Rozprawy doktorskie na temat „Styles of architecture”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Sprawdź 50 najlepszych rozpraw doktorskich naukowych na temat „Styles of architecture”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Przeglądaj rozprawy doktorskie z różnych dziedzin i twórz odpowiednie bibliografie.
Fineblum, Michelle Ann. "Adaptive presentation styles for dynamic hypermedia scripts". Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/66337.
Pełny tekst źródłaTitle as it appears in the M.I.T. Graduate List, Sept. 1991: Adaptable presentation styles in dynamic hypermedia scripts.
Includes bibliographical references (leaves 62-65).
by Michelle Ann Fineblum.
M.S.
Hsu, M. F. "The origins of Chinese traditional architecture". Thesis, University of Edinburgh, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372973.
Pełny tekst źródłaBleecker, Sandra S. Bellone. "Young deaf children and the computer : a study of learning styles". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71381.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AN ROTCH.
Bibliography: leaves 154-158.
by Sandra S. Bellone Bleecker.
M.S.
Le, Goaer Olivier. "Styles d'évolution dans les architectures logicielles". Phd thesis, Université de Nantes, 2009. http://tel.archives-ouvertes.fr/tel-00459925.
Pełny tekst źródłaPeterson, Barrett 1976. "How different home styles are valued in the Salt Lake City market". Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/29782.
Pełny tekst źródłaIncludes bibliographical references (leaf 97).
This thesis focuses on market valuation of attributes of single family housing in the Salt Lake City market. Using data from different sub-regions of Salt Lake County, this paper addresses the question of buyer demand with respect to home style. Using hedonic regression analysis, the thesis explores the premium or discount associated with different styles of homes. Analyzing the hedonic results in the context of the current housing stock in the Salt Lake Area provides interesting insights into how rambler, two-story, splitentry and tri-level homes are valued. The hedonic model shows that buyers pay a premium for ramblers across the different sub areas of Salt Lake City. Given this premium, the thesis explores what the optimal mix of home style might be in the two areas where considerable developable land remains.
by Barrett Peterson.
S.M.
Leymonerie, Fabien. "Asl : un langage et des outils pour les styles architecturaux : contribution à la description d'architectures dynamiques". Chambéry, 2004. http://www.theses.fr/2004CHAMS046.
Pełny tekst źródłaLn the last decade, software architecture emerged as central concept in the development of the complex software systems. Architectural models were codified and re-used in an abstract way through architectural styles. The latter capture the experience and the knowledge gained in a specific application domain. Formalization effort was undertaken by researchers in order to propose precise definitions of what software architectures and architectural styles are, as weIl as support for using an architecture centric software development. Among existing software systems, one can identify two categories: those whose architecture never changes in the course of execution ("static" architectures) and those whose architecture changes in order to meet specific needs ("dynamic" architectures). Languages are necessary to allow the description of these two categories of architectures. If several research studies dealt with the problem of the definition of architectural styles for systems whose architecture is static, the problem of the definition of architectural styles for dynamic systems remains an open issue. Our thesis aimed to fill this lack of formalization for the definition and the use of the architectural styles for dynamic (and static) systems. We have defined a language, ASL, for the formalization of the architectural styles describing system architecture families but also specific architectures. Whereas other architecture description languages integrate a solidified component-connector vision, ASL is based on the generic concept of abstraction. The component-connector vision is introduced as a specialization of ASL in the form of a style called Component-Connector. ASL and the associated tools (for the management of architectural styles) were developed and validated within the framework of the European research project ArchWare
Cordellier, Maxime. "Recherche d'autonomie et architecture du commun dans les styles de vie communautaires". Thesis, Normandie, 2018. http://www.theses.fr/2018NORMC010/document.
