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Artykuły w czasopismach na temat „Streaming”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lipca 2024

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1

Blakeley, Ryan. "“The Part of the Music Industry That God Forgot”". Journal of Popular Music Studies 36, nr 2 (1.06.2024): 28–51. http://dx.doi.org/10.1525/jpms.2024.36.2.28.

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In October 2020, the B2B (business-to-business) background music company Soundtrack Your Brand—formerly Spotify Business—launched the world’s first full-catalog on-demand streaming service for background music. Although background music providers have licensed, curated, and distributed music to businesses for nearly a century, they have only recently started embracing the new possibilities of streaming. Now, streaming is rapidly influencing the background music industry’s features, music selection practices, and economics. While scholars in music and media studies have extensively studied B2C (business-to-consumer) streaming services such as Spotify and Apple Music, they have largely neglected streaming’s impact on background music. This article investigates how streaming is impacting the B2B background music industry, drawing upon platform analysis, marketing materials, and interviews with background music CEOs and researchers. After reviewing background music’s history and effects, the article examines how streaming is influencing business-oriented background music features, such as scheduling, zoning, messaging, and monitoring. It then considers streaming’s impact on background music selection practices, demonstrating how businesses are increasingly using features popularized by mainstream consumer services, such as playlists, algorithmic recommendations, and massive catalogs of music. The final section explores how streaming is shaping the economics of the background music industry, particularly for rightsholders who have historically been underpaid billions of dollars in public performance royalties. I argue that streaming may improve background music’s efficiency for businesses, but it also potentially reifies broader concerns about social control, surveillance, and inequitable artist remuneration that have become increasingly prevalent in the streaming age.

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Rich, B. Ruby. "Streaming Hope, Streaming Despair, Still Streaming". Film Quarterly 74, nr 3 (2021): 5–8. http://dx.doi.org/10.1525/fq.2021.74.3.5.

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Walker, Austin. "Watching Us Play: Postures and Platforms of Live Streaming". Surveillance & Society 12, nr 3 (28.06.2014): 437–42. http://dx.doi.org/10.24908/ss.v12i3.5303.

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In this article, Austin Walker discusses streaming, the practice of broadcasting the gameplay footage. Providing a brief analysis of the range of streaming practices, Walker argues that streaming represents a sea change in how players share and collaborate, adding new sorts of social interactivity to an experience that was, for so long, solitary. Live streaming’s novelty grants it special status as a practice still in formation, making it especially useful in analyzing how late capitalism identifies and appropriates fresh cultural activity--doing so in this case through the development of an infrastructure that supports and encourages voluntary self-surveillance. While there are resistive elements of live-streaming, such as allowing new voices access to broadcast capabilities, streaming also represents socialized labour. Walker separates streaming into two stances: the active streaming posture, where streamers voluntarily choose to broadcast their play, and the passive streaming posture, where streaming is automatically incorporated into the hardware and/or software of the gaming platform and players are unable to opt in or out.

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Yang, Lyu Shu, i Li Xuan. "Enhancing Oral Communication through Live Streaming: Exploring Opportunities and Challenges". International Journal of Scientific and Management Research 06, nr 07 (2023): 107–23. http://dx.doi.org/10.37502/ijsmr.2023.6707.

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This study evaluates live streaming's effects on spoken conversations. After discussing voice communication's relevance in numerous situations, live streaming is studied. Study live broadcasting's impact on spoken communication. This research evaluates live-streamed spoken communication. Surveys, interviews, and relevant literature accomplished this. Livestream viewers and participants were assessed about spoken communication interest and usage. The research indicated live streaming enhances speech. Engagement, responsiveness, and dispersion increased. Global citizens can speak. Technology, privacy, and nonverbal communication are issues. These are concerns. Livestreaming spoken dialogue was advised. Streaming media is trustworthy and straightforward. Interactivity, standards, and communication best practices are covered here. Researching certain places and demographics may help explain live streaming's influence on speech. This research reveals how live broadcasting influences speech. Livestreaming's benefits and downsides. Live broadcasting helps businesses and people. Understanding this new media may boost communication skills and help organizations meet their communication goals. This approach benefits both.

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5

Zhang, Hong, Zhenchao Xu, Yunxiang Wang i Yupeng Shen. "An innovative parameter optimization of Spark Streaming based on D3QN with Gaussian process regression". Mathematical Biosciences and Engineering 20, nr 8 (2023): 14464–86. http://dx.doi.org/10.3934/mbe.2023647.

