Rozprawy doktorskie na temat „Temporality”
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Cioe, Anthony. "Objects: Entropy and Temporality". VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1602.
Pełny tekst źródłaMunch, Damien. "Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles". Thesis, Paris, ENST, 2013. http://www.theses.fr/2013ENST0058/document.
Pełny tekst źródłaThe purpose of this work is to design and to implement a computational model for the processing of aspect in natural language.Our goal is to elaborate a detailed and explicative model of aspect. This model should be able to process aspect on a chosen number of sentences, while following strong constraints of parsimony and cognitive plausibility. We were successful in creating such a model, with both an original design and an extensive explanatory power. New explanations have been obtained for phenomena like repetition, perfectivity and inchoativity. We also propose a new mechanism based on the notion of “predication”
Krampell, Martin. "About time : Temporality in interaction". Thesis, Linköpings universitet, Institutionen för datavetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-108353.
Pełny tekst źródłaAdlington, Robert. "Temporality in post-tonal music". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320419.
Pełny tekst źródłaKelt, Jonathan Mark. "Material culture, temporality and meaning". Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625057.
Pełny tekst źródłaOng, Chin Wei. "The temporality of narcissistic leadership". Thesis, Bangor University, 2015. https://research.bangor.ac.uk/portal/en/theses/the-temporality-of-narcissistic-leadership(c6ee925f-f70a-4ccf-8120-2fcdcbf57a06).html.
Pełny tekst źródłaScannell, John School of Media Film & Theatre UNSW. "James Brown: apprehending a minor temporality". Awarded by:University of New South Wales. School of Media, Film and Theatre, 2006. http://handle.unsw.edu.au/1959.4/26955.
Pełny tekst źródłaGoralwalla, Iqbal A. "Temporality in object database management systems". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ29042.pdf.
Pełny tekst źródłaGoldfajn, Tal. "Temporality and the Biblical Hebrew verb". Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359682.
Pełny tekst źródłaZammit, Clive. "Witnessing : ethics and temporality after Heidegger". Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428897.
Pełny tekst źródłaBuhre, Frida. "Speaking the Anachronisms : Arendt, Politics, Temporality". Licentiate thesis, Uppsala universitet, Avdelningen för retorik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-271591.
Pełny tekst źródłaSunderland, John Samuel. "In flux : land, photography and temporality". Thesis, University of Northampton, 2015. http://nectar.northampton.ac.uk/9735/.
Pełny tekst źródłaOlcay, Taner. "Expressing Temporality In Graphical User Interface". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23102.
Pełny tekst źródłaBrown, Christopher E. "Writing Time: Dante, Petrarch, and Temporality". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845461.
Pełny tekst źródłaRomance Languages and Literatures
McGregor, Vivien Margaret. "Trans Temporality: Narrative, History, and Time". Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12346.
Pełny tekst źródłaRauen, Verena. "La temporalité du pardon. Les apories du discours sur l’effacement de culpabilité et l’impardonnable dans la philosophie du 20ème siècle". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040093.
Pełny tekst źródłaDeparting from the traditional conception of forgiveness as moral action, this thesisconceives of forgiveness as a renunciation of the effacement of guilt and thus as thesource of ethical time.The idea of forgiveness as renunciation exceeds the conceptual schemes of thephenomenological discourse concerning the gift. Based on the etymology of theGerman words Verzeihen (“forgiveness”) and Verzicht (“renunciation”), forgiveness isdistinguished from synthetic reconciliation; it involves an abstention from moraljudgements. The challenge posed by this approach is the need to formulate a newconcept of time. The time of guilt and punishment is economic and chronological,structured as a linear succession of quantifiable units. Forgiveness, in contrast, can beseen as an ethical intervention within the structural unfolding of this causal chain,making it the prerequisite for original ethical acts that are independent from previousguilt.Therefore, this study examines the temporality of forgiveness, identifying three differenttemporal models based on works by the following authors: 1. the criticism of the concept of anticipation (F. Nietzsche) and the shift fromanticipation to postponement (H. Cohen, W. Benjamin);2. the instant of indecision (M. Heidegger) and the event (V. Jankélévitch, J.Derrida);3. the simultaneity of repetition and alterity, i.e. recommencement (E. Levinas).Finally, this study of the temporality of forgiveness leads to the challenge of renouncingforgiveness as a moral act. It necessitates a redefinition of living together asindependent of moral judgments and synthetic reconciliation
Lee, Chris Y. J. 1972. "Timely/timeless : temporality and perpetuity in architecture". Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/68352.
