Artykuły w czasopismach na temat „The search for new world art'”
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Lee, Jae-Sook, i Jung-Rye Lee. "Analysis of Hair Art with the Formative Characteristics of Art Informel Paintings as Motives". Korean Society of Beauty and Art 21, nr 3 (20.09.2020): 111–26. http://dx.doi.org/10.18693/jksba.2020.21.3.111.
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In modern capitalism, logical and rational thinking and philosophical thought are emphasized. Therefore, modern people ask for an ordered system under strict rules and regulations. Since World War II, European abstract expressionism, ‘art informel’, developed in search of a worldly and fundamental meaning against the inhumane aspects brought about by a geometric world, which emphasized strict and balanced order through reason and rationality. The formative characteristics and colors of such art informel painting patterns can be the origin of new ideations in hair art. Therefore, this study attempted to escape from the traditional order of hair art using formative characteristics after the analysis of art informel artists’ works and liberate human emotions by altering situations. To this end, this study analyzed the formative characteristics of art informel paintings and created formative hair artworks using them as a motive. It is anticipated that there would be further studies on art informel and creative hairstyles through broad and in-depth analysis.
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Weikert, Dominik, Sebastian Mai i Sanaz Mostaghim. "Particle Swarm Contour Search Algorithm". Entropy 22, nr 4 (2.04.2020): 407. http://dx.doi.org/10.3390/e22040407.
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In this article, we present a new algorithm called Particle Swarm Contour Search (PSCS)—a Particle Swarm Optimisation inspired algorithm to find object contours in 2D environments. Currently, most contour-finding algorithms are based on image processing and require a complete overview of the search space in which the contour is to be found. However, for real-world applications this would require a complete knowledge about the search space, which may not be always feasible or possible. The proposed algorithm removes this requirement and is only based on the local information of the particles to accurately identify a contour. Particles search for the contour of an object and then traverse alongside using their known information about positions in- and out-side of the object. Our experiments show that the proposed PSCS algorithm can deliver comparable results as the state-of-the-art.
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Афанасов, Николай Борисович. "HAYAO MIYAZAKI IN SEARCH OF THE WORLD". ΠΡΑΞΗMΑ. Journal of Visual Semiotics, nr 2(28) (20.04.2021): 130–40. http://dx.doi.org/10.23951/2312-7899-2021-2-130-140.
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Рецензируется перевод монографии американского теоретика культуры Сюзан Нейпир «Волшебные миры Хаяо Миядзаки». Книга Сюзан Нейпир представляет собой наиболее фундаментальное исследование визуальных форм в творчестве японского анимационного режиссёра Хаяо Миядзаки. Сквозь призму анимационной визуальности автор раскрывает те философские смыслы, которые режиссёр закладывал в свои фильмы. С позиций культурной теории и философии культуры монография представляет особенный интерес, поскольку позволяет погрузиться в интерпретации ключевых для культуры XX века сюжетов в японской анимации. Помимо прочего работа Нейпир может представлять академический интерес для всех, кто интересуется теорией культурного фронтира и такими философскими сюжетами, как экологическое мышление, феминизм, новый материализм или апокалиптическое видение. Настоящая рецензия построена на исследовательских инициативах визуальной семиотики. Анализ интеллектуальных способов работы Сюзан Нейпир с визуальностью аниме Хаяо Миядзаки может быть полезен не только тем, кто интересуется непосредственными смыслами работ японского аниматора, но и претендует на раскрытие внутренних механизмов визуальных репрезентаций культурных феноменов. Иными словами, книга Нейпир, помимо раскрытия скрытых и неочевидных смыслов художественных произведений, вносит вклад в общую теорию работы с визуальным. Рецензия также акцентирует внимание на ряде непоследовательных ходов в мышлении Нейпир и предлагает свою интерпретацию спорных аспектов в книге. The Russian translation of Susan Napier’s monograph Miyazakiworld: A Life in Art is being reviewed. The book should be considered as the most fundamental research on the visual semiotics in the works of the Japanese animation director Hayao Miyazaki. Through the prism of visuality, the author analyses philosophical meanings that the director put in his films. From the perspectives of cultural theory and philosophy of culture, the monograph is particularly interesting because it allows going deeper into the interpretations of topics, key in the 20th-century culture, in Japanese animation. Among other things, Napiers’s book could be of interest for all academics interested in frontier studies and such philosophical topics as ecological thinking, feminism, new materialism, and apocalyptic thinking. This review is based on the research initiatives of visual semiotics. The analysis of Susan Napier’s intellectual ways of working with the visual nature of Hayao Miyazaki’s anime can be useful not only for those interested in the understanding of the direct meanings of the Japanese animator’s works, it also claims to reveal the internal mechanisms of visual representations of cultural phenomena. In other words, Napier’s book, in addition to revealing the hidden and non-obvious meanings of works of art, contributes to the general theory of working with the visual reality. The review also focuses on a number of inconsistent moves in Napier’s thinking and offers its own interpretation of the controversial aspects in the book.
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WINANDS, MARK H. M., i YNGVI BJÖRNSSON. "ENHANCED REALIZATION PROBABILITY SEARCH". New Mathematics and Natural Computation 04, nr 03 (listopad 2008): 329–42. http://dx.doi.org/10.1142/s1793005708001070.
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In this paper, we show that Realization Probability Search (RPS) significantly improves the playing strength of a world-class Lines-of-Action (LOA) computer program, even when used in combination with existing state-of-the-art αβ search enhancements. In a 600-game match, a RPS-based version of the program defeats the original one with a winning score of 62.5%. The main contribution of the paper, however, is the introduction of a much improved variant of RPS, called Enhanced Realization Probability Search (ERPS). The new algorithm addresses two weaknesses of RPS and overcomes them by using a better focussed re-searching scheme, resulting in both more robust tactical play and reduced search overhead. Our experiments in the domain of LOA show that ERPS offers just as a significant improvement over regular RPS, as the latter improves upon regular search. More specifically, the ERPS-based variant scores 62.1% against the RPS variant, and an impressive 72.2% score against the original program. This represents an improvement of over 100 ELO points over the original state-of-the-art player.
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Rozwadowski, Andrzej. "From Central Asia to South Africa: In Search of Inspiration in Rock Art Studies". Werkwinkel 12, nr 1 (27.06.2017): 19–33. http://dx.doi.org/10.1515/werk-2017-0002.
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Abstract The paper describes the story of discovering South African rock art as an inspiration for research in completely different part of the globe, namely in Central Asia and Siberia. It refers to those aspect of African research which proved to importantly develop the understanding of rock art in Asia. Several aspects are addressed. First, it points to importance of rethinking of relationship between art, myth and ethnography, which in South Africa additionally resulted in reconsidering the ontology of rock images and the very idea of reading of rock art. From the latter viewpoint particularly inspiring appeared the idea of three-dimensionality of rock art ‘text’. The second issue of South African ‘origin,’ which notably inspired research all over the world, concerns a new theorizing of shamanism. The paper then discusses how and to what extent this new theory add to the research on the rock art in Siberia and Central Asia.
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Mironova, Tatiana. "Ukrainian art since the early 2000s: the "second revival" in the world’s cultural field". Almanac "Culture and Contemporaneity", nr 1 (31.08.2021): 166–75. http://dx.doi.org/10.32461/2226-0285.1.2021.238615.
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The purpose of the article is to determine the place of Ukrainian art during the active transformations of the world art space. The scientific novelty lies in the study of the world's leading art fairs and the participation of Ukrainian artists in these platforms of the art market, as well as the analysis of modern leading Ukrainian art fairs and festivals. Methodology. The main methodological approach in determining the place of Ukrainian art during the active transformations of the world art space is the structural-system approach, and when analyzing the activities of leading Ukrainian art fairs in the context of world art development - the contextual method. The applied methods allowed to determine the main vectors of development of the private art segment of Ukrainian art of the 1990s - 2020s. Conclusions. In recent years, a new global art space has been formed and developed in the art world. Traditionally, the Western world dictates the rules of world art, but the exotic nature of everything that comes from the North and Eastis of interest to art lovers and professionals. Renewal of the cultural and artistic process in Ukraine at the beginning of the XXI century. and powerful social changes became the basis for many art festivals and art fairs of both regional and national scale. Initiatives of independent curators and gallerists' search for new formats for demonstrating the artistic achievements of Ukrainian artists have inspired the emergence of a number of interdisciplinary cultural projects of national importance. These artistic events set the vector for the development of communication in the modern cultural sphere. In general, Ukrainian art is developing several parallel coordinate systems that operate on different principles and offer different agendas. Among the latest trends that determine its development - digitalization, virtualization, commercialization, blurring the boundaries between elite and mass art, loss of integrity, polystylistic aspect, exemption from any rules of regulation. Like world cultural projects, Ukrainian festivals and art fairs are a type of artistic form of actualization of contemporary art and its interaction with society. For example, Kyiv Art Week is a landmark event in the cultural space of Ukraine, which brings together influential artists, collectors, and representatives of many worlds and Ukrainian cultural institutions.