Pełny tekst źródłaRecipients of the 1970’s legacy, intentional communities aim at reconsidering the practices and social relations specific to contemporary society. Through the association of work and domestic life they form a kind of social organization turned towards «living together » and « working the common ». Using the theoretical framework of common resistance as a basis, this thesis demonstrates that intentional communities put into practice a peculiar manner of being-in-the-world. By way of a return to the land and of a detour via nature, their action is inscribed in a temporality and a spatiality fueled by utopian projection, which draws on representations of a mythologized past. That past serves the present-time actualisation of this world, and the experimentation of a world-to-be-brought-about. These communities develop visions and ways of doing guided by what I suggest we call utopian retrospection. In doing so, they invest intersitial and oppositional public spaces by juxtaposing imaginaries and practices that correlate three social logics (myth, return, utopia) with three registers of historicity (conservation, retrospection, progression). They organise the slowing down of the techno-bureaucratic and capitalistic machine and summon the agrarian roots of earlier societies to prefigure the advent of a new society, both agrarian and political
Yukhina, Ellina Vasilievna. "Cognitive Abilities & Learning Styles in Design Processes and Judgements of Architecture Students". Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1694.
Pełny tekst źródłaRevillard, Jérôme. "Approche centrée architecture pour la conception logicielle des instruments intelligents". Chambéry, 2005. http://www.theses.fr/2005CHAMS057.
Pełny tekst źródłaThe design of intelligent instruments is a complex field. Competences in physics, mechanics and electronics are needed for the design of the material part while competences in computing sciences are needed for the design of the software part. Moreover, such intelligent instruments are frequently used in critical environments. The designed software must then answer strong reliability constraints. One way of improving the design of such instruments, is the creation of a dedicated software design environment which guides and constraints the instrument designer (often not computer scientist) in s/he's work. Such an environment must : - support a generic design model in order to be able to support the design of any intelligent instruments. This model must abstracted away programming level concerns, - provide a design language which the instrument designer is familiar with - guide and constrain the designer such that the conceived software respects identified properties, intrinsic with the model. This thesis addresses the problem of the construction of such an environment. It tackles the problem from a new point of view : the construction of a software environment centred on architectural models. Software architecture is represented by formal models at several levels of abstraction. At each level, properties can be checked. In this thesis, the Arch Ware ADL language is used. The use of this language allows us to support the capitalization and the reuse of the expertise of the intelligent instrument field. This is realized in particular with the architectural style concept
Vleck, Treena Marie. "Aldo Rossi: From Modern to Post-Modern Architecture, 1960-1990". Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc504113/.
Pełny tekst źródłaBarrett, Rebecca L. "Building in the Styles of Their Time: Fugman, Cramer and Uhlrich". Cleveland, Ohio : Cleveland State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1228780148.
Pełny tekst źródłaAbstract. Title from PDF t.p. (viewed on Mar. 27, 2009) Includes bibliographical references (p. 107-113) and appendix. Available online via the OhioLINK ETD Center. Also available in print.
Pinheiro, Nuno Santos. "O islamismo e o arco ultrapassado na Península Ibérica-sua influência na arquitectura alentejana". Phd thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 1990. http://dited.bn.pt:80/29768.
Pełny tekst źródłaBerger, Francisco José Gentil 1940. "Manuel da Costa Negreiros no estudo sistemático do barroco joanino na região de Lisboa". Phd thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 1990. http://dited.bn.pt:80/29771.
Pełny tekst źródłaFernandes, Maria João Rocha Simões. "Francisco da Silva Rocha (1864-1957)-arquitectura arte nova, uma primavera eterna". Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras, 1999. http://dited.bn.pt:80/29185.
Pełny tekst źródłaPinheiro, Susana Marta. "Manoel Caetano de Sousa". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1989. http://dited.bn.pt:80/29757.
Pełny tekst źródłaBerger, Francisco José Gentil. "Manuel da Costa Negreiros no estudo sistemático do barroco joanino na região de Lisboa". Doctoral thesis, Faculdade de Arquitectura de Lisboa, 1991. http://hdl.handle.net/10400.5/1626.
