Książki na temat „Theatre intercultural and interdisciplinary”

Kliknij ten link, aby zobaczyć inne rodzaje publikacji na ten temat: Theatre intercultural and interdisciplinary.

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Sprawdź 50 najlepszych książek naukowych na temat „Theatre intercultural and interdisciplinary”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Przeglądaj książki z różnych dziedzin i twórz odpowiednie bibliografie.

1

1946-, Kettemann Bernhard, i Marko Georg, red. Crossing borders: Interdisciplinary intercultural interactions. Tübingen: Gunter Narr, 1999.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Leffler, Elliot. Applied Theatre and Intercultural Dialogue. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98515-8.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

1949-, Brunt Richard James, i Enninger Werner, red. Interdisciplinary perspectives at cross-cultural communication. Aachen: Rader, 1985.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Roche, Jörg, i Thomas Salumets. Germanics under construction: Intercultural and interdisciplinary prospects. München: Iudicium Verlag, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Feng, Wei. Intercultural Aesthetics in Traditional Chinese Theatre. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40635-6.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Jones, Peter. Intercultural Learning: Critical preparation for international student travel. Broadway: UTS ePRESS, 2019.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Jews and theatre in an intercultural context. Leiden: Brill, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Eckhard, Breitinger, i Gesellschaft für die Neuen Englischsprachigen Literaturen., red. Theatre and performance in Africa: Intercultural perspectives. Bayreuth, Germany: Bayreuth University, 1994.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Eckhard, Breitinger, red. Theatre and performance in Africa: Intercultural perspectives. Bayreuth: E. Breitinger, 1994.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Eckhard, Breitinger, red. Theatre and performance in Africa: Intercultural perspectives. Wyd. 2. Bayreuth, Germany: Eckhard Breitinger, Bayreuth University, 2003.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
11

Nahshon, Edna. Jews and theatre in an intercultural context. Leiden: Brill, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
12

Kindelan, Nancy. STEM, Theatre Arts, and Interdisciplinary Integrative Learning. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08907-7.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
13

missing], [name. The concept of the foreign: An interdisciplinary dialogue. Lanham, MD: Lexington Books, 2002.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
14

Interdisciplinary perspectives in cross-cultural communication. Muenchen: Lincom Europa, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
15

Buttimer, Anne. Life experience as catalyst for disciplinary communication: Adventures in dialogue 1977-1985. Lund: University of Lund, 1986.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
16

Belkin, Ahuva. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
17

Ahuva, Belkin, red. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
18

Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
19

Ahuva, Belkin, red. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
20

Bharucha, Rustom. Theatre and the World. London: Taylor & Francis Group Plc, 2004.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
21

1934-, Schechner Richard, i Appel Willa, red. By means of performance: Intercultural studies of theatre and ritual. Cambridge: Cambridge University Press, 1990.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
22

Young people, new theatre: A practical guide to an intercultural process. New York, NY: Routledge, 2007.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
23

Ibsen's theatre of ritualistic visions: An interdisciplinary study of ten plays. Oxford: P. Lang, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
24

Performative inter-actions in African theatre 3: Making space, rethinking drama and theatre in Africa. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
25

The poetics of difference and displacement: Twentieth-century Chinese-Western intercultural theatre. Hong Kong: Hong Kong University Press, 2008.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
26

Spaces of intercultural communication: An interdisciplinary introduction to communication, culture, and globalizing/localizing identities. Creskill, NJ: Hampton Press, 2003.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
27

Erika, Fischer-Lichte, Gissenwehrer Michael i Riley Josephine, red. The Dramatic touch of difference: Theatre, own and foreign. Tübingen: G. Narr, 1990.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
28

Theatre at the crossroads of culture. London: Routledge, 1992.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
29

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
30

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
31

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
32

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
33

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
34

(Editor), Irene Mariaf Blayer, i Monica Sanchez (Editor), red. Storytelling: Interdisciplinary and Intercultural Perspectives. Peter Lang Publishing, 2002.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
35

Kelz, Robert. Competing Germanies. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501739859.001.0001.

Pełny tekst źródła
Streszczenie:
Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. This book tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed. Theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. The book reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives the book a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.
Style APA, Harvard, Vancouver, ISO itp.
36

Theatre Arts: An Interdisciplinary Approach. Kendall Hunt Publishing Company, 2015.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
37

Theatre Arts: An Interdisciplinary Approach. Kendall Hunt Publishing Company, 2019.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
38

Enns, Fernando, Olav Fykse Tveit i Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
39

Kannabiran, Kalpana, Bettina Hollstein i Florian Hoffmann. Discourses on Corruption: Interdisciplinary and Intercultural Perspectives. SAGE Publications India Pvt Ltd, 2021. http://dx.doi.org/10.4135/978-93-5479-014-0.

Pełny tekst źródła
Streszczenie:
Corruption, often described as all that is rotten in the modern society, has become an increasingly dominant theme in contemporary political discourse, one that is related to specific practices, concepts and evaluations that vary across regions, cultures, spheres of action and disciplines. This volume, through case studies, investigates corruption in the Global South (especially India and Brazil) and West (especially Switzerland) to gain a more nuanced view of the phenomenon. The chapters in this volume are organized into two loosely structured and overlapping parts: the first part consisting of Chapters 2¬¬–5 covers conceptual questions related to corruption discourses from different perspectives such as economic ethics, social capital theory and literature; the second part consisting of Chapters 6–11 details the complexity and diversity of corruption practices within and between countries and regions, providing different interpretative frameworks, which in turn flow into discourses on corruption. Kalpana Kannabiran is an Independent Sociologist and Lawyer, Hyderabad, India. Bettina Hollstein is Managing Director, Max Weber Centre for Advanced Cultural and Social Studies, University of Erfurt, Germany. Florian F. Hoffmann is a Professor of Law, Department of Law, Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio), Brazil.
Style APA, Harvard, Vancouver, ISO itp.
40

Green, Judith L., i W. Douglas Baker, red. Interdisciplinary and Intercultural Programmes in Higher Education. Routledge, 2019. http://dx.doi.org/10.4324/9781315204239.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
41

Hoffmann, Florian F., Kalpana Kannabiran i Bettina Hollstein. Discourses on Corruption: Interdisciplinary and Intercultural Perspectives. SAGE Publications India Pvt, Ltd., 2021.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
42

Enns, Fernando, Olav Fykse Tveit i Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
43

Enns, Fernando, Olav Fykse Tveit i Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
44

Dundjerovic, Aleksandar Sasha. Live Digital Theatre: Interdisciplinary Performative Pedagogies. Routledge, Chapman & Hall, Incorporated, 2023.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
45

Dundjerovic, Aleksandar Sasha. Live Digital Theatre: Interdisciplinary Performative Pedagogies. Routledge, Chapman & Hall, Incorporated, 2023.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
46

Wallner, Friedrich G., i Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
47

Wallner, Friedrich G., i Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
48

Wallner, Friedrich G., i Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
49

Wallner, Friedrich G., i Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
50

Zarrilli, Phillip B., Jerri Daboo i Rebecca Loukes. Acting : Psychophysical Phenomenon and Process: Intercultural and Interdisciplinary Perspectives. Palgrave Macmillan, 2013.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii