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Artykuły w czasopismach na temat "SUBLIME"

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Calleja, Marianela. "Sublime y neo sublimes." Boletín de Estética, no. 57 (December 20, 2021): 83–93. http://dx.doi.org/10.36446/be.2021.57.271.

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La teoría clásica acerca del sentimiento de lo sublime lo revela como una categoría crucial de la estética en sus orígenes. En estas notas se propone enfatizar su nuevo rol en la estética de los siglos xx y xxi, énfasis que precisamente nos lleva a cuestionar desarrollos como los de Robert Doran en su reciente obra, La teoría de lo sublime. De Longino a Kant (2021), que, aunque se enmarquen en la historia intelectual del concepto, en su lectura final tienden a mantener posicionamientos que han devenido obsoletos.
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Gomes, Paulo Uiris da Silva, Jorge Leal Eiró da Silva, and Mariano Klautau Filho. "SOBRE O SUBLIME E O SUBLIME TECNOLÓGICO." Arteriais - Revista do Programa de Pós-Gradução em Artes 10, no. 16 (2024): 399. http://dx.doi.org/10.18542/arteriais.v10i16.16905.

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ResumoO objetivo deste trabalho é discutir os conceitos de Sublime e Sublime Tecnológico. Investiga-se – de uma perspectiva filosófica – como o conceito de Sublime foi abordado no decorrer da história e, então, analisa-se, especificamente, os Sublimes Tecnológicos dos autores Mario Costa, David Nye e Vincent Mosco. Inicia-se com uma análise histórico-filosófica do conceito de Sublime, isto é, como este teria sido abordado desde os gregos até alguns pensadores contemporâneos: de Longinus a Jean-François Lyotard. Em seguida, aborda-se como o clássico conceito de Sublime se aplica, nos dias atuai
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Rodrigues Júnior, Edson José. "O sublime e a fome." Opiniães, no. 23 (August 3, 2023): 247–66. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2023.215578.

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O presente trabalho tem por objetivo investigar a manifestação do conceito de sublime – em suas várias facetas – em A fome: cenas da seca no Ceará (1890), romance de estreia do naturalista cearense Rodolfo Teófilo (1853 – 1932). Partindo da hipótese de que várias teorias do sublime se mesclam na prosa de Teófilo, traçamos, primeiramente, uma breve história do sublime enquanto conceito nos campos da estética e da crítica de arte para arcabouçar a análise da obra; para tanto, discutimos as contribuições de Longino (1996), Burke (1993), Kant (1995) e Schiller (2011) para a formação e a consolidaç
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Fonseca Lino, Sulamita. "O sublime e a pintura: entre a sensação no tempo e a destruição da beleza." Viso: Cadernos de estética aplicada 15, no. 28 (2021): 53–78. http://dx.doi.org/10.22409/1981-4062/v28i/399.

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A pintura de Barnett Newman Vir heroïcus sublimis (1950) e seu texto The Sublime is Now (1950) foram referências para o debate sobre o sublime e pintura em autores como Lyotard, Danto e Saint Girons. Além disso, o pintor destaca sua leitura da obra de Burke. Este trabalho pretende analisar, a partir do encontro de todas essas referências, como se deu a aproximação da pintura com o sublime no âmbito da filosofia.
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Fecteau, Maxime. "“A Tough Bitch”: Lynn Margulis and the Gaian Sublime." Ecozon@: European Journal of Literature, Culture and Environment 16, no. 1 (2025): 171–88. https://doi.org/10.37536/ecozona.2025.16.1.5559.

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This essay challenges Bruno Latour’s elegiac pronouncement of the sublime’s death in the Anthropocene, proposing instead a “Gaian sublime” emerging from Lynn Margulis’s radical reconceptualization of planetary life. Analysis of Margulis’s scientific nonfiction reveals how her work on microbial agency and symbiosis disrupts traditional sublime theory’s emphasis on human transcendence and geological spectacle. The essay traces how sublime aesthetics, from Longinus through Burke and Kant to contemporary environmental thought, has historically reinforced racial hierarchies, gender binaries, and hu
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Holcombe, Cassandra. "The Horror of Serenity." Journal of Anime and Manga Studies 4 (December 3, 2023): 31–60. http://dx.doi.org/10.21900/j.jams.v4.1198.