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<abstract><p>Nowadays, Spark Streaming, a computing framework based on Spark, is widely used to process streaming data such as social media data, IoT sensor data or web logs. Due to the extensive utilization of streaming media data analysis, performance optimization for Spark Streaming has gradually developed into a popular research topic. Several methods for enhancing Spark Streaming's performance include task scheduling, resource allocation and data skew optimization, which primarily focus on how to manually tune the parameter configuration. However, it is indeed very challenging and inefficient to adjust more than 200 parameters by means of continuous debugging. In this paper, we propose an improved dueling double deep Q-network (DQN) technique for parameter tuning, which can significantly improve the performance of Spark Streaming. This approach fuses reinforcement learning and Gaussian process regression to cut down on the number of iterations and speed convergence dramatically. The experimental results demonstrate that the performance of the dueling double DQN method with Gaussian process regression can be enhanced by up to 30.24%.</p></abstract>

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6

Kang, Jeongho, i Kwangsue Chung. "HTTP Adaptive Streaming Framework with Online Reinforcement Learning". Applied Sciences 12, nr 15 (24.07.2022): 7423. http://dx.doi.org/10.3390/app12157423.

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Dynamic adaptive streaming over HTTP (DASH) is an effective method for improving video streaming’s quality of experience (QoE). However, the majority of existing schemes rely on heuristic algorithms, and the learning-based schemes that have recently emerged also have a problem in that their performance deteriorates in a specific environment. In this study, we propose an adaptive streaming scheme that applies online reinforcement learning. When QoE degradation is confirmed, the proposed scheme adapts to changes in the client’s environment by upgrading the ABR model while performing video streaming. In order to adapt the adaptive bitrate (ABR) model to a changing network environment while performing video streaming, the neural network model is trained with a state-of-the-art reinforcement learning algorithm. The proposed scheme’s performance was evaluated using simulation-based experiments under various network conditions. The experimental results confirmed that the proposed scheme performed better than the existing schemes.

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7

Way, Samuel F., Jean Garcia-Gathright i Henriette Cramer. "Local Trends in Global Music Streaming". Proceedings of the International AAAI Conference on Web and Social Media 14 (26.05.2020): 705–14. http://dx.doi.org/10.1609/icwsm.v14i1.7336.

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Audio streaming services have made it easier for countries around the world to listen to each other's music. This expansion in listeners' access to global content, however, has raised questions about streaming's impact on the import and export flows of music between countries and their preferences for local or global content. Here, we analyze five and a half years of all streaming data from Spotify, a global music streaming service, and find that preferences for local content have increased from 2014 through 2019, reversing previously noted trends. Perhaps correspondingly, both common official language and geographic proximity between countries increasingly shape listener consumption during this period, particularly for younger audiences. Further, we show that these trends persist across different genres, listener age groups, and early- and late-adopters of streaming, providing new insights into this newest phase in the continued evolution of music and its impact on listeners around the world.

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8

Rizki, Rahmad, Rizal Munadi i Syahrial Syahrial. "Analisis Performansi Video Streaming Dengan Menggunakan Protokol RTSP Pada Jaringan IEEE 802.11n". Jurnal Nasional Komputasi dan Teknologi Informasi (JNKTI) 2, nr 1 (25.04.2019): 9. http://dx.doi.org/10.32672/jnkti.v2i1.1050.

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Dalam mewujudkan komunikasi yang handal pada layanan streaming dengan tingkat realibility dan availability yang terjaga maka dibutuhkan performansi jaringan yang baik. Artinya sebuah jaringan harus mampu menjaga tingkat utilitasnya dalam keadaan optimal dalam kondisi apapun. Apabila kualitas sudah sangat baik maka penggunaan video streaming akan semakin digunakan oleh penggunanya. Dengan teknologi streaming, banyak sekali manfaat yang bisa didapatkan. Murah, karena hanya memerlukan satu server yang bisa digunakan untuk banyak user. Untuk menjalankan streaming tersebut bisa dihubungkan beberapa user dalam satu jaringan. Akan lebih efisien lagi apabila dalam membuat jaringan yang bersifat wireless ketimbang wired. Dengan wireless, bisa lebih menghemat dalam pengadaan kabel. Selain itu juga lebih mudah dalam melakukan konfigurasi pada jaringan . Salah satu kegunaan dari teknologi video streaming yang banyak digunakan dalam kegiatan sehari hari yaitu Video Conference. Teknologi multimedia yang satu ini memang sangat bergantung dari kualitas jaringan yang tersedia. Dibutuhkan hubungan yang handal antar user satu dengan yang lain sehingga membuat teknologi ini memerlukan protokol pendukung yang tepat. Salah satu prokotol yang digunakan untuk pertukaran data secara streaming adalah Real Time Streaming Protokol (RTSP). RTSP merupakan protokol aplikasi untuk kendali pengiriman data yang memiliki karakteristik real-time seperti streaming media. RTSP sering juga disebut sebagai remote control jaringan untuk streamin server. Tujuan dari penelitian ini adalah untuk melihat besarnya pengaruh variasi codec, jarak, dan power transmisi pada paket data multimedia dalam jaringan IEEE 802.11n pada protokol RTSP. Berdasarkan hasil penelitian, maka dapat di ambil kesimpulan bahwa Pada pengukuran delay dari ketiga skenario penggunaan layanan diperoleh nilai delay tertinggi pada saat pengujian adalah sebesar 0,007 s untuk codec H.264 dengan kondisi Power Transmisi 1 dbm dengan jarak 1 meter sementara nilai delay terendah adalah sebesar 0,002 s pada jarak 1 meter dan power transmisi 1 dbm

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9

Coke, Allison Adelle Hedge. "Streaming". World Literature Today 91, nr 3 (2017): 36–41. http://dx.doi.org/10.1353/wlt.2017.0175.