Pełny tekst źródłaRotch Library copy is a photocopy of the original and does not have col. ill.
Includes bibliographical references (leaf 62).
In modern consumer culture where history and tradition are mere footnotes to the insatiable obsession for instant gratification, much of today's architecture profession has maintained its philosophy around past glory and heroism. Many of us continue to approach architecture with the conviction for the enduring qualities of our craft while dismissing the ephemeral but most valuable attributes emanating from the popular trends. At a time when even the "avant-garde" -- once symbolizing the revolutionary social and economic efforts through art -- has come to mean cozy peddling of the exclusive few's whims, a non-exhaustive sequence of momentary trends is all that is left to inform the architecture for the rest of us. I propose architecture that can be more culturally relevant and less hypocritical about its connection to that same culture. I have designed an entertainment center for a television station to illustrate this thesis.
by Chris Y.J. Lee.
M.Arch.
Sengupta, Ranabir. "Perception of old towns, historicism, and temporality". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/79943.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (leaves 155-162).
The crux of this inquiry deals with one of the qualities which have been attributed by architectural and urban design theorists to the old, traditional town - its overwhelming sense of visual unity. In this study, it is argued that this unity is somewhat of a perceptual aberration which might arise out of structuring the perceptions of the old town in terms of its common denominator of oldness. The all-pervading sense of age could, to a certain extent erase other irregularities, so that the old town may be cognized with a powerful sense of unity. The first part of the study plants this central issue within the larger context of architectural theories and practice. Certain aspects of the theories of Christopher Alexander and Aldo van Eyck which are contingent upon the issue of the old town are expounded. The issue is also linked with the widespread architectural movement in the eastern world to create a culturally and socially responsive architecture. An important corollary of this movement is the imagery of the old town. The second part of the study deals with a perceptual test conducted to gain some insight into how old buildings are perceived. Rome has been taken as a case for this inquiry. Finally, in the third part, attempts are made to explain the results of the test through phenomenological means. Certain notions of temporality which impinge upon the perception of the old town are briefly touched upon. The social and cultural intentions with which architects seek inspiration in such towns are also touched upon to gain a greater understanding of the central issue.
by Ranabir Sengupta.
M.S.
Sanlon, Peter Thomas. "Interiority, temporality & scripture in Augustine's preaching". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610354.
Pełny tekst źródłaDavies, Sarah. "Temporality in addiction and counselling psychology practice". Thesis, City University London, 2014. http://openaccess.city.ac.uk/14786/.
Pełny tekst źródłaKatsuragi, Camille. "Condition of Singularity Viewer, Temporality and Otherness". Thesis, University of the Arts London, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650321.
Pełny tekst źródłaBateman, Debra. "Transforming teachers' temporality: Tutures in curriculum practices". Thesis, Australian Catholic University, 2009. https://acuresearchbank.acu.edu.au/download/6884ea9fa652a3c57749c9940960f2aa6dd5a65105ac8fe544f609abeb76b3f6/5610177/64792_downloaded_stream_17.pdf.
Pełny tekst źródłaYusoff, Norman. "Contemporary Malaysian Cinema: Genre, Gender and Temporality". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/9925.
Pełny tekst źródłaEdward, Mark. "Temporality of the performing body : movement, memory, mesearch". Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/14361/.
Pełny tekst źródłaMeraz, Avila Fidel Alejandro. "Architecture and temporality in conservation philosophy : Cesare Brandi". Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10819/.
Pełny tekst źródłaPowell, Helen Louise. "Stop the clocks : cinema, temporality and the narrative". Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324622.
Pełny tekst źródłaGessi, Elena. "Temporality in the Divina Commedia of Dante Alighieri". Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/69367/.
Pełny tekst źródłaLuchte, James. "Makeshift : Heidegger and the phenomenology of original temporality". Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341381.
