Gotowa bibliografia na temat „Theatre (philosophy)”
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Artykuły w czasopismach na temat "Theatre (philosophy)"
PUCHNER, MARTIN. "The Theatre of Alain Badiou". Theatre Research International 34, nr 3 (październik 2009): 256–66. http://dx.doi.org/10.1017/s0307883309990058.
Pełny tekst źródłaWu, Yi. "Philosophy as Memory Theatre". Politeia 1, nr 3 (2019): 28–44. http://dx.doi.org/10.5840/politeia20191318.
Pełny tekst źródłaTassi, Aldo. "Philosophy and Theatre". International Philosophical Quarterly 35, nr 4 (1995): 469–81. http://dx.doi.org/10.5840/ipq199535448.
Pełny tekst źródłaTassi, Aldo. "Philosophy and Theatre". International Philosophical Quarterly 38, nr 1 (1998): 43–54. http://dx.doi.org/10.5840/ipq199838166.
Pełny tekst źródłaJory, E. J. "Gladiators in the Theatre". Classical Quarterly 36, nr 2 (grudzień 1986): 537–39. http://dx.doi.org/10.1017/s0009838800012301.
Pełny tekst źródłaWilmer, Stephen Elliot, i Karen Vedel. "Theatre and Continental Philosophy". Nordic Theatre Studies 31, nr 1 (13.03.2019): 2–7. http://dx.doi.org/10.7146/nts.v31i1.112997.
Pełny tekst źródłaCull Ó Maoilearca, Laura. "Notes toward The Philosophy of Theatre". Anglia 136, nr 1 (8.03.2018): 11–42. http://dx.doi.org/10.1515/ang-2018-0007.
Pełny tekst źródłaKornhaber, David. "Philosophy and Theatre: An Introduction". PAJ: A Journal of Performance and Art 39, nr 3 (wrzesień 2017): 99–100. http://dx.doi.org/10.1162/pajj_r_00385.
Pełny tekst źródłaCull Ó Maoilearca, Laura. "Equalizing Theatre and Philosophy: Laruelle, Badiou, and gestures of authority in the philosophy of theatre". Performance Philosophy 3, nr 3 (21.12.2017): 730. http://dx.doi.org/10.21476/pp.2017.33162.
Pełny tekst źródłaMeyer-Dinkgräfe, Daniel, i Anita S. Hammer. "Performance as Philosophy — the universal language of the theatre revisited". Nordic Theatre Studies 28, nr 2 (21.02.2017): 97. http://dx.doi.org/10.7146/nts.v28i2.25520.
Pełny tekst źródłaRozprawy doktorskie na temat "Theatre (philosophy)"
Darroch, Michael. "Theatre and the materialities of communication". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102797.
Pełny tekst źródłaThe dissertation is divided into four chapters. In Chapter 1, I undertake a critical review of the theoretical literature regarding materialities and its applications to media theory. In Chapter 2, I begin to explore the implications of the material turn for theatre. Scholarly interest in the relation of media and theatre has largely been focused on the use of media and technology within theatrical practice. I argue that theatre cannot be conceived of separately from the prevailing communicational possibilities of a given era, even if we accept the capacity for artistic intervention within these parameters. I integrate theoretical standpoints on the reproducibility, iterability and liveness of theatrical presence into a broad discussion of media and communication and thereby demonstrate a more fundamental relationship between theatricality and mediality.
In Chapter 3, I extend my discussion of a "materialities of theatre" to the subject of translatability. Translation has long functioned as a metaphor for media as well as for theatrical representation. Discourses of the translatability between media forms have recently been revived by digital technologies that present translation as a model of universalization: the search for the perfect language into which all forms of knowledge can converge. Theatre works to converge media forms as a point of intersecting bodies, texts, voices and technologies, yet also remains persistently aware of the economy of shifting linguistic exchanges that renders total translation an impossible pursuit. I thus develop a study of the materialities of theatre that can attend to this disjunction in translation theory by addressing theatre as a point of medial convergence as well as a site of linguistic difference.
In Chapter 4, I elaborate upon these standpoints by discussing circulation as a theoretical concept that, on the one hand, complements the study of materialities of communication and, on the other hand, seeks to overcome the abovementioned disjunction of translation theory. Concentrating on the case of Montreal as a site of heightened linguistic interaction, I investigate theatre as a medial system that works to absorb, interrupt and rediffuse the linguistic materialities of this city.
Milne, Andrew Greg. "A critique of the philosophy of modern theatre". Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385351.
Pełny tekst źródłaRehorek, Karel. "The philosophy and practices of the Paperbag Theatre Company /". Title page, contents and conclusion only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09arr3452.pdf.
Pełny tekst źródłaKatsouraki, Evanthia. "Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33250.
Pełny tekst źródłaShadle, Jennifer Klicker. "Protect, Preserve, and Reform: An Analysis of Three Plays by David Mamet Through the Lens of Kirkian Conservatism". Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1528484860315471.
Pełny tekst źródłaHadley, Bree Jamila. "Habit in the theatre : Henri Bergson, Gilles Deleuze and performance, with particular reference to the physical theatre of Yumi Umiumare and David Pledger". Monash University, Centre for Comparative Literature and Cultural Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5287.
