Gotowa bibliografia na temat „Tchaikovsky”
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Artykuły w czasopismach na temat "Tchaikovsky"
Seibert, Donald C. "The Enchantress and Problems of Pacing in the Operas of Tchaikovsky: An Informal Interview with David Lloyd-Jones". Nineteenth-Century Music Review 4, nr 1 (czerwiec 2007): 103–17. http://dx.doi.org/10.1017/s1479409800000082.
Pełny tekst źródłaMaes, Francis. "Tchaikovsky, Onegin, and the Art of Characterization". Arts 13, nr 3 (30.04.2024): 82. http://dx.doi.org/10.3390/arts13030082.
Pełny tekst źródłaZhen, Li. "The Origins of Theatricality in Vocal Art of Alexander Tchaikovsky". Университетский научный журнал, nr 79 (24.04.2024): 100–105. http://dx.doi.org/10.25807/22225064_2024_79_100.
Pełny tekst źródłaStepanidina, Ol'ga Dmitrievna, i Viсtor Anatolyevich Demidov. "The influence of French lyrical romances on creativity of P. Tchaikovsky and their significance in the formation of the performing principles of the Russian chamber-vocal culture of the mid-XIX century". PHILHARMONICA. International Music Journal, nr 3 (marzec 2022): 52–68. http://dx.doi.org/10.7256/2453-613x.2022.3.37842.
Pełny tekst źródłaSkvirskaya, T. Z. "Pages of the History of the Creation of the Cantata Moscow by P.I. Tchaikovsky: Unpublished Correspondence between the Composer and P.A. Richter". Art & Culture Studies, nr 4 (grudzień 2023): 578–603. http://dx.doi.org/10.51678/2226-0072-2023-4-578-603.
Pełny tekst źródłaVinogradova, A. S. "The Man of the Theater from the Environment of P.I. Tchaikovsky: K.N. De‐Lazari". Art & Culture Studies, nr 3 (październik 2021): 306–33. http://dx.doi.org/10.51678/2226-0072-2021-3-306-333.
Pełny tekst źródłaGoldin, Vladislav I. "N. V. Tchaikovsky and A. I. Denikin: Dialogue, Collaboration, and Controversy of the Anti-Bolshevik Movement Leaders in the Days of the Civil War in Russia: Documents from Russian and Foreign Archives". Herald of an archivist, nr 1 (2022): 81–97. http://dx.doi.org/10.28995/2073-0101-2022-1-81-97.
Pełny tekst źródłaBrown, David. "Tchaikovsky". Musical Times 133, nr 1791 (maj 1992): 221. http://dx.doi.org/10.2307/1193695.
Pełny tekst źródłaFanning, David. "Tchaikovsky". Nineteenth-Century Music Review 3, nr 1 (czerwiec 2006): 150–53. http://dx.doi.org/10.1017/s1479409800000471.
Pełny tekst źródłaCampbell, Stuart. "Tchaikovsky". Nineteenth-Century Music Review 1, nr 1 (czerwiec 2004): 193–95. http://dx.doi.org/10.1017/s1479409800002056.
Pełny tekst źródłaRozprawy doktorskie na temat "Tchaikovsky"
Dyachkova, Yelena. "Piotr Tchaikovsky and the Bible". Musikgeschichte in Mittel- und Osteuropa ; 5 (1999), S. 77-84, 1999. https://ul.qucosa.de/id/qucosa%3A15625.
Pełny tekst źródłaDyachkova, Yelena. "Piotr Tchaikovsky and the Bible". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224596.
Pełny tekst źródłaKoch, Marelize. "‘n Pedagogiese analise van Tchaikovsky se Jeugalbum Op. 39". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/65564.
Pełny tekst źródłaDissertation (MMus)--University of Pretoria, 2017.
Music
MMus
Unrestricted
Leaman, Kara Yoo. "Analyzing Music and Dance| Balanchine's Choreography to Tchaikovsky and the Choreomusical Score". Thesis, Yale University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10584953.
