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Artykuły w czasopismach na temat "The Traditional and National Music of Scotland"
Pettegree, Jane. "Volunteer Bands and Local Identity in Caithness at the Time of the Second Reform Act". Scottish Studies 40 (24.01.2024): 83–110. http://dx.doi.org/10.2218/ss.v40.9291.
Pełny tekst źródłaRusnali, Andi Nur Aisyah, i Mujammilatul Halimah. "Self Actualization of MOSMA Participants in Maintaining Cultural Identity in Scotland, United Kingdom". Palakka : Media and Islamic Communication 5, nr 1 (28.06.2024): 26–42. http://dx.doi.org/10.30863/palakka.v5i1.6174.
Pełny tekst źródłaMartynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, nr 54 (10.12.2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.
Pełny tekst źródłaRisk, Laura. "Community-based Traditional Music in Scotland: A Pedagogy of Participation, Josephine L. Miller (2022)". International Journal of Community Music 16, nr 3 (1.09.2023): 341–45. http://dx.doi.org/10.1386/ijcm_00092_1.
Pełny tekst źródłaGelbart, Matthew. "ALLAN RAMSAY, THE IDEA OF ‘SCOTTISH MUSIC’ AND THE BEGINNINGS OF ‘NATIONAL MUSIC’ IN EUROPE". Eighteenth Century Music 9, nr 1 (27.01.2012): 81–108. http://dx.doi.org/10.1017/s1478570611000352.
Pełny tekst źródłaWei, Yuanjun, i Yan Gao. "Research on the Protection Strategy of Traditional Culture of National Music in Shanxi Province from the Perspective of Intangible Cultural Heritage". Journal of Education and Educational Research 5, nr 2 (1.09.2023): 36–39. http://dx.doi.org/10.54097/jeer.v5i2.12202.
Pełny tekst źródłaMacIntyre, Peter D., Jessica Ross i Heather Sparling. "Flow Experiences and Willingness to Communicate: Connecting Scottish Gaelic Language and Traditional Music". Journal of Language and Social Psychology 38, nr 4 (12.08.2019): 536–45. http://dx.doi.org/10.1177/0261927x19867364.
Pełny tekst źródłaEngström, Robin. "The body politic of independent Scotland". Metaphor and the Social World 8, nr 2 (23.10.2018): 184–206. http://dx.doi.org/10.1075/msw.17009.eng.
Pełny tekst źródłaSymon, Peter. "Music and national identity in Scotland: a study of Jock Tamson's Bairns". Popular Music 16, nr 2 (maj 1997): 203–16. http://dx.doi.org/10.1017/s0261143000000374.
Pełny tekst źródłaLi, Jing. "The Inheritance Form of Chinese Traditional Music under College Music Education System". Region - Educational Research and Reviews 1, nr 2 (2.01.2020): 6. http://dx.doi.org/10.32629/rerr.v1i2.69.
Pełny tekst źródłaRozprawy doktorskie na temat "The Traditional and National Music of Scotland"
Stevenson, Lesley. "'Scotland the Real' : the representation of traditional music in Scottish tourism". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1297/.
Pełny tekst źródłaPaek, Inok. "Transmission processes in Korean traditional music : contemporary musical practice and national identity". Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425202.
Pełny tekst źródłaRoy, Diane Carole. "Performing abroad: ‘Lucnica Slovak National Folklore Ballet’ in Melbourne, 2007". Phd thesis, 2011. http://hdl.handle.net/1885/8868.
Pełny tekst źródłaWilliams, Joseph. "Rhizomatic thinking and traditional music as difference-in-itself : a virtual historical revision of England's Victorian/Edwardian folk revival". Thesis, 2019. http://hdl.handle.net/1959.7/uws:54511.
Pełny tekst źródłaVan, Niekerk Letitia. "Intimidation as a factor in the liberation struggle in South Africa with special reference to Bela Bela (Warmbaths) : an anthropological perspective". Diss., 1999. http://hdl.handle.net/10500/17744.
