Gotowa bibliografia na temat „Sting (musician)”
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Artykuły w czasopismach na temat "Sting (musician)"
King, Caleb J., Anya E. Shorey, Kelly L. Whiteford i Christian E. Stilp. "Testing the role of primary musical instrument on context effects in music perception". Journal of the Acoustical Society of America 152, nr 4 (październik 2022): A132. http://dx.doi.org/10.1121/10.0015790.
Pełny tekst źródłaModdi. "Songs that sting: A Norwegian musician on how hate mail about an Israeli concert sparked an album of censored music". Index on Censorship 45, nr 2 (29.06.2016): 86–88. http://dx.doi.org/10.1177/0306422016657035.
Pełny tekst źródłaStetskovych, O. "Style evolution of Sting’s creativity". Culture of Ukraine, nr 74 (20.12.2021): 73–80. http://dx.doi.org/10.31516/2410-5325.074.12.
Pełny tekst źródłaButler, Katherine, i Ian Winspur. "Retrospective case review of time taken for 130 professional musicians to fully return to playing their instruments following hand surgery". Hand Therapy 14, nr 3 (wrzesień 2009): 69–74. http://dx.doi.org/10.1258/ht.2009.009019.
Pełny tekst źródłaBourne, Deanna, Amy Hallaran i Jane Mackie. "The Lived Experience of Orchestral String Musicians with Playing Related Pain". Medical Problems of Performing Artists 34, nr 4 (1.12.2019): 198–204. http://dx.doi.org/10.21091/mppa.2019.4031.
Pełny tekst źródłaSmithson, Elliot V., Elizabeth Reed Smith, Gary McIlvain i Mark K. Timmons. "Effect of Arm Position on Width of the Subacromial Space of Upper String Musicians". Medical Problems of Performing Artists 32, nr 3 (1.09.2017): 159–64. http://dx.doi.org/10.21091/mppa.2017.3026.
Pełny tekst źródłaWilke, Christiane, Julian Priebus, Bianca Biallas i Ingo Froböse. "Motor Activity as a Way of Preventing Musculoskeletal Problems in String Musicians". Medical Problems of Performing Artists 26, nr 1 (1.03.2011): 24–29. http://dx.doi.org/10.21091/mppa.2011.1003.
Pełny tekst źródłaTota, Anna Lisa. "Context as resource for constructing artistic value: cases of non-recognition". Social Science Information 37, nr 1 (marzec 1998): 45–78. http://dx.doi.org/10.1177/053901898037001003.
Pełny tekst źródłaClemente, Miguel Pais, André Moreira, Catarina Morais, José Manuel Amarante, Afonso Pinhão Ferreira i Joaquim Mendes. "Tooth Position in Wind Instrument Players: Dentofacial Cephalometric Analysis". International Journal of Environmental Research and Public Health 18, nr 8 (19.04.2021): 4306. http://dx.doi.org/10.3390/ijerph18084306.
Pełny tekst źródłaTrevor, Caitlyn, Johanna Devaney i David Huron. "Musicians Can Reliably Discriminate Between String Register Locations on the Violoncello". Music Perception 40, nr 1 (1.09.2022): 27–38. http://dx.doi.org/10.1525/mp.2022.40.1.27.
Pełny tekst źródłaRozprawy doktorskie na temat "Sting (musician)"
Winter, Neal. "The effects of a specially-devised, integrated curriculum, based on the music of Sting, on the learning of popular music /". View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20041117.155611/index.html.
Pełny tekst źródłaWinter, Neal. "The effects of a specially-devised, integrated curriculum, based on the music of Sting, on the learning of popular music". Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/23839.
Pełny tekst źródłaWilliams, Keith R. "The Process of Musical Acquisition for Traditional String Musicians in the Homeschool Environment". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2491.
Pełny tekst źródłaGuettler, Knut. "The bowed string". Doctoral thesis, KTH, Speech Transmission and Music Acoustics, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3361.