Pełny tekst źródłaGeorge Balanchine was one of the most prolific and influential choreographers of the twentieth century. He was also a skilled musician, trained at the St. Petersburg Conservatory. His ballets have been celebrated for their musicality by prominent dancers and musicians alike. However, the concept of choreographic musicality, and the means by which it is achieved in his ballets, has remained largely elusive. This dissertation analyzes two works that Balanchine set to music by Pyotr I. Tchaikovsky: Tschaikovsky Pas de Deux (1960), set to an interpolation in Swan Lake (1877), and Theme and Variations (1947), set to the fourth movement of the Third Orchestral Suite (1884). The analyses combine perspectives from traditional music analysis, dance transcription, and digital video annotation. The methodology takes advantage of Balanchine's strong musical literacy to examine, first, the musical scores, as he did, and then his choreographies in relation to the scores. The analyses connect elements of his choreography directly to their probable sources in the music, and they show that Balanchine was guided by discernible priorities in setting dance to music: that dance and music reflect a partnership rather than dominance by one party; that dancers move with unreserved energy, reflected in steps that cross musical boundaries or anticipate musical ideas; and that dance establish a strong relationship with its music before it is free to conflict with it. Balanchine's choreomusical style encompasses many different types of relationships between music and dance, and he achieved what may be described as musical artistry by a variety of choreographic techniques. The analyses in this study offer a detailed view of important aspects of Balanchine's multifaceted choreomusical style.
To examine Balanchine's choreography, this dissertation presents a method for transcribing dance in a music-based notation system that prioritizes the representation of pitch with rhythm. It introduces a new "choreomusical notation" that maps "choreographic pitch" (or, spatial height) onto the vertical axis and "choreographic rhythm" onto the horizontal axis of a musical staff. Using this notation, visual representations of dance and music are aligned in a "choreomusical score," and analytic paradigms developed in music theory are applied to works of dance with music. Unlike most other systems of dance notation, this choreomusical notation is not intended to capture choreography in a comprehensive way; rather, it is designed to distill some of the most musically salient elements of a dance into notation for the purpose of intermedia analysis. Compared with other choreomusical analyses that use dance notations, this dissertation brings Balanchine's ballets and their musical scores into closer visual and cognitive proximity. This choreomusical notation can also be adapted to reflect musically salient aspects of other dance styles. Sample analyses showing extended applications, with excerpts from minuet, Bulgarian folk dancing, cartoon, and rave dancing, are included in the final chapter.
Lin, Louise Jiayin. "Sergei Tanayev (1856-1915) an analysis of his Piano concerto in E-flat major and its relationship toTchaikovsky's Piano concerto no. 1 /". Lecture recital, recorded Dec. 1, 2006, in digital collections. Access restricted to the University of North Texas campus connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3648.
Pełny tekst źródłaSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 24, 2000, June 24, 2002, Jan. 24, 2005, and Dec. 1, 2006. Includes bibliographical references (p. 37-38).
Boeskool, Breighan M. "Harmonic Refraction, Structural Thresholds, and the Chromatic Prism: A Neo-Riemannian Transformational and Geometrical Approach to the Music of Pyotr Ilyich Tchaikovsky". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134139003178.
Pełny tekst źródłaDyachkova, Yelena. "Tchaikovsky’s Liturgy as a directive for the world-outlook of the Russian intelligentsia". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219054.
Pełny tekst źródłaSpriggs, Olga A. "A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata". University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279.
Pełny tekst źródłaHao, Chenyang. "A Pedagogical Guide for Tchaikovsky's Ablum for the Young, Op. 39". OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1823.
Pełny tekst źródłaAlexander, David Robert 1955. "Tchaikovsky's "Third Symphony": An analysis of its form, harmony, and style". Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/291559.
Pełny tekst źródłaKsiążki na temat "Tchaikovsky"
1939-2008, Krimets Konstantin, Kisin Evgenii? 1971-, Moskovskii? simfonicheskii? orkestr, Bolshoi? teatr Rossii Balet, Cromwell Productions i Films for the Humanities (Firm), red. Tchaikovsky. Princeton, N.J: Films for the Humanities & Sciences, 2004.
Znajdź pełny tekst źródłaRachlin, Ann. Tchaikovsky. Hauppauge, NY: Barron's, 1993.
Znajdź pełny tekst źródłaNice, David. Tchaikovsky. New York: Simon & Schuster, 1995.
Znajdź pełny tekst źródłaClark, Elizabeth. Tchaikovsky. Hove: Wayland, 1988.
Znajdź pełny tekst źródłaill, Morris Tony, red. Tchaikovsky. New York: Bookwright Press, 1988.
Znajdź pełny tekst źródłaSusan, Hellard, red. Tchaikovsky. London: Gollancz, 1993.
Znajdź pełny tekst źródłaSusan, Hellard, red. Tchaikovsky. London: Gollancz, 1993.