Pełny tekst źródłaINTIMIDASIE AS 'N FAKTOR IN DIE VRYHEIDSTRYD IN SUID-AFRIKA MET SPESIALE VERWYSING NA BELA BELA (WARMBAD): 'N ANTROPOLOGIESE PERSPEK.TIEF Kulturele vernuwmg ts 'n universele verskynsel. Anthony Wallace se model van kulturele vernuwing of -aanpassing bied 'n raamwerk vir die verduideliking en interpretasie van die fases waardeur kulturele vernuwingsbewegings van 'n godsdienstige, politieke of ander aard ontwikkel. In hierdie studie word daar uitsluitlik gefokus op vernuwingsbewegings van 'n politieke aard. Aangesien deelname aan die aktiwiteite van kulturele vernuwings- en aanpassingsbewegings nie noodwendig vrywillig geskied nie, het leiers van hierdie bewegings gebruik gemaak van tegnieke en metodes van intimidasie om deelname en vernuwing op die massas af te dwing. In SuidAfrika is politieke vernuwing onder andere teweeggebring deur die ANC as politieke bevrydingsbeweging. Die ANC het gebruik gemaak van gewelddadige (harde of direkte) sowel as nie-geweldadige (sagte of indirekte) intimidasie om mense, ongeag hulle etniese aanhorigheid, te dwing om die beweging se oogmerke aktief te ondersteun om politieke verandering te weeg te bring. As dee! van die strategie om deur intimidasie mense tot deelname aan massa-aksies soos optogte, betogings en massa-vergaderings te dwing, het die ANC gebruik gemaak van bepaalde kultuur verskynsels en -komponente wat eie is aan die lewensbeskouinge en lewenswyse van Bantoe-sprekendes. Kultuurkomponente wat suksesvol benut is deur die leiers en lede van bevrydingsbewegings omvat, onder andere verskynsels soos kommunaliteit, groep solidariteit, die regspraak, liedere en danse. Hierdie kultuurkomponente en verskynsels is verander en aangepas om ten eerste eenheid en deelname te bewerkstellig en te verseker en uiteindelik om die hoofdoelwit van politieke bevryding te bereik.
Anthropology and Archaeology
M.A. (Anthropology)
Książki na temat "The Traditional and National Music of Scotland"
Francis, David. Traditional music in Scotland: Education, information, advocacy. Edinburgh: Scottish Arts Council, 1999.
Znajdź pełny tekst źródłaGnielinski, Anneliese Von. Traditional music instruments of Tanzania in the National Museum. [Dar es Salaam]: The Museum, 1985.
Znajdź pełny tekst źródłaTanchʻe, Hanʾguk Ŭmak Yŏnju, red. The National Center for Korean Traditional Performing Arts. Seoul, Republic of Korea: National Center for Korean Traditional Performing Arts, Ministry of Culture & Tourism, 1999.
Znajdź pełny tekst źródłaBroad, Stephen. What's going on?: A national audit of youth music in Scotland. Edinburgh: Scottish Arts Council, 2003.
Znajdź pełny tekst źródłaJones, Edward Huws. The Ceilidh collection: Traditional fiddle tunes from England, Ireland and Scotland. London: Boosey & Hawkes, 2017.
Znajdź pełny tekst źródłaPurser, John. Scotland's music: A history of the traditional and classical music of Scotland from earliest times to the present day. Edinburgh: Mainstream Pub. in conjunction with BBC Scotland, 1992.
Znajdź pełny tekst źródła(Korea), Kungnip Kugagwŏn, red. Kŏnwŏn 1400-yŏn, kaewŏn 50-yŏn Kungnip Kugagwŏnsa: The National Center for Korean Traditional Performing Arts. Sŏul-si: Kungnip Kugagwŏn, 2001.
Znajdź pełny tekst źródłaStudwell, William E. The national and religious song reader: Patriotic, traditional, and sacred songs from around the world. New York: Haworth Press, 1996.
Znajdź pełny tekst źródłaBritish Broadcasting Corporation. Sound Archives. The national music of England, Ireland, Scotland and Wales: Historic music instruments including musical automata; with sections of general and historical musical interest. London: BBC, 1989.
