Gotowa bibliografia na temat „Théâtralisme”
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Artykuły w czasopismach na temat "Théâtralisme"
Biet, Christian, i Yves Hersant. "Jacques Lassalle. Un théâtre sans théâtralisme". Critique 774, nr 11 (2011): 873. http://dx.doi.org/10.3917/criti.774.0873.
Pełny tekst źródłaGoncalves, Thomas. "Théâtralité et théâtralisme dans trois des premiers recueils d’Alice Munro : la métaphore théâtrale comme miroir d’une profonde crise sociale et identitaire". Études canadiennes / Canadian Studies, nr 90 (1.06.2021): 49–67. http://dx.doi.org/10.4000/eccs.4628.
Pełny tekst źródłaLesage, Marie-Christine, i Audrey-Anne Cyr. "Critique théâtralisée des esthétiques marchandes". Dossier 39, nr 1 (24.02.2014): 29–44. http://dx.doi.org/10.7202/1022991ar.
Pełny tekst źródłaMaquerlot, Jean-Pierre. "Théâtraliser l’horreur dans Titus Andronicus". Actes des congrès de la Société française Shakespeare, nr 14 (1.11.1996): 89–98. http://dx.doi.org/10.4000/shakespeare.975.
Pełny tekst źródłaKozul, Mladen. "Fantasme théâtralisé et théâtre baroque". Dossier — Sade au théâtre : la scène et l’obscène, nr 41 (7.05.2010): 40–49. http://dx.doi.org/10.7202/041669ar.
Pełny tekst źródłaGomez, Françoise. "Le retour des odéons ou la lecture théâtralisée comme performance". Symbolon 22, nr 1 (2021): 139–60. http://dx.doi.org/10.46522/s.2021.01.13.
Pełny tekst źródłaZimba, Lucille. "Jules Romains : la théâtralisation du Parlement de la Belle Époque ou « un spectacle dans un fauteuil »". Parlement[s], Revue d'histoire politique N° 24, nr 2 (2.09.2016): 97–106. http://dx.doi.org/10.3917/parl2.024.0097.
Pełny tekst źródłaVeg-Sala, Nathalie. "Les modèles de livraison lors d’un achat en ligne dans le luxe". Revue Française de Gestion 45, nr 284 (październik 2019): 51–73. http://dx.doi.org/10.3166/rfg.2019.00371.
Pełny tekst źródłaLarrue, Jean-Marc. "Théâtralite, médialité et sociomédialité: Fondements et enjeux de l'intermédialité théâtrale". Theatre Research in Canada 32, nr 2 (czerwiec 2011): 174–206. http://dx.doi.org/10.3138/tric.32.2.174.
Pełny tekst źródłaHenon, Judith. "De l’objet de curiosité théâtralisé à l’animal érotisé et transmuté". Ligeia N° 145-148, nr 1 (2016): 53. http://dx.doi.org/10.3917/lige.145.0053.
Pełny tekst źródłaRozprawy doktorskie na temat "Théâtralisme"
Goncalves, Thomas. "La théâtralité artistique, sociale et psychologique dans trois recueils de nouvelles d'Alice Munro". Electronic Thesis or Diss., Reims, 2022. http://www.theses.fr/2022REIML001.
Pełny tekst źródłaTheatricality is a leitmotiv in Alice Munro’s early fiction, notably in Dance of the Happy Shades (1968), Lives of Girls and Women (1971) and Who Do You Think You Are? (1978), in which at least three different forms of theatricality intermingle. Indeed, in these short story collections, numerous characters are closely linked to the theatre or the opera either as actors, singers, directors and writers, or as spectators. Other characters however are part of what Erving Goffman calls the “presentation of everyday life” inasmuch as they constantly wear a number of social masks and costumes so as to find their place in postwar Canadian society. In addition to these two forms of theatricality, that we will call respectively “artistic” and “social”, the reader can witness a number of scenes which are identified by the various narrative voices as being theatrical, and yet are neither entirely artistic or social. These scenes, which underscore the characters’ loss of control of the daily roles they perform, are reminiscent of the notions of “theatricalism” and “histrionism” in psychological and psychiatric studies, defined by the American Psychiatric Association in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5) as “a pervasive pattern of excessive emotionality and attention-seeking, beginning by early adulthood and present in a variety of contexts”. In this study, we aim to determine what the sources and stakes of theatricality are in Alice Munro’s Dance of the Happy Shades, Lives of Girls and Women and Who Do You Think You Are?, while analyzing the way artistic, social and psychological theatricality intermingle or echo each other in these short story collections
Labère, Claude. "Don Quichotte théâtralisé au XXème siècle". Toulouse 2, 1998. http://www.theses.fr/1998TOU20079.
