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Artykuły w czasopismach na temat "Tartini"

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Ravnikar, Bruno. "Tartini in kombinacijski toni". Musicological Annual 28, nr 1 (1.12.1992): 41–46. http://dx.doi.org/10.4312/mz.28.1.41-46.

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Tuksar, Stanislav. "Giuseppe Tartini i Josip Mihovil Stratico". Musicological Annual 28, nr 1 (1.12.1992): 59–62. http://dx.doi.org/10.4312/mz.28.1.59-62.

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Katalinić, Vjera. "Giuseppe Tartini i njegov krug u hrvatskim arhivskim zbirkama". Musicological Annual 28, nr 1 (1.12.1992): 35–39. http://dx.doi.org/10.4312/mz.28.1.35-39.

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Canale, Margherita. "Fonti per una ricostruzione della didattica di Tartini nella "Scuola delle Nazioni"". Musicological Annual 28, nr 1 (1.12.1992): 15–24. http://dx.doi.org/10.4312/mz.28.1.15-24.

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JEROLD, BEVERLY. "TARTINI AND THE TWO FORMS OF APPOGGIATURE". Eighteenth Century Music 16, nr 1 (14.02.2019): 83–86. http://dx.doi.org/10.1017/s1478570618000453.

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Polzonetti, Pierpaolo. "Tartini and the Tongue of Saint Anthony". Journal of the American Musicological Society 67, nr 2 (2014): 429–86. http://dx.doi.org/10.1525/jams.2014.67.2.429.

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This article explores the nexus between Giuseppe Tartini's concertos for violin and orchestra, written for the Franciscan Basilica of Saint Anthony in Padua, and the devotion to this Saint's tongue, still preserved as a relic. Anthony's tongue, hagiographers write, was the instrument of a rhetoric that transcended verbal signification, able to move people of different languages and even animals. Soon, the tongue of Saint Anthony became a powerful symbol of universal language. In the eighteenth century, the Catholic Church, and especially the followers of Saint Anthony, revitalized their global mission to overcome cultural and linguistic barriers. Commissioning orchestral church music was part of this strategy. Like Anthony's preaching, Tartini's music was informed by the utopian goal to reach out to a pluralist community. His music and ideas attracted the attention of Jean-Jacques Rousseau and Charles Burney, both engaged in contemporary debates on the quest for universality of music in a multicultural world. Newly discovered evidence sheds light on the liturgical context of Tartini's violin concertos, as well as on religious rituals of music making and listening that left long-lasting traces of sacrality in the secular rites of production and consumption of instrumental music.
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Gearhart, Fritz. "The Use of “Tartini Tones” in Teaching". American String Teacher 57, nr 3 (sierpień 2007): 32–34. http://dx.doi.org/10.1177/000313130705700306.

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Durante, Sergio. "The Contribution of Pierluigi Petrobelli to Tartini Studies". De musica disserenda 10, nr 1 (czerwiec 2014): 11–18. http://dx.doi.org/10.3986/dmd10.1.01.

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Penesco, Anne, i Pierluigi Petrobelli. "Tartini, le sue idee e il suo tempo". Revue de musicologie 80, nr 1 (1994): 141. http://dx.doi.org/10.2307/947313.

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Viverit, Guido. "Giuseppe Tartini e la proprietà intellettuale della musica nel settecento". De musica disserenda 10, nr 1 (czerwiec 2014): 19–30. http://dx.doi.org/10.3986/dmd10.1.02.

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Rozprawy doktorskie na temat "Tartini"

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Chytrová, Helena. "Giuseppe Tartini - houslista a pedagog". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78742.

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The purpose of my diploma dissertation is Giuseppe Tartini - violinist and pedagogue. The work is divided into the five chapters. The first one is about Tartini´s life, the second chapter is about his work and the third one is anout the development of the bow and the bow technigue. The third part introduces Padovian school and famous Tartini´s pupils. The last chapter is a summary of his theoretical works.
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Persson, Josefine. "Att skapa musik där 1+1=3 : Att arrangera och komponera flöjtmusik med interferenstoner". Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-79098.

