Gotowa bibliografia na temat „Theatre for all audiences”
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Artykuły w czasopismach na temat "Theatre for all audiences"
Zehra, Shamail, Kiran Karamat i Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES". Pakistan Journal of Social Research 05, nr 01 (4.03.2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Pełny tekst źródłaPukelytė, Ina. "Front Theatre and Variety Theatre in Lithuania During World War II". Art History & Criticism 16, nr 1 (1.12.2020): 95–104. http://dx.doi.org/10.2478/mik-2020-0006.
Pełny tekst źródłaCaldwell, Niall, i Kathryn Nicholson. "Star quality: celebrity casting in London West End theatres". Arts Marketing: An International Journal 4, nr 1/2 (30.09.2014): 136–55. http://dx.doi.org/10.1108/am-10-2013-0022.
Pełny tekst źródłaBennett, Susan. "Theatre Audiences, Redux". Theatre Survey 47, nr 2 (12.09.2006): 225–30. http://dx.doi.org/10.1017/s0040557406000196.
Pełny tekst źródłaHarvey, Dustin. "Theatre for Small Audiences". Canadian Theatre Review 126 (marzec 2006): 45–47. http://dx.doi.org/10.3138/ctr.126.008.
Pełny tekst źródłaBird, Kym, i Ed Nyman. "Quipping Against the Pricks: Comedy, Community and Popular Theatre". Canadian Theatre Review 77 (grudzień 1993): 8–12. http://dx.doi.org/10.3138/ctr.77.002.
Pełny tekst źródłaMahoney, Alison M. "Oily Cart's Space to Be: Exploring the Carer's Role in Sensory Theatre for Neurodiverse Audiences during COVID-19". Theatre Survey 62, nr 3 (23.08.2021): 340–43. http://dx.doi.org/10.1017/s0040557421000260.
Pełny tekst źródłaBannerman, Marian White. "TYA in Canada: Navigating the Paradoxes". Canadian Theatre Review 133 (marzec 2008): 53–61. http://dx.doi.org/10.3138/ctr.133.008.
Pełny tekst źródłaMcClelland, Graeme. "When in Quarantine: Bringing Theatre Home with Boca del Lupo". Canadian Theatre Review 191 (1.08.2022): 100–102. http://dx.doi.org/10.3138/ctr.191.016.
Pełny tekst źródłaDUTT, BISHNUPRIYA. "Introduction". Theatre Research International 42, nr 3 (październik 2017): 323–26. http://dx.doi.org/10.1017/s030788331700061x.
Pełny tekst źródłaRozprawy doktorskie na temat "Theatre for all audiences"
Taylor, Crispin. "‘It’s All in The Timing’ – A Research Project that explores the complexities in the relationship of Actor to Audience, in Musical Theatre". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2021. https://ro.ecu.edu.au/theses/2434.
Pełny tekst źródłaWijesiri, Narayana Don Nimal Wijesiri. "Representation of identity in Sinhala theater: The impact of the religious/charity model". Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/235387/1/Nimal%2BWijesiri%2BThesis%2B%282%29.pdf.
Pełny tekst źródłaTrabelsi, Rabeb. "Spatialité, scénographie et imagination créatrice dans quatre créations tout-public de Joël Pommerat : Le Petit Chaperon rouge, Pinocchio, Cendrillon et Contes et Légendes". Electronic Thesis or Diss., CY Cergy Paris Université, 2024. http://www.theses.fr/2024CYUN1287.
Pełny tekst źródłaThis research aims to study the creative process of Joël Pommerat in four creations for all audiences, namely Little Red Riding Hoood, Pinocchio, Cenderella and Tales and Legends and the place of scenography in Joël Pommerat's work. How does this artist reinterpret fairy tales to provide new interpretations of these ancient texts through theatre ? What new elements emerge in Tales and Legends ? In what way does the director allow the spectator to have a fresh perspective on contemporary society by addressing everyday subjects ?The scenographic elements in this artist's work play a key role in the originality of his creations through the development of scenic spaces that are both magical, fictional and even futuristic. Scenography represents a gateway or bridge bringing about this "metamorphosis" from tradition to current events (in the three adaptations of tales) and from current events to the near future (in Tales end Legends).This research aims to demonstrate how Pommerat exploits the wonderful space of the tale or fieldwork to create new spaces, at once political and fictional. How does the tale become a tool for problematizing the societal crisis of today and a gateway to new creations by our artist ? At what levels does cinematographic aesthetic in Pommerat's work contribute to stimulating the spectator's imagination ? How do scenographic elements participate in the creation of a modern visual space? What methods does Pommerat employ to guide the spectators' perception and reflection in his all-age creations ?