Pełny tekst źródłaTrabalho sobre a ARQUITECTURA BARROCA do SECULO XVIII, PRIMEIRA METADE, em Portugal, na REGIÃO DE LISBOA, em que são analisadas a INFLUÊNCIA ITALIANA no nosso barroco final e a INFLUÊNCIA DA TRATADÍSTICA, a obra dos arquitectos italianos que se deslocaram a Portugal nesse período e dos arquitectos que trabalharam em Itália para D. JOÃO V. MONOGRAFIA de MANUEL DA COSTA NEGREIROS (1702 - 1750), arquitecto que além de ter exercido como mestre pedreiro em MAFRA e no AQUEDUTO DAS AGUAS LIVRES foi o inspector das obras do palácio das NECESSIDADES e Arquitecto da CASA DO INFANTADO e do Priorato do Crato. São historiadas e focadas sobre o ponto de vista formal, as seguintes obras: Religiosas -Igreja de SANTO ESTEVÃO de Alfama, convento e capela real das NECESSIDADES, capela do paço da BEMPOSTA, ermida do Senhor Jesus da BOA NOVA, ermida da CARREIRA dos Cavalos, e torre sineira do convento da GRAÇA. Obras Civis: Palácio das NECESSIDADES, palácio BARBACENA, palácio do CORREIO-MOR em Loures. Na parte final são relacionados os diferentes autores desse período e é feita uma análise das formas próprias e dos SINAIS e SINTEMAS identificadores de cada um deles. Anexos, DADOS biográficos e curriculares sobre ARTISTAS do período (1700 - 1750). Relação de obras de Lisboa erigidas ou intervencionadas nesse mesmo período.
The portuguese BAROQUE ARCINTECTURE, in LISBON, on the first half of the eighteen century, during KING JOHN THE FIFTH'S reign (1 706-1 750) The INFLUENCES felt in the portuguese architecture from the ITALIAN ARCHITECTS that worked for Portugal, and, from architectural theoretical writings. Monograph study of MANUEL DA COSTA NEGREIROS, mason and architect that worked in MAFRA and in the AQUEDUCT OF ÁGUAS LIVRES, was chief inspector of the construction of NECESSIDADES'S PALACE focusing specially: the Church of SANTO ESTEVÃO, chapels of NECESSIDADES, BEMPOSTA, BOA NOVA and CARREIRA. The belfry of GRAÇA convent. The palaces of NECESSIDADES, BARBACENA and CORREIO-MOR. Related activity of all the royal architects during that period. A global interpretation of personal FORMAL SIGNS used by those artists. Files on ARTISTS that lived and worked in Lisbon in the period (1700-1750), and a file on all the MONUMENTS BUILT and refurbished in those days, in Lisbon.
Bellman, Erica Nicole. "Spectacular Shadows: Djuna Barnes's Styles of Estrangement in Nightwood". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/353.
Pełny tekst źródłaAl-Omari, Mohammad. "An agent-based architecture to support adaptivity in virtual learning environments based on learners' learning styles". Thesis, De Montfort University, 2017. http://hdl.handle.net/2086/14881.
Pełny tekst źródłaThaon, Bernard. "Les ouvriers de memoire. Culture et imaginaire historiques des architectes au xixe siecle (france, 1760-1920)". Aix-Marseille 1, 1997. http://www.theses.fr/1997AIX10017.
Pełny tekst źródłaThe aim of this work was to give a global explanation of historicism by investigation of the link between architects and history during nineteenth century. In the first part we give an architect's definition by two ways : 1, an image one - link to functional one with the important role of 1830's discourse about artistics. 2, a learning one with the role of drawing and the ecole des beaux-arts at paris, where exist a process of acculturation. In the second part we observe some fields of enquiry (site, church town hall) on the 1760-1920 period, with continuities and breaking. Laugier's theory of cabane on one part and, on the other, the coming of a new historical approach (i. E guizot) in architectural field
Moreira, Rafael 1947. "A arquitectura do renascimento no Sul de Portugal-a encomenda Régia entre o moderno e o romano". Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 1991. http://dited.bn.pt:80/29854.
Pełny tekst źródłaLebre, Pedro Jorge Ribeiro Guedes. "Diálogo entre a tradição e a modernidade-razões para uma especifidade na cultura arquitectónica modernista portuguesa". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 2000. http://dited.bn.pt:80/29369.
Pełny tekst źródłaSilva, Nuno Eduardo de Távora Miranda Gomes da. "Dois livros e uma igreja-aspectos da ideia de história na arquitectura do século XX". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 2000. http://dited.bn.pt:80/29531.