Pełny tekst źródłaTallant, Jonathan C. "Temporal minimalism : the metaphysics of time and temporality". Thesis, Durham University, 2005. http://etheses.dur.ac.uk/1276/.
Pełny tekst źródłaToscano, Javier. "Rosenzweig: Temporality of Redemption as Theological-Political Principle". Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/112943.
Pełny tekst źródłaEste ensayo hace un análisis de la estructura de la temporalidad que Rosenzweig desarrolla sobre todo en su obra La estrella de la redención con el fin de ubicar, por una parte, un principio mesiánico con el que se organiza un ámbito teológico-político específico, y por otra, comprender la manera en que se refuncionalizan ciertos términos de la tradición profética judía para activar de manera concreta un sistema de pensamiento filosófico basado en la premisa de la otredad.
Hellström, Christina. "Subjective time and temporality in conditions of pain". : Göteborg University, 1998. http://catalog.hathitrust.org/api/volumes/oclc/39746061.html.
Pełny tekst źródłaSeymour, Kristy Danialle. "Bodies, Temporality and Spatiality in Australian Contemporary Circus". Thesis, Griffith University, 2018. http://hdl.handle.net/10072/376861.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
Hamidi, Ghalehjegh Nima. "Visualizing temporality in music: music perception – feature extraction". Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5770.
Pełny tekst źródłaClancy, Brian Thomas. "From Time to Totality| The Aesthetic Temporality of Objecthood". Thesis, University of California, Berkeley, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10687332.
Pełny tekst źródłaThis dissertation constructs a philosophy of perception that creates what I call a “perceptive ontology of objects.” This ontology emphasizes, not the subjective perspectivalism of human identity, but the dynamic emergence of objects into objecthood through impersonal modalities of space, time, light, and sound. Objecthood is an attempt to render perceptive experience as something neither wholly subjective nor wholly objective. Here objects are connected with subjectivity and yet still external. I argue that modernist authors present changeable, novelistic surfaces, which submit the novel’s material objects to epistemological doubt. This creates radically interruptive moments of heightened perception, rupturing immediate experience from the more conventionally mimetic, referential, and social surfaces of the novel found within literary realism. These perceptive experiences create representational effects which I call “the mimesis of sensation.” This creates a sensory surface in the story world through which the reader aligns with the perceptive experiences of characters. This form of readerly connection is distinct from either Aristotelian empathy on the one hand, or Brechtian estrangement, on the other. “The moment,” a temporality distinct from the present, the modernist works of authors like Mallarmé, Woolf, Joyce, and Kafka foreground perception itself, altering visions of time to construct discrete and static temporalities. These discontinuous moments create forms of abstract continuity. They thus create a dialectical relationship with narrative.
These event-like ruptures, occurring through encounters with the surface of objects, offer two distinct notions of time that could serve as alternatives to the post-structuralist critique of the materiality of the signifier as seen in theorists like Derrida and Barthes. First, the surface of the text becomes an expansive medium of perception: a collection of perpetual gestures, interruptions, reflections, and possibilities which arises, not through linguistic play, but through a composite surface of language and perception. A totality emerges through perceptive processes in relation to this medium, not through the infinite deferral of the signified, but through the ongoing logical recession of the object through epistemological immanence. Here I also take an important departure from the work of other theorists of modernity—Baudelaire, Bergson, Benjamin, and Deleuze, and others—who suggest an imagistic immediacy to the experience of non-chronological time. My notion of the modernist literary object is distinctively not a ready-to-point-to image. I critique the centrality of images in 20th-century theories of temporality, arguing that modernism constructs moments of readerly critical alignment not through the satisfaction of visual desire, but by foregrounding processes of apprehension, perception, and inquiry: attempting to decipher an object which is never quite fully known.
