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Artykuły w czasopismach na temat "Symbolisme de la rose"
Immel, Irmgard S., i Beatrice Susanne Bullock-Kimball. "The European Heritage of Rose Symbolism and Rose Metaphors in View of Rilke's Epitaph Rose". German Studies Review 12, nr 1 (luty 1989): 192. http://dx.doi.org/10.2307/1430327.
Pełny tekst źródłaKadurina, A. O. "SYMBOLISM OF ROSES IN LANDSCAPE ART OF DIFFERENT HISTORICAL ERAS". Problems of theory and history of architecture of Ukraine, nr 20 (12.05.2020): 148–57. http://dx.doi.org/10.31650/2519-4208-2020-20-148-157.
Pełny tekst źródłaRychkov, A. L. "Alexander Blok between Vl. Solovyev and E.V. Anichkov: A. Blok’s drama “The Rose and the Cross” and the legacy of Western esotericism". Solov’evskie issledovaniya, nr 1 (31.03.2021): 95–111. http://dx.doi.org/10.17588/2076-9210.2021.1.095-111.
Pełny tekst źródłaWadley, Lyn. "What is Cultural Modernity? A General View and a South African Perspective from Rose Cottage Cave". Cambridge Archaeological Journal 11, nr 2 (październik 2001): 201–21. http://dx.doi.org/10.1017/s0959774301000117.
Pełny tekst źródłaOboladze, Tatia. "Wine, Opium, and Hashish in Georgian and European Symbolism". Ars & Humanitas 16, nr 1 (22.12.2022): 219–30. http://dx.doi.org/10.4312/ars.16.1.219-230.
Pełny tekst źródłaDumas, Véronique. "Le peintre symboliste Alphonse Osbert et les Salons de la Rose+Croix". Revue de l'art N° 140, nr 2 (1.02.2003): 41–60. http://dx.doi.org/10.3917/rda.140.0041.
Pełny tekst źródłaBychkov, Victor. "Metaphysics of a landscape in symbolism". Культура и искусство, nr 4 (kwiecień 2020): 53–70. http://dx.doi.org/10.7256/2454-0625.2020.4.31966.
Pełny tekst źródłaRidzuan, Irina. "Discovering Dèduit: An examination of the garden setting in the Roman de la Rose". Arbutus Review 7, nr 1 (8.08.2016): 38. http://dx.doi.org/10.18357/tar71201615686.
Pełny tekst źródłaBorozan, Igor. "Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini". Ars Adriatica 9 (28.02.2020): 133–50. http://dx.doi.org/10.15291/ars.2928.
Pełny tekst źródłaHarasztos, Ágnes. "The Image of the East-Central European in Rose Tremain’s The Road Home". Acta Universitatis Sapientiae, Philologica 7, nr 1 (1.12.2015): 83–94. http://dx.doi.org/10.1515/ausp-2015-0038.
Pełny tekst źródłaRozprawy doktorskie na temat "Symbolisme de la rose"
Dicaire, Francine. "Symbolisme et senefiance dans le Roman de la Rose de G. de Lorris". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0007/MQ43852.pdf.
Pełny tekst źródłaDelille, Damien. "Le troisième genre : androgynie et trouble de la masculinité dans les arts visuels en France au passage du XXe siècle". Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010584.
Pełny tekst źródłaThis thesis aims to analyze the figure of androgyny from the movements of Symbolism to the abstract avant-garde. This reinterpretation of modernity at the turn of the 20th century in France allows an understanding of how Symbolism explored the trouble of sexuality within a social and political context entrenched by the crisis of masculinity. The visual and anthropological study of sexual norms reveals a fear of the androgynous in-between associated with psychopathological theories of homosexuality. This thesis demonstrates how androgyny is tied to what I call the artistic “third gender,” defined by the refusal of gender assignation and new models of representation and intersubjectivity, following the feminine immersion within the masculine. In the first part, the study of the Neoclassical and spiritual sources of androgyny demonstrates the search for the political and artistic ideal, allowing for the regeneration of the unity of sex. The second part reveals the resurgence of this ideal in the fin-de-siècle Symbolist's practices through different androgynous models such as the figure of the angel, the ones of Orpheus and the primitive third sex. Toward the trouble of sexual identities, the reception of idealism is analyzed through the rhetoric of degeneration associating androgyny, masculine effeminacy and homosexuality. The last part examines the pursuit of the androgynous ideal in the sources of abstraction. The abstract third sex nourishes the avant-gardist utopia of an art that is self-perpetuating, devoid of sexual characteristic and led by a modern artist, single and androgynous
Latino, Piero. "La Rose initiatique. Des Fidèles d'Amour à la littérature européenne des XIXe et XXe siècles". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL150.