Pełny tekst źródłaMilheiro, Ana Cristina Fernandes Vaz. "O gótico e os sistemas de desenho presentes na arquitectura oitocentista - produções teóricas europeias e a recensão portuguesa manifesta na obra escrita de Possidónio da Silva". Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 1997. http://dited.bn.pt:80/29888.
Pełny tekst źródłaVillamariz, Catarina P. Oliveira M. Madureira. "Claustros góticos portugueses-séculos XIII a XV". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 1997. http://dited.bn.pt:80/30031.
Pełny tekst źródłaRibeiro, Maria Isabel da Cunha Donas Boto. "Arquitectura e sociedade em Inglaterra 1660-1714". Instituições portuguesas -- UC-Universidade de Coimbra, 1998. http://dited.bn.pt:80/30299.
Pełny tekst źródłaBatista, Luís Manuel Morgado Santiago. "Arquitectura em transição-construção versus desconstrução : a condição problemática e antinómica do objecto criado". Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 1998. http://dited.bn.pt:80/30377.
Pełny tekst źródłaArroz, Ana Paula de Almeida Casimiro. "Casas, ambientes e arquitectos do movimento moderno na área de Lisboa". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1998. http://dited.bn.pt:80/30401.
Pełny tekst źródłaValente, Carlos Luís da Fonseca. "A Escola Brotero e a arquitectura de Coimbra na primeira metade do século XX". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1999. http://dited.bn.pt:80/30423.
Pełny tekst źródłaJaneiro, Pedro António Alexandre. "A significação na construção e na descodificação da imagem". Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 2003. http://dited.bn.pt:80/30435.
Pełny tekst źródłaBourlier, Pierre. "Style, temps, architectureOu L'éternel retour de l'enjeu stylistique". Paris 8, 2006. http://www.theses.fr/2006PA082743.
Pełny tekst źródła“Style is time first” writes Léonce Reynaud in his Traité d’architecture (1850). This quotation is later echoed by this other declaration of Peter Behrens: “making architecture is to give body to the spirit of the time” (1913). Both share this idea of time embodied in architecture conceived as a product of a Zeitwille as Ludwig Mies van der Rohe also calls it. But while the style for one is the vector of the expression of temporality, it is the “making” that is intended to give such a temporal existence for the other. Moreover, Behrens belongs to a “modern” generational movement which, precisely, recognizes itself through a unanimous and international rejection of the stylistic problems. How can we explain that the question of the historicity of architecture was tackled once with the idea of style, then a second time in radical opposition to it? Generally speaking, what does the debate on style tell us about the relationship between architecture and time? This thesis would like to give some answers to these questions with the help of a genealogical investigation on the modern concept of style
Songsakdi, Rongviriyapanish. "Modélisation de la conception d'architectures de systèmes logiciels". Nancy 2, 2000. http://www.theses.fr/2000NAN22004.
Pełny tekst źródłaOur work joins in the theme of the help(assistant) the conception(design) of software architectures. We propose a model allowing to formalize styles of architecture. The model allows to develop in a incremental and joint way two documents: a formal description of the architecture and a history of the conception(design). The description of the architecture is without ambiguity and can be validated by means of existing tools. The history of the conception(design) allows to understand(include) the way the architecture was elaborated. This understanding facilitates its evolution and its re-use. Our model uses the formal language BINGOES as language of architectural description. The basic concepts and the criteria of evolution of the architecture are described by means of plans BINGOES. Based on a relation of behavioral equivalence of the algebra of process, the correction of architecture, maybe verified. We described architecture customer-waiter(-server) of a system of armament AEGIS from our plans and verified his(her,its) correction. Our model is based on the Proflat model. Under the Proflat model, any evolution of a conception(design) is to make by application of an operator of development. We consider that the rules(rulers) of conception(design) supplied by a style are constraints concerning the description of components, connectors and configuration of architecture. We use them to guide a conception(design). In our model, these rules(rulers) are described in the form of operators' library(bookcase) to be applied by the architecture
Fitzsimons, Rodney Desmond. "Monuments of Power and the Power of Monuments: The Evolution of Elite Architectural Styles at Bronze Age Mycenae". Cincinnati, Ohio : University of Cincinnati, 2006. http://rave.ohiolink.edu/etdc//view?acc_num=ucin1155651443.