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I denna studie undersöks hur arrangering och komponering av flöjtmusik med interferenstoner kan gå till. Syftet med studien har varit att undersöka skapandeprocessen. I studien beskrivs vad interferenstoner är och hur de fungerar på tvärflöjt. Under studien skapades tre arrangemang och åtta kompositioner som är skrivna antingen för två flöjtister som spelar tillsammans eller för en sjungande flöjtist. Studien identifierar olika resurser som har använts under arrangerings-, och komponeringsprocessen och förklarar även hur de användes. I studien beskrivs också hur arrangemangen och kompositionerna har designats för att interferenstonerna ska uppmärksam- mas.
This study investigates the process of arranging and composing music with difference notes for flute. The purpose of the study was to investigate the creative process. The study also describes what a difference note is and how it works on a flute. During the study three arrangements and eight compositions were created and the pieces are either for two flutists playing together or for one singing flutist. The study identifies different resources that are being used during the arranging and composing process and explains how they are being used. The study further describes how the arrangements and compositions have been designed so that the difference notes will be audible.
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Tartini, Giuseppe Burden Michael. "Six concertos for violin and string orchestra, 1733 /". Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.

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Clark, Antoine Terrell. "Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380.

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Auksoriūtė, Vilma. "Ketverių metų vaikų gebėjimas tarti kalbos garsus". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100902_231525-15130.

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Bakalauro darbo tikslas išanalizuoti ketverių metų vaikų gebėjimą tarti kalbos garsus. Tyrimu siekiama išanalizuoti vaikų gebėjimą tarti kalbos garsus skiemenyse, žodžiuose, sakiniuose, sudėtingos skiemeninės struktūros žodžiuose. Analizuojant tyrimo duomenis, fiksuoti garsų tarimo trūkumai, jų gausos ir įvairovės. Tyrimo metodu buvo pasirinkta tarties tikrinimo kortelė. Tyrime dalyvavo 100 ketverių metų amžiaus vaikų. Jie buvo pasirinkti atsitiktinai. Tirti buvo tie, kurie tuo metu lankė darželį. Tyrimu nustatyta, kad dauguma keturmečių tardami įvairius kalbos vienetus susiduria su sunkumais. Tik trečdalis vaikų tardami atskirus garsus, skiemenis, žodžius, sakinius, sudėtingos skiemeninės struktūros žodžius nesusiduria su sunkumais, taria juos taisyklingai. Analizuojant garsų grupių tarimo trūkumus, nustatyta, kad santykis tarp vienos ir kelių garsų grupių tarimo trūkumų yra beveik vienodas. Sunkesnius garsus tiriamieji keičia kitais, praleidžia, papildomai įveda, iškraipo arba neišlaiko skiemeninės žodžio struktūros. Pastebėta, kad dažniausia tarimo trūkumų forma sigmatizmas ir rotacizmas. Rečiau pasitaikė kapacizmo, gamacizmo, jotacizmo atvejų.
The purpose of The Bachelor Thesis was to analyze the four – year – old children‘s ability to pronounce spesch sounds. The research deals with children's ability to pronounce speech sounds in syllables words, sentences and in words with a complex syllabic structure. Defects of the sounds pronunciation, their abundance and diversity were recorded when analyzing the survey data. Method of the research was pronunciation testing card. There were 100 four-year-old children in this research. Children, who attended kindergarten at the time, were selected at random. The results of research showed that most four-year-old children have difficulties with the pronunciation of various speech units. Only a third of the children do not face difficulties in pronunciation of individual speech sounds, syllables, words, sentences, words with a complex syllabic structure. They pronounce them correctly. Analysis of the sound’s groups pronunciation defects revealed that the ratio of the pronunciation between one and several groups of sounds is nearly equal. The respondents replaced more complicated sounds to others, elided, added extra, mangled or failed the syllabic structure of the words. It was noticed that the most common form of pronunciation defects were sigmatism and rhotacism. Cases of kapacism, gamacism, jotacism were rear.
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Wanner, Lennart. "What is Tartan Noir? : investigating Scotland's dark contemporary crime fiction". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/18740.

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Contrary to popular belief, Tartan Noir is not a synonym for Scottish noir but a mystifying marketing label for a national literature: dark, contemporary Scottish crime fiction. As it comprises an immense diversity of writing done in such mainstream sub-genres as detective, police, and serial killer fiction, as well as actual noir, I will investigate both the contrasts and the crossovers between said sub-genres. I will show that only few of the writers who are most associated with Tartan Noir write much, or any, noir, whereas most of those who do are not commonly associated with the term. With a view to remedying this, I will discuss the novels which have most influenced the reputation of Tartan Noir alongside those which have most influenced its identity. And by showing how this literature integrates the tension between several highly charged counter concepts – such as conformity and individuality, convention and innovation, sensationalism and thoughtful social, cultural, and political commentary – I hope to demystify Tartan Noir, that is, define the term and refine its use.
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Moineville, Gabrielle. "L'Économie de la responsabilité sociale et environnementale de l'entreprise : le rôle informationnel des tierces tarties". Phd thesis, Ecole Nationale Supérieure des Mines de Paris, 2012. http://pastel.archives-ouvertes.fr/pastel-00820117.

