Rozprawy doktorskie na temat „Theatrical”
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Brown, Ian James Morris. "History as theatrical metaphor". Thesis, Manchester Metropolitan University, 1991. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.290319.
Pełny tekst źródłaHaskell, Greer. "The Oresteia : a theatrical poetics". Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363120.
Pełny tekst źródłaHerrig, Robert Arthur. "Opera reviews as theatrical criticism /". The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269.
Pełny tekst źródłaDudley, Kevin Shane. "Exploring humanity through theatrical design". Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3075.
Pełny tekst źródłaRobertson, Jacob L. "Theatrical Ideology: Toward a Rhetoric Theatricality". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2858.pdf.
Pełny tekst źródłaBarclay, Michael Richard. "Theatrical designs of Charles Ricketts R.A". Thesis, Royal Holloway, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408393.
Pełny tekst źródłaNisbet, Archibald. "George Clint (1770-1854) : theatrical painter". Thesis, Birkbeck (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271351.
Pełny tekst źródłaScurria, Gregory. "The Fourth Level of Theatrical Awareness". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2105.
Pełny tekst źródłaJochum, Elizabeth Ann. "Inclining east: Theatrical appropriation of kabuki". Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1453559.
Pełny tekst źródłaWard, Marchella. "Towards a grammar of theatrical blindness". Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:8376616c-d537-4e2e-93ad-6f06665d252d.
Pełny tekst źródłaFergusson, Annie. "Modes of engagement in theatrical documentary". Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16415/1/Annie_Ferguson_Thesis.pdf.
Pełny tekst źródłaFergusson, Annie. "Modes of engagement in theatrical documentary". Queensland University of Technology, 2006. http://eprints.qut.edu.au/16415/.
Pełny tekst źródłaSanteramo, Donato. "Pirandello's meta-theatrical plays beyond the trilogy". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ28052.pdf.
Pełny tekst źródłaSeagraves, David. "A theatrical take on educational self-esteem". Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.
Pełny tekst źródłaWest, Shearer. "The theatrical portrait in eighteenth century London". Thesis, University of St Andrews, 1986. http://hdl.handle.net/10023/2982.
Pełny tekst źródłaWoods, Douglas Ww. "The Floorshow: Origins of a Theatrical Art". University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396890099.
Pełny tekst źródłaChristoffersen, Joshua Michael. "Telling stories with pictures : exploring theatrical design". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1568.
Pełny tekst źródłaGlenn, Matthew Robert. "The Modern Sound Designer in a Theatrical Team". Thesis, University of California, Irvine, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1562350.
Pełny tekst źródłaSound design is a comparatively young member of the theatrical design family. Computer technology for sound and music, much of which emerged over this past decade, continues to become cheaper and more widely available, making intricate sonic designs more accessible now than in the past for designers and theaters alike. While this is a big step for the art of sound design, the field is still adolescent in comparison to the scenic, costume, and lighting design fields. Sound design has become a regular part of the creation of modern theatre; that said, modern sound designers might collaborate with other theater professionals who trained without significant collaboration with or influence from sound designers and sound design. As such, collaborative practices between a sound designer and the rest of a theatrical team continue to develop. Through this thesis, I hope to provide a comprehensive snapshot of the role of sound design and sound designers in modern theatre, and to illuminate important strategies for successful collaboration between sound designers and a theatrical team.
Delgado, Maria Milagros. "Theatrical alienation and the films of Carlos Saura". Thesis, University of Newcastle Upon Tyne, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335885.
Pełny tekst źródłaFreeby, Raymond. "A phenomenological observation of two theatrical learning environments". Diss., Kansas State University, 2013. http://hdl.handle.net/2097/15672.
