Gotowa bibliografia na temat „Theatre”
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Artykuły w czasopismach na temat "Theatre"
Samitov, Dmitry G. "THE FIRST REGIONAL THEATRES OF THE UNITED STATES AS AN ALTERNATIVE TO BROADWAY COMMERCIALISM". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, nr 40 (2020): 190–96. http://dx.doi.org/10.17223/22220836/40/16.
Pełny tekst źródłaSerdechnaia, Vera V. "“ACCESS POINT” – 2020: DIGITAL THEATER IN THE PANDEMIC CONDITIONS". Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, nr 4 (1.12.2021): 83–91. http://dx.doi.org/10.18522/2415-8852-2021-4-83-91.
Pełny tekst źródłavan den Berg, Klaus. "The Geometry of Culture: Urban Space and Theatre Buildings in Twentieth-Century Berlin". Theatre Research International 16, nr 1 (1991): 1–17. http://dx.doi.org/10.1017/s0307883300009986.
Pełny tekst źródłaMarkovic-Bozovic, Ksenija. "Theatre audience development as a social function of contemporary theatres". Zbornik Matice srpske za drustvene nauke, nr 175 (2020): 437–51. http://dx.doi.org/10.2298/zmsdn2075437m.
Pełny tekst źródłaKollár, Zsuzsanna. "Az akadémia hatása az intézményesülő magyar színjátszásra az 1830-as években". Theatron 16, nr 1 (2022): 93–112. http://dx.doi.org/10.55502/the.2022.1.93.
Pełny tekst źródłaVojnović, Milica. "Arts marketing: Choice criteria of theatre visitors". Marketing 54, nr 4 (2023): 264–70. http://dx.doi.org/10.5937/mkng2304264v.
Pełny tekst źródłaMorozova, Irina Pavlovna. "Theatre activity in the southern Urals at the initial period of the thaw". Samara Journal of Science 6, nr 4 (1.12.2017): 169–73. http://dx.doi.org/10.17816/snv201764211.
Pełny tekst źródłaKauffmann, Stanley. "Broadway and the Necessity for ‘Bad Theatre’". New Theatre Quarterly 1, nr 4 (listopad 1985): 359–63. http://dx.doi.org/10.1017/s0266464x00001779.
Pełny tekst źródłaJory, E. J. "Gladiators in the Theatre". Classical Quarterly 36, nr 2 (grudzień 1986): 537–39. http://dx.doi.org/10.1017/s0009838800012301.
Pełny tekst źródłaPatonay, Anita. "The Development of Children’s and Youth Theatre in Hungary: the Path of Institutionalization and Beyond the Professional Sphere (1949–1989/1992)". Theatron 17, nr 4 (2023): 40–52. http://dx.doi.org/10.55502/the.2023.4.40.
Pełny tekst źródłaRozprawy doktorskie na temat "Theatre"
Rutherford, Cassandra. "Building theatres/theatre buildings : reinventing Mull Theatre". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5254/.
Pełny tekst źródłaOlmez, Husniye Nihan. "The Analysis Of Theatre Plays For Children Staged By The State Theatre And Private Theatres In 2008-2009 Theatre Season In Bursa". Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12611061/index.pdf.
Pełny tekst źródłatheatre for young audiences evaluation rubric&rdquo
which was developed by the researcher based on the literature. The study presented the composition of the information gained from the interviews and the characteristics scores of each theatre play. The results revealed that As an outcome, this study documented general information about the existing, required and desired characteristics of theatre plays for children
specific information about the current status of theatre plays for children in Bursa
and also implications and suggestions for parents, educators, playwrights, theatre directors and further studies.
Siersch, Clara. "Theatre for growing - growing Theatre". Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391713.
Pełny tekst źródłaFantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914". Thesis, The University of Sydney, 1996. http://hdl.handle.net/2123/1617.
Pełny tekst źródłaFantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914". University of Sydney, 1996. http://hdl.handle.net/2123/1617.
