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Artykuły w czasopismach na temat "Television program genres – united states"
Morney, Elisabeth, i Hanna Vilkka. "Lajityypit ylittävä laatu televisio-ohjelmissa". Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 34, nr 4 (20.12.2021): 40–56. http://dx.doi.org/10.23994/lk.112963.
Pełny tekst źródłaChepornyuk, Anastasiya. "Infotainment as media communication neo-genre: functional and stylistic analysis". Actual issues of Ukrainian linguistics: theory and practice, nr 37 (2018): 124–40. http://dx.doi.org/10.17721/apultp.2018.37.124-140.
Pełny tekst źródłaArcimowicz, Krzysztof. "Determinants of the Content and Creation of Modern Television Series. Selected Issues". Creativity. Theories – Research - Applications 3, nr 1 (1.06.2016): 104–17. http://dx.doi.org/10.1515/ctra-2016-0008.
Pełny tekst źródłaLozano, Jose Carlos. "From Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversity". Anagramas Rumbos y Sentidos de la Comunicación 20, nr 40 (19.05.2022): 200–223. http://dx.doi.org/10.22395/angr.v20n40a9.
Pełny tekst źródłaKunz, William M. "Prime-Time Island: Television Program and Format Importation into the United States". Television & New Media 11, nr 4 (10.05.2010): 308–24. http://dx.doi.org/10.1177/1527476410365709.
Pełny tekst źródłaCasey, Gretchen L. "Courts React". Texas A&M Journal of Property Law 5, nr 3 (kwiecień 2019): 601–13. http://dx.doi.org/10.37419/jpl.v5.i3.6.
Pełny tekst źródłaGalvin, Kristen. "‘Those Were the Days’: The live televisual revival of the musical and retro family sitcom in the post-network era". Australasian Journal of Popular Culture 9, nr 2 (1.09.2020): 231–46. http://dx.doi.org/10.1386/ajpc_00029_1.
Pełny tekst źródłaKrauss, Ellis S. "Changing Television News in Japan". Journal of Asian Studies 57, nr 3 (sierpień 1998): 663–92. http://dx.doi.org/10.2307/2658737.
Pełny tekst źródłaSteemers, Jeanette. "No Longer ‘The Best in the World’: The Challenge of Exporting British Television Drama". Media International Australia 115, nr 1 (maj 2005): 33–47. http://dx.doi.org/10.1177/1329878x0511500105.
Pełny tekst źródłaJayalath, H. A. K. A. M. "A Study of the Dynamics and Trends of Reality Television Program Format and the Relationship of Such Programs with Social Media". Vidyodaya Journal of Humanities and Social Sciences 07, nr 02 (15.10.2022): 203–17. http://dx.doi.org/10.31357/fhss/vjhss.v07i02.15.
Pełny tekst źródłaRozprawy doktorskie na temat "Television program genres – united states"
Millard, Mary J. (Mary Jennifer). "A Comparative Study of the Trends of Comedy and Non-Comedy Television Genres and the Public's Attitudes Toward Economic Well-Being, According to a Survey of Gallup Polls, During a Thirty-Year Period from 1955- 1984". Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500781/.
Pełny tekst źródłaSimonds, Cheri J. (Cheri Jo). "A Rhetorical Analysis of Jimmy Swaggart's 1988-89 Program for Defense". Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501213/.
Pełny tekst źródłaSung, Chit-cheung Matthew, i 宋哲彰. "Representing gender and workplace discourse on reality TV: The Apprentice". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41508786.
Pełny tekst źródłaWaters, Leah E. "The Persuasive Power of Ridicule: A Critical Rhetorical Analysis of Gender and Humor in U.S. Sitcoms". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984248/.
Pełny tekst źródłaLowry, Alicia C. "Women on television : a content analysis of female relationships on Sex and the City". Scholarly Commons, 2005. https://scholarlycommons.pacific.edu/uop_etds/604.
Pełny tekst źródłaHarper, Sandra S. "A Content Analysis of Public Broadcasting Service Television Programming". Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc330669/.
Pełny tekst źródłaStearns, Susan 1965. "Making Meaning out of Difference: A Cultural Studies Analysis of the Struggle over the Meaning of Gayness in "Ellen" and Time Magazine". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935679/.
Pełny tekst źródłaDing, Yunxue. "A critical comparison of American idol and Super girl a cross-cultural communication analysis of American and Chinese cultures /". Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/377.