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Pērkone, Inga. "A TEAR ON THE CHEEK: IN SEARCH OF EDUARDS PĀVULS’SJ151 ACTING CODE". Culture Crossroads 7 (14.11.2022): 135–42. http://dx.doi.org/10.55877/cc.vol7.234.
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Eduards Pāvuls (1929–2006) is one of the most beloved Latvian theatre and cinema actors, a charismatic player of common people. Starting with the 1950s, Pāvuls becomes a messenger of a new age in the art of acting. In his characters he rejects the histrionically encoded style of acting that is characterised by theatrical signs canonised over centuries. Instead, he uses expression codes taken from real life. Pāvuls succeeds in conveying, what can be called Zeitgeist in the art of acting. In the cinema it is represented by the influence of Method Theatre in Hollywood and by acting based in improvisation in the forms of New Wave films at the turning of the 1950s and the 1960s in the world. However, the essential changes do not so much proceed from acting techniques, but from change in public opinion about what a character should be like in a work of art.
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Sharipova, D. S., S. Zh Kobzhanova i A. B. Kenzhakulova. "INTERTEXTUALITY IN CONTEMPORARY ART OF KAZAKHSTAN IN THE ASPECT OF CULTURAL MEMORY". Bulletin of Kazakh National Women's Teacher Training University, nr 2 (16.07.2021): 179–90. http://dx.doi.org/10.52512/2306-5079-2021-86-2-179-190.
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For the masters of modern art of Kazakhstan, along with the importance of samples of classical culture and discoveries of modernist art, Kazakh folk art is becoming a single field of tradition today. Intertextuality, constant dialogue with different layers of world and national painting and sculpture determine the search for new expressiveness in art. This article describes the role of intertextuality in the development of new forms of artistic statements, namely, as in the works of modern Kazakh sculptors (S.Bekbotayev, D.Sarbasov, Z.Kozhamkulov), jewelers (A.Mukazhanov), tapestry masters (A.Bapanov), the importance of the values of native culture as a space of cultural memory is preserved. Experiments with the material are perceived as a ritual, a creative act, a search for their own author's style, modern means of expression of the artist. It is shown that the danger of losing one's own national identity associated with the process of globalization explains the interest of the masters in the author's myth-making, designed to awaken the spiritual foundations of the nation in the minds of contemporaries. Through mechanical details, sculptors create new myths in order to streamline the ethical and psychological state of a modern person, while in the works of masters of decorative and applied art, bricolage is practiced as a combination of different materials and textures, meanings and images closest to the construction of a myth.
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Liu, Rui, Tianyi Wu i Barzan Mozafari. "A Bandit Approach to Maximum Inner Product Search". Proceedings of the AAAI Conference on Artificial Intelligence 33 (17.07.2019): 4376–83. http://dx.doi.org/10.1609/aaai.v33i01.33014376.
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There has been substantial research on sub-linear time approximate algorithms for Maximum Inner Product Search (MIPS). To achieve fast query time, state-of-the-art techniques require significant preprocessing, which can be a burden when the number of subsequent queries is not sufficiently large to amortize the cost. Furthermore, existing methods do not have the ability to directly control the suboptimality of their approximate results with theoretical guarantees. In this paper, we propose the first approximate algorithm for MIPS that does not require any preprocessing, and allows users to control and bound the suboptimality of the results. We cast MIPS as a Best Arm Identification problem, and introduce a new bandit setting that can fully exploit the special structure of MIPS. Our approach outperforms state-of-the-art methods on both synthetic and real-world datasets.
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Dörries, Matthias. "The Art of Listening". Historical Studies in the Natural Sciences 51, nr 4 (1.09.2021): 468–506. http://dx.doi.org/10.1525/hsns.2021.51.4.468.
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Music and seismology merged in the daily work of the Caltech professor Hugo Benioff, who united the avant-garde technology of the 1920s with a nineteenth-century Helmholtzian aesthetic, cultural, and scientific understanding of music. The transducer facilitated this merger, mediating between science and music and allowing for new ways of listening to waves outside the audible range. Benioff had the capacity to listen—“listening” understood here not as passive perception, but as an active search to distinguish and separate signal from noise, whether from in- or outside of the instrument. For more than forty years, Benioff worked as a sonic expert, perfecting the recording and reproduction of waves and vibrations of all types and frequencies. After tracing elements of Benioff’s biography, I examine how he incorporated the technology of the transducer in his workshop into his seismological and musical instruments, notable not only for the control, austerity, and clarity of lines of their modernist design, but also for a new kind of poetic technology. Benioff’s seismological instruments made it possible to listen to a large variety of previously undetectable phenomena such as the free oscillations of the earth, and his work with the pianist Rosalyn Tureck on electric musical instruments aimed to reproduce the pure sound of traditional instruments. I argue that Benioff’s search for an aesthetic reconciliation of the scientific modern with an enchanted view of the world is very much a product of the social, cultural, technical, and scientific conditions of the interwar period.
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Leao, Lucia. "Plant Portraits: Creative processes, communication and the search for new paradigms1". Technoetic Arts 17, nr 1 (1.06.2019): 57–70. http://dx.doi.org/10.1386/tear_00006_1.
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Abstract What can we learn from plants? Which forms of intelligence and knowledge can we discover by dedicating ourselves to understanding the life of a plant, its characteristics, interactions with the environment and cultural narratives? This article aims to bridge recent studies in plant intelligence, Semiotics and creative processes. Departing form the idea that the world arrived at a critical situation and the planet Earth cannot continue being exploited as an infinite source, we argue that it is necessary to promote transformations in our culture, abandoning the anthropocentric framework and looking for new perspectives. In this sense, connecting communication, art, science and education, the purpose of Plant Portraits is to create experiences and propitiate encounters that catalyse the awakening of an expanded and integrated consciousness.
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Rusin, R. M. "POSTMODERNISM: AESTHETICS AND THE ART OF VIRTUALITY". UKRAINIAN CULTURAL STUDIES, nr 1 (4) (2019): 67–69. http://dx.doi.org/10.17721/ucs.2019.1(4).13.
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At the end of the 20 and the beginning of the 21 century as a result of the changes that took place in art, there was a need for a theoretical re- thinking of artistic practices. This task was assumed by artists, art critics, art critics and other agents of the artistic world, trying to clarify the pos- sibility of a new vision of art, give it an objective assessment. Obviously, understanding the specifics of contemporary art is not so much in the assessment itself, but in clarifying the fundamentals of a different understanding of such concepts as "classical art", "contemporary art," "virtual art." If classical art received a thorough understanding of the history of art, art history and aesthetics for centuries, virtual art, as a specific form of contemporary art, needs to be thoroughly investigated. Contemporary art is experiencing significant transformations in the context of post-industrial culture. Increasingly important are computational methods for the production of virtual artefacts. The report notes that contemporary virtual art is a new space dynamically captured by the postmod- ernist practices of contemporary art. In modern practices of postmodernism in the field of virtual art with the rapid development of computer tech- nology sharply decreases the fate of human presence in the process of creativity. Machine modelling as a product of collective creativity allows you to create a new virtual image, regardless of its existence in the real world. In modern practices in the field of virtual art, the idea of artificial ("synthetic imagination") is used, which is a machine imagination with the use of artificial modelling of man's imagination. Artificial imagination with the help of interactive search allows you to synthesize images from the data- base and create a new virtual image, regardless of its existence in the real world. Thus, the rapid development of computer technology is increasingly reducing the fate of human presence in the field of virtual art. Postmodern experiments stimulate the erosion of the boundaries between traditional forms and genres of art. The perfection and availability of technical means of production, the development of computer technology practically led to the disappearance of original creativity as an act of indi- vidual creation.
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Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause". Artium Quaestiones, nr 30 (20.12.2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.