Pełny tekst źródłaThis thesis focuses on the relationship between literature and esoteric currents, through the study of the symbol of the rose in European literature, more specifically in French and English literature of the nineteenth and twentieth centuries. This research is based on a transversal and interdisciplinary approach, bringing together different fields of literary and historical study, as well as a variety of literatures and authors from different periods. The initiatory dimension of the rose, coupled with the topos of love, is the basis of my research, whose starting point is a forgotten work from the nineteenth century: Il Mistero dell'Amor Platonico nel Medioevo by Gabriele Rossetti, father of the Pre-Raphaelite painter and poet Dante Gabriele Rossetti. In this work, for the first time Gabriele Rossetti revealed the esoteric dimension of the work of Dante and the Fedeli d’Amore (Faithful of Love) – the Italian love poets of the Middle Ages who, through their poetic compositions, conveyed mystical and initiatory ideas, as well as religious and political ones. According to Rossetti and the critical movement he initiated, this doctrine of esoteric love was also present in the love poets in a number of European contexts, such as the French troubadours and trouvères, the English minstrels, the German Minnesänger and the Scandinavian scaldes, handed down through the centuries until the nineteenth century. This aspect is the focus of my research: transmission of this alleged esoteric knowledge, in the form of love, to later centuries. In his Mistero dell’Amor Platonico, Gabriele Rossetti pointed out that the most important symbol for understanding the esoteric doctrine of love is the rose, and this thesis is devoted to the symbolism of this flower. The study of the initiatory dimension of the rose in literature involves two themes linked to the concept of initiation: one concerns mysticism and the other, initiatory Orders. In the first case, initiation is linked to a mystical dimension involving an ontological transformation of the being, while in the second, the symbolism of the rose refers to esoteric and initiatory Orders which have more or less directly played an important part in the history of ideas. These two themes are often connected and can be found in European writers such as Gérard de Nerval and William Butler Yeats. The first part of this thesis is devoted to Dante and the poets of the Middle Ages, as well as to authors of the Renaissance. I then move on to nineteenth and twentieth century authors, such as Honoré de Balzac, Gérard de Nerval, Joséphin Péladan, Dante Gabriel Rossetti, Ezra Pound, William Butler Yeats and Umberto Eco. Most of the writers and poets featured in this thesis are directly or indirectly linked to Dante and the love poetry of the Middle Ages, to the Fedeli d’Amore, and even to Gabriele Rossetti. Thus, this research proposes a rethinking of literature – one in which esoteric culture and thought are of particular importance, as many literary works throughout history are imbued with elements and motifs referring to the esoteric tradition. The study of the esoteric and initiatory dimension of the rose symbol provides the opportunity to explore a field of research where literature is closely linked to esoteric currents, particularly in French and English literature (and more generally, in European literature) of the nineteenth and twentieth centuries: from the rose of the Fedeli d’Amore in the Middle Ages to the Secret Rose by William Butler Yeats, who affirmed that “no man or woman from the beginning of the world has ever known what love is”
Tavares, Maria Helena Silva. "Guimarães Rosa e a linguagem infantil : travessia no simbólico /". Rio de Janeiro : UFRJ, 1989. http://catalogue.bnf.fr/ark:/12148/cb36658226f.
Pełny tekst źródłaPal, Nandinee. "The warrior and the rose : Spenser's iconography of chastity in The faerie queene". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74055.
Pełny tekst źródłaGuillaume-Coirier, Germaine. "Couronnes et guirlandes vegetales a rome des origines jusqu'a la mort d'auguste : mots et objets". Poitiers, 1987. http://www.theses.fr/1987POIT5023.
Pełny tekst źródłaMattiacci, Angela (Angela Marie Rose) Carleton University Dissertation French. "Les sources, le role et le symbolisme de la forest de Broceliande de la fontaine et du lion dans le roman d'Yvain de Chretien de Troyes". Ottawa, 1989.
Znajdź pełny tekst źródłaStevenin, Anne-Blanche. "Luc-Olivier Merson (1846-1920) : de la peinture d’histoire à la peinture décorative". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040268.