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Allison Adelle Hedge Coke. "Streaming". World Literature Today 91, nr 3-4 (2017): 36. http://dx.doi.org/10.7588/worllitetoda.91.3-4.0036.

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Thibault, Ghislain. "Streaming". Archaeologies of Tele-Visions and -Realities 4, nr 7 (9.09.2015): 110. http://dx.doi.org/10.18146/2213-0969.2015.jethc085.

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This paper focuses on the continuities, rather than the ruptures, between digital television and past media forms. It situates the metaphor of “streaming” in contrast to and connection with previous fluid metaphors that have been used to describe different models of media transmission. From the early use of aqueous vocabulary that shaped popular and scientific understandings of electricity transmission to the seminal studies of mass communication concerning the flows of information, images of fluidity have long shaped cultural understandings of the inner logics of media infrastructures. Building on the work of media archaeologist Erkki Huhtamo, I approach these metaphors as “recurrent topoi” in media culture.

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Oliveira, Arthur Freitas, Priscilla Mendonça Pinheiro i Júlio Afonso Alves Dutra. "SERVIÇOS DE STREAMING: HISTÓRICO, CONSUMO E PERSPECTIVAS". RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, nr 11 (18.11.2023): e4114314. http://dx.doi.org/10.47820/recima21.v4i11.4314.

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Os serviços de streaming modificaram a maneira como as pessoas passaram a consumir filmes, séries e conteúdo audiovisual, gerando um grande impacto na indústria, originalmente dominada pelo cinema e pela televisão. É apresentado o histórico dos serviços de streaming e como este tipo de serviço vem crescendo na atualidade, impulsionado pelo período da Pandemia Covid-19, onde as pessoas tiveram de se isolar em seus domicílios, utilizando estes serviços como acesso ao conteúdo audiovisual dadas as imposições de isolamento. Apresentam-se os fatores que levam ao consumo deste tipo de serviço e os dados do cenário atual nas diferentes plataformas, sendo para isso desenvolvido um estudo bibliográfico acerca de como os brasileiros preferem consumir os serviços de streaming, quais plataformas são mais relevantes e quais as perspectivas do serviço. Vislumbrou-se que 43% dos brasileiros atualmente possuem o hábito diário de consumo de serviços de streamings e que com a crescente concorrência dos serviços disponíveis, as empresas devem buscar novas estratégias para manterem seus serviços atrativos, priorizando serviços de qualidade com um custo acessível.

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13

Scheibe, Katrin, Franziska Zimmer i Kaja J. Fietkiewicz. "Das Informationsverhalten von Streamern und Zuschauern bei Social Live-Streaming Diensten am Fallbeispiel YouNow". Information - Wissenschaft & Praxis 68, nr 5-6 (2.11.2017): 352–64. http://dx.doi.org/10.1515/iwp-2017-0065.

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ZusammenfassungIn den letzten Jahren hat eine neue Art von Social Media an Popularität gewonnen, nämlich die Social Live-Streaming Services (SLSSs). Ein besonders bei Jugendlichen und jungen Erwachsenen beliebter SLSS ist YouNow, der auch im Fokus unserer Fallstudie steht. SLSSs ermöglichen dem Nutzer in Echtzeit zu streamen, mit den Zuschauern zu interagieren und von diesen auf verschiedene Weisen belohnt zu werden. In dieser Studie wurde das Informationsverhalten der Nutzer von SLSSs unter Anwendung sowohl der Lasswell Formel als auch des Nutzen- und Belohnungsansatzes (Uses and Gratification Theory) analysiert. Dabei werden fünf Forschungsfragen beantwortet: Aus welchen Motiven verwenden die Zuschauer und Streamer YouNow? Welches Informationsproduktionsverhalten zeigen die Nutzer? Welche Rechtsverstöße lassen sich während des Streamings beobachten? Welches Multi-Channel-Verhalten weisen Nutzer von YouNow auf? Und, wie bewerten sie die Qualität von YouNow? Um Antworten auf diese Fragen zu erhalten, wurde zum einen eine Online Umfrage (N = 123) durchgeführt und zum anderen Echtzeitübertragungen systematisch beobachtet (N = 2.021).