Pełny tekst źródłaAdvisor: Dr. Gisela Walberg. Title from electronic thesis title page (viewed Dec. 20, 2009). Keywords: Mycenae; Mycenaean Architecture; Mycenaean Palaces; Mycenaean State Formation; Mycenaean Tholos Tombs; Shaft Graves. Includes abstract. Includes bibliographical references.
Teixeira, Francisco Manuel de Almeida Correia. "O Mosteiro de Santa Maria de Almoster". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1990. http://dited.bn.pt:80/29731.
Pełny tekst źródłaMuchagato, Jorge 1966. "Ideologia e arquitectura religiosa na época de D. Manuel-da réplica ao modelo : uma experiência da temporalidade : de 1800 a 1500 e de 1500 às origens". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1993. http://dited.bn.pt:80/29806.
Pełny tekst źródłaMakris, Dimitrios. "Etude et réalisation d'un système déclaratif de modélisation et de génération de styles par algorithmes génétiques : Application à la création architecturale". Limoges, 2005. http://www.theses.fr/2005LIMO0037.
Pełny tekst źródła. In this thesis we study the possibility to introduce the concept of style in declarative modelling in order to aid architectural design during the conceptual phase. In order to study such a hypothesis we have develop a methodology of architectural conceptual design utilising style. The method is based in the frame of declarative modelling, and evolutionary algorithms. In particular, we develop a framework for the modelling of architectural knowledge. We define a model of style based on the declarative conceptual cycle. Moreover we develop a new engine for the generation of solutions. This engine is based on multiobjective genetic algorithms. The result is a system prototype for Evolutionary Declarative Design-MultiCAD for the aid of conceptual architectural design. The resulted method could successfully quantify aesthetic qualitative criteria of a building. Our system points towards a computer aided aesthetic design tool
Figueira, Luis Manuel Mota dos Santos. "Técnicas de construção na arquitectura manuelina". Phd thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2001. http://dited.bn.pt:80/29351.
Pełny tekst źródłaRuão, Carlos. "Arquitectura maneirista no Noroeste de Portugal-italianismo e "flamenguismo"". Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras -- -Instituto de História de Arte, 1995. http://dited.bn.pt:80/29810.
Pełny tekst źródłaOliveira, Luis Cesar Fleury de. "A ARQUITETURA DO SAGRADO O SAGRADO DA ARQUITETURA". Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/779.
Pełny tekst źródłaThe very mention to the architecture of the sacred induces one to imagine the artistic conception of a temple-building. This attitude stems from the fact that the analysis of such architecture is usually focused on its styles, techniques and applied materials, as well as on the acclaiming of its authors that is, on aesthetic and economic values. There is no literature devoted to examining the constructive and ornamental elements of such architecture as transmitters of religious meaning, their true and important reason for existence. On the other hand, the proposal of this study is to unveil the constructive or ornamental symbolic elements existing in external or internal, natural or constructed architectonic spaces, which are able to interfere in the way individuals undergo religious experience. It aims at analysing how form in sacred art and architecture potentiates the function of propitiating the meeting with the Sacred. The apprehension of the object of study has been carried out through field research, photograph records, in loco observation and field notes. Brazil has been defined as the universe of research, and the focus of analysis comprised Brazilian Colonial and Imperial periods, particularly from the XVIth to the XIXth Centuries, and the architectural and art styles which have then taken place, that is, Plain, Baroque and Rococo. This work is organised in five chapters. The first one examines social life, symbology and sacred architecture. In the section entitled Social and Mystic-Religious Life , a brief incursion into Brazilian prehistory and into Portugal and Brazil during Portuguese colonisation is made. Then, a general analysis of symbols takes place, and the recurring ones are particularised. A brief summary of sacred architecture in general, as well as Plain, Baroque and Rococo architectural styles and their respective peculiarities in the States of Minas Gerais and Pernambuco concludes the chapter. In the second chapter, the architecture and symbology of three pernambucano Plain-style churches are analysed. The third, fourth and fifth chapters are respectively dedicated to first and second-stage Baroque and Rococo. In each of them, the architecture and symbology of one mineiro and one pernambucano church are examined. In conclusion, this study intended to evidence that knowing the symbols present in churches enables us to understand what makes the architecture of the sacred bear the sacred in architecture.