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At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. The interwar period was a remarkable time for Romania’s cultural history. Between the two world wars, the Romanian cultural scene was dominated by what Keith Hitchins calls the ‘Great Debate’ about national identity and development. The opponents were those advocating synchronism with the West, on the one hand, and those pleading for tradition, on the other, with many others looking for a third way. In Romanian interwar culture, the country’s modernity was emphasized in order to place the country within the larger family of European nations. An opposing, and at the same time, complementary line of thought was that of presenting the long and noble Romanian history, tradition and ancestral roots. These two themes have been present in Romanian culture since the mid-19th century. They were used by various authors, sometimes in a complementary fashion, while at others, in a conflicting manner in literature, historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing did not exist as such until the end of the 19th century. It was only in the first years of the next century that the number of scholarly works produced following western standards steadily increased. As part of a general tendency of aligning Romanian academic practices with those in the West, art historiography established itself as a respectable academic discipline, a process which went hand in hand with the establishment of new institutions such as museums, university departments, research institutions and the Commission for historical monuments. All these institutions were founded and financed by the Romanian state, and most scholars were involved with these institutions in one way or another. Although Romanian art historiography of the period is dominated by the desire to produce academic works to the highest standards, the ideas of the Great Debate are present in the works of that time. At the same time, in several texts, the most prominent art historians of the day strongly affirm the necessity of putting their work in the service of the national cause. In this paper, we will be looking at the general histories of Romanian art written between the two world wars. The choice of these texts is motivated by the fact that these works are the result of larger research projects and have a broader scope and as such better summarise the trends of the interwar period.
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Preston, R. "Global Responsibility: in Search of a New World Ethic". Journal of Medical Ethics 18, nr 2 (1.06.1992): 111. http://dx.doi.org/10.1136/jme.18.2.111.
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De Oliveira, Luiz Sérgio. "The Artist, the Image and the Self: Representation in Rembrandt, Bacon, Mapplethorpe, Sherman, and Nan Goldin". Barcelona Investigación Arte Creación 7, nr 1 (6.02.2019): 30. http://dx.doi.org/10.17583/brac.2019.2263.
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Before photography, only painters, printmakers, and sculptors could tell, through self-portraits, how they saw themselves and how they were perceived. In the past, only artists had the resources to capture and picture themselves. From one brushstroke to another, this mediated gesture marked the perception of the self. Western art highlights numerous works from artists who wrote the history of culture through portraiture and self-representation. In contemporary art, some artists have been able to explore new means to investigate new possibilities of representing the self. In the past, painters seemed to scrutinize the mirror in search for hidden truths; in our era, however, dominated by uncertainty, ambiguity, and speedy records that carry out their obsolescence, new issues cross the representation in contemporary art. It is undeniable that the history of art reveals how self-representation has been an essential tool for artists, regardless of the historical time in which they are inserted, in their search to reflect on themselves and their relations with the world. In the face of an immensely large and virtually inexhaustible universe, in this study we focus on five artists: Rembrandt, Francis Bacon, Robert Mapplethorpe, Cindy Sherman, and Nan Goldin.
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Salvatori, Gaia. "From Land art to the “global era”". Journal of Science Communication 07, nr 03 (19.09.2008): C02. http://dx.doi.org/10.22323/2.07030302.
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In the globalisation era, arts have provided food for thought on “how latitudes became forms”, to stress again that now, at global level, one should no longer define art as a contemplation “space”, but as an “environment”, a place for experience. On the other hand, already when Bern saw the inauguration of the historic exhibition “When Attitudes became Forms” in 1969, people realised that the problem was lying in the behaviour, in the attitude, of making arts towards the world. Basically, the formalistic concept of self-referentiality in a work of art was to be overcome, and attention was to be paid to procedures and contexts. In search of a new humanism in contact with the natural universe.
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Riahi, Vahid, M. A. Newton, Kaile Su i Abdul Sattar. "Local Search for Flowshops with Setup Times and Blocking Constraints". Proceedings of the International Conference on Automated Planning and Scheduling 28 (15.06.2018): 199–207. http://dx.doi.org/10.1609/icaps.v28i1.13895.
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Permutation flowshop scheduling problem (PFSP) is a classical combinatorial optimisation problem. There exist variants of PFSP to capture different realistic scenarios, but significant modelling gaps still remain with respect to real-world industrial applications such as the cider production line. In this paper, we propose a new PFSP variant that adequately models both overlapable sequence-dependent setup times (SDST) and mixed blocking constraints. We propose a computational model for makespan minimisation of the new PFSP variant and show that the time complexity is NP Hard. We then develop a constraint-guided local search algorithm that uses a new intensifying restart technique along with variable neighbourhood descent and greedy selection. The experimental study indicates that the proposed algorithm, on a set of wellknown benchmark instances, significantly outperforms the state-of-the-art search algorithms for PFSP.
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Gaber, Tammy. "Bibliography of Art and Architecture in the Islamic World". American Journal of Islam and Society 31, nr 1 (1.01.2014): 120–23. http://dx.doi.org/10.35632/ajis.v31i1.1028.
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Index Islamicus, begun in 1906, is a database of bibliographic information ofpublications in all areas of studies connected with the Islamic world. Since thattime, interest in Islamic art and architecture has surged from specialists to manyscholars, students, and general interest worldwide. The recent and updated supplementsBibliography of Art and Architecture in the Islamic World, edited bySusan Sinclair, who was assisted by Heather Bleaney and Pablo Garcia Suarez,fills a serious void by listing the materials from 1906 to 2011.Sinclair, an independent scholar with a Ph.D. from the University ofLondon’s Courtauld Institute of Art, is currently researching material in themedievalArab world and has served as the co-editor of the Index Islamicussince 2007. With the support of the university’s renowned School of Orientaland African Studies, she was able to comb the archives of the United Kingdom’sleading institutions, including the National Art Library in London,the British Library, the library of the Warburg Institute, the Cambridge UniversityLibrary, and the University of Oxford libraries, as well as importantcollections located in Spain (e.g., the Biblioteca Nacional de España, theBiblioteca Islámica, and the libraries of Consejo Superior de InvestigacionesCientificas). The compilation of resources from these vast collections aswell as the material available online has brought this bibliographic collectionto a new level.At first glance, the material may seem to be no more than a listing ofsources on the subject, with no “content” per se to read. However, the valueof such texts and of this set in particular is that the bibliographic listings aregrouped by type and subtypes, which enable researchers in particular areas toaccess a wealth of information not necessarily accessible by other search enginesor mechanisms ...
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Benjamin, Garfield. "Indistinguishable from Magic: Perception, Knowledge, Technology, Art". Leonardo 53, nr 5 (październik 2020): 510–14. http://dx.doi.org/10.1162/leon_a_01739.
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The term magic has long been associated with both technology and art. Whether an illusion performed on stage or the search for the supernatural, magic is concerned with changing either reality itself or our perception of it. Each new technology takes on a magical role by increasing humans' power to manipulate the world around them. Similarly, magical practices are often labeled arts, and the manipulation of our perceptions by artists often creates quasi-magical experiences. Four approaches to magic in relation to digital art practice—illusionist, alchemist, necromancer and sorcerer—offer a mode of understanding the manipulation of perceptual reality by artists using digital technologies. The framework will then be applied to five such practitioners—Pascal Dombis, Anne-Sarah Le Meur, Antoine Schmitt, Dmitry Morozov and Zaven Paré—who demonstrate the quest for the unknown and the manipulation of knowledge to create a new reality.
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Zhang, Jin, Qi Liu, Defu Lian, Zheng Liu, Le Wu i Enhong Chen. "Anisotropic Additive Quantization for Fast Inner Product Search". Proceedings of the AAAI Conference on Artificial Intelligence 36, nr 4 (28.06.2022): 4354–62. http://dx.doi.org/10.1609/aaai.v36i4.20356.
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Maximum Inner Product Search (MIPS) plays an important role in many applications ranging from information retrieval, recommender systems to natural language processing and machine learning. However, exhaustive MIPS is often expensive and impractical when there are a large number of candidate items. The state-of-the-art approximated MIPS is product quantization with a score-aware loss, which weighs more heavily on items with larger inner product scores. However, it is challenging to extend the score-aware loss for additive quantization due to parallel-orthogonal decomposition of residual error. Learning additive quantization with respect to this loss is important since additive quantization can achieve a lower approximation error than product quantization. To this end, we propose a quantization method called Anisotropic Additive Quantization to combine the score-aware anisotropic loss and additive quantization. To efficiently update the codebooks in this algorithm, we develop a new alternating optimization algorithm. The proposed algorithm is extensively evaluated on three real-world datasets. The experimental results show that it outperforms the state-of-the-art baselines with respect to approximate search accuracy while guaranteeing a similar retrieval efficiency.