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Agarwalla, Bikash, Nova Ahmed, David Hilley i Umakishore Ramachandran. "Streamline: scheduling streaming applications in a wide area environment". Multimedia Systems 13, nr 1 (9.05.2007): 69–85. http://dx.doi.org/10.1007/s00530-007-0082-0.

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DROTT, ERIC A. "Music as a Technology of Surveillance". Journal of the Society for American Music 12, nr 3 (10.07.2018): 233–67. http://dx.doi.org/10.1017/s1752196318000196.

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AbstractThis article explores surveillance in cloud-based music streaming. Key catalysts in the transition from ownership- to access-based models of music distribution, services like Spotify, Pandora, or Deezer have positioned themselves as a means of reintegrating listeners into “digital enclosures” over which rights holders exercise greater control. Yet streaming's promise of remonetizing musical commodities demonetized by filesharing has been called into doubt by difficulties in converting users of advertising-based “freemium” services into paying subscribers. In need of alternative means of extracting value from users, streaming platforms have increasingly refashioned themselves as enterprises whose business extends beyond music-related services to encompass the collection, aggregation, and exchange of user data. In pursuing this strategy, streaming platforms place themselves in direct competition with other new media companies trading in user data. In order to distinguish themselves from such competitors, streaming platforms cast music as a particularly valuable source of data, offering privileged access to listeners’ innermost selves. But they also cast music as an ideal tracking device, accompanying individuals across a variety of social, physical and geographical spaces. In this way, the very attributes that make music so powerful a “technology of the self” facilitate its transformation into an equally powerful technology of surveillance.

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Flatley, Robert. "Kanopy Streaming". Charleston Advisor 16, nr 4 (1.04.2015): 42–45. http://dx.doi.org/10.5260/chara.16.4.42.

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Andersen, Mads Møller Tommerup, i Marika Lüders. "Streaming media". MedieKultur: Journal of media and communication research 37, nr 70 (16.06.2021): 001–11. http://dx.doi.org/10.7146/mediekultur.v37i70.126152.

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Sagués, Francesc. "Live streaming". Nature Physics 14, nr 7 (16.04.2018): 638–39. http://dx.doi.org/10.1038/s41567-018-0127-7.

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Combes, Richard, Habib Sidi i Salah Elayoubi. "Multipath Streaming". ACM SIGMETRICS Performance Evaluation Review 44, nr 1 (30.06.2016): 391–92. http://dx.doi.org/10.1145/2964791.2901485.

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Graydon, Oliver. "Laser streaming". Nature Photonics 11, nr 11 (31.10.2017): 684. http://dx.doi.org/10.1038/s41566-017-0041-z.

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Zajicek, G., i N. Arber. "Streaming kidney". Cell Proliferation 24, nr 4 (lipiec 1991): 375–82. http://dx.doi.org/10.1111/j.1365-2184.1991.tb01166.x.

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Noble, Richard M., Eric R. Dixon i Phil C. Gerhart. "Streaming Solutions". Civil Engineering Magazine Archive 76, nr 1 (styczeń 2006): 60–80. http://dx.doi.org/10.1061/ciegag.0000050.

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Moore, John W. "Streaming Chemistry". Journal of Chemical Education 85, nr 2 (luty 2008): 171. http://dx.doi.org/10.1021/ed085p171.

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Riley, N. "Acoustic Streaming". Theoretical and Computational Fluid Dynamics 10, nr 1-4 (1.01.1998): 349–56. http://dx.doi.org/10.1007/s001620050068.

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Riley, N. "STEADY STREAMING". Annual Review of Fluid Mechanics 33, nr 1 (styczeń 2001): 43–65. http://dx.doi.org/10.1146/annurev.fluid.33.1.43.

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Dyck, Dianne, i Marilyn Walker. "Career Streaming". AAOHN Journal 44, nr 4 (kwiecień 1996): 177–82. http://dx.doi.org/10.1177/216507999604400404.

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McAllister, Robbie. "Streaming steam". Science Fiction Film & Television 15, nr 3 (1.10.2022): 295–313. http://dx.doi.org/10.3828/sfftv.2022.23.

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Building its present identity from the reimagined recollections of a past age of industry, the steampunk movement’s array of antiquated yet spectacular machines have become hallmarks of our fascination with technology’s history. In this article, I will trace the movement’s retrofuturistic sensibilities through a wave of short films and web series that set themselves within worlds that are constructed from anachronistic devices that belong to neither the past nor the present. Instead, these are texts that, whether constructed by amateur filmmakers, professionals - and a range of practices in-between - use their science fictional identities to disrupt the seemingly linear trajectory of our media’s historical progress. Through them, the aesthetics of nineteenth-century photographic techniques and special effects are reimagined through the lens of current streaming platforms, modern computer-generated imagery and a new breed of maker cultures who desire to conflate cutting-edge innovation with the first wave of invention and experimentation that breathed life into our visual media. Most significantly, however, by exploring the proliferation and popularization of neo-Victorian machinery within the vast array of short films that have been both distributed and produced through highly digitized practices, the steampunk genre will be used to examine representations of craftsmanship and “making” that have become embedded within contemporary popular culture.