A simples menção à arquitetura do sagrado induz a imaginar a concepção artística de um edifício-igreja. Essa postura decorre do fato de a análise dessa arquitetura ter, normalmente, como foco seus estilos, técnicas e materiais empregados e a consagração dos autores, portanto valores estéticos e econômicos. Na literatura, não há trabalhos destinados ao exame dos elementos construtivos e ornamentais dessa arquitetura como transmissores de significados religiosos, sua verdadeira e importante razão de existir. Neste estudo, seguindo outra direção, propôs-se a descobrir os elementos simbólicos, construtivos ou ornamentais, presentes no espaço arquitetônico como ambiente, externo ou interno, natural ou construído e capazes de gerar no indivíduo interferências em seu viver da experiência religiosa. Com ele, pretende-se proceder à análise da forma na arte e arquitetura sagradas como potencializadora da função de propiciar o encontro com o Sagrado. A apreensão do objeto de estudo efetivou-se com a pesquisa de campo, o registro por meio de fotografias, observações no local e anotações de campo. Como universo de investigação, foi delimitado o Brasil e o foco de análise, de forma particular, os períodos Colônia e Império, do século XVI ao século XIX, e os estilos de arquitetura e arte ocorridos nesses momentos, ou seja: o Chão, o Barroco e o Rococó. Este trabalho é composto de cinco capítulos. O primeiro versa sobre a vida social, a simbologia e a arquitetura sagrada. Na seção intitulada Vida Social e Místico-Religiosa , faz-se uma pequena incursão à pré-história brasileira, a Portugal e ao Brasil no período da colonização portuguesa. A seguir, realiza-se uma análise geral de símbolos e particularizam-se os mais recorrentes. O capítulo é finalizado com um pequeno apanhado da arquitetura sagrada geral, assim como das arquiteturas Chã, Barroca e Rococó, e suas particularidades em Minas Gerais e Pernambuco. No segundo capítulo analisam-se a arquitetura e simbologia de três igrejas chãs pernambucanas. No terceiro, quarto e quinto capítulos são examinadas a arquitetura e a simbologia em uma igreja mineira e em uma pernambucana, respectivamente nos estilos Barroco da primeira fase, Barroco da segunda fase e Rococó. Como encerramento, buscou-se mostrar que com o conhecimento dos símbolos presentes nas igrejas, é possível compreender aquilo que faz a arquitetura do sagrado guardar em si o sagrado da arquitetura.
Maddipudi, Koushik. "Efficient Architectures for Retrieving Mixed Data with Rest Architecture Style and HTML5 Support". TopSCHOLAR®, 2013. http://digitalcommons.wku.edu/theses/1251.
Pełny tekst źródłaCraveiro, Maria de Lurdes dos Anjos. "Diogo de Castilho e a arquitectura da Renascença em Coimbra". Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras -- -Instituto de História de Arte, 1990. http://dited.bn.pt:80/29770.
Pełny tekst źródłaMiller, Christopher Lee. "Architecture and Hospitality". Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/103820.
Pełny tekst źródłaMaster of Architecture
The term "hospitality" usually is considering a place to sleep, eat, or enjoy oneself (Disney), but architects look at the term differently. We want to make something that is inviting and pleasing for the users. This thesis looks at what makes something hospitable.
Díez, Blanco María Teresa. "El espacio a partir del plano: el neoplasticismo en la arquitectura contemporánea". Doctoral thesis, Universitat Politècnica de Catalunya, 2022. http://hdl.handle.net/10803/673616.