Even as the modernist techniques I study draw attention to the artifice of representation and the difficulties of constructing knowledge, they also frame objects of perception, constructing scenes of aesthetic totality—available to the spectator so long as she acknowledges the mediated lens through which she looks. I see totality as the possibility that perception could be made whole, the possibility that there is a form of subjectless experience in which perceptive inquiry creates order (as forms of abstract continuity). These totalities, perceivable not in chronologies of external perceptible phenomena, but within impersonal faculties of apprehension, as they coincide with these forms of deeper time, also invoke pathos (through the acknowledgment of dimensions of fate). In four chapters, each devoted to a respective modernist author, the project shows how the works of Mallarmé, Woolf, Joyce, and Kafka reveal relationships between what I call modernism’s “moments” and the receding totality of the object.
Chapter 1 of the dissertation argues that a relationship exists between Mallarmé’s reception of impressionism and the poet’s linguistic theory. Here I examine Mallarmé’s writings on the impressionist plein air technique in his essay, “The Impressionists and Édouard Manet” (1876). Plein air means more for Mallarmé than just painting outdoors. Air, in Mallarmé’s eyes, is a full presence. Atmosphere is the key to a deep and abstract form of naturalism in his work. Other subjects in this chapter include atmospheric modalities like breath or respiration, speech and the sounds of words, or aspects of nature like weather. In Chapter 2, the novelistic objects of perceptive ontology in Woolfian impressionism create a temporal rupture from realism’s more conventional referential representation. I argue that Woolf creates another type of realism through her experiments with time. Importantly, I break from the work of 20th-century continental theorists of radical time influenced by Bergson (like Deleuze) in which the image plays a central, functional role. Woolf’s moments challenge the idea of a Bergsonian image-form not subject to doubt in order to open the imaginative field of literature to what I call “the mimesis of sensation.” (Abstract shortened by ProQuest.)
Jarvis, Lee. "Times of terror : discourse and the politics of temporality". Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521984.
Pełny tekst źródła曾昭楹 i Chiu-ying Venus Tsang. "Temporality in modernist literature: Ezra Pound and Virginia Woolf". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26822428.
Pełny tekst źródłaROSA, CARLOS MENDES. "AGING IN TIMES OF YOUTH: BODY IMAGE AND TEMPORALITY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26737@1.
Pełny tekst źródłaCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE DOUTORADO SANDUÍCHE NO EXTERIOR
Este trabalho é uma reunião de artigos científicos – publicados, aceitos ou submetidos a periódicos indexados – sobre as particularidades do envelhecimento em homens e mulheres no atual contexto de nossa sociedade. Os artigos analisam as diferentes nuances da subjetividade dos idosos, enfocando questões como o desencontro entre o inconsciente atemporal e o corpo envelhecido, bem como os estereótipos e os rótulos que o imaginário social cria acerca do envelhecimento. Destaque é dado ao silenciamento e ao distanciamento em relação à velhice, especialmente no que toca aos temas da decrepitude, da morte e do trabalho de elaboração psíquica necessário para enfrentar essa última fase da vida.
This study is a collection of scientific papers – published, accepted or submitted to certified publications – on the particularities of the aging process in men and women in the current context of our society. The articles examine the different nuances of the subjectivity of the elderly, focusing on issues such as the disparity between the ageless unconsciousness and the aging body, as well as the stereotypes and labels that social consciousness creates concerning aging. The papers highlight the silencing and distancing of society from old age, especially from topics such as the decay of the body, the imminence of death and the psychic elaboration needed to face this last stage of life.
Washington, Corey Glenn. "Discourse interpretation and the temporality of states and events". Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/105011.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND HUMANITIES.
Bibliography: leaves 196-197.
by Corey Glenn Washington.
M.S.
Walklate, Jennifer Anne. "Timescapes : the production of temporality in literature and museums". Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/27954.
Pełny tekst źródłaFisher-Høyrem, Stefan Tørnquist. "Time machines : technology, temporality, and the Victorian social imaginary". Thesis, Oxford Brookes University, 2012. http://radar.brookes.ac.uk/radar/items/eb70c917-81dc-fbd4-1ba8-4e36eb61b95a/1.
Pełny tekst źródłaWolpert, Daniel Jonas. "Temporality, identity and history in German cinema, 1946-1949". Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283967.
Pełny tekst źródłaMellor, Kate. "Do not refreeze : images of architecture and photographic temporality". Thesis, Ulster University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694649.