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Pompe, Gregor. "Slovenian Music in the First Decade after the Second World War – In Search of Socialist Realism". Musicological Annual 54, nr 2 (15.11.2018): 187–208. http://dx.doi.org/10.4312/mz.54.2.187-208.
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After the Second World War, Slovenia became a part of socialist Yugoslavia, which, following the example of the Soviet Union, scrutinised art from an ideological perspective. Previous studies of the influence of the new social system on Slovenian music have not discovered any distinct and direct political interventions in musical life, so it is reasonable to enquire whether such influences can be identified in the works of Slovenian composers from the first decade after the end of the Second World War. It turns out that demands and solutions were rather ambivalent and arbitrary; some composers, particularly those who continued traditional musical expression, did not adapt their aesthetic principles, while a change in style is observed especially in those composers who had endorsed the new music before the war.
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Turchak, Lesia. "Creativity of K. Malevich in the context of development of world and domestic art culture". National Academy of Managerial Staff of Culture and Arts Herald, nr 2 (17.09.2021): 65–74. http://dx.doi.org/10.32461/2226-3209.2.2021.239934.
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The purpose of the article is to establish the contribution of Ukrainian avant-garde artist, pedagogue, theorist Kazymyr Severynovych Malevych to the Ukrainian and world pictorial art. The methodology consists of a range of methods: historical, biographical, theoretical. The abovementioned methodological approach allows studying the question of historical data relating to the events in Ukraine that led to the emigration waves, finding out certain biographical facts and analyzing the artist’s creative activity. The scientific novelty of the research is in establishing Kazymyr Malevych’s contribution to the development of the Ukrainian and world pictorial art. We have studied the special features of his art, theoretical works and teaching activity, as these were an important factor in preserving and popularizing the Ukrainian culture. Conclusions. Malevych’s life and art have become the valuable heritage of the whole world. He influenced the development of visual arts with his activity and personally created direction in abstractionism. Guided by his own research and artistic search, he established a new direction in avant-garde art – suprematism, which became a unique phenomenon for fine art. His style was a major influence for visual arts, architecture and design. Malevych elaborated his own manner of teaching art to students. He was followed by Ukrainian and German constructivists, American minimalists and French abstractionists. His creative ideas are still relevant to this day.
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Singh, Dharmpal. "A New Bio-Inspired Social Spider Algorithm". International Journal of Applied Metaheuristic Computing 12, nr 1 (styczeń 2021): 79–93. http://dx.doi.org/10.4018/ijamc.2021010105.
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The concept of bio-inspired algorithms is used in real-world problems to search the efficient problem-solving methods. Evolutionary computation and swarm intelligence are outstanding examples of nature-inspired solution techniques of metahuristics. In this paper, an effort has been made to propose a modified social spider algorithm to solve global optimization problems in the real world. Social spiders used the foraging strategy, vibrations on the spider web to determine the positions of prey. The selection of vibration, estimated new position and calculation of the fitness function, has been furnished in details way as compared to different previously proposed swarm intelligence algorithms. Moreover, experimental result has been carried out by modified social spider on series of widely-used benchmark problem with four benchmark algorithms. Furthermore, a modified form of the proposed algorithm has superior performance as compared to other state-of-the-art metaheuristics algorithms.
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Ismail, Hassan Ahmed. "Public Art Development". Academic Research Community publication 1, nr 1 (18.09.2017): 7. http://dx.doi.org/10.21625/archive.v1i1.139.
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Please allow me to express my interest in participating in the event; the agenda and objective are of high significance for discussing the maturity and development of a sustainable "cultural and creative infrastructure" powered by cultural policies and practices. Involvement and lobbying for such topics is essential for the cultural and creative dynamics where creative cities attract creative people.While navigating through a search engine and typing a name of a city, the first images to appear visualize the built environment of the city. For instance when you type Cairo into Google, you will be mainly looking at the Pyramids and built environment around the Nile in addition to the Old City of Cairo. If you type in New York you will find images of skyscrapers positioned around the natural landscape of the city, and so on and so forth.Thus tourism depends a lot on the built environment and the touristic standard is subject to the built environment, type and quality of tenants attracting the general public and of course the natural landscape.Arts and architecture play an important role among the built environment having both tangible and intangible economic impacts resulting from touristic attractions as well as other means; Cairo was once described as the most beautiful city in the world with the rich urban fabric and prosperity of the arts and architecture.In a country like Egypt where segmentation between the different social levels is becoming a real threat for future generations, it is crucial to work with all stakeholders including the authorities, civil society and the general public with objectives that would aim to serve all interests and gain a positive public opinion.
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Lazzari, Grazia, Angela Pia Solazzo, Ilaria Benevento, Antonietta Montagna, Luciana Rago, Giovanni Castaldo i Giovanni Silvano. "Current Trends and Challenges in Real-World Breast Cancer Adjuvant Radiotherapy: A Practical Review." Archives of Breast Cancer 10, nr 1 (27.12.2022): 6–14. http://dx.doi.org/10.32768/abc.20231016-14.
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Background: The treatment of breast cancer (BC) remains a constant and rapidly evolving issue for multidisciplinary breast cancer teams. Considering the emerging understanding and advances in the biological course of this disease, new trends in radiotherapy fractionation, systemic therapies, and oncoplastic surgical techniques are revolutionizing adjuvant treatment approaches to BC. Novel challenges are questioning the integration of adjuvant radiotherapy (ART) into the real-world clinical setting. Methods: PubMed literature search was conducted in order to extract data supporting the role of new trends in breast cancer adjuvant approach according to rising issues in the multidisciplinary team discussion such as sequencing with chemotherapy (CT) plus whole breast hypofractionated radiotherapy (HF-WBRT); the role of ART after neoadjuvant CT (NACT) followed by breast conservative surgery (BCS) in early BC achieving pathological complete remission (pCR); and the integration of ART in immediate autologous breast oncoplastic reconstruction after mastectomy (a-IBR). Furthermore, there are still several concerns about toxicity with adjuvant trastuzumab emtansine (T-DM1) or breast re-irradiation after BCS relapse in long-term survivors refusing mastectomy. Results: Among 40 hits, only 12 studies answered to these issues. Many of them were retrospective studies. Less than 500 patients met the criteria for these issues and several conclusions were found exhaustive. Conclusion: Few issues seem to have literature solutions, while there are still open questions in regard to these new trends. Novel strategies through prospective or randomized studies and new consensus guidelines are required.
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Deshwal, Aryan, Syrine Belakaria, Janardhan Rao Doppa i Alan Fern. "Optimizing Discrete Spaces via Expensive Evaluations: A Learning to Search Framework". Proceedings of the AAAI Conference on Artificial Intelligence 34, nr 04 (3.04.2020): 3773–80. http://dx.doi.org/10.1609/aaai.v34i04.5788.
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We consider the problem of optimizing expensive black-box functions over discrete spaces (e.g., sets, sequences, graphs). The key challenge is to select a sequence of combinatorial structures to evaluate, in order to identify high-performing structures as quickly as possible. Our main contribution is to introduce and evaluate a new learning-to-search framework for this problem called L2S-DISCO. The key insight is to employ search procedures guided by control knowledge at each step to select the next structure and to improve the control knowledge as new function evaluations are observed. We provide a concrete instantiation of L2S-DISCO for local search procedure and empirically evaluate it on diverse real-world benchmarks. Results show the efficacy of L2S-DISCO over state-of-the-art algorithms in solving complex optimization problems.
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Astrakhan, Natalia. "Metaphor in M. Proust’s Artistic World: From the Being of Art to the Art of Being". Pitannâ lìteraturoznavstva, nr 101 (9.07.2020): 146–62. http://dx.doi.org/10.31861/pytlit2020.101.146.