Pełny tekst źródłaOf the many waveforms the bowed string can assume, theso-called "Helmholtz motion" (Helmholtz 1862) gives the fullestsound in terms of power and overtone richness. The developmentof this steady-state oscillation pattern can take manydifferent paths, most of which would include noise caused bystick-slip irregularities of the bow-string contact. Of thefive papers included in the thesis, the first one shows, notsurprisingly, that tone onsets are considered superior when theattack noise has a very limited duration. It was found,however, that in this judgment thecharacterof the noise plays an important part, as thelisteners tolerance of noise in terms of duration isalmost twice as great for "slipping noise" as for "creaks" or"raucousness" during the tone onsets. The three followingpapers contain analyses focusing on how irregular slip-sticktriggering may be avoided, as is quite often the case inpractical playing by professionals. The fifth paper describesthe triggering mechanism of a peculiar tone production referredto as "Anomalous Low Frequencies" (ALF). If properly skilled, aplayer can achieve pitches below the normal range of theinstrument. This phenomenon is related to triggering wavestaking "an extra turn" on the string before causing thestrings release from the bow-hair grip. Since transverseand torsional propagation speeds are both involved, twodifferent sets of "sub-ranged" notes can be produced this way.In the four last papers wave patterns are analysed andexplained through the use of computer simulations.
Key words:
Key words:
Bowed string, violin, musicalacoustics, musical transient, anomalous low frequencies,Helmholtz motion
Ahn, Seungchul. "The Musical Moment: For String Quartet". Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1289579429.
Pełny tekst źródłaMeidell, Katrin Liza. "Epidemiological Evaluation of Pain Among String Instrumentalists". Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68015/.
Pełny tekst źródłaPitteroff, Roland. "Contact mechanics of the bowed string". Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387739.
Pełny tekst źródłaWu, Man-Mei. "Three Voices for voices, woodwind, percussion, and string instruments". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2684/.
Pełny tekst źródłaCahill, Clark Jennifer L. "String student self-efficacy and deliberate music practice: Examining string students' musical background characteristics, self-efficacy beliefs and practice behaviors". Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9116/.
Pełny tekst źródłaCahill, Clark Jennifer L. "String student self-efficacy and deliberate music practice examining string students' musical background characteristics, self-efficacy beliefs, and practice behaviours /". connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9116.
Pełny tekst źródłaKsiążki na temat "Sting (musician)"
Lyrics. New York: Dial Press, 2007.
Znajdź pełny tekst źródłaSting. Lyrics. New York: Random House Publishing Group, 2009.
Znajdź pełny tekst źródłaSandford, Christopher. Sting: Demolition man. London: Little, Brown and Company, 1998.
Znajdź pełny tekst źródłaSting and the Police. New York: Ballantine Books, 1985.
Znajdź pełny tekst źródłaSting. Port Chester, NY: Cherry Lane Books, 1985.
Znajdź pełny tekst źródłaGett, Steve. Sting. Port Chester, NY: Cherry Lane Books, 1985.
Znajdź pełny tekst źródłaGett, Steve. Sting. Port Chester, N.Y: Cherry Lane, 1985.
Znajdź pełny tekst źródłaSting: The secret life of Gordon Sumner. New York: Thunder's Mouth Press, 1999.
Znajdź pełny tekst źródłaSting: A biography. London: Omnibus Press, 1989.
Znajdź pełny tekst źródłaSting: A biography. London: Omnibus Press, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Sting (musician)"
Moravcsik, Michael J. "String Instruments". W Musical Sound, 165–85. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0577-8_12.
Pełny tekst źródłaHartmann, William M. "String Instruments". W Principles of Musical Acoustics, 257–68. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_25.
Pełny tekst źródłaFletcher, Neville H., i Thomas D. Rossing. "Bowed String Instruments". W The Physics of Musical Instruments, 235–86. New York, NY: Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-2980-3_10.
Pełny tekst źródłaBennett, William Ralph. "The Struck String". W The Science of Musical Sound, 95–143. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92796-1_4.
