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Artykuły w czasopismach na temat "Tales of the grotesque and arabesque"
Armiento, Amy Branam. "Literary Politics, Partisanship, and Poe's Tales of the Grotesque and Arabesque". Poe Studies 51, nr 1 (2018): 90–109. http://dx.doi.org/10.1353/poe.2018.a723574.
Pełny tekst źródłaLopes Lourenço Hanes, Vanessa. "Notas sobre Clarice Lispector e a tradução da literatura gótica anglófona". Revista da Anpoll 51, esp (10.12.2020): 95–102. http://dx.doi.org/10.18309/anp.v51iesp.1517.
Pełny tekst źródłaRigal-Aragón, Margarita, i Fernando González-Moreno. "“A man must laugh, or die”: Visual Interpretations of Poe’s Comical and Parodical Tales". Edgar Allan Poe Review 22, nr 1 (1.06.2021): 30–58. http://dx.doi.org/10.5325/edgallpoerev.22.1.30.
Pełny tekst źródłaDykstal, Andrew. "The Voyeur in the Confessional: Reader, Hoax, and Unity of Effect in Poe's Short Fiction". Poe Studies 51, nr 1 (2018): 3–21. http://dx.doi.org/10.1353/poe.2018.a723583.
Pełny tekst źródłaKoroleva, Vera V. ""Hoffmann’s complex" in Edgar Allan Poe’s story "Loss of Breath"". Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, nr 82 (2023): 288–302. http://dx.doi.org/10.17223/19986645/82/13.
Pełny tekst źródłaSantos Silva, Karin Hallana, i Elida Paulina Ferreira. "Edgar Poe em português". Domínios de Lingu@gem 5, nr 3 (9.04.2012): 20–37. http://dx.doi.org/10.14393/dl11-v5n3a2011-3.
Pełny tekst źródłaGarcia, Elizabeth, i Otavio Leonídio. "Arabesco e Grotesco na arquitetura de Peter Eisenman". Revista Prumo 5, nr 8 (23.04.2020): 82–95. http://dx.doi.org/10.24168/revistaprumo.v0i8.1265.
Pełny tekst źródłaGammel, I., i J. Wrighton. ""Arabesque Grotesque": Toward a Theory of Dada Ecopoetics". Interdisciplinary Studies in Literature and Environment 20, nr 4 (25.11.2013): 795–816. http://dx.doi.org/10.1093/isle/ist085.
Pełny tekst źródłaHughes, Sandra S. "Edogā-aran-pō and Edogawa Rampo: Repetition, Reversal, and Rewriting of Poe in Rampo". Edgar Allan Poe Review 23, nr 2 (2022): 147–62. http://dx.doi.org/10.5325/edgallpoerev.23.2.0147.
Pełny tekst źródłaYoungjoo Kim. "Grotesque Body and Grotesque Laughter in Angela Carter’s Rewriting of Fairy Tales". Feminist Studies in English Literature 18, nr 1 (czerwiec 2010): 29–56. http://dx.doi.org/10.15796/fsel.2010.18.1.002.
Pełny tekst źródłaRozprawy doktorskie na temat "Tales of the grotesque and arabesque"
Crebs, Francie. "Tracés de l'arabesque avec Edgar Allan Poe. Histoires à contretemps". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL122.
Pełny tekst źródłaAlthough Poe scholarship has paid significant attention to his use of the term “arabesque,” there is no consensus on exactly what he means by it, and it remains enigmatic in his writings, especially in the preface to the Tales of the Grotesque and Arabesque, where it is linked to a “species of writing.” This dissertation aims to read the arabesque in Poe through the lens of expression from the preface. To do so, the first part of my dissertation provides an overview of the decorative traditions of the arabesque (European, “Oriental” and American), as well as of the attempt in Friedrich Schlegel to transpose these traditions onto narrative, an attempt which gives us clues as to what Poe suggests at with his “species of writing.” In particular, the link Schlegel establishes between arabesque and parabasis (a notion appropriated from Athenian comedy, which designates moments when the coryphaeus transgresses the space of the stage and speaks directly to the audience) is identified as particularly useful. Parts II, III and IV are devoted to Poe’s writing practice, zeroing in ever more closely on what might be the “species of writing” that is “arabesque,” and what it might imply for the history of writing. Part two examines practices of framing in Poe, and the transgression of theses frames. Part III examines the effects these transgressions have on temporality in Poe. Part IV, finally, studies how parabasis occurs at the heart of writing itself in certain Poe texts, thus revealing a species of writing that is arabesque through and through. These studies reveal ever more clearly a temporality that is proper to writing, a temporality that also calls for an other history, a history proper to writing
Klerks, Suzanne (Suzanne Elizabeth) Carleton University Dissertation English. "The Making of a monster; the female grotesque in Chaucer's Canterbury Tales". Ottawa, 1992.