Pełny tekst źródłaBarclay, Julia Lee. "Apocryphal theatre : practicing philosophies". Thesis, University of Northampton, 2009. http://nectar.northampton.ac.uk/3597/.
Pełny tekst źródłaDalmasso, Frederic. "Alain Badiou's transitory theatre". Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/10180.
Pełny tekst źródłaJohnston, Daniel Waycott. "Active Metaphysics: Acting as Manual Philosophy or Phenomenological Interpretations of Acting Theory". Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/3984.
Pełny tekst źródłaFletcher, Narelle, University of Western Sydney, of Performance Fine Arts and Design Faculty i School of Design. "The Role of the translator in theatre". THESIS_FPFAD_SD_Fletcher_N.xml, 1997. http://handle.uws.edu.au:8081/1959.7/757.
Pełny tekst źródłaMaster of Arts (Hons)(Performance)
Książki na temat "Theatre (philosophy)"
Daniel, Watt, Meyer-Dinkgräfe Daniel 1958- i Theatre and Performance Research Association., red. Theatres of thought: Theatre, performance and philosophy. Newcastle, UK: Cambridge Scholars Pub., 2007.
Znajdź pełny tekst źródłaTheatre. New York: Faber and Faber, Inc., 2010.
Znajdź pełny tekst źródłaDaddario, Will. Baroque, Venice, Theatre, Philosophy. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49523-1.
Pełny tekst źródłaAndré, Helbo, red. Approaching theatre. Bloomington: Indiana University Press, 1991.
Znajdź pełny tekst źródłaMichael, Shanks, red. Theatre / archaeology. London: Routledge, 2001.
Znajdź pełny tekst źródłaRozik, Eli. Theatre sciences: A plea for a multidisciplinary approach to theatre studies. Brighton [England]: Sussex Academic Press, 2014.
Znajdź pełny tekst źródłaReading theatre. Toronto: University of Toronto Press, 1999.
Znajdź pełny tekst źródłaMike, Pearson. Theatre/archaeology. London: Routledge, 2001.
Znajdź pełny tekst źródłaRidout, Nicholas Peter. Theatre & ethics. New York: Palgrave Macmillan, 2009.
Znajdź pełny tekst źródłaReading the material theatre. Cambridge: Cambridge University Press, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Theatre (philosophy)"
Alloa, Emmanuel, i Sophie-Thérèse Krempl. "Philosophy and theatre". W The Routledge Companion to Performance Philosophy, 174–81. Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Routledge companions; 18: Routledge, 2020. http://dx.doi.org/10.4324/9781003035312-19.
Pełny tekst źródłaNellhaus, Tobin. "Philosophy, History, Theatre". W Theatre, Communication, Critical Realism, 19–55. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230107953_2.
Pełny tekst źródłaOrozco, Lourdes. "Animals, Philosophy and Ecology". W Theatre & Animals, 20–25. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-10431-1_5.
Pełny tekst źródłaGarcin-Marrou, Flore. "Theatre-thinking". W The Routledge Companion to Performance Philosophy, 166–73. Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Routledge companions; 18: Routledge, 2020. http://dx.doi.org/10.4324/9781003035312-18.
Pełny tekst źródłaConway, Jay. "Theatre of Operations". W Gilles Deleuze: Affirmation in Philosophy, 35–124. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230299085_3.
Pełny tekst źródłaJohnston, Daniel. "Preparing the Part: Theatre and Philosophy". W Theatre and Phenomenology, 11–25. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-53052-3_2.
Pełny tekst źródłaJohnston, Daniel. "Conclusion: Lights Up on Manual Philosophy". W Theatre and Phenomenology, 175–88. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-53052-3_8.
Pełny tekst źródłaHaarmann, Anke. "The theatre of research". W The Routledge Companion to Performance Philosophy, 117–24. Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Routledge companions; 18: Routledge, 2020. http://dx.doi.org/10.4324/9781003035312-13.
Pełny tekst źródłaDaddario, Will. "Introduction". W Baroque, Venice, Theatre, Philosophy, 1–18. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49523-1_1.
Pełny tekst źródłaDaddario, Will. "Garden Thinking and Baroque Pastoral". W Baroque, Venice, Theatre, Philosophy, 21–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49523-1_2.
Pełny tekst źródłaStreszczenia konferencji na temat "Theatre (philosophy)"
Mantrali, I., A. Phillips, S. Abdul, V. Asher i A. Bali. "774 Changes in theatre utilisation following implementation and establishment of maximal effort surgical philosophy for advanced epithelial ovarian cancer". W ESGO 2021 Congress. BMJ Publishing Group Ltd, 2021. http://dx.doi.org/10.1136/ijgc-2021-esgo.468.
Pełny tekst źródłaBol'shakov, YA O. "Pre-revolutionary theater life in the Vologda province: coverage in the press". W Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-02-2020-04.
Pełny tekst źródłaBrudasca, Ioana. "Intertextual Projections in the Theater of Matei Vișniec. Case Study". W Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.06.
Pełny tekst źródłaD. Herzberger, Nicolas, Marcel Usai i Michael Preutenborbeck. "Biologically Inspired Automotive User Interfaces for Partially and Highly Automated Maneuver Gestures: Final Results and Outlook". W Intelligent Human Systems Integration (IHSI 2022) Integrating People and Intelligent Systems. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100975.
Pełny tekst źródłaМир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi". W Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.
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