Znajdź pełny tekst źródłaDavid, Brown. Tchaikovsky remembered. Portland, Or: Amadeus Press, 1994.
Znajdź pełny tekst źródłaDavid, Brown. Tchaikovsky remembered. London: Faber and Faber, 1993.
Znajdź pełny tekst źródłaVenezia, Mike. Peter Tchaikovsky. Chicago: Childrens Press, 1994.
Znajdź pełny tekst źródłaCzęści książek na temat "Tchaikovsky"
Faro, C. "Tchaikovsky, Peter Ilyich". W Who's Who in Gay and Lesbian History, 435–36. Wyd. 2. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-450.
Pełny tekst źródłaSeaman, Gerald R., i Katherine H. Seaman. "Tchaikovsky’s Musical Works". W Pëtr Il’ich Tchaikovsky, 1–51. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-1.
Pełny tekst źródłaSeaman, Gerald R., i Katherine H. Seaman. "Tchaikovsky’s Literary Works". W Pëtr Il’ich Tchaikovsky, 53–83. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-2.
Pełny tekst źródłaSeaman, Gerald R., i Katherine H. Seaman. "Bibliography: Musical Works". W Pëtr Il’ich Tchaikovsky, 85–179. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-3.
Pełny tekst źródłaSeaman, Gerald R., i Katherine H. Seaman. "Bibliography: General". W Pëtr Il’ich Tchaikovsky, 181–350. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315649139-4.
Pełny tekst źródłaPoznansky, Alexander. "Tchaikovsky as Communist Icon". W From Symbolism to Socialist Realism, redaktor Irene Masing-Delic, 357–66. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-038.
Pełny tekst źródłaMontgomery, Alan. "Mussorgsky, Tchaikovsky, and the Five". W Opera Coaching, 102–4. Second edition. | New York : Roiutledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780367809676-19.
Pełny tekst źródła"Tchaikovsky". W Russians on Russian Music, 1880–1917, 1–41. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511481901.003.
Pełny tekst źródła"TCHAIKOVSKY". W Orchestral Masterpieces under the Microscope, 633–43. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.88.
Pełny tekst źródła"TCHAIKOVSKY". W Orchestral Masterpieces under the Microscope, 597–605. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.83.
Pełny tekst źródłaStreszczenia konferencji na temat "Tchaikovsky"
Gafarov, Timur Ilmirovich. ""Children's album" by P.I. Tchaikovsky". W III International applied research conference for pupils, Chair Lyubov Dmitriyevna Noskina. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-81127.
Pełny tekst źródłaHashida, Mitsuyo. "Variation from “Tchaikovsky pas de Deux”". W ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.289346.
Pełny tekst źródłaTonchuk, P. O. "“Elegie” by S. V. Rachmaninov as a Reflection of the Composer’s Worldview". W IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-140-153.
Pełny tekst źródłaNaiko, Natalia. "The Refraction of Musical Ideas by P. Tchaikovsky in the Works of D. Shostakovich". W 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.11.
Pełny tekst źródłaЕмельянова, Графира Николаевна. "A TRIP TO THE PAST, OR A LOOK FROM THE FUTURE". W Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Декабрь 2020). Crossref, 2021. http://dx.doi.org/10.37539/seh294.2020.13.94.007.
Pełny tekst źródłaPrevlovšek, Anita. "Music in the Life and Literary Works of Anton Pavlovich Chekhov". W Socratic Lectures 8. University of Lubljana Press, 2023. http://dx.doi.org/10.55295/psl.2023.ii20.
Pełny tekst źródłaТроицкая, Э. Н., i О. В. Петрухина. "APPLICATION OF MULTIMEDIA TECHNOLOGIES IN THE PROJECT OF REVALORIZATION OF ARCHITECTURAL HERITAGE". W Мультимедиа: современные тенденции IX Международная научно-практическая конференция. Crossref, 2024. http://dx.doi.org/10.54874/9785605054290_248.
Pełny tekst źródłaDunaeva, Tamara. "Section of rare and valuable publications of the library named after M. V. Lomonosov, branch of the municipal library “B. P. Hasdeu”". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.12.
Pełny tekst źródłaLysenkova, Elena. "R.R. TCHAIKOVSKI - A TRANSLATERAND A THEORIST OF TRANSLATION". W ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.20.
Pełny tekst źródłaSiwen, Wang. "Art Appreciation of Tchaikovsky’s Piano Piece: Dumka". W 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.043.
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