Pełny tekst źródła'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dictionary' in 1897 as referring to "the director or manager of a public musical institution: one who 'gets up' entertainments, especially musical performances."
Smith, Rodger W. "Hidden theatre : corporate theatre in America /". free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841336.
Pełny tekst źródłaGallagher, Kelsey B. "So Much Better: A Lighting Design Approach for a Production of Legally Blonde: The Musical". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555414324698267.
Pełny tekst źródłaHarris, John Rogers Sr. "The performance of black masculinity in contemporary black drama". The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054742668.
Pełny tekst źródłaPlacenti, Stefania. "Theatre and conflict : the occupied theatres movement in contemporary Italy". Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.752800.
Pełny tekst źródłaCrouch, Kristin A. "Shared Experience Theatre exploring the boundaries of performance /". Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054738772.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains xi, 365 p.; also includes graphics. Includes abstract and vita. Advisor: Lesley K. Ferris, Dept. of Theatre. Includes bibliographical references (p. 353-365).
Książki na temat "Theatre"
Hertzberger, Herman. Chassé Theater Breda =: Theatre Breda. Rotterdam: Uitgeverij 010 Publishers, 1995.
Znajdź pełny tekst źródłaGeorges, Aperghis, red. Theater und Musik =: Theatre and music. Brussel: Kaaitheater, 1995.
Znajdź pełny tekst źródłaMaugham, W. S. Theatre. Санкт-Петербург: КАРО, 2006.
Znajdź pełny tekst źródłaMaugham, W. S. Theatre. Санкт-Петербург: КАРО, 2009.
Znajdź pełny tekst źródłaCh"oe, Inhun. Theatre. Paris: Cric/Libraire-galerie Racine, 2000.
Znajdź pełny tekst źródłaMaugham, W. Somerset. Theatre. Москва: Менеджер, 2002.
Znajdź pełny tekst źródłaStone, Judy S. J. Theatre. London: Macmillan Caribbean, 1994.
Znajdź pełny tekst źródłaCohen, Robert. Theatre. Wyd. 6. Boston: McGraw-Hill, 2003.
Znajdź pełny tekst źródłaCohen, Robert. Theatre. Wyd. 4. Mountain View, Calif: Mayfield Pub. Co., 1997.
Znajdź pełny tekst źródłaAnderson, Judith. Theatre. London: Wayland, 2013.
Znajdź pełny tekst źródłaCzęści książek na temat "Theatre"
Pizzato, Mark. "Greco-Roman Beginnings of “Theatre” (as Theatron/Theatrum)". W Mapping Global Theatre Histories, 43–70. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12727-5_3.
Pełny tekst źródłaSood, Sara Owsley, i Athanasios V. Vasilakos. "Digital Theater: Dynamic Theatre Spaces". W Handbook of Multimedia for Digital Entertainment and Arts, 423–45. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-89024-1_19.
Pełny tekst źródłaBarker, Clive. "Alternative Theatre/ Political Theatre". W The Politics of Theatre and Drama, 18–43. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21792-2_2.
Pełny tekst źródłaCzirak, Adam. "Community theatre/participatory theatre". W The Routledge Companion to Contemporary European Theatre and Performance, 502–8. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003082538-80.
Pełny tekst źródłaBrown, John Russell. "Theatre". W William Shakespeare: Writing for Performance, 1–17. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24634-2_1.
Pełny tekst źródłaRacz, Gregary J. "Theatre". W The Routledge Handbook of Literary Translation, 298–312. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Routledge handbooks in translation and interpreting studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315517131-20.
Pełny tekst źródłaDoshi, Marcus. "Theatre". W Towards Good Lighting for the Stage, 72–92. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003206460-5.
Pełny tekst źródłaAllen, Rob, i Nina Krebs. "Theatre". W Dramatic Psychological Storytelling, 63–72. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230800557_7.