Pełny tekst źródłaMurphy, Kari A. "Greek : the impact of media on the stereotyping of social fraternities and sororities". Scholarly Commons, 2008. https://scholarlycommons.pacific.edu/uop_etds/686.
Pełny tekst źródłaOliveira, Campoy Juliana de. "Framing the presidency : presidential depictions on Fox's fictional drama 24". Thesis, 2014. http://hdl.handle.net/1805/5754.
Pełny tekst źródłaFraming theory is one of the most used theories in the discussion of media effects on how people make sense of issues, especially in the political environment. Although it is majorly used for the discussion of news media, framing theory can also be applied in other areas surrounding media production. This thesis uses this theory to discuss how presidents are framed in fiction and implications of race and gender in the assessment of presidential characters by analyzing Fox’s fictional drama 24. Although at first the show seems to bring new options for the presidency, the analysis points Presidents Palmer and Taylor as unfit for office and President Logan as unethical and power-hungry. Following Entman’s (1993) process for analyzing frames in media, embedded white male hegemony was identified in the show. As the show presented a postfeminist and postracial world, it continued to frame femininity and blackness as the opposite to effective executive leadership. Further, white masculinity was associated with power, ambition and ultimately corruption. As other races and gender were pointed as unfit, the status quo was questioned as being corrupt. The show both increases the cynicism that people may develop against politics and damages a more proper consideration of women and people of color to be elected president.
Książki na temat "Television program genres – united states"
H, Mahan Jeffrey, red. American television genres. Chicago: Nelson-Hall, 1985.
Znajdź pełny tekst źródłaPollet, Alison. The Real world: Hawaii, true confessions. New York: Pocket Books, 1999.
Znajdź pełny tekst źródłaSolomon, James. In the house: MTV's the Real world-- Seattle. New York, N.Y: MTV Books, 1998.
Znajdź pełny tekst źródłaSolomon, James. In the house: MTV's the Real world-- Seattle. New York, N.Y: MTV Books, 1998.
Znajdź pełny tekst źródłaPatane, Joe. Livin' in Joe's world: Unauthorized, uncut, and unreal : the memoirs of Joe Patane from the Miami cast of MTV's The real world. New York, NY: HarperPerennial, 1998.
Znajdź pełny tekst źródłaNancy, Rommelmann, red. The real Real world. New York, NY: MTV Books/Pocket Books/Melcher Media, 1995.
Znajdź pełny tekst źródłaJeremy, Wisnewski, red. The office and philosophy: Scenes from the unexamined life. Malden, MA: Blackwell Pub., 2008.
Znajdź pełny tekst źródłaTracy, Kathleen. Jerry Seinfeld: The entire domain. Secaucus, NJ: Carol Pub. Group, 1998.
Znajdź pełny tekst źródłaTerrace, Vincent. Radio program openings and closings, 1931-1972. Jefferson, NC: McFarland & Co., 2004.
Znajdź pełny tekst źródłaDenis, Leary, i Tolan Peter, red. Rescue me uncensored: The official companion. New York: Newmarket Press, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Television program genres – united states"
Götz, Maya, Diana Iulia Nastasia i J. J. Johnson. "Girls Building Androids and Robots". W Advances in Computational Intelligence and Robotics, 35–64. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2973-6.ch002.
Pełny tekst źródłaMickiewicz, Ellen. "Soviet Television Rulers and Their Empire". W Changing Channels, 23–51. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195101638.003.0002.
Pełny tekst źródłaAllen, Craig. "Univision and Telemundo". W Univision, Telemundo, and the Rise of Spanish-Language Television in the United States, 153–81. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401643.003.0008.
Pełny tekst źródłaNygaard, Taylor, i Jorie Lagerwey. "Conclusion". W Horrible White People, 197–220. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479885459.003.0006.
Pełny tekst źródłaAmes, Melissa. "Screening Terror". W Small Screen, Big Feels, 21–41. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813180069.003.0002.
Pełny tekst źródłaGalpin, Vashti. "Women in Technology in Sub-Saharan Africa". W Global Information Technologies, 1681–88. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-939-7.ch122.
Pełny tekst źródłaCopeland, Jack. "Baby". W The Turing Guide. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747826.003.0029.
Pełny tekst źródłaSmith, Gary. "Intelligent or obedient?" W The AI Delusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824305.003.0003.
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