Znajdź pełny tekst źródłaKisawadkorn, Kriengsak. "American Grotesque from Nineteenth Century to Modernism: the Latter's Acceptance of the Exceptional". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278030/.
Pełny tekst źródłaBiscaia, Maria Sofia Pimentel. "Tales of the grotesque and the carnivalesque: the fiction of Angela Carter and Salman Rushdie". Master's thesis, Universidade de Aveiro, 1999. http://hdl.handle.net/10773/18437.
Pełny tekst źródłaYakubov, Katya. "The Monstrous Self: Negotiating the Boundary of the Abject". VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4815.
Pełny tekst źródłaVogtman, Jacqueline. "The Preservation of Objects Lost at Sea". Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1268930284.
Pełny tekst źródłaDrost, Christian [Verfasser]. "Illuminating Poe : the reflection of Edgar Allan Poe's pictorialism in the illustrations for the 'Tales of the grotesque and arabesque' / vorgelegt von Christian Drost". 2007. http://d-nb.info/984610901/34.
Pełny tekst źródłaChu, Tsai-yi, i 朱彩儀. "The Double of Water in Edgar Allan Poe's Grotesque Tales". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/03342737979796901607.
Pełny tekst źródła國立東華大學
英美語文學系
99
The American romanticist Edgar Allan Poe is renowned for his imaginative grotesque tales of death. His works—thanks to Baudelaire's enthusiastic effort of translating them into French—came to fame in Europe, and have since then been widely studied by critics, mostly through pure psychoanalytic readings. Though coinciding with some of Poe's biographical facts, such psychoanalytic interpretation nevertheless neglects the aesthetics of the writer's creative imagination, which, in fact, is the core of Edgar Allan Poe's writings. Therefore, this paper aims to study the fantastic imagination of Poe's deathly grotesque tales, with a specific focus upon the topic of the double of the element of water, for it is noticeable that water elements abound in Poe's stories, and unmistakably, they have the special dual nature within. The present thesis is divided into four chapters. Chapter One, as the introduction, makes a brief review of the influential Marie Bonaparte's psychoanalytical reading of Poe's life and works, discloses her methodological problems, and suggests a new interpretation of Poe's tales assisted by Gaston Bachelard's imaginary theories. Chapter Two foregrounds the mirror-image doubles, exploring the German-inspired doppelgängers and the doubles produced by mirror reflections in Poe's grotesque tales. Chapter Three concerns the writer's imagination of dualistic water, namely the transparent/opaque and joyous/melancholy water, which respectively signify life and death in the meaning. Chapter Four features the doubles as a union of two elements—water and air. Combined with air, water is endowed with the verticality of ascending and falling movements, both of which present a kind of phantasmagoric imagination of death.
Książki na temat "Tales of the grotesque and arabesque"
Allan, Poe Edgar. Tales of the grotesque and arabesque. [Chapel Hill, N.C.]: University of North Carolina at Chapel Hill Libraries, 2006.
Znajdź pełny tekst źródłaTales of the grotesque and arabesque: Elio Vittorini e Giorgio Manganelli traduttori di Edgar Allan Poe : un caso traduttologico. Acireale: Bonanno, 2007.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. Worth Publishers, Incorporated, 2017.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. Independently Published, 2018.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. Independently Published, 2021.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. Independently Published, 2020.
Znajdź pełny tekst źródłaPoe, Edgar Allan. Tales of the Grotesque and Arabesque. Independently Published, 2018.
Znajdź pełny tekst źródłaPoe, Edgar. Tales of the Grotesque and Arabesque. Independently Published, 2019.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. Independently Published, 2019.
Znajdź pełny tekst źródłaAllan, Poe Edgar. Tales of the Grotesque and Arabesque. CreateSpace Independent Publishing Platform, 2018.
Znajdź pełny tekst źródłaCzęści książek na temat "Tales of the grotesque and arabesque"
Cox, Rosemary D. "The Old Southwest: Humor, Tall Tales, and the Grotesque". W A Companion to the Regional Literatures of America, 247–65. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999080.ch16.
Pełny tekst źródłaDoyle, Arthur Conan. "Playing with Fire". W Gothic Tales. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198734307.003.0025.
Pełny tekst źródła"The Gothic-Grotesque of Haunted: Joyce Carol Oates’s Tales of Abjection". W The Abject of Desire, 89–105. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401204897_006.
Pełny tekst źródłaStreszczenia konferencji na temat "Tales of the grotesque and arabesque"
Wu, Guangwei. "A Study on Oates's Gothic Short Stories from the Perspective of Psychological Realism-Haunted: Tales of the Grotesque as an Example". W 2016 International Conference on Humanity, Education and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ichess-16.2016.19.
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