “the extimity”. From this possible re-actualization offered by the Bejahung, we suggest to study an ethic of the intimate, characterized when the subject says “yes” to this unknown part of himself. This part of his being gives him the possibility to live intimate moments, as where time is absolute. Besides, if “intimités” depend of what can be represented, as it comes with pictorial art, “intime”, for its part, cannot be represented. Consequently, “intimités” which are specular and fantasmatic, take the form of human figure, and are defined structurally by limited contours. While “intime”, place of radical incognito, opens with unlimited
Valette, Marie-Laure. "Mythes et théories de l'hérédité à la fin du XIXe siècle à partir de l'oeuvre de Paul Bourget". Lyon 1, 1987. http://www.theses.fr/1987LYO1M326.
Pełny tekst źródłaD'Intino, Silvia. "La parole révélée et l'expérience poétique : mythe et théorie de la parole dans les hymnes du Ṛgveda". Paris, EPHE, 2004. http://www.theses.fr/2004EPHE5009.
Pełny tekst źródłaThe hymns of the Rg-Veda present a very articulate understanding of speech which included not only a myth of origin but also a theory, a reflection that the poetic Seers of Vedic Revelation bring to their work. While sometimes these discourses may appear secondary, the poet’s meditation on speech is often openly declared as the central theme of the poem, and more often still it appears as a parallel, masked theme of the poem and a possible key to understanding the hymn as a whole. By analyzing selected hymns (RV X 71 ; I 72 ; III 39 ; X 34) and their commentaries, one can isolate various essential elements of this theory of poetic creation: the acts of naming, seeing, and fabricating the poem itself. Studied in their context, the centre of a vast fabric of symbolic correlates, these ideas reinforce reciprocal implications between myth and the theory of sacrifice, sacrifice being not only an immemorial practice, but also the structuring principle of ancient Indian thought. The often enigmatic traits of Vedic deities may be understood by means of their relation to speech. The opposition between the two complementary mythological figures Agni and Indra reflects, in fact, two essential symbolic modalities of speech. As revealed at the end of this work, this point of view proffers a new approach to the mythological materials, one in which their relation to speech and the poetic experience become central to Vedic reflection on the nature of the gods
Keryell, Gaëla. "Locuteurs citoyens et locuteurs parents : étude contrastive de l’appartenance nationale en France et en Finlande". Brest, 2010. http://www.theses.fr/2010BRES1003.
Pełny tekst źródłaPart one consists of a comparison of the national ideologies of France and Finland. The foundation myths of these two nations, which instrumentalize social, linguistic and racial categories, have inherited, on the one hand, the “International” political cleavage (French) Revolution/(German) Romanticism, linked to the opposition Left/Right, and, on the other hand, racial theories based, in France, upon the opposition Gaulish/Francs and, in Scandinavia, upon the opposition Finnish-Lapps/Germano-Goths. These ideologies have an influence on the representations of “Europeans” in the context of the construction of the European Union, and on “national” epistemologies of ethnology. Part two involves a comparative analysis of the contents and the different receptions of Lönnrot’s Kalevala (1835, 1849) and of La Villemarqué’s Barzaz-Breiz (1839, 1845, 1867), foundation texts which illustrate the national ideologies studied in part one
Aymonier, Quentin. "La Diotime shelleyenne". Thesis, Bourgogne Franche-Comté, 2019. http://indexation.univ-fcomte.fr/nuxeo/site/esupversions/0d5781ee-6020-4c4f-bca2-283dbaae6d24.
Pełny tekst źródła“Shelley’s Diotima” tries to revaluate the idea of the muse in the romantic writings of Shelley with Plato’s character of Diotima, a prophetess, mystagogue and Socrates’ teacher of philosophy. Indeed, Romanticism shows the development of a feminine figure who inspires the poet but whose revelation is also philosophical, metaphysical, poetical and even political. Thus, she is well beyond the traditional qualifications of the muse and requires a renewed and particular critical attention. The similitudes between this romantic literary revealer and the Diotima of Plato’s Banquet, as seen since Hölderlin’s Hyperion and throughout Shelley’s work — who having translated Plato’s dialogue knew about it very well — require a comparison and pave the way for a new interpretative direction in the study of Shelley, Romanticism and literature in general. This work is a literary history of philosophy and traces from Plato the attributes of the figure of Diotima in order to understand her mystical, poetical and political avatars in Shelley’s poetry
Piet, Jules. "The Self-Made Gods : euhemerism in the works of Saxo Grammaticus and Snorri Sturluson". Electronic Thesis or Diss., Strasbourg, 2023. http://www.theses.fr/2023STRAG029.