Pełny tekst źródłaThe style and composition of Quixote evince how disappointed Cervantes was as a man of the stage. The massive dialogue forms, the structure, the characteristic oral aspect, and the aura the characters benefit from contribute to create an appealing spiral which favours the transposition of the novel. Three main literary devices: the ellipsis, the condensation and the invention predominate in the adaptation forms thus giving birth to six recent stage productions, from now liberated their text. The rewriting task doesn't consist in a collage of particularly dramatic fragments. On the contrary, each author has selected a preferential vision on which a real dramatic art has been composed. Thus putting forward notions of fidelity or misinterpretation does not seem to operate ; a dramatization of Don Quixote does not consist in making the novel lively on stage but in recreating autonomous characters in a different universe which has its particularity, codes and laws. The up-to-date thematic organizes itself around two elements which constitute the novel: madness and comedy. None of the dramatists in our study venture to deny the hidalgo's insanity, but its importance and significance give rise to many divergences. According to the different versions, madness reveals itself as being hopeless or at the root of strange powers materializing chimaeras. Under this cover the old gentleman hypertrophies the critical verve shown by his romantic counterpart, thus making fully use of the power of craziness. One of the main quality the authors we are studying, is to hightlight the comic aspect. Our work brings to light the durability of technics capable of rousing laughter, and the conditions required to its blossoming. Thus, by means of the transposition process, Don Quixote, which is a deep and amusing, noble and cheerful instructive entertainment, regains its original gist. First borrowing its quintessence from the novel, the theatre gives it, its modern vision and its new strength involving the public to (re)discover the huge richness of the text
Gardereau, Thibault. "Réécrire le Nouveau Monde : un espace revisité, théâtralisé et poétisé par les écrivains européens entre 1890 et 1945". Versailles-St Quentin en Yvelines, 2012. http://www.theses.fr/2012VERS021S.
Pełny tekst źródłaIn 1890, the frontier is tamed, and the face of America is transforming itself. From this date on, up to 1945, European writers take advantage of this phenomenon to rediscover America. To their astonishment, they are confronted with a highly industrialized civilization, which does not facilitate their task. This new exoticism is initially heightened by a set of preconceptions which urges them to anticipate this “new” New World and to imagine it before arriving. After this prefiguration, the culture shock occurs: the travelers at that time confirm or contradict their horizon of expectation and symbolize the New World. It is the time of sublimation. These two stages are of primary importance to better understand the vision which these well-read travellers will then impose. Finally, they put in writing a theatricalized and poetized America; an America which is, in the last analysis, not far from reality
Negers, Daniel. "Le Burrakatha d'Andhra Pradesh (Inde) : essai de description d'une forme narrative théâtralisée en langue télougoue : l'importance de l'expression littéraire dans la communication et la culture populaires". Paris 10, 1997. http://www.theses.fr/1997PA100160.
Pełny tekst źródłaBejaoui, Rim. "Kateb Yacine, ou, le monde théâtralisé". Thèse, 2006. http://hdl.handle.net/1866/17952.
Pełny tekst źródłaKsiążki na temat "Théâtralisme"
La danseuse de l'eau: Conte théâtralisé : suivi de Zigli le terrible : conte théâtralisé. Ouagadougou: Editions Gambidi, 2009.
Znajdź pełny tekst źródłaAntoine, Vincent. Théâtre et théâtralite du mouvement Dada: Mise en scène d'une subversion. 2003.
Znajdź pełny tekst źródłaCzęści książek na temat "Théâtralisme"
"Bibliographie". W Le jeu théâtralisé, 223–24. Dunod, 2017. http://dx.doi.org/10.3917/dunod.chouv.2017.01.0223.
Pełny tekst źródłaRus, Martijn. "La transcendance théâtralisée: les mystères". W Textes, fonctions et formes, 161–90. BRILL, 1989. http://dx.doi.org/10.1163/9789004649781_007.
Pełny tekst źródłaFrantz, Pierre. "Théâtraliser la Révolution française". W Corps, littérature, société (1789-1900), 31–40. Presses universitaires de Saint-Étienne, 2005. http://dx.doi.org/10.4000/books.puse.3121.
Pełny tekst źródłaSaudrais, Anthony. "L’architecture théâtralisée. Représenter la Colonnade du Louvre (xviie – xviiie siècles)". W Architectures fictives, 191–203. Presses Universitaires de Bordeaux, 2021. http://dx.doi.org/10.4000/books.pub.46005.
Pełny tekst źródłaChouvier, Bernard. "Chapitre 12. Une médiation thérapeutique singulière, le « jeu théâtralisé »". W Jeu et médiations thérapeutiques, 197–218. Dunod, 2021. http://dx.doi.org/10.3917/dunod.brun.2021.01.0197.
Pełny tekst źródłaAmri, Mahdi. "L’usage du téléphone mobile dans l’espace social : théâtraliser la communication ou comment pratiquer l’art d’ignorer l’entourage ?" W Stratégies du changement dans les systèmes et les territoires, 269–81. Maison des Sciences de l’Homme d’Aquitaine, 2010. http://dx.doi.org/10.4000/books.msha.5466.
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