Gotowe bibliografie tematyczne / St Patrick’s Cathedral

Gotowa bibliografia na temat „St Patrick’s Cathedral”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "St Patrick’s Cathedral"

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Lyons, Mary Ann. "Maynooth: a select bibliography of printed sources". Irish Historical Studies 29, nr 116 (listopad 1995): 441–49. http://dx.doi.org/10.1017/s0021121400012220.

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To mark the bicentenary of the foundation of St Patrick’s College, Maynooth, there is presented here a select bibliography of printed material pertaining to aspects of the history of the college itself and also of Maynooth town and district.Maynooth emerged as an important settlement by virtue of its association with the Anglo-Norman family of Fitzgerald in the late twelfth century. In 1176 Maurice Fitzgerald, founder of the Geraldine dynasty in Ireland, received confirmation of a grant of lands in the O’Byrne district of Uí Fáeláin, including the lordships of Maynooth and Naas, and Maynooth castle (the ruins of which stand adjacent to the entrance to the college) was subsequently constructed at the junction between two streams, the Lyreen and the Joan Slade. His grandson, Maurice, second baron of Offaly, was instrumental in having Maynooth elevated in ecclesiastical status: in 1248, at Maurice’s request, Archbishop Luke of Dublin erected Maynooth as prebend of St Patrick’s cathedral, and the perpetual right of presentation was entrusted to Fitzgerald and his successors.
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Olleson, Philip. "Samuel Wesley and the Missa De Spiritu Sancto". Recusant History 24, nr 3 (maj 1999): 309–19. http://dx.doi.org/10.1017/s0034193200002533.

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A good deal of attention has been paid in recent years to the relationships between Methodists and Catholics in England in the eighteenth century and, in particular, to John Wesley’s own dealings with Catholics and Catholicism. This article examines a link with Catholicism at the very heart of Methodism’s first family: the involvement of Samuel Wesley (1766–1837), the younger of the two musician sons of Charles Wesley, and the nephew of John. As will be seen below, Wesley converted in 1784, marking the occasion by composing an elaborate setting of the Ordinary of the Mass (the Missa de Spiritu Sancto) which he sent to Pope Pius VI. This article discusses the background to the composition of the Mass, its musical content, and the subsequent history of its autograph score. It is prompted by the publication of a performing edition of the work and by a subsequent performance (almost certainly the world première) in St Patrick’s Cathedral, Dublin, on 10 September 1997, which was recorded and later broadcast on both Irish and British radio.
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Jefferies, Henry A. "St Patrick’s Cathedral, Dublin. Edited by John Crawford and Raymond Gillespie. Pp xv, 424, illus. Dublin: Four Courts Press. 2009. €50." Irish Historical Studies 37, nr 145 (maj 2010): 117–18. http://dx.doi.org/10.1017/s0021121400000122.

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Wilson, Jean. "Funerary Monuments and Memorials in St Patrick’s Cathedral, Armagh. By James Stevens Curl. 252mm. Pp xxviii + 132, 91 b&w and col ills. Historical Publications, Whitstable, 2013. isbn9781905286492. £40 (hbk)." Antiquaries Journal 94 (wrzesień 2014): 404–5. http://dx.doi.org/10.1017/s000358151400050x.

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Smyth, Fiona, i Donal Lennon. "Drawing on the digital: Analysis and modelling in architecture and music". International Journal of Humanities and Arts Computing 4, nr 1-2 (październik 2010): 1–16. http://dx.doi.org/10.3366/ijhac.2011.0004.

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The present study deploys acoustic theory and digital analysis to investigate the dynamics of the inter-relationship of architecture and music. It assesses the impact of the built environment on music composition and performance. Drawing upon the science that underpins both architecture and music, it is also informed by the qualitative and artistic attributes of both. Reference to a specific case study, St. Patrick's Cathedral in Dublin, describes the design and implementation of a methodology designed to allow for context and era-specific assessment. The research design is interdisciplinary, bridging theory and practice. The methodology is firmly based on the use of digital technologies, which allow for efficient, accurate and replicable procedure. Data capture, analysis and mapping of the architectural site was supplemented by reference to primary archived material. Digital preservation of primary material was an integral part of the project; the resulting record created a more complete digital repository of the cathedral, combining the information which can be read in the structure itself with documents relating to its history. This article makes use of Victor Hugo's concept of the ‘Book of Stone’ to comment on the information gleaned from paper records and digital analysis of the architecture and acoustics of St Patrick's Cathedral, Dublin.
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Hannibal, Joseph T., i Lorraine Schnabel. "Cockeysville marble: a heritage stone from Maryland, USA". Geological Society, London, Special Publications 486, nr 1 (2020): 229–49. http://dx.doi.org/10.1144/sp486-2019-1.