Pełny tekst źródłaEl grupo holandés De Stijl nació en un momento de interés común entre los artistas y arquitectos de vanguardia de la primera mitad del siglo XX por la depuración de los medios de expresión, basados hasta entonces en una tradición imitativa: de las formas naturales, en el arte y de los estilos antiguos, en arquitectura. Los neoplasticistas, sin embargo, fueron más allá de una simple renovación formal, llegando a generar un nuevo concepto espacial, gracias a la influencia que ejerció el pintor Piet Mondrian sobre el resto de componentes del grupo. Mondrian concebía la pintura en base a combinaciones asimétricas de planos que se neutralizan mutuamente, cosa que hizo extensible a su idea de arquitectura. Otra influencia primordial en este cambio de paradigma fue la obra del arquitecto americano Frank Lloyd Wright, basada igualmente en romper la envolvente maciza y unitaria de la vivienda tradicional. De este modo, quedó establecido el plano como unidad mínima de la arquitectura, consiguiendo así continuidad y fluidez entre espacios, tanto interiores como exteriores. Esta concepción, presente ya en la arquitectura tradicional japonesa, continuó más allá del movimiento neoplástico, dejando una considerable impronta en grandes maestros como Le Corbusier o Mies van der Rohe. De igual manera, a principios de los años treinta, la que había sido durante siglos tradicional solidez y compacidad de la arquitectura dio paso a un cambio radical, mediante una concepción "desmaterializada" de la misma, en la que el volumen quedaba definido a partir de la suma de planos independientes, transparencias y esquinas abiertas. Así, el vocabulario formal de De Stijl pasó a quedar integrado en el Movimiento Moderno -también conocido como International Style- cerrando con ello el círculo en su deseo de ser un estilo universal. El objetivo fundamental de la presente tesis doctoral es, por tanto, el análisis de la influencia del grupo De Stijl en arquitectura, desde el punto de vista actual, en base a tres conceptos clave para el movimiento holandés: el color (es decir, la aplicación y significado del color en la arquitectura neoplástica), el espacio (en cuanto a la generación de una nueva concepción espacial) y el estilo, que dio nombre al grupo (De Stijl significa "El Estilo" en neerlandés), con la finalidad de valorar la pervivencia de algún rasgo o vestigio neoplástico en la arquitectura contemporánea. De este modo, encontramos la obra del finlandés Juha Leiviskä, generada a partir de composiciones de planos ortogonales que van delimitando ámbitos y que a su vez se difuminan por medio del uso de la luz natural, así como varios diseños del arquitecto Steven Holl, basados igualmente en una lectura del espacio en base a planos y en la aplicación del color como recurso arquitectónico. Todo ello permite establecer analogías con el Neoplasticismo, reflejando con ello una simbiosis de ideas, de la que también es ejemplo el Museo de Arte Romano de Mérida, de Rafael Moneo. Por tanto, la conclusión principal que se extrae es que las propuestas arquitectónicas de De Stijl siguen vigentes hoy en día, aunque como referencias formales, al ser aplicadas al margen del significado y contenido teórico que tenían para este movimiento de vanguardia. Para ello, se ha llevado a cabo un estudio comparado de casos, fundamentado en el análisis de las arquitecturas -a partir de conceptos espaciales compartidos- y complementado con los escritos y declaraciones de sus principales protagonistas.
Patrimoni arquitectònic, civil, urbanístic i rehabilitació de construccions existents
Maisian, Jordana. "Le dispositif architectural comme objet technique concret, modes d'existence, manières de faire : l'art de la transposition à l'orée du XXème siècle". Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST1147.
Pełny tekst źródłaThe goal of the thesis is to bring out, in several architects, the existence of a different kind of relationship with the past, which authorizes a new kind of reading of history. Benjamin wrote: “some people transmit things by making them intangible and conserving them; other people transmit situations by making them handy and liquidating them. Last are those that are called destructives. In this way, several modern works, austere in appearance, could they not result from a long transformation process punctuated by successive disappearances ? My hypothesis is that some architects, such as Le Corbusier, choose to insert themselves in that paradox, producing project techniques which do not come under dialectics between continuity and interruption, nor under reference work: I will call transposition the work that consists in graft on the genesis of an architectural device to accelerate it by the exhaustive actualization of his modes of existence. If Jeanneret detaches from the culture of his time onwards since the Orient Trip it is because he does not consider the architectural device as an inert entity which can be extrapolated. He recognizes in it a technical object capable of producing effects as a perception machine. His attitude consists therefore in visiting tradition, not to extract references, but as knowledge about the power that some objects have to produce effects. I will explore how he invents project techniques which are real ways of doing, consisting on intervening on, established, architectural types to produce concrete, technical objects
Hassan, Adel. "Style and Meta-Style : another Way to Reuse Software Architecture Evolution". Thesis, Nantes, 2018. http://www.theses.fr/2018NANT4041/document.