Pełny tekst źródłaDepartment of Educational Leadership
Jeffrey Zacharakis
This modified qualitative study focused on observations of learning procedures and performance outcomes of two theatrical learning environments (TLE), using a select set of phenomenological observation and recording procedures to ensure minimization of researcher bias. Observational results were compared to previously published observations of a large lecture hall learning environment at a Midwestern university. Observational results were also compared to a select set of learning theories to determine similarities in observed learning procedures to those theories. This study reveals differences in methods of acquisition of knowledge and skills in a TLE and the acquisition of same in the lecture hall environment. In the large lecture hall descriptions, the individual learner’s preset learning measurement options of ABCDF or Pass/Fail, individual option of choice to be present but non-interactive within the learning environment, individual option of choice of when to learn material and in what manner (for instance, cramming for a final), option of choice of attention level when physically present in the learning environment, and other options all affect the individual learner’s achievement level while minimally impacting the learning and achievement options of other members of the lecture class. This contrasts with a TLE, where failure is not a pre-listed option, maximization of learning and skills development is a constant goal individually and severally, interactivity with other learning environment members is mandated, material must be progressively learned and mastered by all members at essentially the same rate of progress, attention level must remain high, and there may well be multiple ‘final exams’ wherein virtually 100% of text materials must be transmitted verbatim in a meaningful way to a third party (an audience) through skills learned. Comparisons of learning theories reveal this process to be most closely allied with, but still significantly different from, collaborative learning theory.
Hartvigsen, Kathryn. "Nineteenth-Century Theatrical Adaptations of Nineteenth-Century Literature". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2510.pdf.
Pełny tekst źródłaO'Quinn, Daniel. "Staging governance : theatrical imperialism in London, 1770-1800 /". Baltimore : the J. Hopkins university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40059207n.
Pełny tekst źródłaGoins, Kristin E. "Metamorphosis: An Original Theatrical, Virtual, and Psychological Experience". Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/55.
Pełny tekst źródłaDel, Peschio Consiglia <1995>. "'Cunning gamesters': libertine theatrical strategies in Restoration Comedy". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18126.
Pełny tekst źródłaCafaro, Anna Grazia. "Tra determinismo e aleatorietà: l'improvisazione dell'attore nel teatro di ricerca contemporaneo". Thesis, Boston College, 2008. http://hdl.handle.net/2345/1748.
Pełny tekst źródłaThis dissertation presents a new analysis of theatrical improvisation, not as a theatrical practice but as a condition of the creative process; the focus is on the processes of the actor as signifier and site (producer) of a complex system of exchange. It explores the actor as creator of a macro-text that consists of the fixed element of the script and its variable interactions with the other actors and the audience. I demonstrate that improvisation is the condition that allows the actor to establish non-linear relationships between the text and the spectators through parallel subtexts that he creates ex novo. Such relationships happen in virtue of a ‘complexisation’ of the text that enriches its literal meaning. I observed the Spanish director José S. Sinisterra’s work in which he trained his actors to develop parallel subtexts in order to improve their ability to make a text complex. He argued that the actor’s expression of the text needed to provoke the spectator, through chaos and order. I then, studied the creativity process from a scientific point of view in order to understand in which way chaos and order work inside the mechanisms of performance. Thanks to the application of the chaos and complexity theory to the theatrical processes, attempted here for the first time, I consider the actor and the performance as ‘complex dynamic systems’ like a cell, a human being or life itself, in which, paradoxically, order and chaos coexist and maintain the system in balance; the continuous passages from chaos to order and vice versa, create the necessary tension and energy that put the spectator in the condition of building his own meanings. This study intends to define the fields of action of order and chaos, in both actuation and reception of text, as well as to identify fixed and variable determinant factors which could alter the components of the actor and the whole play’s system, to the and of increasing the necessary tension for complexity. Important theories on semiotic aspects of theatre and reception processes are taken in consideration like those by Iser, Eco, Ubersfeld and De Marinis as well as those by the mayor theatre directors of the Twentieth century, from Stanislavski to Mejerch’old, Kantor, Grotowski
Thesis (PhD) — Boston College, 2008
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Romance Languages and Literatures
Gröndahl, Laura. "Experiences in theatrical spaces five scenographies of Miss Julie /". [Helsinki] : University of Art and Design Helsinki, 2004. http://catalog.hathitrust.org/api/volumes/oclc/72890025.html.
Pełny tekst źródłaLee, Yi-Hui. "A theatrical lighting design for Duke Ellington's sophisticated ladies". College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/98.
Pełny tekst źródłaThesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Hunicutt, Julie. "In The Telling| Theatrical Devising Practice as Performance Pedagogy". Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10749113.
Pełny tekst źródłaA detailed account and analysis of a six week theatrical devising workshop and culminating performance event which occurred in March and April of 2017 in the Theatre Arts Department at California State University, Long Beach. In The Telling was an independent project that utilized movement-based ensemble practice and improvisation techniques to develop text and movement into an immersive theatrical storytelling event. Through the synthesis of contemporary theatre making practice and traditional rehearsal techniques, a diverse group of student participants collaborated to create an original work based on personal narrative and the theme of “change”.