Pełny tekst źródłaIn 1869, when a student at the École des Beaux-Arts de Paris, Luc-Olivier Merson received the Rome Prize in history painting. The award allowed him to complete his training with four years of study in Italy. A well-known artist in his own time, Merson showed regularly at the Paris Salon before broadening the scope of his creative activity to include decorative painting and illustration. Beyond his taste for monumental painting, he evinced a keen interest in religious art, whose conventions he overturned, making use of recondite iconographic sources and unusual subjects. Suspended between Academism and Symbolism, Merson displayed a penchant for drawing, always privileging line, even as he maintained a subtle and refined sense of color. Having emerged from the shadow of his father, the art critic Olivier Merson, and endowed his work with a self-conscious archaism and idealism, Luc-Olivier Merson might justly be classed among the precursors of Symbolism. By studying the life and work of Merson, we may come to understand the aesthetic choices and the audacity of an artist too often—and too hastily—termed “Pompier” in twentieth-century art historiography
Fatemi, Sarah. "Saffron 'n Rose". Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/687.
Pełny tekst źródłaGIRARD, SAUZEAU ANNE-MARIE. "Rose macaulay, romanciere". Angers, 1987. http://www.theses.fr/1988ANGE0007.
Pełny tekst źródłaThis study examines the 23 works of fiction published by rose macaulay in the first half of the twentieth century. As her writing had many close connections with her life, a biographical sketch can remind the reader of the most significant episodes of her life (1881-1958), especially her childhood in italy, her studies at oxford, her meeting with gerald o'donovan, her innumerable journeys and the serenity brought to her last years by her return to the church. The end of the first section deals with the evolution of her literary career and reputation, her views on the novel as a genre and the genesis of her works. The second section analyses the different aspects of her novels. They are the works of an intellectual who has a cult for knowledge and whose staggering erudition appears at every page; of a journalist who offers us a rich chronicle of the political, social and religious life of her time; of a historian deeply in love with the past; of a moralist, keenly aware of the tragic meaning of life, but who remains nevertheless a tolerant nonconformist. The third section discusses the three key motifs - travelling, woman and religion - of a writer who dreams of "abroad", especially mediterranean and exotic countries, who, although a rather moderate feminist, succeeds in creating a number of unforgettable female characters, and who, despite a long period of agnosticism, shows a constant interest in the church of england the last part is devoted to the art of the novelist. If her technique remains traditional, her characters are remarkably real and alive
Książki na temat "Symbolisme de la rose"
Joret, Charles. La rose dans l'antiquité et au Moyen Age: Histoire, légendes et symbolisme. Genève: Slatkine Reprints, 1989.
Znajdź pełny tekst źródłaJoret, Charles. La rose dans l'antiquité et au Moyen âge: Histoire, légendes et symbolisme. Genève: Slatkine Reprints, 1989.
Znajdź pełny tekst źródłaThe European heritage of rose symbolism and rose metaphors in view of Rilke's epitaph rose. New York: P. Lang, 1987.
Znajdź pełny tekst źródłaClément, Roland. La politique et la Pierre cachée: Le grand dessein de la franc-maçonnerie. Genève: Georg, 2000.
Znajdź pełny tekst źródłaRolland, Jacques. Le chevalier à la rose. Paris: Véga, 2010.
Znajdź pełny tekst źródłaThe symbolic rose. Dallas, Tex: Spring Publications, 1989.
Znajdź pełny tekst źródłaCowen, Painton. Rose windows. New York: Thames and Hudson, 1990.
Znajdź pełny tekst źródłaGondinet-Wallstein, Eliane. Une rose pour la création. [Paris]: Mame, 1987.
Znajdź pełny tekst źródłaThe rose window: Splendour and symbol. London: Thames & Hudson, 2005.
Znajdź pełny tekst źródłaCowen, Painton. The rose window: Splendor and symbol. New York: Thames & Hudson, 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "Symbolisme de la rose"
Mingelgrün, Albert. "Symbolisme". W Comparative History of Literatures in European Languages, 111. Budapest: Akadémiai Kiadó, 1986. http://dx.doi.org/10.1075/chlel.iv.20min.
Pełny tekst źródłaSalunkhe, Dattajirao K., Narayana R. Bhat i Babasaheb B. Desai. "Rose". W Postharvest Biotechnology of Flowers and Ornamental Plants, 47–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-73803-6_4.
Pełny tekst źródłaReddy, P. Parvatha. "Rose". W Sustainable Crop Protection under Protected Cultivation, 337–44. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-287-952-3_27.
Pełny tekst źródłaBelsey, Catherine. "Rose". W Privileging Difference, 62–68. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-0704-2_6.
Pełny tekst źródłaDatta, S. K. "Rose". W Floriculture and Ornamental Plants, 153–80. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-15-3518-5_8.