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The sublime is a common subject in European literary studies, particularly in Victorian and Romantic period literary scholarship. The Greek writer Longinus proposed the concept in the 1st century in On the Sublime (first printed in 1554), and Edward Burke later popularized it in his work A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757). The sublime is less discussed in anime studies due to its European origins, but it has a robust history in Japanese literature and philosophy. Recently, scholars have begun discussing its presence in anime. This paper exa
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São Paulo, Yves. "Uma interpretação do papel da escuridão no sublime de Burke." REVISTA APOENA - Periódico dos Discentes de Filosofia da UFPA 3, no. 6 (2022): 48. http://dx.doi.org/10.18542/apoena.v3i6.12244.

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John Locke interpreta que a luz causa mais dores do que a escuridão. A partir desta leitura, Edmund Burke realiza uma crítica ao seu antecessor para mostrar o papel da escuridão e da obscuridade no desenvolvimento das ideias de sublime. O sublime de Burke compreende a uma transformação da dor em deleite, quando a dor desaparece. Desta forma, a escuridão, sendo fonte de horror e dor, seria também uma das fontes para extrair ideias sublimes a partir da evocação de algo que se esconde por trás de sua miragem da ausência. Seguindo a leitura acerca do que é o sublime em Burke, do papel da escuridão
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Gammelgaard, Lasse. "Det ophøjede i dansk romantik og en figurativ-filosofisk vurdering af Jens Baggesen og Schack von Staffeldts digterdyst." European Journal of Scandinavian Studies 48, no. 2 (2018): 149–69. http://dx.doi.org/10.1515/ejss-2018-0014.

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Abstract This article surveys the sublime in Danish romantic literature as well as its partly neglected reception by scholars of Danish Romanticism. Theoretically, it is argued that there has been a tendency to focus either on the sublime’s philosophical implications (citing Immanuel Kant) or on the rhetorical figures and tropes of the sublime (“Longinus”). In the article, it is claimed that a comprehensive understanding of the sublime needs to address both its rhetorical dimension (going back to “Longinus”) and Kant’s philosophy of the sublime in the 18th Century. It is suggested that one nee
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Costa de Freitas, Jan Clefferson, and Jennifer Sarah Cooper. "Sublime Contemplar/Sublime Reverie." Cadernos Cajuína 2, no. 3 (2017): 126. http://dx.doi.org/10.52641/cadcaj.v2i3.169.

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<p><strong>Sublime Contemplar </strong></p><p> </p><p>Perfumes ao vento nos prados floridos</p><p>Primavera levando as sementes do sol</p><p>Natureza pintando paisagens coloridas</p><p>Sinfonias de silvos feitas pelo rouxinol</p><p>O rio cantarola as melodias silvestres</p><p>Peixes nadando de felicidade no leito</p><p>Na floresta animais brincando céleres</p><p>Festejam a vida celebrando o infinito</p><p>As árvores verdes vicejam de beleza</p><p&gt
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Da Silva Santos, Fabiano Rodirgo, and Sheila Dálio. "“Sublime feminino” em Cecília Meireles." Revista Texto Poético 15, no. 28 (2019): 401. http://dx.doi.org/10.25094/rtp.2019n28a619.

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Este estudo visa abordar as relações entre a representação feminina e o sublime, por meio da comparação entre dois momentos da poesia de Cecília Meireles: sua obra inaugural, Espectros (1919), e sua produção madura, representada por Viagem (1939), Vaga Música (1942) e Mar Absoluto e Outros Poemas (1945). Sensível às influências simbolistas e da tradição romântica, Cecília Meireles cria um sistema de imagens que orbitam em torno de figuras femininas envoltas em melancolia e fatalidade e delineadas a partir de convenções sublimes. Daí ser possível depreender na poesia ceciliana um motivo reincid
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Rozprawy doktorskie na temat "SUBLIME"

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Lemos, Renata. "De Ars Sublime Infinitis Minimo: sobre o sublime nanotecnológico." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4372.

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Made available in DSpace on 2016-04-26T18:11:33Z (GMT). No. of bitstreams: 1 Renata Tavares da Silva Lemos.pdf: 2502157 bytes, checksum: dd9593f73582bfe234482fc695bf62c9 (MD5) Previous issue date: 2012-03-26<br>This thesis discusses the contemporary developments of Mario Costa's aesthetics of communication in the context of nanoconvergence (the pervasive process of integration between digital, biological, computational and cognitive interfaces). Nanoconvergence is a historical event similar to the advent of cyberspace, which carries an equivalent potential for disruption. Just as Mario Costa
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Rebuffel, Didier. "Essais sur le sublime : le sublime et la Résolution française." Paris 1, 1986. http://www.theses.fr/1986PA010559.