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The article deals with the functions of metaphor in the artistic world of M. Proust. In the context of the novel sequence In Search of Lost Time, metaphor becomes a mechanism to implement involuntary memory, which allows to combine the present (impressions) and the past (memories). Metaphor, given by the associative connection between impressions and memories, becomes the main constructive law of the artistic model of reality created by the French writer. The multifunctionality of metaphor correlates with the three forms of the subject of consciousness that appears in the context of the artistic whole of the novel sequence as an author, a narrator and a character. The author organizes the work of involuntary memory, based on the metaphor; the narrator balances what has been fished out of the past against the present with the help of experience associations; the character experiences the impressions by going through discoveries and disappointments. Proust’s lyrical epos gives the subject the ability to move beyond the hellish circle of the present into timeless dimensions. The novels created by the author and the character, intersect creating the effect of full being, allowing the subject of creative consciousness to recover its identity by overcoming painful contradictions of individual existence in the artistic creativity as in the dialogical interaction with the other. By using the formal and the hermeneutical methods with the emphasis on the philosophy of dialogue, the article explores the peculiarities of metaphor functioning at the macro- and microlevels. The former allows to construct the experimental picture of the world at the intersection of different time-space spheres that correlate with each other due to the spiritual and intellectual efforts of the subject. The latter allows us to consider the artistic image based on metaphor the core of the modernist writer’s artistic style and the way to the new concept of artist and art.
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Daichendt, G. James. "What's in a title? The developing role of an artist-critic in the university". Visual Inquiry 8, nr 3 (1.12.2019): 179–85. http://dx.doi.org/10.1386/vi_00002_7.
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Abstract Arts professionals within higher education struggle with identity. Dual roles across departments, the changing role of the arts professor and non-traditional positions have challenged the notion of the studio arts instructor and whether institutional expectations are the best way to think about the future of the arts in higher education. As a veteran arts professor, dean, art historian, art critic and artist ‐ my role is not as straightforward as I originally thought it might be as an undergrad studio art major. Through a series of significant streams in my education and personal life, including successes and failures in the academic and professional art world ‐ a new identity emerged that is not represented in search profiles, academic departments or administrative positions.
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Ayres, Isabel. "Viewpoint: Art information in Latin America". Art Libraries Journal 40, nr 3 (2015): 3–4. http://dx.doi.org/10.1017/s0307472200000286.
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Several museums and libraries in North America and Europe house in their collections expressive works of art from Latin America. An understanding of the source of such collections requires study of their history and of the background from which they come, even if, as a matter of fact, collecting works of art and bibliographical assets on such a theme is not new. The interest in studying artworks which do not belong to the so-called western canon enables a wider knowledge of the art in Latin America. Notwithstanding the reasons behind such interest, it is worth noting that some facts related to their development are still lively, such as the interests roused by the travelling artists in the 19th century, who departed in search of the unknown or exotic and came back to their homeland with an imagination full of images from the New World. It is undeniable that Latin America has had a key role in the major changes that occurred during the age of discovery, when Europe focused on its colonies. Nowadays, as we observe the recurrence of such a foreign look at Latin America, we might ask ourselves how Latin America sees itself.
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Yui, Wei. "Chinese Women’s Art". Культура и искусство, nr 5 (maj 2022): 86–95. http://dx.doi.org/10.7256/2454-0625.2022.5.38062.
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The article discusses the origin and evolution of women's visual art in China. The development of this artistic direction was due to the radical social transformations since the beginning of the Open Door Policy in 1978. Analysis of the art by Li Hong, Cui Xiuwen, Feng Jiali, Yuan Yaomin and others reveals main features of the evolution of women's creativity in China. The search and acquisition of female identity, the destruction of psychological barriers imposed by traditional ideas and stereotypes about a woman, her physicality, beauty, etc., the study of gender differences, the reflection of female subjectivity, the assertion of a new status for women in modern society - all this makes the content of Chinese women's art. The novelty of the research lies in the fact that the article studies the works of quite reputable Chinese artists who were not presented earlier in Russian art history science. This article is intended to contribute to the study of the processes of emancipation of the consciousness of the Chinese and raising the status of women artists in society. Reflections on personal experience, social problems and historical destinies determine the specifics of the artistic language of women's works. In view of the active feminist movements of our time, increasing attention to the inner world of women and criticism of patriarchal foundations, addressing this topic seems very relevant today.
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Soloshenko, V. "Looted Art in the Politics of Memory of the FRG". Problems of World History, nr 5 (15.03.2018): 211–27. http://dx.doi.org/10.46869/2707-6776-2018-5-12.
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Memory and learning tragic pages of history, such as genocide and crimes against humanity, are of great importance for the future of the state. This article deals with the problem of the looted art, itsplace in the politics of memory of the Federal Republic of Germany. The problems of protection, preservation, and repatriation of the cultural heritage looted by the Nazi before and during World WarII have received new treatment in the German society. It is pointed out that Germany has extensive experience of addressing the burdensome past, it has been established how the FRG solves the problem of its overcoming, its new facets and dimensions are revealed. The German experience of the last decades in the matter of search and restitution of lost and illegally transported works of art and its value for Ukraine is analyzed.
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Yakusheva, Tatyana. "Counteracting Criminal Communities (Criminal Organizations) and Leaders of the Criminal World: Destructive Trends, a Search for New Legislative Solutions". Russian Journal of Criminology 14, nr 5 (20.11.2020): 723–34. http://dx.doi.org/10.17150/2500-4255.2020.14(5).723-734.
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The criminal law policy of Russia should follow the general national political course and, thus, be well-considered, stable and corresponding to key postulates declared in the Constitution of the Russian Federation as the charter document of the state. The situational character of the legislative approach in using such means of implementing criminal policy as the criminalization and de-criminalization of actions is unacceptable; it leads to the de-systematization of legislation and difficulties in law enforcement. The interference in the choice of means of criminal law impact on organized crime poses a special danger when it is ill-conceived and not based on objective needs. The author analyses mistakes made by lawmakers in the process of formulating and upgrading norms aimed at counteracting criminal communities (criminal organizations) as the highest forms of organized crime, as well as persons who organize and manage them. The author also draws attention to the negative trends of unsubstantiated toughening of criminal repressions, of using terminological instruments not characteristic of criminal law regulation, and poorly conceived implementation of legislative initiatives for narrowing the scope of Art. 210 of the Criminal Code of the Russian Federation. It is concluded that the principle of justice has been violated, the judicial-investigation system has been undermined, and there is a threat of strict liability and unconstitutionality in the proposed legislative initiative of limiting the scope of Art. 210 of the Criminal Code of the Russian Federation, if the fate of the norm of liability for business fraud is taken into consideration. Based on the conducted analysis of criminal law norms on criminal community (criminal organization) as a form of complicity and as an independent crime, court practice, statistical indices, international experience, existing opinions of a number of scholars and personal legal position, the author formulates suggestions within a conceptually new approach to modernizing criminal legislation in the analyzed sphere.
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Rakityanska, Liudmyla. "THE HISTORY OF WORLD MUSIC ART WITHIN THE CONTEXT OF RELATIONSHIP BETWEEN THE EMOTIONAL AND THE RATIONAL". Osvitolohiya, nr 9 (2020): 21–28. http://dx.doi.org/10.28925/2226-3012.2020.9.3.
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The article presents the results of the analysis of musical art history in the context of the relationship between its emotional and rational constituents. The author traces the overall evolution of the world music, which in itself is a process of a complex dialectical relationship of the emotional and the rational, and which has been conditioned by the dominant philosophical worldview of a specific historical epoch, that determined the variability of artistic priorities, their emotional and intellectual balance or otherwise demarcating them by the dominating rational-mediated or emotional-sensory constituent. The research has established that the primitive culture is characterized by a syncretism of mythological and ideological ideas of the primitive human, which was reflected in the folk tradition; in the era of Ancient art, the Greek philosophers gave preference to reason while comprehending art, which went in line with the rational, philosophical and ideological orientation of the society at that time; in the Middle Ages era, this tendency fixed itself in the theological-rationalist search of the «fathers of the church», which was reflected in various genres of church music, that was religious, ascetically oriented, strictly regulated, as well as emotionally limited; the musical art of the Renaissance with its faith in the unlimited possibilities of harmonious human development is characterized by the unity and balance of the emotional and the intellectual; the New Age art was marked by new artistic trends, including Baroque and Classicism. The Baroque concept of musical art was consonant with the Renaissance tradition in terms of defining the main purpose of art as the need to reflect the sensuality of the real world; the art of the Classicism is subject to strict regulations, appealing to the human mind, instead of the senses, it is based on «rationalism», the prevailing philosophical worldview at the time; a harmonious combination of both emotional and personal experiences together with a deep intellectual comprehension of life is the leading feature of the art of the Romantic era; the modern music culture demonstrates the tendency to strengthen the rational constituent.
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Mądro, Andrzej. "Między- i metazmysły – percepcja w dobie sztuki multimedialnej". Res Facta Nova. Teksty o muzyce współczesnej, nr 19 (28) (15.12.2018): 28–34. http://dx.doi.org/10.14746/rfn.2018.19.3.