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Cette thèse étudie le rôle des tierces parties dans les problématiques informationnelles autour de la responsabilité sociale et environnementale des entreprises (RSE). Les entreprises revendiquent de plus en plus le fait qu'elles adoptent des pratiques responsables. Cela peut être lié au fait qu'il existe des parties prenantes (e.g. consommateurs, investisseurs) qui sont prêtes à récompenser les comportements responsables. Cependant, la véracité des revendications des entreprises est souvent impossible ou au moins difficile à certifier, ce qui peut inciter les entreprises à manipuler leur communication. Cette dissertation a pour objectif d'analyser la façon dont de tierces parties peuvent tempérer cette asymétrie d'information. Des organisations comme des agences de notations, des organisations non-gouvernementales (ONGs) ou des organismes certificateurs, peuvent examiner les actions réelles des entreprises et transmettre cette information aux parties prenantes. Ces tierces parties ont un comportement informationnel hétérogène: certaines fournissent des informations plus particulièrement sur les entreprises qui se comportent de manière irresponsable, alors que d'autres se spécialisent dans la mise en lumière des entreprises responsables. Nous développons un modèle théorique simple qui explore l'offre de qualité dans des environnements informationnels amicaux, où la qualité est révélée plus souvent lorsqu'elle est haute que lorsqu'elle est basse, et dans des environnements hostiles, où c'est l'inverse. Nous appliquons ensuite ce modèle à deux types de tierces parties: les ONGs et les labels. Nous étudions le choix de production de bonnes ou mauvaises nouvelles afin de comprendre quand et pourquoi les ONGs choisissent d'être hostiles ou amicales. Ensuite, nous cherchons à évaluer quel est le niveau de sévérité des labels qui entraîne le plus d'investissement et le bien être social le plus important.
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Batalha, Mario Otavio. "La filière comme outil d'analyse stratégique : le cas des matières grasses à tartiner au Brésil". Vandoeuvre-les-Nancy, INPL, 1993. http://docnum.univ-lorraine.fr/public/INPL_T_1993_BATALHA_M_O.pdf.

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La thèse développe et propose une méthode d'analyse stratégique basée sur la notion de filière. Les travaux sont divisés selon trois parties principales. La première partie fait une révision sur la notion de filière et l'insère dans le cadre général de l'économie industrielle. La deuxième partie présente la méthode proposée et développe chaque étape qui la compose. La troisième partie applique la méthode dans le cas des matières grasses à tartiner au Brésil. Les conclusions générales sur l'applicabilité et les limites de l'approche sont présentées dans la dernière partie de la thèse
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Moineville, Gabrielle. "L’Économie de la responsabilité sociale et environnementale de l'entreprise : le rôle informationnel des tierces tarties". Thesis, Paris, ENMP, 2012. http://www.theses.fr/2012ENMP0083/document.

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Cette thèse étudie le rôle des tierces parties dans les problématiques informationnelles autour de la responsabilité sociale et environnementale des entreprises (RSE). Les entreprises revendiquent de plus en plus le fait qu'elles adoptent des pratiques responsables. Cela peut être lié au fait qu'il existe des parties prenantes (e.g. consommateurs, investisseurs) qui sont prêtes à récompenser les comportements responsables. Cependant, la véracité des revendications des entreprises est souvent impossible ou au moins difficile à certifier, ce qui peut inciter les entreprises à manipuler leur communication. Cette dissertation a pour objectif d'analyser la façon dont de tierces parties peuvent tempérer cette asymétrie d'information. Des organisations comme des agences de notations, des organisations non-gouvernementales (ONGs) ou des organismes certificateurs, peuvent examiner les actions réelles des entreprises et transmettre cette information aux parties prenantes. Ces tierces parties ont un comportement informationnel hétérogène: certaines fournissent des informations plus particulièrement sur les entreprises qui se comportent de manière irresponsable, alors que d'autres se spécialisent dans la mise en lumière des entreprises responsables. Nous développons un modèle théorique simple qui explore l'offre de qualité dans des environnements informationnels amicaux, où la qualité est révélée plus souvent lorsqu'elle est haute que lorsqu'elle est basse, et dans des environnements hostiles, où c'est l'inverse. Nous appliquons ensuite ce modèle à deux types de tierces parties: les ONGs et les labels. Nous étudions le choix de production de bonnes ou mauvaises nouvelles afin de comprendre quand et pourquoi les ONGs choisissent d'être hostiles ou amicales. Ensuite, nous cherchons à évaluer quel est le niveau de sévérité des labels qui entraîne le plus d'investissement et le bien être social le plus important
This thesis studies the role of third parties in tempering informational issues at stake with regard to corporate social responsibility (CSR). Firms growingly claim to be adopting responsible practices, and it may be so because some socially conscious stakeholders (e.g. consumers, investors) are ready to reward such behaviors. Nevertheless, truthfulness of firms' virtue claims is often impossible or at least difficult to ascertain, which creates an incentive for firms to manipulate their communication. This dissertation intends to analyse how third parties can temper this asymmetry of information. Organisms such as rating agencies, non-governmental organisations, labeling institutions, can investigate firms' real actions and convey this information to stakeholders. These third parties have heterogeneous informational behaviors: some of them mostly disclose information on firms that do not behave responsibly while others are specialized in revealing firms that are socially or environmentally responsible. We develop a simple theoretical model that explores the provision of quality by a firm under friendly informational environments, in which quality is more often disclosed when it is high than when it is low, and hostile environments, in which the converse holds. We apply this base model to two types of third party: NGOs and labels. We endogenize the production of good and bad news in order to understand when and why NGOs choose between being hostile or friendly. Then, we seek to assess what is the more efficient level of label's strictness to spur social welfare and investment in high quality
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Comrie, Duncan. "Framing the tartan curtain : cultural dissent in fin de siecle Edinburgh and Glasgow". Thesis, University of Aberdeen, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340640.