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Zajicek, G. "Streaming organism". Medical Hypotheses 45, nr 4 (październik 1995): 403–7. http://dx.doi.org/10.1016/0306-9877(95)90105-1.

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Pe'er, J., G. Zajicek, H. Greifner i M. Kogan. "Streaming conjunctiva". Anatomical Record 245, nr 1 (maj 1996): 36–40. http://dx.doi.org/10.1002/(sici)1097-0185(199605)245:1<36::aid-ar6>3.0.co;2-d.

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Simanga, Michael. "Introduction: Streaming". Black Scholar 54, nr 1 (2.01.2024): 1–5. http://dx.doi.org/10.1080/00064246.2024.2294828.

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Szewczyk, William. "Streaming data". Wiley Interdisciplinary Reviews: Computational Statistics 3, nr 1 (11.11.2010): 22–29. http://dx.doi.org/10.1002/wics.130.

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Arber, N., i G. Zajicek. "Streaming liver VI: streaming intra-hepatic bile ducts". Liver 10, nr 4 (10.12.2008): 205–8. http://dx.doi.org/10.1111/j.1600-0676.1990.tb00460.x.

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Donath, E., i A. Voigt. "Streaming current and streaming potential on structured surfaces". Journal of Colloid and Interface Science 109, nr 1 (styczeń 1986): 122–39. http://dx.doi.org/10.1016/0021-9797(86)90288-2.

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Jia, Shanshan. "The evolutionary game analysis of the decision-making behavior of live streaming stakeholders under the value co-creation". PLOS ONE 18, nr 9 (22.09.2023): e0291453. http://dx.doi.org/10.1371/journal.pone.0291453.

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Integrity-linked issues have become increasingly serious and attracted considerable attention regarding the sustainability of live streaming; therefore, live streaming anchors and suppliers have become increasingly concerned about their ongoing marketing. Moreover, streaming platforms are also beginning to focus on sustainable development. Determining how live streaming anchor behavior, supplier behavior, and streaming platform strategic decision affect live streaming is essential for achieving the healthy and sustainable development of live streaming ecosystems. However, the game among live streaming anchor behavior, supplier behavior, and streaming platform strategic decisions, which the live streaming ecosystem strongly depends on, has attracted little attention. This study constructed a game model of value co-creation evolution in live streaming ecosystems, with the live streaming anchors, suppliers, and streaming platforms as the main subject. The evolutionary stable strategies of the game were analyzed, and the influence of typical factors on the system was discussed. The results showed that the best evolutionary stability strategy is that live streaming anchors and suppliers choose honesty, and streaming platforms have strict regulation, which is the optimal strategic objective for value co-creation. The appropriate rewards and punishments inherent in a streaming platform can help regulate the behavior of the live streaming anchor and supplier; specifically, great rewards and severe punishments of the streaming platform can be applied to incentivize the honest behavior of the live streaming anchor and supplier. This study provides insights for designing appropriate policies for live streaming platforms to promote sustainable development.

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Ożóg, Maciej. "Zjedz, ile możesz, nawet jeśli nie chcesz. Streaming jako praktyka kapitalizmu inwigilacji". Kwartalnik Filmowy, nr 124 (28.12.2023): 50–68. http://dx.doi.org/10.36744/kf.1886.

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W powszechnym mniemaniu streaming to najbardziej efektywna, przystępna, ukierunkowana na wygodę użytkownika technologia udostępniania tekstów audiowizualnych. Jego znaczenie dynamicznie wzrasta, szczególnie od czasu pandemii. Odbijający się w przychodach i liczbie użytkowników status mediów streamingowych jako coraz istotniejszych graczy na rynku audiowizualnym każe krytycznie przyjrzeć się ich wpływowi na współczesną kulturę. Autor proponuje potraktowanie mediów streamingowych jako jednego z elementów szerokiego układu ekonomiczno-polityczno-kulturowego, opisywanego przez Shoshanę Zuboff jako kapitalizm inwigilacyjny. W tekście zostają przedstawione specyficzne dla streamingu mechanizmy, techniki, strategie i taktyki eksploatowania władzy. Ich efektem jest szczególne usytuowanie użytkowników tych mediów w ramach zależności tworzących charakterystyczną dla streamingu sieć władzy instrumentalnej.

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Liu, Jinrong, Qi Xu i Zhongmiao Sun. "Joint Optimization Decision of Online Retailers’ Pricing and Live-Streaming Effort in the Postepidemic Era". Complexity 2022 (10.01.2022): 1–11. http://dx.doi.org/10.1155/2022/8762922.