Pełny tekst źródłaWhittaker, Paul. "Temporality and failure in the work of Antoine Watteau". Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445908.
Pełny tekst źródłaPensgard, David. "Existential temporality as fore-ignorance implications for divine foreknowledge /". Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.
Pełny tekst źródłaShaffer, Allyson Kaye Grossberg Lawrence. "Producing procrastination negotiating affect and temporality in contemporary capitalism /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1935.
Pełny tekst źródłaTitle from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Master of the Arts in the Department of Communication Studies." Discipline: Communication Studies; Department/School: Communication Studies.
Campbell, Timothy P. "Commercial temporality and modern historicism in Britain, 1745-1819". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3324508.
Pełny tekst źródłaTitle from PDF t.p. (viewed on May 12, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3158. Adviser: Deidre Lynch.
Allogho, Mantwani Canissius. "De la mémoire au présent. Approche poético-herméneutique du roman francophone : lecture de l’œuvre romanesque de Kossi Efoui". Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30016.
Pełny tekst źródłaThis work explores the foreshadowing and memory configurations, at least the revenances as a return to the depths of a history that engages the reflexivity of a subject. This work seeks to enhance the potential of hermeneutics memory to the present. It disengages a strictly backward-looking vision of the mnemonic act to borrow the outlines of memory still to come. For if it means the memory as making back the past, it is not certain that it belongs exclusively to the past. The act of remembrance occurs in a kind of duplicity / duplication resulting in the fact that someone can remember at some point something. This means that there is a presence of the subject himself, a presence that the manifesto and puts it off in the direction of the past. This self-presence is the responsibility of a specific temporality. It is imperative that a time has passed for us to remember here and now. This develops memory, works to its effectiveness, that is to say, its reconstruction. Thus, emphasizing the ontological and historical buildings, ethical and political considerations of memory, our thinking about the representation of the past deals with the relationship of subjective consciousness and / or collectively to time, to history, to become. In this regard, against some episteme that too often defines memory as the sole mirror of past experience, the research questions the past, not in a nostalgic decisive breakthrough, but rather an intention to legitimize the consent of the be denied gangrene of death and the passage of time. That the individual can remember, clearly, confusedly, without effort, with the assurance and the intoxication of happiness or displeasure of anxiety crossed by shame and melancholy, it goes without saying that it does has to choose between duty and memory forgetting, past and present, between an already-there-and not even then. Remember means remembering to overcome evil, to change places, to be alive. From this point of view, poetic-hermeneutic practice of this memory is precisely to understand the existence and fate of being in situation
Jeong, Boram. "Theory of subjectification in Gilles Deleuze : a study of the temporality in capitalism". Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080165.
Pełny tekst źródłaThis dissertation looks at time as a socially or psychologically imposed ‘structure’ that determines the ways in which past, present and future are weaved together in the subject. This inquiry presents (1) a critical role of temporality in the formation of the subject, (2) a specific temporality characteristic of contemporary financial capitalism, and (3) the pathologies of time found in the subjects of capitalism. The first two chapters provide an extensive analysis of Deleuze’s passive syntheses of time given in Difference and Repetition, which reveals the subject’s passive relation to time as a structure of ‘becoming.’ The following chapters examine how this ontological structure of time interacts with socio-economic temporalities in its production of the subject. I particularly focus on the temporal structure of debt, which has become a general condition of the subjects in the current economic system. I claim that the debt-based economy produces ‘melancholic subjectivity,’ characterized by a dominance of the past and the inhibition of becoming
Chowdhury, Tanzil Zaman. "Toward a concrete temporality of adjudication : law's subject and event". Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/toward-a-concrete-temporality-of-adjudication-laws-subject-and-event(04be1e51-b3d1-4995-a543-2ec5aa7a5e49).html.
Pełny tekst źródłaThomas, Antonia. "Art and architecture in Neolithic Orkney : process, temporality and context". Thesis, University of the Highlands and Islands, 2016. https://pure.uhi.ac.uk/portal/en/studentthesis/art-and-architecture-in-neolithic-orkney(8a1d24c9-bfe6-4dd8-a215-70076c10600e).html.
Pełny tekst źródła