Asiedu, Awo Mana. "West African theatre audiences : a study of Ghanaian and Nigerian audiences of literary theatre in English". Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288805.
Pełny tekst źródłaHayes, S. "Building community : a sociology of theatre audiences". Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.
Pełny tekst źródłaBetzien, Angela Jane. "Hoods : creating political theatre for young audiences". Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/19238/1/Angela_Betzien_Exegesis.pdf.
Pełny tekst źródłaBetzien, Angela Jane. "Hoods : creating political theatre for young audiences". Queensland University of Technology, 2007. http://eprints.qut.edu.au/19238/.
Pełny tekst źródłaWoods, Penelope. "Globe audiences : spectatorship and reconstruction at Shakespeare's Globe". Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8299.
Pełny tekst źródłaGroschel, Uwe. "Audiences and participants : researching theatre users at Contact, Manchester". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/audiences-and-participants-researching-theatre-users-at-contact-manchester(ed0dbc91-5fc5-44ea-a7c8-627691ab8e1e).html.
Pełny tekst źródłaSoulstein, Seth Koozel. "Macbeth as Avatar : fandom in British Romantic theatre audiences". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/41995.
Pełny tekst źródłaKsiążki na temat "Theatre for all audiences"
Snyder-Young, Dani, i Matt Omasta. Impacting Theatre Audiences. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146.
Pełny tekst źródłaAsiedu, Awo Mana. West African theatre audiences: A study of Ghanaian and Nigerian audiences of literary theatre in English. Birmingham: University of Birmingham, 2003.
Znajdź pełny tekst źródłaO'Toole, John, Ricci-Jane Adams, Michael Anderson, Bruce Burton i Robyn Ewing, red. Young Audiences, Theatre and the Cultural Conversation. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7609-8.
Pełny tekst źródłaListon, Karen. An exploratory study into the attitudes of the Dublin population to theatre. Dublin: UniversityCollege Dublin, 1990.
Znajdź pełny tekst źródłaMalomo, Jide. The theatre audience in Nigeria: A survey of audience attendance at the National Arts Theatre, Lagos. Ibadan, Oyo State, Nigeria: Ibadan, 2002.
Znajdź pełny tekst źródłaFreshwater, Helen. Theatre & audience. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.
Znajdź pełny tekst źródłaMarisa, Smith, red. Seattle Children's Theatre: Six plays for young audiences. Lyme, NH: Smith and Kraus, 1997.
Znajdź pełny tekst źródłaBennett, Susan. Theatre audiences: A theory of production and reception. London: Routledge, 1990.
Znajdź pełny tekst źródłaDieleman, Cock, Ricarda Franzen, Veronika Zangl i Henk Danner. Dramaturgy. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724968.
Pełny tekst źródła1933-, Jennings Coleman A., red. Theatre for young audiences: 20 great plays for children. New York: St. Martin's Press, 1998.
Znajdź pełny tekst źródłaCzęści książek na temat "Theatre for all audiences"
Farmer, Paul. "5. Touring One & All!" W After the Miners’ Strike, 67–82. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.07.
Pełny tekst źródłaFarmer, Paul. "3. One & All!" W After the Miners’ Strike, 37–60. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0329.05.
Pełny tekst źródłaPickering, Kenneth, i Mark Woolgar. "Audiences and Spectators". W Theatre Studies, 152–73. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-349-92330-4_10.
Pełny tekst źródłaWebb, Tim. "Sensory Theatre Audiences". W Sensory Theatre, 53–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003091288-12.
Pełny tekst źródłaWerner, Sarah. "Audiences". W Shakespeare and the Making of Theatre, 165–79. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28493-8_10.
Pełny tekst źródłaMacleod, Joseph. "Special Audiences". W The New Soviet Theatre, 64–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003228660-6.
Pełny tekst źródłaAikman, Lisa, Jennifer Roberts-Smith, Stan Ruecker, Kate Crozier, Jessica Hutchison, Carin Lowerison, Signy Lynch i in. "Theatre for relationality". W Impacting Theatre Audiences, 145–60. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-13.
Pełny tekst źródłaMcConachie, Bruce. "General Cognition for Theatre Audiences". W Engaging Audiences, 23–63. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617025_2.
Pełny tekst źródłaHeim, Caroline. "Participant observation in practice and techniques for overcoming researcher insecurity". W Impacting Theatre Audiences, 26–38. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-3.