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The mechanism of perceiving the world by mankind is still an unfathomable, yet highly discussed, problem of modern science in its various fields. If the issue is considered in the specific context of contemporary music and art – electroacoustic, multimedia, interactive – questions arise: how do the hearing and the mind react to the new synthesized sounds? What are the mechanisms and rules of multi-sensory perception? Are new perceptual skills developing in the face of new aesthetic situations? Does mankind in the age of the newmedia take another step on the long path of its “sensory evolution”?New media art often puts the senses to the proof; it is a game played with perception, with its limitations and capabilities. In turn, intensification of experience appears to the audience as liberation, escapism, but also as a search for new ways of knowing.
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Hatem, Matthew, Ethan Burns i Wheeler Ruml. "Heuristic Search for Large Problems With Real Costs". Proceedings of the AAAI Conference on Artificial Intelligence 25, nr 1 (4.08.2011): 30–35. http://dx.doi.org/10.1609/aaai.v25i1.7826.
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The memory requirements of basic best-first heuristic search algorithms like A* make them infeasible for solving large problems. External disk storage is cheap and plentiful com- pared to the cost of internal RAM. Unfortunately, state-of- the-art external memory search algorithms either rely on brute-force search techniques, such as breadth-first search, or they rely on all node values falling in a narrow range of in- tegers, and thus perform poorly on real-world domains with real-valued costs. We present a new general-purpose algo- rithm, PEDAL, that uses external memory and parallelism to perform a best-first heuristic search capable of solving large problems with real costs. We show theoretically that PEDAL is I/O efficient and empirically that it is both better on a stan- dard unit-cost benchmark, surpassing internal IDA* on the 15-puzzle, and gives far superior performance on problems with real costs.
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Adel, Hadeer, Abdelghani Dahou, Alhassan Mabrouk, Mohamed Abd Elaziz, Mohammed Kayed, Ibrahim Mahmoud El-Henawy, Samah Alshathri i Abdelmgeid Amin Ali. "Improving Crisis Events Detection Using DistilBERT with Hunger Games Search Algorithm". Mathematics 10, nr 3 (30.01.2022): 447. http://dx.doi.org/10.3390/math10030447.
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This paper presents an alternative event detection model based on the integration between the DistilBERT and a new meta-heuristic technique named the Hunger Games Search (HGS). The DistilBERT aims to extract features from the text dataset, while a binary version of HGS is developed as a feature selection (FS) approach, which aims to remove the irrelevant features from those extracted. To assess the developed model, a set of experiments are conducted using a set of real-world datasets. In addition, we compared the binary HGS with a set of well-known FS algorithms, as well as the state-of-the-art event detection models. The comparison results show that the proposed model is superior to other methods in terms of performance measures.
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Beşchea, George-Andrei, Stefan-Ioan Câmpean, Maria-Bianca Tăbăcaru, Beatrice-Georgiana Vuţoiu, Alexandru Şerban i Gabriel Năstase. "A State of the Art Review of Isochoric Cryopreservation and Cryoprotectants". Cryoletters 43, nr 4 (1.07.2022): 189–99. http://dx.doi.org/10.54680/fr22410110112.
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There is a developing enthusiasm for discovering new methods, cryoprotectants, systems and devices for cells, tissues, and organ preservation in medicine, in sub-zero temperature conditions and a growing interest in developing more efficient and economical methods for long-term preservation of food in a frozen state. Most of the preservation protocols currently used in medicine and food preservation involve the use of atmospheric pressure, and temperatures lower than normal body temperature in medicine, or lower than room temperature in the food industry. In this state of the art review, we analyzed the results of a new preservation method that uses an isochoric system. We aimed to offer a clear overview of the potential of this new technology. Firstly, to study the origins of isochoric preservation, we searched using the WoS Database. A search with the world "isochoric" returned 488 results. A more specific search of the term "isochoric freezing" returned 94 results. From these searches, we selected the 12 most relevant articles and discuss them here in detail. We present an overall characterization and criticism of the current use and potential of this new preservation method that can be used in the medicine and food industry. The main findings indicate encouraging results for the tested biological matter, including for the preservation of food products (e.g.cherries, spinach, potatoes), biological organisms (e. g. Caenorhabditis elegans, Escherichia coli, Listeria, Salmonella typhimurium), organs (e.g. rat hearts), tissues (e. g., tilapia fish filets) or cells (e. g., mammalian cells, pancreatic cells). Accordingly, we conclude that the isochoric system holds huge potential as a new technique in the field of preservation.
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Geibinger, Tobias, Florian Mischek i Nysret Musliu. "Constraint Logic Programming for Real-World Test Laboratory Scheduling". Proceedings of the AAAI Conference on Artificial Intelligence 35, nr 7 (18.05.2021): 6358–66. http://dx.doi.org/10.1609/aaai.v35i7.16789.
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The Test Laboratory Scheduling Problem (TLSP) and its subproblem TLSP-S are real-world industrial scheduling problems that are extensions of the Resource-Constrained Project Scheduling Problem (RCPSP). Besides several additional constraints, TLSP includes a grouping phase where the jobs to be scheduled have to be assembled from smaller tasks and derive their properties from this grouping. For TLSP-S such a grouping is already part of the input. In this work, we show how TLSP-S can be solved by Answer-set Programming extended with ideas from other constraint solving paradigms. We propose a novel and efficient encoding and apply an answer-set solver for constraint logic programs called clingcon. Additionally, we utilize our encoding in a Very Large Neighborhood Search framework and compare our methods with the state of the art approaches. Our approach provides new upper bounds and optimality proofs for several existing benchmark instances in the literature.
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Winther, Judith. "Tradition and revolution. In search of roots: Uri Zvi Grinberg's Albatros". Nordisk Judaistik/Scandinavian Jewish Studies 18, nr 1-2 (1.09.1997): 130–58. http://dx.doi.org/10.30752/nj.69545.
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Although Uri Zvi Grinberg had published poetry in both Hebrew and Yiddish from 1912 onward, it was with the appearance of the Yiddish volume Mefisto in 1921 and his Albatros in 1922–1923 that the new idiom, expressionism was introduced. In seeking to explain the transformation of Uri Zvi Grinberg from a minor romantic lyric poet in Yiddish and Hebrew into an Expressionist bard who emerged in the 1921 Mefisto, critics have advanced a number of elaborate and sometimes contradictory theories. His own special “creative force” in interplay with the highly eclectic dynamic of Yiddish modernism, spurred a turning point, which witnessed the return of his artistic attention, as of his confreres to the realities of the phenomenal world, in confrontation with symbolism (aestetic romanticist) and impressionist art.
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Portnova, Irina V. "“Admiring” as a Principle of Perception and Interpretation of Natural Images in Russian Fine Art of the 18th Century". Observatory of Culture 17, nr 2 (30.06.2020): 174–86. http://dx.doi.org/10.25281/2072-3156-2020-17-2-174-186.
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The article highlights a new period in the development of Russian art, which demonstrated a “picture of the world” radically different from previous eras. There is discussed the 18th century, the trends of its secular art, focused on the reflection of real life. That time brought an interesting and significant phenomenon — the natural image intended to demonstrate the properties of living nature, full of diversity and beauty. The article is aimed at assessing the search for this reverent natural ontology, which originated in the depths of early art and grew to the status of an independent genre. This absolutely new phenomenon was filled with particular delight of artists. To reflect it in full, masters resorted to the detailed and scrupulous interpretation of animalistic scenes and individual characters, depicting them in still lifes, hunting, and nature, and comprehending the essence of material life, its laws and specific expression in art. The article reveals the principle of “admiring”, which is within the area of perception and interpretation of this art. There are considered the so-called “Kunstkammer” drawing, floral still lifes, scenes with animal images, which are characterized by the artist’s rapturous contemplation of natural realities and their careful depiction. On the one hand, this process was due to the interest in the knowledge of the natural world, and on the other hand, it contributed to the composition of genres, especially animalism in its specific features. The first artists (M.S. Merian, J.F. Grooth, K.F. Knappe, J.E. Grimmel, A. Dobryakov), mainly among foreign masters, continued the line of the natural world cognition, emphasizing the curious and characteristic moments in its manifestations. They clearly demonstrate a philosophical view of the natural world order, full of sensuality and material delight. The article formulates the idea of importance of the early stage in the development of Russian animalism for the subsequent development of the genre.