Pełny tekst źródłaFletcher, Neville H., i Thomas D. Rossing. "Bowed String Instruments". W The Physics of Musical Instruments, 272–330. New York, NY: Springer New York, 1998. http://dx.doi.org/10.1007/978-0-387-21603-4_10.
Pełny tekst źródłaGarrett, Steven L. "String Theory". W Understanding Acoustics, 133–78. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44787-8_3.
Pełny tekst źródłaBucur, Voichita. "Pieces for String Fitting". W Handbook of Materials for String Musical Instruments, 553–81. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_12.
Pełny tekst źródłaBucur, Voichita. "String Musical Instruments as Educational Tools". W Handbook of Materials for String Musical Instruments, 911–41. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_20.
Pełny tekst źródłaBucur, Voichita. "Restoration of Historical Musical Instruments". W Handbook of Materials for String Musical Instruments, 699–736. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_15.
Pełny tekst źródłaBucur, Voichita. "Preservative Conservation of Musical Instruments". W Handbook of Materials for String Musical Instruments, 737–91. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32080-9_16.
Pełny tekst źródłaStreszczenia konferencji na temat "Sting (musician)"
Gomes, Otavio Colella, Winfried Lachenmayr, Jithin Thilakan i Malte Kob. "Anechoic Multi-Channel Recordings of individual String Quartet musicians". W 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610912.
Pełny tekst źródłaKakarwal, Sangeeta N., i Seema R. Chaudhary. "Analysis of Musical String Instruments using k-NN". W 2020 International Conference on Smart Innovations in Design, Environment, Management, Planning and Computing (ICSIDEMPC). IEEE, 2020. http://dx.doi.org/10.1109/icsidempc49020.2020.9299588.
Pełny tekst źródłaTaylor, Tanasha, Shana Smith i David Suh. "A Virtual Harp With Physical String Vibrations in an Augmented Reality Environment". W ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-35408.
Pełny tekst źródłaCheng, Neo. "The Relationship between Musical Scale, Cello String Length, and Math". W 2020 IEEE Integrated STEM Education Conference (ISEC). IEEE, 2020. http://dx.doi.org/10.1109/isec49744.2020.9397840.
Pełny tekst źródłaMandal, Ashok K., i P. Wahi. "Coupled Plate-String Vibrations of a Stiff String Against an Obstacle: Application to Musical Instruments Like Sitar". W 5th International Congress on Computational Mechanics and Simulation. Singapore: Research Publishing Services, 2014. http://dx.doi.org/10.3850/978-981-09-1139-3_209.
Pełny tekst źródłaBenacchio, Simon, Adrien Mamou-Mani, Baptiste Chomette i Francois Ollivier. "Combined state and state derivative control applied to musical string instruments". W ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4800112.
Pełny tekst źródłaJiang, Jiang. "Application of String Music Source in Musical Instrument Digital Interface Production". W Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.102.
Pełny tekst źródłaMansour, Hossein, Siamak Arzanpour, Hedayat Alghassi i Mehdi Behzad. "An Experimental Investigation on the Bridge Effect in Sound Produced by Setar". W ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-13048.
Pełny tekst źródłaCinquemani, Simone, i hermes giberti. "Design and testing of a novel audio transducer to train string musical instruments". W Active and Passive Smart Structures and Integrated Systems XII, redaktor Alper Erturk. SPIE, 2018. http://dx.doi.org/10.1117/12.2299310.
Pełny tekst źródłaYang, Bo, i L. Matveyeva. "First-hand acquaintance of Chinese schoolchildren with Russian folk plucked string musical instruments". W Роль России в современном мировом сообществе. Нижний Новгород: Профессиональная наука, 2022. http://dx.doi.org/10.54092/9781471666872_67.
Pełny tekst źródłaRaporty organizacyjne na temat "Sting (musician)"
Cai, Wenjie, i Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, listopad 2020. http://dx.doi.org/10.51167/acm00006.
Pełny tekst źródłaPedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481294.
Pełny tekst źródłaDuch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481276.
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