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Rebuffel, Didier. "Essais sur le sublime le sublime et la Révolution française /." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376006946.

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Moreno, Anthony. "The Joycean Sublime." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/901.

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The purpose of my thesis is to analyze notions of the sublime in James Joyce’s Ulysses and how the sublime is evoked and presented in Joyce’s work. The present work will examine concepts of the sublime from the Classical and Medieval period, through the Enlightenment, and into the Romantic era to develop my own definition. Placing the sublime in a historical perspective allows me to discover how the sublime is at work through Joyce’s creative use of complex narrative approaches. The beauty of aesthetic perfection was achieved by employing all of Joyce’s artistic faculties. My thesis investigat
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Bruna, Carla. "Sublime, néo-sublime, anti-sublime : le "canon" littéraire italien du XXème siècle dans l'oeuvre critique de Edoardo Sanguineti." Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2011.

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Le présent travail de recherche, consacré à l’oeuvre critique de Edoardo Sanguineti, porte principalement sur la définition de “canon littéraire italien du XXe siècle” formulée par Sanguineti, et sur les relations entre ce poète et critique littéraire italien et les avant-gardes poétiques du siècle dernier, en rapport avec la question du “sublime” en poésie, ou plutôt de son renversement en fonction d'un thème particulièrement cher à cet écrivain et essayiste politiquement engagé, à savoir celui de la critique de la société bourgeoise. Plus précisément, nous examinons le rôle central que revêt
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Bourrand, Christian. "Wagner et le sublime." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100065.

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Peu d’artistes évoquent autant le sublime que Wagner, lequel, selon Nietzsche ne pouvait « respirer librement que dans le sublime et le supra-sublime ». Pourtant, le sublime wagnérien reste finalement peu analysé, sauf à travers quelques exemples précis.Nous avons donc tenté d’interroger l’ensemble des œuvres lyriques et certains écrits esthétiques de Wagner, pour les confronter à la tradition du sublime et à la philosophie qui s’en réclame. La tradition du sublime nous a donné de précieux éclairages sur la musique et l’action dramatique à partir du sublime poétique chez Longin, du sublime de
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Ventura, Elisabeth. "Le sublime du comédien." Paris 10, 2012. http://www.theses.fr/2012PA100103.

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Sous la figure rhétorique du paradoxe, Diderot fut le premier philosophe à réfléchir sur l’art du comédien dans une perspective esthétique. A sa suite, nous creuserons ce qu’on pourrait appeler « la matière-comédien », en plaçant au centre de notre recherche la question de l’incarnation : le comédien, medium poétique de l’évènement théâtral, sera le sujet de notre étude. Comment façonne-t-il son corps pour le métamorphoser en réceptacle glorieux de l’incarnation du verbe ? Comment le souffle poétique se dépose en lui ? L’art du comédien ouvre immédiatement à une réflexion sur l’omniscience du
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Trémolières, François. "Fénelon et le sublime." Paris 4, 2002. http://www.theses.fr/2002PA040125.

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Fénelon (1651-1715) est l'un des premiers témoins de l'importance nouvelle du sublime, après la traduction par Boileau du Traité du sublime de Longin (1674). Nous avons consacré un premier chapitre à la réception de ses écrits sur la rhétorique : les Dialogues sur l'éloquence, vers 1679, mais parus trois ans après sa mort ; la Lettre à l'Académie, quasi son dernier texte. La lecture des Dialogues (chapitre deux) nous a conduit, par ce qui nous a semblé leur logique propre, à déplacer notre intérêt du côté des écrits philosophiques et théologiques (chapitre trois), avant d'accéder à un deuxième
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Kuffner, Joshua A. "Illuminating the Sublime Ruin." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367941361.

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Lim, Kheng Saik. "Searching for the Sublime." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6108.

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The influential philosophers Edmund Burke and Emmanuel Kant understand the sublime as events and objects that cause an emotional reaction so magnificent that the intellect fails to comprehend it. It is thus deeply felt and experienced but remains undefined and non-understood. Searching for the Sublime is a suite of paintings that seek to respond to these definitions of the sublime. Together they address and evoke themes of mystery, fear, power, and the unknowable through the medium of painting.
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Książki na temat "SUBLIME"

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Crestani, Simone. Simone Crestani: Tensioni sublimi = sublime tensions. Silvana, 2017.