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The isolation requirements of the coronavirus epidemic and the intuitive display advantages of live-streaming have led to an increasing number of retailers shifting to social live-streaming platforms and e-commerce live-streaming platforms to promote and sell their products in real time. However, the provision of live-streaming services will also incur high live-streaming effort costs. In this paper, we develop two decision models for retailers to sell goods through a single online shop and both online shop and live-streaming room; we also present the optimal decisions of pricing and live-streaming efforts. Furthermore, we identify the profitability conditions for retailers to determine when to provide live-streaming services. In addition, we examine the impact of the provision of live-streaming services on the optimal price and live-streaming effort. We obtain three findings. First, there is a unique optimal decision on the price and live-streaming effort under certain conditions. Second, when the effect coefficient of the live-streaming room reaches a certain threshold, there are enough customers who enter the live-streaming room to watch and buy and it is profitable for retailers to provide live-streaming service. Finally, the optimal price and live-streaming effort increase with the increase in average return loss, the effect coefficient of live-streaming effort, and the extra return rate and decrease with the increase in the proportion of customers who choose to buy in the online shop and the price discount coefficient in the live-streaming room.

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Spilker, Hendrik Storstein, i Terje Colbjørnsen. "The dimensions of streaming: toward a typology of an evolving concept". Media, Culture & Society 42, nr 7-8 (27.02.2020): 1210–25. http://dx.doi.org/10.1177/0163443720904587.

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Based on research on the development of streaming solutions across media forms and industries, this article traces the dynamics and dimensions of the notion of streaming. It theorizes streaming as an evolving concept, and argues against strict, set and limited definitions such as those suggested by Lotz and Herbert et al. A short substantive and industrial history of streaming is provided, recognizing its many manifestations and variations. Five key dimensions are identified, and trends and traits within each of them discussed: (1) professional versus user-generated streaming, (2) legal versus piracy streaming, (3) on-demand versus live streaming, (4) streaming on dedicated versus multi-feature platforms, and (5) niche versus general-audience streaming. The article concludes by pointing out how streaming is a concept that metaphorically unites media research across industries, practices, and media forms, encouraging more comparative research.

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Suriya, Aslam Y., i Dr S. B. Kishor Dr. S. B. Kishor. "Analytical Study of Streaming Videos". Indian Journal of Applied Research 3, nr 8 (1.10.2011): 356–57. http://dx.doi.org/10.15373/2249555x/aug2013/112.

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Widyantara, I. Made Oka, Muhammad Audy Bazly i Ngurah Indra ER. "ADAPTIVE STREAMING OVER HTTP (DASH) UNTUK APLIKASI VIDEO STREAMING". Majalah Ilmiah Teknologi Elektro 14, nr 2 (30.12.2015): 18. http://dx.doi.org/10.24843/mite.2015.v14i02p04.

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This paper aims to analyze Internet-based streaming video service in the communication media with variable bit rates. The proposed scheme on Dynamic Adaptive Streaming over HTTP (DASH) using the internet network that adapts to the protocol Hyper Text Transfer Protocol (HTTP). DASH technology allows a video in the video segmentation into several packages that will distreamingkan. DASH initial stage is to compress the video source to lower the bit rate video codec uses H.26. Video compressed further in the segmentation using MP4Box generates streaming packets with the specified duration. These packages are assembled into packets in a streaming media format Presentation Description (MPD) or known as MPEG-DASH. Streaming video format MPEG-DASH run on a platform with the player bitdash teritegrasi bitcoin. With this scheme, the video will have several variants of the bit rates that gave rise to the concept of scalability of streaming video services on the client side. The main target of the mechanism is smooth the MPEG-DASH streaming video display on the client. The simulation results show that the scheme based scalable video streaming MPEG-DASH able to improve the quality of image display on the client side, where the procedure bufering videos can be made constant and fine for the duration of video views

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Carafoli, Luca, Federica Mandreoli, Riccardo Martoglia i Wilma Penzo. "Streaming Tables: Native Support to Streaming Data in DBMSs". IEEE Transactions on Systems, Man, and Cybernetics: Systems 47, nr 10 (październik 2017): 2768–82. http://dx.doi.org/10.1109/tsmc.2017.2664585.

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Frojdh, P., U. Horn, M. Kampmann, A. Nohlgren i M. Westerlund. "Adaptive streaming within the 3GPP packet-switched streaming service". IEEE Network 20, nr 2 (marzec 2006): 34–40. http://dx.doi.org/10.1109/mnet.2006.1607894.

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Chandrasekaran, Sirish, i Michael J. Franklin. "PSoup: a system for streaming queries over streaming data". VLDB Journal The International Journal on Very Large Data Bases 12, nr 2 (1.08.2003): 140–56. http://dx.doi.org/10.1007/s00778-003-0096-y.