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Książki na temat "Tartini"

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La fuga del maestro Tartini. Madrid: Alianza Editorial, 2013.

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Tartini e la musica secondo natura. Lucca: Libreria musicale italiana, 2001.

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Tartini, le sue idee e il suo tempo. Lucca: Libreria musicale italiana, 1992.

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Koper, Pokrajinski arhiv. Giuseppe Tartini: Inventar zbirke = inventario della collezione, 1654-1951. Koper: Pokrajinski arhiv, 1993.

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Radole, Giuseppe. Le scuole musicali a Trieste e il Conservatorio "G. Tartini". Trieste: Edizioni Italo Svevo, 1988.

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Tartini, Giuseppe. Lettera del defonto Signor Giuseppe Tartini alla Signora Maddalena Lombardini inserviente: Ad una importante lezione per i suonatori di violino. Udine: Pizzicato, 1992.

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Tartine bread. San Francisco: Chronicle Books, 2010.

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Mednarodni Interdisciplinarni Simpozij "Tartini "maestro" narodov in kulturno življenje v obalnih mestih današnje Slovenije med 16. in 18. stoletjem". Tartini "maestro" narodov in kulturno življenje v obalnih mestih današnje Slovenije med 16. in 18. stoletjem: Zbornik referatov z mednarodnega simpozija 7. in 8. aprila 2001 v Piranu. Ljubljana: Zal. ZRC, 2002.

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H, Johnston William. Tartans. Atglen, Pa: Schiffer, 1999.

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Pierre-Louis, Viel, red. Tartines. Paris: Solar, 2008.

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Części książek na temat "Tartini"

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Emans, Reinmar. "Tartini, Giuseppe". W Komponisten Lexikon, 632–33. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_312.

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Emans, Reinmar. "Tartini, Giuseppe". W Metzler Komponisten Lexikon, 796–97. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_303.

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Märker, Michael. "Giuseppe Tartini". W Barockmusikführer, 424–28. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-99520-9_110.

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Brown, Ian. "Tartan Enactments and Performing Hybridity". W Performing Scottishness, 141–66. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39407-3_7.

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KLL. "Buzzati, Dino: Il deserto dei Tartari". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2916-1.

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Brooke, Nick. "The ‘Tartan Army’? Nationalist Terrorism in Scotland". W Terrorism and Nationalism in the United Kingdom, 17–44. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76541-9_2.

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Li, Yingjing, Chengqi Xue i Wenyu Wu. "Mondrian’s Tartan Style Application Pleasant Perception Based on the Aesthetic Evaluation and Reliability Analysis". W Advances in Industrial Design, 820–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80829-7_100.

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Ruting, B., i J. Li. "Chapter 16. Tartans, Kilts and Bagpipes: Cultural Identity and Community Creation at the Bundanoon is Brigadoon Scottish Festival". W Festival Places, redaktorzy Chris Gibson i John Connell, 265–79. Bristol, Blue Ridge Summit: Multilingual Matters, 2011. http://dx.doi.org/10.21832/9781845411688-019.