Pełny tekst źródłaPearce, Celia. "Playing ethnography". W Impacting Theatre Audiences, 124–35. London: Routledge, 2022. http://dx.doi.org/10.4324/9781032214146-11.
Pełny tekst źródłaStreszczenia konferencji na temat "Theatre for all audiences"
Lisowski, Daniel. "Motion Capture Body Tracking and Functional Safety in Dynamically Controlled Theatre Automation Systems". W 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004077.
Pełny tekst źródłaPostolache, Inga. "Premises of the appearance of the Romanian musical: pages of history". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.13.
Pełny tekst źródłaFischer, Andre. "New transmedia design for traditional film festivals". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.
Pełny tekst źródłaDima, Mariza. "Engaging theatre audiences before the play". W the 2013 Inputs-Outputs Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2557595.2557600.
Pełny tekst źródłaCONDURACHE, Dumitriana. "A Diverse Beauty: Amore, by Pippo Delbono". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0015.
Pełny tekst źródłaSimpson, James, i Rory Foster. "Liveness for Contemporary Audiences: Developing online-togetherness in metaverse theatre audiences". W Proceedings of EVA London 2022. BCS Learning & Development, 2022. http://dx.doi.org/10.14236/ewic/eva2022.25.
Pełny tekst źródłaMulvany, Gerard T. "Because the Night - Immersive Theatre for Digital Audiences:". W CHI PLAY '22: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3505270.3558374.
Pełny tekst źródłaOrmanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example". W COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.
Pełny tekst źródłaLock, Daniel, David Gochfeld i Ben Kirman. "Hybrid Improvisational Theatre: A Thematic Review of the Production Processes". W 12th International Conference on Human Interaction and Emerging Technologies (IHIET 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005493.
Pełny tekst źródłaTOMUȘ, Ionuț. "General Considerations on Performing Poetry in the Current Performing Arts Context". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0012.
Pełny tekst źródłaRaporty organizacyjne na temat "Theatre for all audiences"
Rogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, listopad 2023. http://dx.doi.org/10.23889/sureport.65084.
Pełny tekst źródłaMcIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
Pełny tekst źródłaDomanick, Joe. Communicating to Build Trust: A Best Practices Guide for Law Enforcement Specialists in Latin America and the Caribbean. Inter-American Development Bank, wrzesień 2016. http://dx.doi.org/10.18235/0006324.
Pełny tekst źródłaRuiz, Pati, Kelly Mills, Keun-woo Lee, Merijke Coenraad, Judi Fusco, Jeremy Roschelle i Josh Weisgrau. AI Literacy: A Framework to Understand, Evaluate, and Use Emerging Technology. Digital Promise, czerwiec 2024. http://dx.doi.org/10.51388/20.500.12265/218.
Pełny tekst źródłaYilmaz, Ihsan, Shahram Akbarzadeh i Galib Bashirov. Comprehending the Tactics of Strategic Digital Disinformation Operations (SDIOs). European Center for Populism Studies (ECPS), wrzesień 2023. http://dx.doi.org/10.55271/pp0024.
Pełny tekst źródłaCothron, Annaliese, Jose Louro, Elizabeth Alpert, Don Clermont i Valerie Nieto. The State of Veteran Oral Health in Iowa: Understanding Outcomes and Opportunities for Improving Oral Health and Well-Being for Iowa Veterans. American Institute of Dental Public Health, 2024. http://dx.doi.org/10.58677/roll2812.
Pełny tekst źródłaYilmaz, Ihsan, Shahram Akbarzadeh i Galib Bashirov. Strategic Digital Information Operations (SDIOs). European Center for Populism Studies (ECPS), wrzesień 2023. http://dx.doi.org/10.55271/pp0024a.
Pełny tekst źródłaCavallo, Eduardo A., Andrew Powell i Eduardo Fernández-Arias. Is the Eurozone on the Mend? Latin American Examples to Analyze the Euro Question. Inter-American Development Bank, lipiec 2014. http://dx.doi.org/10.18235/0011642.
Pełny tekst źródłaBozek, Michael, i Tani Hubbard. Greater Yellowstone Network amphibian monitoring protocol science review: A summary of reviewers’ responses. National Park Service, czerwiec 2022. http://dx.doi.org/10.36967/nrr-2293614.
Pełny tekst źródłaOrtiz, Veronica, Joaquin Tintore i Nicole Köstner. EuroSea Guide of communication and dissemination activities for enhanced visibility of innovation in ocean observing and forecasting for a sustainable ocean. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.10.
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