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Carrano, Antonio. Sublime. Guida, 2008.

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group), Sublime (Musical. Sublime. Gasoline Alley Records, 2016.

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Costelloe, Timothy, ed. The Sublime. Cambridge University Press, 2012. http://dx.doi.org/10.1017/cbo9780511978920.

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Evans, Murray J. Sublime Coleridge. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137121547.

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Shaw, Philip. The Sublime. Routledge, 2017. http://dx.doi.org/10.4324/9781315717067.

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Brose, Margaret. Leopardi sublime. Re Enzo, 1998.

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López, Bernardo Ruiz. Sublime amistad. 2nd ed. Alto Guadalquivir, 1989.

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Zovatto, Pietro. Carso sublime. Edizioni Parnaso, 1998.

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1958-, Morley Simon, ed. The sublime. Whitechapel Gallery ; Cambridge, Mass., 2010.

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Części książek na temat "SUBLIME"

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Bussels, Stijn, Bram van Oostveldt, Wieneke Jansen, Frederik Knegtel, and Laura Plezier. "Sublime." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-02848-4_1136-1.

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Clewis, Robert R. "Sublime." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_114-1.

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Bussels, Stijn, Bram van Oostveldt, Wieneke Jansen, Frederik Knegtel, and Laura Plezier. "Sublime." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_1136.

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Clewis, Robert R. "Sublime." In The Palgrave Encyclopedia of the Possible. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-90913-0_114.

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Lamb, Jonathan. "Sublime." In The Routledge Handbook of Reenactment Studies. Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-46.

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Janowitz, Anne. "Sublime." In A Handbook of Romanticism Studies. John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781444356038.ch3.

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Smethurst, Paul. "Natural Sublime and Feminine Sublime." In Travel Writing and the Natural World, 1768–1840. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137030368_8.

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Halimi, Suzy. "The Sublime." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_76.

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McCloskey, Mary A. "The Sublime." In Kant’s Aesthetic. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08796-9_10.

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Cheney, Patrick. "The Sublime." In A Companion to Renaissance Poetry. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch46.

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Streszczenia konferencji na temat "SUBLIME"

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He, Zhiting, Min Fan, Xinyi Guo, Yifan Zhao, and Yuqiu Wang. "“I Feel Myself So Small!”: Designing and Evaluating VR Awe Experiences Based on Theories Related to Sublime." In 2024 IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2024. https://doi.org/10.1109/ismar62088.2024.00071.

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Armengol-Urpi, Alexandre, and Sanjay E. Sarma. "Sublime." In VRST '18: 24th ACM Symposium on Virtual Reality Software and Technology. ACM, 2018. http://dx.doi.org/10.1145/3281505.3281514.

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Hsu, Frances. "Cartographic Sublime." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.41.

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Kant distinguishes two notions of the sublime: the mathematically sublime and the dynamically sublime. In the case of both notions, the experience of the sublime consists in a feeling of the superiority of our own power of reason, as a super sensible faculty, over nature. (Stanford Encyclopedia of Philosophy) The concept of the sublime was associated with nature in late 18th and early 19th century aesthetics. Political philosopher and states-man Edmund Burke evoked human mortality in A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful, defining the sublime as
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Perez, Santiago R. "The Synthetic Sublime." In ACADIA 2004: Fabrication. ACADIA, 2004. http://dx.doi.org/10.52842/conf.acadia.2004.162.

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LAGE VELOSO, CARMEN. "EL RAPTO DE LO SUBLIME." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9593.

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El empirismo inglés revitaliza el concepto de lo sublime formulado por Longino. Los vínculos con la retóricas cuya finalidad es fascinar al oyente, sitúan esta categoría estética entre las más elevadas (hypsos) estrategias de seducción. Lo sublime eleva nuestra alma hasta el éxtasis, inhibe nuestro razonamiento y quedamos atónitos, horrorizados, nuestras facultades paralizadas, sumidos en un estado de abandono. Determinadas imágenes de la escatología cristiana, como las grandes machines de las cubiertas de los templos, perseguían un desprendimiento tal, una elevación hacia el límite, hacia lo
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Diamond, Sara, Jane Prophet, Joshua Portway, et al. "Sublime and impossible bodies (panel)." In ACM SIGGRAPH 98 Conference abstracts and applications. ACM Press, 1998. http://dx.doi.org/10.1145/280953.281587.