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Jansen, J. H. Fred, i Antoinette M. Hensey. "Interglacial and Holocene Sedimentation in the Northern North Sea: An Example of Eemian Deposits in the Tartan Field". W Holocene Marine Sedimentation in the North Sea Basin, 323–34. Oxford, UK: Blackwell Publishing Ltd., 2009. http://dx.doi.org/10.1002/9781444303759.ch24.

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Klotz, Sebastian. "Tartini the Indian: perspectives on world music in the Enlightenment". W The Cambridge History of World Music, 277–97. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139029476.016.

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Streszczenia konferencji na temat "Tartini"

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Mishra, Mahim, Timothy J. Callahan, Tiberiu Chelcea, Girish Venkataramani, Seth C. Goldstein i Mihai Budiu. "Tartan". W the 12th international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1168857.1168878.

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Furness, Martin, James Orara, John Kundert-Gibbs, Steve Bushman, Vinz Tan, Nick Marra, Jonathan van Winkle i Nicholas McElveen. "Tartan Troubles". W the 45th annual southeast regional conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1233341.1233463.

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Mishra, Mahim, i Seth C. Goldstein. "Virtualization on the Tartan Reconfigurable Architecture". W 2007 International Conference on Field Programmable Logic and Applications. IEEE, 2007. http://dx.doi.org/10.1109/fpl.2007.4380667.

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Wheeler, S. A., i R. A. M. Hunt. "Tara - Tartan Additional Riser Access System". W Offshore Europe. Society of Petroleum Engineers, 1985. http://dx.doi.org/10.2118/14029-ms.

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Shane-Nichols, Amy, i Eulanda A. Sanders. "Designing a University Tartan: A Case Study". W Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.11796.

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Horváth, József György. "Digitális transzformáció a telekommunikációs szolgáltatások piacán". W Társadalmi és gazdasági folyamatok elemzésének kérdései a XXI. században. Szeged: Szegedi Tudományegyetem Gazdaságtudományi Kar, 2020. http://dx.doi.org/10.14232/tgfek21sz.14.

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Jelenleg drámai módon változó digitalizálódó társadalomban élünk, ahol minden és mindenki változáson esik át. A telekommunikációs szolgáltatások piaca rohamosan fejlődik. Hogyan reagáljon a telekommunikációs inkumbens iparág a digitális kihívások által okozott versenyre, amelynek elterjedése csökkenti a bevételeket és a profitot? Milyen marketing eszközöket vessen be a felhasználói szokásokkal és kapcsolat-tartási elvárásaival való lépéstartás érdekében. A HOT Telecom, Izrael telekommunikációs szolgáltatási piacának meghatározó szereplője. Piaci helyzetének megőrzése érdekében a vállalat különféle marketing stratégiákat alkalmaz. Jelen esettanulmányban tükröződnek – a digitális kihívásokra való válaszként - ezen marketing stratégiai elemek alkalmazása, valamint azok kihatása és eredményessége.
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Bertáné Németh, Ágnes. "Pécsi Tudományegyetem Egyetemi Könyvtár és Tudásközpont feldolgozási gyakorlata a tartami feltárás tükrében". W Hagyományok és kihívások. ELTE University Library and Archives, 2020. http://dx.doi.org/10.21862/hagykihiv_2019.161.

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Li, Ang, Shuaiwen Leon Song, Jieyang Chen, Xu Liu, Nathan Tallent i Kevin Barker. "Tartan: Evaluating Modern GPU Interconnect via a Multi-GPU Benchmark Suite". W 2018 IEEE International Symposium on Workload Characterization (IISWC). IEEE, 2018. http://dx.doi.org/10.1109/iiswc.2018.8573483.

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Conder, Robert J., Ryan McPherson, Ton Kooren i Allan Parlane. "Inspection of Clad and Plain Carbon Steel Girth Welds on Offshore Caisson Risers Using Semi-Mechanised Ultrasonic Testing (SMUT)". W ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-57087.

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Caisson risers installed through drilling slots are an increasingly common method to add additional riser access to existing oil and gas production platforms. This paper describes the inspection methodology used for two new caisson risers on the Talisman Energy owned Tartan platform in the North Sea. The methodology for qualification of the inspection system for both plain carbon steels and Inconel 625 (UNS N06625) clad carbon steel is described. The offshore performance of the SMUT system is discussed and the time and safety benefits of this system are highlighted.
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Dawes, A. "The Installation, Commissioning and Operation of Subsea Emergency Shutdown Valves in the Tartan Field". W European Petroleum Conference. Society of Petroleum Engineers, 1990. http://dx.doi.org/10.2118/20907-ms.

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Raporty organizacyjne na temat "Tartini"

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Martin, Kathi, Nick Jushchyshyn i Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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