Pełny tekst źródłaSaxo Grammaticus’ Gesta Danorum, as well as Snorri’s Edda and Heimskringla, three of the most important texts of 13th century Scandinavia, use euhemerism to explain the religion of their pagan ancestors. This theory, according to which gods were human impostors, was one of the main tools that the medieval authors used to explain pagan religions. A comparison of Saxo’s works with those of Snorri reveals that behind an apparent similarity, their euhemeristic narratives serve radically different ideological agendas: Saxo constructs the identity of the Danish Kingdom, which he wants to depict as an independent kingdom, whereas Snorri produces a discourse on the nature of royal power, its limitations, and its transmission. Furthermore, the study of the medieval corpus reveals that the euhemerist method involves not only a humanization of the gods, but a complete reconstruction of mythic cosmology
Bourlot, Gilles. "La tentative de l'impossible : la pulsion et ses fictions, dans la métapsychologie et au-delà". Nice, 2011. http://www.theses.fr/2011NICE2033.
Pełny tekst źródłaThis research explores places, names, functions and the limits of fiction in its’ relation to metapsychology. As such, this work has an epistemological angle, which looks at the sources and roles of fiction in the psychoanalytical elaboration of the drive concept. The author shows that theoretical or even mythological fictions, correspond to an attempt to think the Unknown as well as to assign a place for that which escapes the realms of scientific knowledge. The drive theory is located in the very process of its’ creation and in the context of the thoughts in motion. An important aspect is to show how metapsychology integrates a narrative knowledge as a myth. In this way, fiction is approached from a dynamic angle: particularly according to Freud, fiction is similar to a «second navigation» in which theory of drives can lead to myths and art. Another aspect of this research demonstrates the value of speech, of narrative knowledge and of fictive recounts in the clinic of the subject of the drive
Bouhours, Philippe. "Science économique et mythe : une analyse mythodologique". Paris 1, 1998. http://www.theses.fr/1998PA010076.
Pełny tekst źródłaNeoclassical economic theory is the language by which the world can be understood, and that mythodology allows to show as mythical. The original heart of myth is "spontaneous order of the invisible hand", boadcasted by a sacerdotal body composed of more or less liberal economists. Philosophy of enlightenment is the origin of mythical renovation, dissimulated in the language of science, and which came into sight through three phases : reason talks through science ; philosophy opposes economic science, which get the better of the former by imitating physics (walras). The vivid representation began with the mechanical clock, and now leads to pipes of the circuit throuh which the internal blood flow is animated by the new robinson crusoes. Individualism placed in the heart of modernity is dominated by holism of the machine. The "spontaneous order of the invisible hand" is the enchanted secret side of disappointed modernity which allows the logos to return to the original muthos. He meets the new need to believe, by initiating a immanent sacred object. He poetically telescopes the reversibility of newtonian mathematics of general equilibrium, and the irreversibility of time registered in the darwinian selection ; he eliminate "oddness" of manipulations of scientific thinking by mythical thinking : unfalsifiable paradigm, values hidden behind neutrality, symbolical power of determined mathematical language. Finance is an instrument by which real phenomenons have to obey the myth. It is the monstruous duplicate of a world managed by the way of sacrifice with the complicity of victims. The "spontaneous order of the invisible hand" is a generic structure which can be reproduced without limits, and the power of which is exhausted when expanding. It highlights his oppressive nature to those to whom it is supposed to be useful, and who have democratically lost the means to prescribe human law to him
Dedié, Catherine. "‚Mythische‘ Motivierung : Narrative Strukturen in Prosatexten der Frühromantik". Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCH040.
Pełny tekst źródłaThe aim of our study was to identify "myth-like" structures in prose texts of German early Romanticism. The theory on which we rely is the theory of the "formal myth" according to Clemens Lugowski. Our hypothesis was that in the novels and tales of German early Romanticism there were very often "mythical" structures and qualities (in the sense of a formal myth) that are linked equivocally to modern narrative structures. These mythical and premodern structures are particularly evident in the motivation of action and in the accumulation of fateful and genealogical motives. Our study was carried out in three steps. In a first step, we analyzed, discussed and adapted the theories of narrative motivation and formal myth. Then we broadened the subject from a historico-cultural perspective, explaining the contemporary role of myth, mythology and the romantic concept of the "new mythology" as well as the idea of genealogy at the end of the 18th century in Germany. We concluded the historico-cultural part with a chapter about the situation of editions, authors and popular literature around 1800. We then concentrated the analyzes of the texts on mythical structures that appeared in the motifs, in the form and in the peritexts of the tales and novels of German early Romanticism. Our corpus of texts consisted of tales and novels by Ludwig Tieck, Friedrich Schiller, Johann Wolfgang Goethe, Clemens Brentano, Dorothea Veit and Novalis
Tshilumba, Kalombo Muadiamvita Gilbert. "Les idéologies politiques africaines: mythe du pouvoir ou instance du développement ?réflexion épistémologique sur le nationalisme congolais à la lumière de la théorie rawlsienne de la justice". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210475.