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AbstractBy virtue of its use in iconic monuments and historic buildings in the USA, Cockeysville marble, a dolomitic to calcitic lower Paleozoic (Cambrian/Ordovician) marble quarried in Baltimore County and adjacent areas in Maryland, is proposed as a potential Global Heritage Stone Resource. The most important use of this stone was for the Washington Monument in Washington, DC whose construction began in 1848; the second most important use was for the 108 columns of the United States Capitol's wings, completed in 1868. It was also used for two of the oldest major marble monuments in the USA, Baltimore's Battle Monument (dedicated in 1827) and Washington Monument (completed in 1829), as well as Baltimore's City Hall, Buffalo's Adkins Art Museum, Detroit's Fisher Building and parts of St Patrick's Cathedral in New York City. During the nineteenth century white Cockeysville was most desired, but a colourful variety, Mar Villa marble, was also used in the first decades of the twentieth century. Cockeysville marble is no longer quarried for dimension stone. All Cockeysville used outdoors has weathered to a lesser or great extent, but early testing indicating that the dolomitic marble would be more durable has proved to be true.
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de Jong, Ursula. "The Prince and the Pauper: St Patrick's Cathedral and Patronage in the Roman Catholic Church in Mid-nineteenth Century Victoria". Fabrications 9, nr 1 (maj 1999): 34–52. http://dx.doi.org/10.1080/10331867.1999.10525120.

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Walter, Susan M. "Victorian Bluestone: a proposed Global Heritage Stone Province from Australia". Geological Society, London, Special Publications 486, nr 1 (20.09.2018): 7–31. http://dx.doi.org/10.1144/sp486.1.

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AbstractVictorian Bluestone is proposed as a Global Heritage Stone Province from Australia. Numerous heritage stones occur within this province and of these Malmsbury Bluestone is suggested as a Global Heritage Stone Resource. Bluestone, an iconic basalt dimension stone from Victoria, is used domestically and internationally with a recognized heritage value. Sources are located in urban and country areas of Victoria some of which are still utilized for dimension stone. In many instances bluestone has superior technical characteristics, including durability, that surpass high-quality commercial sandstones, despite an architectural preference for lighter-coloured stones. These characteristics are matched by the diversity of significant uses for domestic, commercial and infrastructure purposes especially in Victoria. Notable examples include the Spotswood Pumping Station, Malmsbury Viaduct, the Graving Dock (Williamstown), Malmsbury Reservoir, St Patrick's Cathedral (Melbourne), Kyneton Railway Station and Ararat Gaol. If the bluestone used in pavements and drains is also considered, Victorian Bluestone could be described as Australia's most prominent infrastructure heritage stone. Bluestone use in Melbourne dates from the 1840s, in the other states of Australia and in New Zealand from 1873, with international interest from Asia between 1860 and 1880. The stone continues to be utilized widely around Australia and is also exported.
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Ford, Alan. "St Patrick's Cathedral, Dublin. A history. Edited by John Crawford and Raymond Gillespie. Pp. xv+424 incl. 21 figs+26 black-and-white and colour plates. Dublin: Four Courts Press, 2009. £45. 978 1 84682 044 1". Journal of Ecclesiastical History 61, nr 2 (19.03.2010): 376–77. http://dx.doi.org/10.1017/s0022046909992983.

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"Profession of Vows at St. Patrick's Cathedral in Manhattan". Incarnate Word 1, nr 4 (2008): 833. http://dx.doi.org/10.5840/tiw20081462.

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Rozprawy doktorskie na temat "St Patrick’s Cathedral"

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Byrne, John Henry, i res cand@acu edu au. "Sacred or Profane: The Influence of Vatican Legislation on Music in the Catholic Archdiocese of Melbourne, 1843 - 1938". Australian Catholic University. School of Music, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp09042006.88.