Pełny tekst źródłaOver the last years, the size and complexity of software systems has been dramatically increased, making the evolution process more complex and consuming a great deal of resources. Consequently, software architecture is becoming an important artifact in planning and carrying out the evolution process. It can provide an overall structural view of the system without undue focus on low-level details. This view can provide a deep understanding of previous design decisions and a means of analysing and comparing alternative evolution scenarios. Therefore, software architecture evolution has gained significant importance in developing methods, techniques and tools that can help architects to plan evolution. To this end, an evolution styles approach has been introduced with the aim of capitalising on the recurrent evolution practices and of fostering their reuse In this thesis, we endeavour to tackle the challenges in software architecture evolution reuse by specifying a standard modeling framework that can conform to different evolution styles and satisfy the concerns of the different stakeholder groups. The primary contribution of this thesis is twofold. First, it introduces a meta-evolution style which specifies the core conceptual elements for software architecture evolution modeling. Second, it introduces a new methodology to develop a multi-view & multi-abstraction evolution style in order to reduce the complexity of the evolution model by breaking down an evolution style into several views, each of which covers a relevant set of aspects. The central ideas are embodied in a prototype tool in order to validate the applicability and feasibility of the proposed approaches
Demange, Camille. "Le développement de l'architecture gothique à Saint-Georges de Sélestat au XIIIe siècle : une démonstration du pouvoir municipal ?" Thesis, Strasbourg, 2020. http://www.theses.fr/2020STRAG041.
Pełny tekst źródłaSélestat is at first a priory under the tutelage of monks from Conques, who have a church dedicated to Sainte-Foy. The political structure of the locality is changed when it gets equipped with a judiciary shared between the Emperor and the priory in 1217. Shortly after this date, the construction of the new parish church Saint-Georges. Due to a lot of written evidences, the rivalry between the clergies of the two churches throughout the Middle Ages is well informed. The eastern parts of Saint-Georges reuses the new solutions from the cathedral of Toul (near Nancy) and of the churches from burgundy, whereas the nave is characterized by a Romanesque inspiration involved in a understated recovery of the Gothic
Пономаренко, Олена. "Bionics Style in Architecture and Interior Design". Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7343.
Pełny tekst źródłaChablo, D. "University architecture in Britain 1950-1975". Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384022.
Pełny tekst źródłaSanders, Suzanne Lee. "Architectural Style on St Eustatius". W&M ScholarWorks, 1988. https://scholarworks.wm.edu/etd/1539624370.
Pełny tekst źródłaChigani, Amine. "Guiding Network-Centrtic Architectural Design: a Style-Based Approach". Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/36451.
Pełny tekst źródłaMaster of Science
Bravo, Carrión Sebastian. "Museo de Arte Contemporáneo en el Centro Histórico de Lima". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656625.
Pełny tekst źródłaA Museum of Contemporary Art is one that offers collections of painting, sculpture, drawings, and engravings; known as fine arts; and also new techniques such as installation, performance, video art, photography or sound art; which together are called visual arts. In Peru, there are six museums that spread contemporary art, all of which are private managed and the main representative in Lima is the MAC, located in the district of Barranco. However, this institution does not have a metropolitan scope due to its remote location. To this is added that the district municipality in exchange for its future administration on land grants it for 30 years and that its collection is based on private donations or loans from the Ministry of Culture. This reflects the absence of the Peruvian state with respect to contemporary art, Peru being one of the countries with the greatest cultural wealth in the world. The project takes place in the Historic Center of Lima, where 50% of all the museums in the capital are located, making the area a great cultural focus. The museum is located in an important urban environment where buildings of different architectural styles corresponding to different periods converge and seeks to join them through contemporary architecture that responds to the characteristics of the place by integrating alignments, heights, shapes, rhythms and materials; since despite the peculiarity of each building they manage to understand each other together.
Tesis