Pełny tekst źródłaRéflexion épistémologique sur le nationalisme congolais à la lumière de la théorie rawlsienne de la justice.
Panafricanisme, négritude, consciencisme, socialisme et nationalisme ont eu en gros sur le sol africain, une double mission :-délivrer les pays du joug colonial
sortir ces pays du sous-développement par un travail d’une
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Doctorat en Philosophie
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Casteigts, Michel. "Le management territorial stratégique. De la territorialisation en général et des territoires en particulier. L’aménagement de l’espace Aménagement du territoire Les réseaux territoriaux de savoirs Le design organisationnel territorial: le territoire comme organisation : biens collectifs, économies externes et compétitivité Le management territorial stratégique Transports urbains; la gouvernance territoriale face aux défis du développement durable La gouvernance urbaine entre science et idéologie Processus de territorialisation de l'espace Transactions interculturelles et intégration territoriale: le cas du Pays Basque Mythes métropolitains et territorialités urbaines dans le processus de globalisation: un repérage critique Quelques enjeux interculturels de la mondialisation, autour des notions de proximité, d'identité et de territoire Les paradoxes de l'équité territoriale L'invention stratégique du territoire, entre projets, transactions et conventions". Thesis, Pau, 2019. http://www.theses.fr/2019PAUU2070.
Pełny tekst źródłaThe territory is a socially constructed apparatus and not a transcendental entity. Understanding the territorial phenomena requires to identify the mechanisms of this construction. The purpose of this thesis is to describe these territorialization processes, in a comparative approach to uncover the central figure of strategic territorial management, an ideal-typical configuration of collective action that appears when mechanisms legally instituted impede the territorial expression of strong societal dynamics.Strategic territorial management, the emergence of which is closely correlated with that of sustainable development, combines the territory as a regulatory framework, knowledge sharing as a cognitive principle, cooperation as an operational organization and governance as a decision-making process. In this context, the creation of the territory involves project based dynamics on transactional approaches and conventional logics
Torres, Gisela. "Représentations des cancers de l'enfant chez les familles mexicaines". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC185.
Pełny tekst źródłaThis work discusses under a psychoanalytic and anthropological approach the representations of children's cancers in Mexican parents. Our general hypothesis is that parents of children with cancer, facing a burden of suffering, construct representations about the origin of illness that are supported on sexual theories and magico-sexual myths. Our study is based on the analysis of three clinical cases: two cases of parents who have a child with cancer and the case of a mother whose daughter died from cancer. We contacted these patients by addressing us to an association and to pediatricians of a Mexican hospital. Most of the psychoanalytic interviews took place in the patient's home. Illness representations constructed by parents of children with cancer were compared with representations of childhood death and illness that are projected in Pre-Columbian mythology and in Mexican art (votive painting, post-mortem photography and painting). This procedure let us put in evidence the points of convergence between individual psychology and collective psychology
Giry, Julien. "Le conspirationnisme dans la culture politique et populaire aux Etats-Unis : une approche sociopolitique des théories du complot". Thesis, Rennes 1, 2014. http://www.theses.fr/2014REN1G006.
Pełny tekst źródłaFrom 9/11 to UFOs, from American concentration camps to the Kennedy's assassination, this dissertation aims to enlighten, through a sociopolitical analysis, the grounds, the mechanics and the goals of the conspiratorial thought in the United States since the Revolution. Even Though it is no question to draw an exhaustive catalog of each and every conspiracy theory, I would stress that conspiracism is part of the American political and popular culture. Then, this dissertation studies the origins and the developments of conspiracism through three complementary focuses. First, a factual approach which dwells on specific conspiracy theories such as the 9/11 attacks or the assassination of Kennedy. Secondly, I will come on the actors of conspiracism : the conspiracist leaders (LaRouche, Icke) the citizens sleuths and the scapegoats (Communists, Jews, Illuminatis). Finally, under a cultural angle, I will outlook conspiracism and the American culture of anti-statism, the presence of mafias or the role of mass-medias
Escurignan, Soizic. "Le récit des origines dans la « Estoria de España » d'Alphonse X le Sage (1252-1284)". Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30030.