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Despite the authoritative and very explicit directions from the Vatican in 1903, the Catholic Archdiocese of Melbourne successfully resisted the demands for a major reform of liturgical Church music for 35 years. This thesis will examine the reasons for this strong and effective resistance to the demands of the Holy See and show that despite being complex and interrelated these reasons can be summarised under two fundamental headings. The thesis will examine the broad spectrum of music performed in the Melbourne Archdiocese, but because of the limited availability of information and the prime importance of the two principal churches of the Archdiocese, it shall concentrate on St. Patrick’s Cathedral and on St. Francis Church. The thesis shall also examine in detail the documents of the Holy See concerning liturgical music which were relevant to musical practice in Melbourne. Special attention is drawn to the influential Motu proprio Tra le sollecitudini (1903) issued by Pope Pius X. The time span of this thesis covers the 95 years from March 1843 when the first music was sung in Melbourne’s only Catholic church to 1938 when Archbishop Daniel Mannix ordered the reforms to liturgical music as demanded by the Vatican. The thesis shall demonstrate that the resistance to the reform of liturgical music in the Catholic Archdiocese of Melbourne was due to the two following influences: the fact that the new freedom and wealth that the immigrant Irish community of the Archdiocese of Melbourne experienced enabled them to establish churches and liturgies whose grandeur and artistic excellence symbolized their success in establishing a major new social and cultural status in their new home. Church music was one of the great manifestations of this and as an integral part of their new significance and sense of achievement, it was to be jealously guarded. the second was the matter of authority and the independence of the Catholic bishops from the dictates and interference of the Vatican authorities. These Irish-born bishops were trained in an historical milieu in Ireland and Europe which fostered a fierce pride in the value of autonomy from external and alien authority. In this they were given a great degree of protection by the isolation of Australia and its distance from outside authority. In this Archbishops Carr and Mannix both proved to be strongly independent leaders who proved to be most reluctant to automatically implement reforms imposed by the Vatican. It will be shown that only in the fourth decade of the twentieth century was Episcopal authority finally brought to bear to make reforms to liturgical music a reality in the Catholic Church in Melbourne.
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Książki na temat "St Patrick’s Cathedral"

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Jackson, Victor. St Patrick's Cathedral. Dublin: Eason & Sons, 1997.

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Jackson, Victor. St Patrick's Cathedral. Dublin: Eason, 1991.

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St. Patrick's Cathedral. New York, NY: AV2 by Weigl, 2014.

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Fiaich, Tomás Ó. St Patrick's Cathedral, Armagh. Dublin: Eason, 1987.

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St. Patrick's Cathedral: A life. East Melbourne: Polding Press, 1997.

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St. Patrick's gargoyle. New York: Ace Books, 2001.

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DeMille, Nelson. Cathedral. New York: Grand Central Publishing, 2002.

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DeMille, Nelson. Cathedral. Thorndike, Me: Thorndike Press, 1999.

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DeMille, Nelson. Cathedral. New York: Grand Central Pub., 2006.

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Jackson, Victor. The monuments in St Patrick's Cathedral, Dublin. Dublin: St Patrick's Cathedral, 1987.

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Części książek na temat "St Patrick’s Cathedral"

1

Berry, Jason. "Claiborne". W City of a Million Dreams, 78–96. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469647142.003.0005.

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In the 1790s, as planters sold off land for faubourgs, or neighborhoods, New Orleans branched out. One such neighborhood was founded by Claude Tremé. Antonio de Sedella clashed with the vicar Rev. Patrick Walsh and his replacement Rev. John Olivier. Sedella became the elected pastor of St. Louis Cathedral, leading the one institution where people voluntarily gathered across the color line. Governor William C.C. Claiborne, a lawyer-turned-politician, governed a divided city. Conflicts arose between the French and American cultures, the black militia and white elite, and between Claiborne himself and his opponents. Faced with an influx of Haitian refugees, including whites, free people of color, and slaves, Claiborne faced the challenge of providing for the refugees deemed free while establishing the status of those the refugees considered as slaves. Many refugees who were legally free in Haiti became slaves in New Orleans. A slave revolt, with an estimated 500 rebels, broke out in 1811. Claiborne sent the local militia to put down the insurrection. Close to 100 of the rebels were killed. Advocates for statehood argued that Louisiana should join the U.S., and by admitting Louisiana in 1812, the U.S. cemented itself to a slave economy.
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