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Chomsky, Aviva. "Rewriting Gender in the New Revolutionary Song". Radical History Review 2020, nr 136 (1.01.2020): 142–55. http://dx.doi.org/10.1215/01636545-7857319.
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Abstract This essay examines the meanings of gender in the music of Cuba’s Nueva Trova, an important expression of what came to be known as the Nueva Canción (New Song) that flourished throughout Latin America between the 1960s and the 1980s. The continent-wide movement sought to challenge the commercialization of the airwaves by raising profound, revolutionary, and deeply Latin American themes while revaluing traditional instruments and styles. Music played an important role in articulating a rejection of capitalist and colonial values, a turn to popular and indigenous roots, a commitment to continent-wide revolution, and a vision of a better world. Through festivals, gatherings, and conferences, mass concerts and radio, international travel, and, under dictatorship, clandestinely circulated cassette tapes, the Nueva Canción exemplified a generation’s search for multiple meanings of liberation. In participating in radical critiques of Latin America’s social order, the Nueva Canción rewrote gender norms embedded in society and its music. Revolutionary singer-songwriters explored the meanings of human emancipation in ways that challenged traditional gender roles and ideologies. Political, personal, and love songs upended gender stereotypes to offer new, revolutionary meanings to romantic love. Songwriters linked the Cuban Revolution to other Latin American revolutionary processes and imagined how the new society would liberate the human spirit and human potential. Socially committed art reflected, explored, and contributed to imagining the new world, and reimagining gender played a role in the process and in its music.
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Skliarenko, Halyna. "Interpretation Peculiarities of the Impressionistic Trends in Ukrainian Ar". Folk art and ethnology, nr 1 (28.02.2022): 30–45. http://dx.doi.org/10.15407/nte2022.01.030.
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The article is dedicated to the interpretation peculiarities of the impressionistic trends in Ukrainian art. Impressionism as the first modernist style has a huge impact on world art, been marked in it both by new purely formal, plastic and also world-view features. Ukrainian art hasn’t also avoided it and attracts its experience to the search for a new artistic language of the turning point in the artistic development of the period of the late 19th – early 20th century in its own way. Although impressionism hasn’t formed a definite exact trend in Ukrainian art, its ideas, in particular, the individualization of artistic vision, subjectivity of perception, colour expressiveness mark a new stage of its development and keep their relevance for a long time. The sources of impressionistic influences in Ukrainian painting at the turn of the 19th – early 20th century, the contradictions of its interpretation by critics and artists, the peculiarities of impressionism significance in the works of avant-garde artists (D. Burliuk, O. Bohomazov, K. Malevich) are considered in the article. A great importance of a large exhibition Impressionism in Ukraine in the phenomenon representation is emphasized. The event has been held on December, 2009 – March, 2010 at the National Museum of Modern Art in Kyiv. A range of impressionistic interpretations in Ukrainian painting of the late 19th – early 20th century is submitted for the first time. An attitude to the trend during the next periods of the history of Ukrainian art, namely in the post-revolutionary 1920s, 1930s – 1950s, 1960s – 1970s, is analyzed in the article. These are the periods, when impressionism as a bourgeois artistic trend has been “deleted” from the Soviet art because of the establishment of socialist realist doctrine. It has been returned gradually into the artists’ creative practices in the following years. Impressionism has preserved its attractiveness until the 1970s due to the peculiarities of the art development in the Soviet conditions (isolation from the world experience, shortage of extensive information about Ukrainian art of the pre-Soviet times) despite its historicity and close connection with art of the turn of the 19th – 20th century.
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Vakhnin, Aleksei, Evgenii Sopov i Eugene Semenkin. "On Improving Adaptive Problem Decomposition Using Differential Evolution for Large-Scale Optimization Problems". Mathematics 10, nr 22 (16.11.2022): 4297. http://dx.doi.org/10.3390/math10224297.
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Modern computational mathematics and informatics for Digital Environments deal with the high dimensionality when designing and optimizing models for various real-world phenomena. Large-scale global black-box optimization (LSGO) is still a hard problem for search metaheuristics, including bio-inspired algorithms. Such optimization problems are usually extremely multi-modal, and require significant computing resources for discovering and converging to the global optimum. The majority of state-of-the-art LSGO algorithms are based on problem decomposition with the cooperative co-evolution (CC) approach, which divides the search space into a set of lower dimensional subspaces (or subcomponents), which are expected to be easier to explore independently by an optimization algorithm. The question of the choice of the decomposition method remains open, and an adaptive decomposition looks more promising. As we can see from the most recent LSGO competitions, winner-approaches are focused on modifying advanced DE algorithms through integrating them with local search techniques. In this study, an approach that combines multiple ideas from state-of-the-art algorithms and implements Coordination of Self-adaptive Cooperative Co-evolution algorithms with Local Search (COSACC-LS1) is proposed. The self-adaptation method tunes both the structure of the complete approach and the parameters of each algorithm in the cooperation. The performance of COSACC-LS1 has been investigated using the CEC LSGO 2013 benchmark and the experimental results has been compared with leading LSGO approaches. The main contribution of the study is a new self-adaptive approach that is preferable for solving hard real-world problems because it is not overfitted with the LSGO benchmark due to self-adaptation during the search process instead of a manual benchmark-specific fine-tuning.
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Kayser, Christine Vial. "Immutability and impermanence in Qiu Zhijie's work: From Buddhism to New Confucianism to Mainland New Confucianism". Journal of Contemporary Chinese Art 6, nr 2 (1.09.2019): 265–84. http://dx.doi.org/10.1386/jcca_00007_1.
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Abstract 'The need to go back to the past' is central to Qiu Zhijie (b. 1969)'s understanding of human agency, and in consequence is central to his artistic endeavour. By 'the past' Qiu means Chinese (immutable) history and identity, based on a sense of impermanence. Chinese philosophy has informed his work from its beginning in the 1990s, as he imagined calligraphic performances, infused his installations and photographs with explicit references to Buddhist sutras and Koan. Since 2000 he has peppered his discourse and curating practices with implicit references to Confucianism (such as the celebration of the master/student relationship, the search for social harmony). Initial works used a mix of western contemporary and Chinese traditional art forms, and were concerned to the cultivation of the self. The latter have become associated with social aims such as diffusing art to the masses, promoting ancient arts and crafts in curated projects that link the artist's individual development with that of the collective. Qiu designates this holistic aim as 'Total art'. Critics explain Qiu's concept of Total art using the Wagnerian concept of Gesamtkunstwerk or of post-structural criticality of history. Others compare Qiu's endeavour to Republican New Confucianism. Still others consider it as part of Chinese literati tradition, in an ahistorical perspective. We want to emphasize rather its relation to Mainland New Confucianist philosophy that emerged since the millennium, which is characterized by a will to use ontological Chinese values to defend a political vision of Confucianism that is both social and authoritarian, essentially Chinese and opened to the world. This explains how Qiu reconciles his view of 'going to the past', with his participation in the Government's sponsored international programmes. We shall question its consequence on Qiu's position as global 'avant-garde'.
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Volgin, Igor. "Dostoevsky as a Tourist (1862): The Discovery of Europe or a Secret Visit to Iskander?" Неизвестный Достоевский 8, nr 3 (wrzesień 2021): 31–71. http://dx.doi.org/10.15393/j10.art.2021.5541.
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Dostoevsky's first foreign trip in the summer of 1862 has both visible and hidden aspects. Having visited the "land of holy miracles," the author of “Winter notes on summer impressions " focuses his attention on two world capitals. Both cities are symbols of the victorious bourgeois civilization: its material (London) and moral (Paris) triumphs. It is with this "brave new world" that Russia’s potential historical prospects are correlated. At the same time, England acts as a "testing ground" for some future novel collisions, and France — as an example of a police state. The question is raised about the formation of Dostoevsky's comprehensive concept of the West. The work carefully reconstructs the previously little-known details of Dostoevsky's secret visit to the London exile — A. I. Herzen, the subject and nature of their communication, the mutual interest they demonstrated. For the first time, this meeting is examined in a broad historical context-in close connection with the events in Russia. The latter include the St. Petersburg fires, the "Young Russia" proclamation, the arrests of D. I. Pisarev and N. G. Chernyshevsky (and with Dostoevsky’s visit to the latter on the eve of his departure abroad), a police search in Yasnaya Polyana, the suspension of the Contemporary and Russian Word, and the upcoming repression against Time. All of the above are connected by a single "typographic plot" (attempts to create an uncensored free press), which was founded by Dostoevsky (1849) and realized by Herzen in 1853. based on unknown archival documents, the details of Dostoevsky's search on the Russian border (Verzhbolovo) after his return from Europe, the sealing of his papers and the subsequent interrogation at the Investigative Commission in St. Petersburg are examined.