Pełny tekst źródłaThe Estoria de España was written under the aegis of Alfonso X the Wise, king of Castile and León (1252-1284). The chronicle traces the history of Spain and specifically of Castile, from the origins to the thirteenth century. Although many renowned researchers have studied the Estoria, all these works, which are also indispensable, propose only a partial vision of the chronicle. No comprehensive study has been devoted to the narration from origins to Pelagius, even though it seems to us that the story of the origins plays a fundamental role in the Estoria. The first 565 chapters cannot be considered as a simple preliminary without any political connotation. The analysis of the various episodes, the numerous portraits, the mythical structures, as well as the methods of writing present in the narrative allowed us to unearth the links, between this chronicle and the alfonsine ideal. We have highlighted the particular processes used by the Wise King to build the great age and prestige of Spain, the only qualities capable of founding legitimacy. Alfonso X stands out both from his European neighbors – who founded their antiquity on the Trojan myth – and from his peninsular sources – focused on Visigothic origins – and slides towards what we have called a non-exclusive neo-Gothicism, tinged with neo-Romanism. Henceforth it is no longer so much of a real lineage that the Wise King can claim, but of a symbolic, political, sapiential and spiritual lineage. He establishes a two-level continuity, a continuity inscribed in the long time, the translatio imperii, and a direct continuity between each founder, each exemplary king and himself. This incessant transfer of power through time allows the ruler to legitimize his way of exercising power. The chronicle thus claims a role of pastor and vicar for the king who does not need the intercession or the tutelage of the Church. As for the nobility, it is in some ways erased from the chronicle. The nobles are placed in a relationship of dependence concerning the king. Every complication, every disappointment met by Alfonso X in reality seems to find their answer in the chronicle. Skilfully mingling biblical, ancient and medieval structures and topics, the sovereign develops a myth of national creation and celebrates a common territory and past, guarantors of Hispanic identity. The story of origins is therefore programmatic, and more than that, performative. It is a total project, at once royal, societal and national
Cristofari, Cécile. "Cosmogonies imaginaires : les mondes secondaires dans la science-fiction et la fantasy anglophones, de 1929 à nos jours". Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3030.
Pełny tekst źródłaI endeavoured to study a phenomenon underlying contemporary speculative fiction (science fiction and fantasy): the creation of a ‘secondary world', to use J.R.R. Tolkien's phrasing. I had to solve two preliminary problems. First, the cultural and economic phenomenon that speculative fiction represents has a blurry outline, questions regarding genre delimitation and wider cultural problems (is speculative fiction defined only by a number of literary patterns, or by the whole cultural apparatus that goes with it?) being difficult to answer. Secondly, does the notion secondary worlds only apply to invented worlds that are entirely different or detached from the real world, or can it be applied to texts that take place at least partly in the real world, etc.? Speculative fiction being a diverse genre that has been steadily evolving for years, I have chosen to avoid giving definitive answers to those questions. Instead of looking for boundaries, I have tried to emphasise the various building blocks of secondary worlds in speculative fiction: the traditions of the genre authors rely on to convey their view of an original universe to their readers, in a dialogue between known elements used as a foundation and the idiosyncratic view of history, geography and the place of mankind in the particular secondary world developed by the author. In an attempt to open this study to the contemporary practice of world-building, I have concluded with the questions that speculative fiction authors face today: how to renew the tropes of the genre, how speculative fiction pervades other media, in particular the practices of fans
Becdelièvre, Laure. "Rémunérer le "mal d'être deux" : axiomatique de la métaphore chez Friedrich Nietzsche et Stéphane Mallarmé". Paris 4, 2006. http://www.theses.fr/2006PA040098.