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Marpu, Ramesh, i Bairam Manjula. "Streaming machine learning algorithms with streaming big data systems". Brazilian Journal of Development 10, nr 1 (5.01.2024): 322–39. http://dx.doi.org/10.34117/bjdv10n1-021.

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As the era of big data unfolds, the need for real-time analytics and decision-making becomes increasingly crucial. Streaming big data systems, designed to process and analyse data in motion, have emerged as a pivotal solution for handling vast streams of continuously arriving information. This research delves into the synergy between streaming big data systems and machine learning algorithms, aiming to harness the power of real-time insights. We explore the challenges and opportunities presented by the dynamic nature of streaming data, emphasizing the importance of adapting traditional machine learning methodologies to suit the evolving requirements of streaming environments.The research begins with an overview of streaming big data systems, laying the foundation for understanding the unique characteristics of data in motion. We then delve into the selection and adaptation of machine learning algorithms that are well-suited for continuous learning and updating. Key aspects of the research include the preprocessing and feature extraction techniques tailored for real-time data streams, ensuring the effective utilization of streaming machine learning algorithms. The paper provides insights into the challenges of model training and updating in a dynamic environment, emphasizing the importance of accuracy and efficiency.

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Ding, Xuehui, i Rosidah Musa. "Research on the Impact of Social Media Live-Streaming on Consumer Purchasing Behavior and Its Coping Strategies". Proceedings of Business and Economic Studies 7, nr 3 (10.07.2024): 188–93. http://dx.doi.org/10.26689/pbes.v7i3.7492.

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Due to the rapid development of network technology and the popularity of live-streaming, more and more businesses and individuals are using live-streaming to promote their products, giving rise to a new marketing model of social media live-streaming. Based on the social media live-streaming market, businesses or enterprises focus on tapping into new consumer demand, and social media live-streaming marketing has gradually expanded into various fields. Based on the SOR theory, this paper discusses how to improve the coping strategies of consumer purchasing behavior through social media live-streaming by analyzing the representative factors affecting consumer purchasing behavior such as anchors, brands, and live-streaming content in social media live-streaming. The results of this study will contribute to a better understanding of the relationship between social media live-streaming marketing models and consumer purchasing behavior and will help to reveal the potentials and limitations of social media live-streaming, thus providing valuable ideas and scientific basis for social media live-streaming marketing strategies.

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Maghfuroh, Wahibatul. "AKAD NIKAH ONLINE DENGAN MENGGUNAKAN VIA LIVE STREAMING PERSPEKTIF HUKUM ISLAM". Jurnal Ilmiah Ahwal Syakhshiyyah (JAS) 3, nr 1 (30.06.2021): 94–100. http://dx.doi.org/10.33474/jas.v3i1.11034.

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ABSTRAKAkad Nikah melalui live streaming merupakan akad nikah yang dilangsungkan menggunakan sosial media live streaming (seperti live instagram, whatsApp). Metode penelitian yang digunakan adalah menggunakan pendekatan teologi normative (syarâ€™i), yaitu pendekatan dengan menggunakan nash, KHI. Sehingga menimbulkan pertanyaan bagaimana Hukum akad nikah dengan menggunakan Live Streaming perspektif hukum Islam. Berdasarkan analisis data yang diperoleh kesimpulan bahwa Hukum Akad nikah melalui Live Streaming adalah sah. Kata Kunci: akad nikah, live streaming, hukum islam.Â ABSTRACTÂ Akad Nikah through live streaming is a marriage contract that is held using social media live streaming (such as live instagram, whatsApp). The research method used is normative theological approach (syar'i), which is the approach using nash, KHI. So it raises the question of how the Law of marriage contract by using Live Streaming perspective of Islamic law. Based on the analysis of data obtained by the conclusion that the Law of Marriage Contract through Live Streaming is valid. keyword: marriage contract, live streaming, Islamic law.

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Qiu, Qihang, Yifan Zuo i Mu Zhang. "Can Live Streaming Save the Tourism Industry from a Pandemic? A Study of Social Media". ISPRS International Journal of Geo-Information 10, nr 9 (9.09.2021): 595. http://dx.doi.org/10.3390/ijgi10090595.

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As a reflection of shifting and fluid experiences in time and space, live streaming can reduce losses in the tourism industry associated with travel restrictions during the COVID-19 pandemic. Compared with the use of live streaming activities in entertainment, shopping, sport, e-sport, religious, educational, and academic settings, the tourism context has yet to be explored. This study takes China as a case to examine tourism practices related to live streaming. Specifically, 48,114 social media posts were subjected to systematic content analysis. The dataset contained live streaming content related to 147 countries and 34 Chinese provincial administrative regions between 2010 and 2021. Findings revealed the following: (1) the development of tourism live streaming in China can be classified into germination, exploration, and opportunity stages; (2) live content mainly evoked positive emotions, whereas negative sentiment resulted from illegal or boring content; (3) users’ perceptions of tourism live streaming content involved institutions, live streaming tools, live streaming attractions, the live streaming economy, people, facilities and information, time, and regions; and (4) live streaming tools and attractions constituted the core of the identified semantic network and had the strongest regulation capabilities in tourism live streaming activities. Findings shed light on latent cultural meanings in social media communications, where tourism live streaming features high-frequency linguistic signs.