Pełny tekst źródłaDatta, S. K. "Rose". W Floriculture and Ornamental Plants, 1–28. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-1554-5_8-1.
Pełny tekst źródłaBährle-Rapp, Marina. "rose". W Springer Lexikon Kosmetik und Körperpflege, 480. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_8978.
Pełny tekst źródłaBährle-Rapp, Marina. "Rose". W Springer Lexikon Kosmetik und Körperpflege, 480. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_8979.
Pełny tekst źródłaLeus, Leen, Katrijn Van Laere, Jan De Riek i Johan Van Huylenbroeck. "Rose". W Handbook of Plant Breeding, 719–67. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90698-0_27.
Pełny tekst źródłaDatta, S. K. "Rose". W Role of Mutation Breeding In Floriculture Industry, 159–67. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5675-3_10.
Pełny tekst źródłaStreszczenia konferencji na temat "Symbolisme de la rose"
"Symbolism in A Rose for Emily". W 2018 International Conference on Education Technology and Social Sciences. Francis Academic Press, 2018. http://dx.doi.org/10.25236/etsocs.2018.18.
Pełny tekst źródłaXu, Yan. "Analysis of "A Rose for Emily" from the Perspective of the Stylistic Features of Confabulation and Symbolism". W 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.60.
Pełny tekst źródłaKorn, J. "Role of symbolism in a business organisation". W IEE Colloquium on `Systematic Methods for Improving Business Performance'. IEE, 1996. http://dx.doi.org/10.1049/ic:19960502.
Pełny tekst źródłaGonzález Hernández, Ana Teresa. "La femme au colt 45: un parcours dans imaginaire aquatique de Marie Redonnet". W XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3111.
Pełny tekst źródłaZenker, Bjørn, i Bernd Ludwig. "ROSE". W the 6th International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1710035.1710051.
Pełny tekst źródłaZhang, Bin, Ming Xie, Jinyan Shao, Wenjun Yin i Jin Dong. "ROSE". W Proceeding of the 18th ACM conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1645953.1646129.
Pełny tekst źródłaMeneely, Andrew, Laurie Williams i Edward F. Gehringer. "ROSE". W the 13th annual conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1384271.1384276.
Pełny tekst źródła"RoSE 2019 Foreword". W 2019 IEEE/ACM 2nd International Workshop on Robotics Software Engineering (RoSE). IEEE, 2019. http://dx.doi.org/10.1109/rose.2019.000-1.
Pełny tekst źródła"ROSE 2023 Copyright". W 2023 IEEE International Symposium on Robotic and Sensors Environments (ROSE). IEEE, 2023. http://dx.doi.org/10.1109/rose60297.2023.10410710.
Pełny tekst źródła"ROSE 2023 TOC". W 2023 IEEE International Symposium on Robotic and Sensors Environments (ROSE). IEEE, 2023. http://dx.doi.org/10.1109/rose60297.2023.10410772.
Pełny tekst źródłaRaporty organizacyjne na temat "Symbolisme de la rose"
Blaxter, Tamsin, i Tara Garnett. Primed for power: a short cultural history of protein. TABLE, listopad 2022. http://dx.doi.org/10.56661/ba271ef5.
Pełny tekst źródłaYang, Eunyoung. Jogakbo Rose. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1640.
Pełny tekst źródłaParsons, Jean L. Spiral Rose. Ames: Iowa State University, Digital Repository, luty 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-594.
Pełny tekst źródłaGignac, Stormi. Spanish Rose. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-698.
Pełny tekst źródłaLiss, S. A. Rose diagram program. Alaska Division of Geological & Geophysical Surveys, 1991. http://dx.doi.org/10.14509/1482.
Pełny tekst źródłaBrown, Joan. Rose City Salon. Portland State University Library, styczeń 2016. http://dx.doi.org/10.15760/honors.253.
Pełny tekst źródłaSteiner, Halina, i Bilwa Ashvinikumar Gulavani. Rose Run Corridor. Landscape Architecture Foundation, 2023. http://dx.doi.org/10.31353/cs1970.
Pełny tekst źródłavan Staal, C. R., S. Lin, L. Hall, D. Schofield, P. Valverde i M. Genkin. Geology, Rose Blanche, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208186.
Pełny tekst źródłaSaeidi, Elahe, i Virginia Wimberly. Variation on a Rose. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-997.
Pełny tekst źródłaHwang, Chanmi, i Ling Zhang. Carving a rose window. Ames: Iowa State University, Digital Repository, listopad 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1128.
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