Pełny tekst źródłaStrange contemporaries in a world of crisis, Nietzsche and Mallarmé had never met and had never read each other's works though it seems they may have had many occasions. Nevertheless, the French poet and the German philosopher-poet do meet in an unique way on the theme of the metaphor, a touchstone of a fundamental reflection on the language and the control lever of an axiomatic thought for which Nietzsche and Mallarmé are, maybe, the most symbolic heralds, each in their own way. For the metaphoric phenomenon binds the essential aspects of the relationship of the human being to the world, which is fundamentally a fictional and a meta-phoric relationship. A deviating thought instrument, the metaphoric writing reaches the heart of a polemical reflection on the representation and the construction of various idols : God, Truth, Soul, Will – but also Helen, Wagner, Glory, Gold, Constellation, and even: Poetry. So many idols whose crepuscular hour has sounded, so many aspects of the "Proper" whose time has come for the metaphor to off-load, to fly away on its own. Not only does the metaphor fly, for Nietzsche and Mallarmé, but it also dances, stammers, shivers and faints. Its song rises at the same time as the trail of its existence, which is not there any more – supposing that it ever took place. It escapes, like reality, this cruel, this "unknown god" who is there, always latent, but out of reach of the language. It cements all the regrets linked to the "misfortune of being two" (L'Après-midi d'un Faune), in this cursed separation originated by language. But isn't the metaphor its own remuneration?
Vanatoru, Brigitte. "Le statut de la croyance à travers les représentations mythiques et scientifiques du monde". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210443.
Pełny tekst źródłaDoctorat en Philosophie
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Habibi-Shandiz, Massoumeh. "L'idée de paradis et les jardins safavides de la fin du XVIe siècle et début du XVIIe siècle". Thèse, 2007. http://hdl.handle.net/1866/18088.
Pełny tekst źródłaJoubi, Pascale. "Figures de la résistance : les Amazones modernes, de la Belle Époque à aujourd’hui". Thesis, 2020. http://hdl.handle.net/1866/25240.
Pełny tekst źródłaSince the end of the 19th century, we have witnessed the strong comeback of the myth of the Amazons in French literature and visual arts. In every era that sees its resurgence, the emancipated female warriors’ community arouses as much fascination as terror. Dissident figures appearing, between 1870 and today, as athletes, horse riders, career women (authors, teachers, doctors, lawyers…), feminist activists, revolutionary lesbians, and futuristic warriors, the Amazons are distinguished by the way they fend off a heteronormative vision of femininity and masculinity. The reinvestment of the Amazonian myth since the Belle Époque translates a desire for freedom from a social system based on an antagonistic thinking of strength and weakness, body and mind, individual and community, male and female. The myth(olog)ical warriors seem to crystallize various attempts to oppose the commonplaces of conventional femininity to identification figures who break with norms and social expectations. However, in perpetual resistance to gender categorization, the Amazons and their avatars choose not to endorse either the feminine or the masculine, opting for an equivocal identity, presenting themselves as a queer subject whose mission is to expose the pseudo-nature of the binary conception of gender. Through their fight for the dissolving of identity boundaries, these resistance figures try, and sometimes fail, to build a community open to differences and to be empowered by this sororal union. The opposition and the difficulties encountered on the path of conquest, marked by sacrificial acts, force the modern Amazons to reinvent their weapons and sometimes lead them to question the legacy of the troubling and fascinating ancient female warriors.
Thibault, Ghislain. "Éthéréalisation : amorces d'une contre-histoire". Thèse, 2010. http://hdl.handle.net/1866/4461.
Pełny tekst źródłaThis dissertation stands as an epistemological inquiry into the persistence of the notion of ether within technology’s discursive field. Most often, the word “ether” is understood as a conceptual model in pre-einsteinian physics which designates the medium responsible for the propagation of electromagnetic waves and light. However, this proves to be only one of the many figures of ether. In multiple mythologies and cosmogonies, ether was also the name employed to refer to a sublime and pure fire filling the highest spaces of the universe. Aristotle, for example, named “ether” what he considered to be the “fifth being,” or the “fifth element.” Chemistry also makes use of ether, where the name denominates the compound C4H10O, used as the first general anaesthetic agent at the end of the nineteenth century. From our point of view, the sustained occurrences of ether in these different figures, so disparate indeed that they appear unrelated, marks the manifestation of its persistence. We argue that this persistence should not be narrowed down to a constant attribution of a “word” or a “name” to several historical phenomenons, but rather should be viewed as the actualization of a same etherogeneous “signature.” Responding to an invitation by Italian philosopher Agamben, and building on Nietzsche’s and Foucault’s history-genealogy as well as on Derrida’s deconstruction, our dissertation proposes an historical program oriented towards a theorization of the signature. To do so, we suggest locating the ether, or rather the ether-signature, at the heart of several historical inquiries concerned with the contemporary problem with technology. Approaching some of theses issues –the legitimating of narrative knowledge, the suspension of the senses, pseudoscience and mysticism, information and industrial revolutions, wireless obsessions, body and corporeality, virtualization of communication, etc. –, our dissertation aims at locating and articulating as many baits towards an-other history, a counter-history.