Znajdź pełny tekst źródłaCicchini, Emily Jane Ball. Edward, the owl, and the Calico Cat: A play / by Emily Cicchini, with traditional folk music of America, Scotland, England, and Wales. Woodstock, Ill: Dramatic Pub., 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "The Traditional and National Music of Scotland"
Collinson, Francis. "The Vocal Music of Lowland Scotland". W The Traditional and National Music of Scotland, 119–58. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-5.
Pełny tekst źródłaCollinson, Francis. "The Music of the Pipes". W The Traditional and National Music of Scotland, 174–98. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-7.
Pełny tekst źródłaCollinson, Francis. "The Music of Orkney and Shetland". W The Traditional and National Music of Scotland, 252–60. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-10.
Pełny tekst źródłaCollinson, Francis. "The Bagpipes". W The Traditional and National Music of Scotland, 159–73. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-6.
Pełny tekst źródłaCollinson, Francis. "The Gaelic Labour Songs". W The Traditional and National Music of Scotland, 67–118. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-4.
Pełny tekst źródłaCollinson, Francis. "The Gaelic Long Tunes for the Psalms". W The Traditional and National Music of Scotland, 261–64. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-11.
Pełny tekst źródłaCollinson, Francis. "The Fiddle". W The Traditional and National Music of Scotland, 199–227. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-8.
Pełny tekst źródłaCollinson, Francis. "Gaelic and Lowland Scots Song". W The Traditional and National Music of Scotland, 32–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-3.
Pełny tekst źródłaCollinson, Francis. "Conclusion: The Reader's Part". W The Traditional and National Music of Scotland, 265–68. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-12.
Pełny tekst źródłaCollinson, Francis. "Introduction". W The Traditional and National Music of Scotland, 1–3. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-1.
Pełny tekst źródłaStreszczenia konferencji na temat "The Traditional and National Music of Scotland"
Sahnov, A., A. Klyuev i Yuliya Litvinova. "SCOTLAND AND ITS GEOGRAPHICAL NAMES THROUGH LINGUISTICS". W Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_281-286.
Pełny tekst źródłaJing, Yuanyuan. "Research and Protection of the National Traditional Music near Gansu with the background ofqSilk Road Economic Zoneq". W 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.6.
Pełny tekst źródłaZhang, Xinlei, Chao Zheng, Yichen Zeng, Xinhao Zhan, Li Cheng Xie i Bingkun Qiu. "Visualization and Visual Communication of Tibetan Music". W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003369.
Pełny tekst źródłaLoureiro, Mauricio. "The First Brazilian Symposium on Computer Music presents Brazilian computer music potentials - Caxambu, MG, 1994". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10463.
Pełny tekst źródłaIonica, Svetlana. "State I for soprano and instrumental group by Vlad Burlea – composition and dramaturgical features". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.22.
Pełny tekst źródłaBalaban, Larisa, i Diana Bunea. "Scientific project valorisation and conservation by digitization of the colections of academic and traditional music from the Republic of Moldova (2021–2023)". W Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.01.
Pełny tekst źródłaNarynskaia, Anna Antonovna. "Non-traditional religious organizations in the modern society of the Republic of Korea". W All-Russian Scientific Conference. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-99342.
Pełny tekst źródłaPintong, Sarawuth. "Revitalizing The National Folk Play: The Tiger Hunting Folk Play". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002046.
Pełny tekst źródłaTcacenco, Victoria. "Genres of jazz origin in moldovan music from the first half of the 20th century: Ragtime by Ștefan Neaga". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.02.
Pełny tekst źródłaVan, Kesin. "Bel Canto's Influence on the Development of Modern Chinese Opera Singing". W All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98545.
Pełny tekst źródłaRaporty organizacyjne na temat "The Traditional and National Music of Scotland"
Lefevre, Bruno, i Philippe Bouquillion. Communications, media and internet concentration in France, 2019-2021. Global Media and Internet Concentration Project, Carleton University, 2024. http://dx.doi.org/10.22215/gmicp/2024.2.
Pełny tekst źródłaCrispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.503395.
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