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Zhang, Rong, i Xuming Jing. "Pricing Strategy of Dual-channel Supply Chain with E-commerce Live Broadcast". Highlights in Business, Economics and Management 6 (27.03.2023): 6–14. http://dx.doi.org/10.54097/hbem.v6i.6300.

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As a novel sales strategy, live-streamed selling has drawn considerable interest. In this paper, we study a dual-channel live-streaming supply chain consisted of a single manufacturer, a moderate live streamer and a live-streaming platform. We construct two scenarios, the retail live streaming and commissioned live streaming modes, under manufacturer self-live streaming and investigates the optimal mode with the Stackelberg games. The study discovers: (1) Under the commissioned live streaming mode, the price of Internet celebrity live streaming is less expensive than that under manufacturer self-live streaming within a specific commission ratio and is proportionate to the commission ratio. (2) Under the retail live streaming mode, only when consumers' preferences are more concentrated on the manufacturer self-live streaming, the price of Internet celebrity live streaming is less than the manufacturer self-live stream channel. (3) In both scenarios, Internet celebrity live-streaming sales effort is consistently lower than the manufacturer self-live stream channel. Additionally, the consumer's sensitivity coefficient and the trust degree in Internet-celebrity streamer, the personal impact of Internet-celebrity streamer, and the proportion of impulsive consumers are all positively correlated with the price, sales effort, and profit of both channels.

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Montardo, Sandra Portella, i Vanessa Amália Dalpizol Valiati. "Streaming de conteúdo, streaming de si? Elementos para análise do consumo personalizado em plataformas de streaming". Revista FAMECOS 28, nr 1 (1.07.2021): e35310. http://dx.doi.org/10.15448/1980-3729.2021.1.35310.

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Este artigo tem por objetivo identificar elementos para a análise de consumo em plataformas de streaming pela Teoria de Prá tica (TP). Percebe-se que os sistemas de recomendação inerentes a essas plataformas produzem uma concepçã o de individualidade acionada por dinâmicas sociotécnicas que envolvem padrões de endereçamento de conteúdos e de anúncios combinados com os dados gerados pelas atividades dos usuários. Acredita-se que o caráter permanente dessa reciprocidade entre procedimentos automatizados e a açã o dos usuários revela o consumo por meio de alianças temporárias entre essas partes e, por isso, renova o interesse nas abordagens de consumo que consideram a produção de sentido e de identidades. Aspectos materiais, competências, significados e dinâmicas relacionais são elementos provenientes das TP que servem como base para analisar consumo nas referidas plataformas.

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Wu, Liwei, Qing Liu, Jian Zhao i Edward Lank. "Interactions across Displays and Space: A Study of Virtual Reality Streaming Practices on Twitch". Proceedings of the ACM on Human-Computer Interaction 7, ISS (31.10.2023): 242–65. http://dx.doi.org/10.1145/3626473.

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The growing live streaming economy and virtual reality (VR) technologies have sparked interest in VR streaming among streamers and viewers. However, limited research has been conducted to understand this emerging streaming practice. To address this gap, we conducted an in-depth thematic analysis of 34 streaming videos from 12 VR streamers with varying levels of experience, to explore the current practices, interaction styles, and strategies, as well as to investigate the challenges and opportunities for VR streaming. Our findings indicate that VR streamers face challenges in building emotional connections and maintaining streaming flow due to technical problems, lack of fluid transitions between physical and virtual environments, and not intentionally designed game scenes. As a response, we propose six design implications to encourage collaboration between game designers and streaming app developers, facilitating fluid, rich, and broad interactions for an enhanced streaming experience. In addition, we discuss the use of streaming videos as user-generated data for research, highlighting the lessons learned and emphasizing the need for tools to support streaming video analysis. Our research sheds light on the unique aspects of VR streaming, which combines interactions across displays and space.

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Li, Kan Yong, Ling Jun Yang i San Xing Cao. "Research and Development of an Online Video Network Platform Based on the Streaming Media Technology". Applied Mechanics and Materials 411-414 (wrzesień 2013): 943–49. http://dx.doi.org/10.4028/www.scientific.net/amm.411-414.943.

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The streaming media technology can effectively break the bandwidth bottleneck and make video/audio streaming pass through the internet smoothly. A video network platform based on the streaming media technology can well satisfy the user's requirements. This paper gives an introduction of the streaming media content type and streaming protocols. It also designs a video network platform based on B/S mode using the streaming media technology with the background management function.

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