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Ong, Joel, Robert Twomey, Eunsu Kang, and Kangsan Joshua Jin. "Beyond Classification: The Machinic Sublime." In Proceedings of Polititcs of the machines - Rogue Research 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/pom2021.50.

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Огарков, А. Н., and О. С. Субботина. "IDEAL AND SUBLIME: WES ANDERSON’S ANIMATION." In Мультимедиа: современные тенденции IX Международная научно-практическая конференция. Crossref, 2024. http://dx.doi.org/10.54874/9785605054290_72.

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Инновационная стилистика анимационных фильмов американского режиссера Уэса Андерсона отличается как от классического, так и от модернистского кинематографа. Ее особенность — в размывании границы между мультипликацией и кинематографической сценографией. В результате воображаемый и реальный миры синтезируются согласно единому замыслу их реконструкции до идеальной версии, предполагающей практическое слияние традиционно разведенных областей Прекрасного и Возвышенного. The innovative style of animated films by American director Wes Anderson differs from both classical and modern cinema. Its peculia
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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S AESTHETICS IN THE MYTH OF THE ANCIENT BRITONS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.16.

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William Blake�s aesthetic vision of the secular world is based on divine inspiration. In the myth of The Ancient Britons, he discusses the three aesthetic categories of the sublime, the beautiful and the ugly. These establish his theory of art, which is based on Jesus the Imagination. The sublime, the beautiful and the ugly are forms indicative of gradations of divine influx in every individual. In this sense, the myth explicitly describes and distinguishes the three aesthetic categories that shape the secular and eternal human existence. It also concerns art and the role of the artist. Art is
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Fortin, Claude. "Recasting the data sublime in media architecture." In MAB '16: Media Architecture Biennale 2016. ACM, 2016. http://dx.doi.org/10.1145/2946803.2946809.

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Raporty organizacyjne na temat "SUBLIME"

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Strohmaier, Erich, Hans W. Meuer, Jack J. Dongarra, and Horst D. Simon. TOP500 Sublist for November 2001. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/861182.

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Flanagan, D. M., and J. N. Davis. Switchover software reliability estimate for Paducah Freezer/Sublimer computer systems. Office of Scientific and Technical Information (OSTI), 1993. http://dx.doi.org/10.2172/10160490.

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Hamza, A. V., and M. Balooch. Growth of silicon carbide on silicon via reaction of sublimed fullerenes and silicon. Office of Scientific and Technical Information (OSTI), 1996. http://dx.doi.org/10.2172/231594.

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Jordan, W. C. Calculational criticality analyses of 10- and 20-MW UF[sub 6] freezer/sublimer vessels. Office of Scientific and Technical Information (OSTI), 1993. http://dx.doi.org/10.2172/6694484.

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Tapp, P., C. Carnal, J. Wells, J. Belcher, F. Gibson, and F. Ruppel. A process simulator/trainer for the process inventory control system 20-MW freezer/sublimer. Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/5749874.

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d�Hiriart, Sof�a, and Pablo E. Ortiz. Auliscomys sublimis. En: SAyDS�SAREM (eds.) Categorizaci�n 2019 de los mam�feros de Argentina seg�n su riesgo de extinci�n. Lista Roja de los mam�feros de Argentina, 2019. http://dx.doi.org/10.31687/saremlr.19.296.

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Izhar, Shamay, Maureen Hanson, and Nurit Firon. Expression of the Mitochondrial Locus Associated with Cytoplasmic Male Sterility in Petunia. United States Department of Agriculture, 1996. http://dx.doi.org/10.32747/1996.7604933.bard.

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The main goal of the proposed research was to continue the mutual investigations into the molecular basis of CMS and male fertility restoration [MRF], with the ultimate goal of understanding these phenomena in higher plants. The experiments focused on: (1) dissecting apart the complex CMS - specific mitochondrial S-Pcf locus, in order to distinguish its essential parts which cause sterility from other parts and study its molecular evolution. (2) Studying the expression of the various regions of the S-Pcf locus in fertile and sterile lines and comparing the structure and ultrastructure of steri
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