Rooted in a broader discussion regarding the ideal foundational elements for contemporary performance training, this project report poses the question: how can performance educators train the next generation of theater makers to excel at creating vibrant, inclusive and innovative work? The In The Telling project posits that theatrical devising practice as performance pedagogy is one approach.
Wise, Jennifer. "Prolegomenon to the study of dramatic and theatrical theory". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28159.pdf.
Pełny tekst źródłaMaule, Allan Terry Ferguson Paul Harry. "Exploring the theatrical experience with the playwright as director". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,485.
Pełny tekst źródłaTitle from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Communications Studies." Discipline: Communication Studies; Department/School: Communication Studies.
Mercier, Caroline. "Designing theatrical costumes in collaboration : a contribution to theatre". Thesis, Durham University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400679.
Pełny tekst źródłaKelly, Catherine M. "The internal exile : contemporary Irish playwriting and theatrical production". Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393142.
Pełny tekst źródłaKincaid, Deirdre Lindsay. "Rough magic : the theatrical life of John Wilkes Booth". Thesis, University of Hull, 2000. http://hydra.hull.ac.uk/resources/hull:4641.
Pełny tekst źródłaJin, Young-Jong. "Audience, author and theatrical authority in early modern theatre". Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265026.
Pełny tekst źródłaChallinor, Jennie Rose. "Staging the court : the theatrical season of 1670-71". Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6963/.
Pełny tekst źródłaRhodes, Elizabeth. "'This wide theatre, the world' : Mary Robinson's theatrical feminism". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14254.
Pełny tekst źródłaKirley, Rachel B. "The Education and Practical Experience of Theatrical Production Managers". University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1117392085.
Pełny tekst źródłaDekker, Elizabeth Meyer. "Vital symbiosis : establishing the theatrical tradition of Samuel Beckett". The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282824844.
Pełny tekst źródłaMcGlaun, Sandee Kay. "Re-staging persuasion : feminist theatrical performance and/as rhetoric". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1287407418.
Pełny tekst źródłaWetzel, Rebecca L. "ADAPTATION AND INTERPRETATION: A STUDY OF THEATRICAL BANDE DESSINEE". Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1563987098560659.
Pełny tekst źródłaSingletary, Savannah M. "Theatrical Texts and Contexts: Poe and Hawthorne’s Fictional Women". VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4861.
Pełny tekst źródłaChepel, Elena. "Ritual in Old Comedy : theatrical representation of cultic performance". Thesis, University of Reading, 2016. http://centaur.reading.ac.uk/68908/.
Pełny tekst źródłaGallant-McFall, Leah. "Surface as Story| Tracing the Journey in Theatrical Design". Thesis, Southern Illinois University at Edwardsville, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10274790.
Pełny tekst źródłaEschen, Nicole Marie. "Performing the past theatrical revisions of Cold War culture /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1679292491&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaPanayotakis, Costas. "Theatrum arbitri : theatrical elements in the "Satyrica" of Petronius /". Leiden ; New York ; Köln : E.J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb37018577f.
Pełny tekst źródłaBrown, Ash Margaret Elizabeth. "House of Homes: Theatrical Explorations of Home and Belonging". Thesis, Griffith University, 2017. http://hdl.handle.net/10072/380569.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School Educ & Professional St
Arts, Education and Law
Full Text
Curenton, Myron Wade. "Plowshares Theatre Company the first twenty years". Diss., Connect to online resource - MSU authorized users, 2008.
Znajdź pełny tekst źródła"The objective of this study is to discuss the history and origin of the Plowshares Theatre Company based upon an interview with the current artistic director, Gary Anderson, and his assistant, Dr. Addell [Austin] Anderson"-- vFrom the abstract. Title from PDF t.p. (viewed on Aug. 4, 2009) Also issued in print.
Hardie, Catherine Mary-Claire. "The evolution of female characters in French comic theatre before 1650". Thesis, University of Hull, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318387.
Pełny tekst źródłaTaylor, Wendy Amanda. "English pantomime in London in the period 1779 to 1786". Thesis, Cardiff University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313841.
Pełny tekst źródłaBaker, Jean Napier. "Theatre in the provinces in the late eighteenth and early nineteenth centuries : with special reference to Sarah Baker in Kent". Thesis, University of Kent, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327439.
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