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Van Hove, Geert, Elisabeth De Schauwer i Alain Platel. "An alternating combination of art and science: the legacy of Eric Broekaert illuminated in the honorary doctorate for Alain Platel". Therapeutic Communities: The International Journal of Therapeutic Communities 38, nr 3 (11.09.2017): 177–86. http://dx.doi.org/10.1108/tc-04-2017-0013.
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Purpose The purpose of this paper is to search for connections rather than particularisation, for two exceptional figures: Broekaert and Platel, and to explore the intersections between science and art, art and science. Design/methodology/approach In this paper the authors work with a bricolage of possible lines and layers in a complex web of stories associated with the life story, career and private life of Eric Broekaert and of Alain Platel. Findings Broekaert felt the need to look for methods which had been tested in accordance with the models of hard science. In addition, and in alternating combinations, he searched for deeper layers via etymology, history, philosophy and art. Orthopedagogics as a righteous search for a good/happy life. For Platel, the choreographer of Ballets C de la B, accepting the imperfect/unfinished/abnormal brought the world of orthopedagogics and his work with dancers closer together. The “suffering”, the “abnormal” and the fear and aversion to these, the beautiful/poetic in what is different, looking at the abnormal and wanting to be looked at … are all questions which arise and connect orthopedagogics as a science with Platel’s productions. Platel poses the question: in what world do we want to live? Originality/value The authors need Eric Broekaert, Alain Platel and their work as a source of inspiration and as a bridge to new, not yet enough discovered ways of looking at “difference”.
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Ignatenko, Galina. "Clothing Design and Ornament Function in the Constructivist Fashion of the 1920s-1930s". Scientific and analytical journal Burganov House. The space of culture 16, nr 2 (10.06.2020): 56–69. http://dx.doi.org/10.36340/2071-6818-2020-16-2-56-69.
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The development of clothing of the 1920s-1930s and its role in the formation of new productivist art are considered in the article. At the beginning of the 20th century, the world underwent not only enormous changes but also the loss of self-identification, both on a personal level and on a social level. The Russian Avant-Garde of the early 20th century became the prototype of not only new art but also claimed to have created a unified system of values. Artists turned their attention to clothing as a new widespread form of language. At the same time, finding a functional application to their creativity was the task. Reconstructing the role of clothing in human life was part of the "life building" concept of the early 20th century. The implementation of this idea was seen in the creation of a universal formula not only for creative work but also for life. The utopian idea of the unification of clothing formed the basis for the creation of anti-class functional working clothes. The project of creating universal clothing for mass production is a vivid example of the practical embodiment of the new productivist art. The search for a new form of dress, as a new cultural code, seemed an extremely attractive idea both from an ideological and artistic point of view. The new concept of universal clothing for work and sports transmitted the idea of creating a person of a new world - the builder of a new life. At the same time, denying fashion as a gender-oriented art form, constructivists tried to use concise forms, avoiding decoration and deliberate embellishment. The creation of innovative clothing for mass production also brings up the subject of the appearance of a new canon of the image of a woman, which changed not only the idea of an aesthetic ideal but also its role in society. At the same time, laboratories, which in their work synthesized the trends and challenges of the new time already existing in the world of Western fashion, were working. An attempt to unite Western fashion trends, national traditions, and mass production can be traced both in the practices of constructivist artists and in the works of artists who collaborated with Atelier of Fashion. New interpretations of folk traditions, as part of the search for self-identity, influenced the inclusion of a number of ornamental techniques in the artistic practices of the early 20th century. On the example of the creative work of V. Stepanova, L. Popova, and N. Lamanova’s design, different approaches to the formation of new dress are compared. The article analyzes how the transformation of the approach to clothing design becomes an indicator of sociocultural, political, and ideological changes.
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Blackwell, Stephen H. "Boundaries of Art in Nabokov's The Gift: Reading as Transcendence". Slavic Review 58, nr 3 (1999): 600–625. http://dx.doi.org/10.2307/2697570.
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The author's actual creative act always proceeds along the boundaries of the aesthetic world, along the boundaries of the reality of the given, along the boundary of the body and the boundary of the spirit.—M. M. BakhtinThe spirit finds loopholes, transluscences in the world's finest texture.—V. V. Nabokov, "How I Love You"Are boundaries real? This, to a certain extent, is the central question posed by The Gift when Fyodor suggests that "definitions are always finite, but I keep straining for the faraway; I search beyond the barricades (of words, of senses, of the world) for infinity, where all, all the lines meet." Written in one of the most border-conscious eras of history (the Treaty of Versailles had just created nine new independent countries and changed the boundaries of many others), Vladimir Nabokov's last complete Russian novel addresses head-on the most pressing issues he and his fellow emigres faced. Cast beyond the edge of their homeland, the exiles were forced to accept unnaturally restricted movement within Europe as well, due to their lack of a valid nationality. So one might say that for Russian exiles of the 1920s and 1930s, boundaries constituted the single most unrelenting feature of reality.
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Volkova, S. N., E. E. Sivak, A. V. Shleenko i V. V. Morozova. "MATHEMATICAL SYMBOLS IN ART AND COMPUTER GRAFICS". Proceedings of the Southwest State University 21, nr 1 (28.02.2017): 76–82. http://dx.doi.org/10.21869/2223-1560-2017-21-1-76-82.
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The role of symbols in art and computer graphics for correct plot understanding, when viewing works of art in an electronic library is considered. Special emphasis is placed on mathematical symbols, revealing abstraction beauty side in mathematics and its penetration into artistic images and the spots created by the artists. Due to computer database artist's original intention can be decoded . Based on the semantic meanings of mathematical symbols they are considered to be fundamental pillars in the art of computer graphics: the Universe, the spiritual human development, continuity and discretion, the truth in the search of solving universe problems. Human's willness to develop space implies constructive activities for peaceful purposes when developing new technologies. Analyzing the development of spatial layers by life, we conclude that the emergence of the social and ecological system is aimed to develop new tiers in evolution development, but no to remake developed lower tiers of the existing flora and fauna, and not to achieve world domination. Nature expected the appearance of a mankind for constructive activitiesties in the space exploration. This is evidenced by the activities of Tsiolkovsky, Korolev, Gagarin. Instead of developing new living spaces and living peacefully with all representatives of flora and fauna, mankind conflics destroying everything around including Itself. The notions 'chance', 'luck' acquire visial representation thanks to computer graphics in accordance with the edu-cational standards indicating certain amount of academic hours given to mathematics, including modeling, and the-oretical-probabilistic methods of research, processing of experimental results.
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G.K., Zhumaseitova, Mosienko D.M., Povalyashko G.N. i Saitova G.Y. "Kazakh ballet in the retrospective of the search for national identity". Keruen 75, nr 2 (10.06.2022): 259–71. http://dx.doi.org/10.53871/2078-8134.2022.2-22.
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Abstract. Scientific understanding of the process of formation and development of the national ballet genre is relevant for the study of modern choreographic art. In the era of globalization, it is important to take steps to preserve the individuality of the national culture and support its iconic phenomena. The study of Kazakh ballet will reveal the peculiarities of the formation of choreographic art in the interaction of national tradition and classical ballet. The Ballet Theater of Kazakhstan of the twentieth century, although formed on the basis of the Russian ballet school, but it managed to preserve its national identity. Kazakhstan ballet has gone through difficult periods of development. The analysis of this phenomenon on the example of its history of formation will provide answers to many questions of the development of national choreographic art. Cultural-historical, comparative, biographical methods were used in the work on the study.Folk dance in Kazakhstan, due to the development of nomadic culture, has not preserved the established traditions and ancient samples of dance culture. This is seen as one of the reasons for the lack of a world-class national production in the repertoire of ballet theaters. Characterizing the main features of the development of the genre, it is concluded that the Kazakh ballet does not yet have a long history on stage: the success of the premieres is further replaced by the loss of the performance from the repertoire. To date, an exemplary ballet performance, unconditionally recognized as national, has not been created.Creative processes in the national ballet theater are active, starting from the first experiments of combining the movements of Kazakh games and rituals with classical dance to the creation of choreographic miniatures and ballets. Interest in ballet has not faded to this day, which confirms the appearance of new premieres.