Pełny tekst źródłaBeaufils, Eliane, i Julie Sermon. "Theatre". W Arts, Ecologies, Transitions, 184–87. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-47.
Pełny tekst źródłaRowse, A. L. "Theatre". W Shakespeare’s Self-Portrait, 46–56. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17836-0_7.
Pełny tekst źródłaStreszczenia konferencji na temat "Theatre"
Bannò, Mariasole, i Giorgia Maria D'Allura. "Art-based methods: Theatre Teaches and Business Theatre". W Fifth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9249.
Pełny tekst źródłaOosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada". W ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.
Pełny tekst źródłaChen, Xilin, i Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.
Pełny tekst źródłaOwen, Charles B., Alison Dobbins i Lisa Rebenitsch. "Theatre Engine". W International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2536853.2536867.
Pełny tekst źródłaChaudhari, S. T., S. Bodke, R. Chandsarkar i T. Sule. "Virtual Theatre". W Third International Conference on Emerging Trends in Engineering and Technology (ICETET 2010). IEEE, 2010. http://dx.doi.org/10.1109/icetet.2010.127.
Pełny tekst źródłaTakahashi, Toru, Yasuhiro Katagiri i Keiko Nakao. "TelMeA theatre". W the SIGGRAPH 2003 conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965333.965382.
Pełny tekst źródłaBanno, Mariasole, Andrea Albertini, Ileana Bodini, Sandro Trento i Valerio Villa. "Theatre teaches". W Fourth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8098.
Pełny tekst źródłaGeigel, Joe, i Marla Schweppe. "Virtual theatre". W ACM SIGGRAPH 2005 Educators program. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1187358.1187378.
Pełny tekst źródła"Defining Verbatim Theatre as a Form of Documentary Theatre". W International Visible Conference on Educational Studies and Applied Linguistics. Tishk International University, 2021. http://dx.doi.org/10.23918/vesal2021v12.
Pełny tekst źródłaKhaustova, Dariya. "THEATRE SOCIAL MEDIA MARKETING: THEATREGOERS ARE ALREADY ONLINE, WHILE THEATRES � NOT". W 8th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscss.2021/s10.62.
Pełny tekst źródłaRaporty organizacyjne na temat "Theatre"
Moor, Donald B. Iran: Theatre Security Cooperation Plan. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 2008. http://dx.doi.org/10.21236/ada484358.
Pełny tekst źródłaMcGregor, Udo K. Strategic Airlift: Supporting the Theatre Commander. Fort Belvoir, VA: Defense Technical Information Center, maj 2003. http://dx.doi.org/10.21236/ada420292.
Pełny tekst źródłaVishwanath, Arundathi. Theatre and Art in Education for Young Women with a Focus on Theatre of the Oppressed Techniques and Embodied Therapeutic Practices. Indian Institute for Human Settlements, 2023. http://dx.doi.org/10.24943/tesf0105.2023.
Pełny tekst źródłaBhutada, Aditya. Universal Event and Motion Editor for Robots' Theatre. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.194.
Pełny tekst źródłaZheng, Zhaoxi, Bernadette Huber, Clare Wijngaarden i Qianna Su. Understanding young adults’ perspectives and experiences of theatre. Brisbane, Australia: The University of Queensland, sierpień 2022. http://dx.doi.org/10.14264/c8cb09c.
Pełny tekst źródłaEhrhart, David G. Foreign Command of US Forces in Combined Theatre Operations. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 1994. http://dx.doi.org/10.21236/ada280733.
Pełny tekst źródłaSunardi, Mathias. Expressive Motion Synthesis for Robot Actors in Robot Theatre. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.720.
Pełny tekst źródłaMcIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
Pełny tekst źródłaPond, Robert. The history of community theatre in Anchorage, Alaska, 1946-1976. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2970.
Pełny tekst źródłaGhosh, Yashowanto. Bertolt Brecht's Leben des Galilei: A Mythic Dimension in Epic Theatre. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6442.
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