Gotowe bibliografie tematyczne / Tempio (Church : Pistoia, Italy)

Gotowa bibliografia na temat „Tempio (Church : Pistoia, Italy)”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Tempio (Church : Pistoia, Italy)"

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Conti, A., L. Fiorini i G. Tucci. "THE AMBON OF SANT’ANDREA IN PISTOIA: A COMPARISON BETWEEN LASER SCANNER AND PHOTOGRAMMETRIC DIGITIZATION OF MARBLE SURFACES". International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-2/W1-2022 (25.02.2022): 159–66. http://dx.doi.org/10.5194/isprs-archives-xlvi-2-w1-2022-159-2022.

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Abstract. The ambon by Giovanni Pisano in the church of Sant'Andrea in Pistoia (Italy) consists of a hexagonal platform raised on slender columns standing on bases and sculptures with different heights. In the 17th century, it was disassembled and placed in a different location and, also for this reason, is currently in an endangered condition. As part of a multi-disciplinary programme of investigations and monitoring, a 3D survey was requested. The challenging aspect of the survey is related with the material of the work of art, as it is completely made of different kinds of white and red marbles. These materials are translucent and light diffuses through them, so the laser beam scatters beyond the surface and biases measurements in an unpredictable way. Tests were carried out, comparing two scanners with different characteristics and digital photogrammetry. The results show significant differences between the three technologies, identify the best solution in relation to the desired objectives, and highlight how different acquisition techniques affect the suitability of models for subsequent applications.
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Książki na temat "Tempio (Church : Pistoia, Italy)"

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Anabasi, Giulia. Il Tempio di Pistoia: Lo spedale, la chiesa e la magione di san Giovanni gerosolimitano, dal XI al XXI secolo. Pistoia: Gli ori, 2018.

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Barcucci, Emo. Il Tempio di San Biagio a Montepulciano. Wyd. 2. Montepulciano: Editori del grifo, 1988.

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Luisa, Gatti Perer Maria, red. La Basilica di S. Ambrogio: Il tempio ininterrotto. Milano: Vita e pensiero, 1995.

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Aiazzi, Rita Laura, Lucia Cecchi i Nadia Pardini. Gli archivi storici ecclesiastici delle diocesi di Pistoia e Pescia. Ospedaletto (Pisa): Pacini, 2000.

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Garuti, Alfonso. Un tempio degno di Roma: La cattedrale di Carpi. Modena: Artioli, 1987.

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Turchini, Angelo. Il tempio distrutto: Distruzione, restauro, anastilosi del Tempio malatestiano, Rimini, 1943-1950. Cesena: Ponte vecchio, 1998.

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Barni, Dario C. San Pietro in Vincio. Pistoia: Maschietto & Musolino, 2000.

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Riccardo, Florio, i Sciascia Andrea, red. Il tempio-duomo di Pozzuoli: Lettura e progetto. Roma: Officina, 2006.

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Marcello, Castrichini, red. Il Tempio del Santo Patrono: Riflessi storico-artistici del culto di San Fortunato a Todi. [Todi]: Ediart, 1988.

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Morelli, Arnaldo. Il tempio armonico: Musica nell'Oratorio dei Filippini in Roma (1575-1705). Laaber: Laaber-Verlag, 1991.

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Części książek na temat "Tempio (Church : Pistoia, Italy)"

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Passuello, Angelo. "Le committenze architettoniche di Atto nella Toscana del XII secolo: uno sguardo d’insieme e un epigono veneto". W Atto abate vallombrosano e vescovo di Pistoia, 249–81. Florence: Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0335-7.12.

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The paper deals with the architectural commissions of Atto, during the thirty years in which the religious was first prior general of the Vallombrosani and then bishop of Pistoia (1125-1153). The churches that still have the structure and decorations of the 12th century are particularly analyzed, for example: Santa Maria di Montepiano, San Michele di Plaiano and San Michele di Salvenero in north-western Sardinia, San Paolo a Ripa d'Arno in Pisa and others. Before the year 1140 Atto obtained a relic of san Jacopo the Major, which in 1145 was placed in a chapel in the first two spans of the southern nave of the Cathedral of San Zeno in Pistoia. This chapel was configured as an almost independent space from the rest of the basilica. This initiative brought important artists to Pistoia who exalted the new role of apostolic see of the city and worked in the churches of San Giovanni Fuorcivitas (1162), Sant’Andrea (1166) and San Bartolomeo in Pantano (1167). The incidence of this situation also reverberated on the nearby city of Prato, where the Cathedral (before 1163), despite the autonomist aims of the local clergy, clearly received the constructive influences of the Pistoian Cathedral. The final part of the article analyzes the unfinished church of San Jacopo al Grigliano (1396-1407), in the Province of Verona, which is the most important and majestic sanctuary dedicated to san Jacopo in Northern Italy
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Blanchard, Shaun. "The Spirit of Pistoia". W The Synod of Pistoia and Vatican II, 162–211. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190947798.003.0006.

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This chapter examines the reception of the Synod of Pistoia and the failure of Riccian reform. It details Ricci’s and Peter Leopold’s strategies after the Synod, and the rejection of Pistoianism by most of the Tuscan bishops at the Episcopal Assembly in Florence in 1787. The chapter argues that the swift downfall of Pistoianism in Tuscany was the direct result of the imprudence of some of Ricci’s reforms. The reception of Pistoianism throughout Italy and in France, Spain, and the German-speaking world is then explored. Papal rejection in the bull Auctorem fidei, and the considerations of the committee which prepared it, are examined. The final part of the chapter evaluates Riccian reform and the Synod of Pistoia from the perspective of Yves Congar’s four conditions for true reform in the Church, and argues that despite many positive elements, the Pistoian movement fails three of these four conditions.
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