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Artykuły w czasopismach na temat "Spectator’s place"
Christoffersen, Erik Exe. "Intermedial Performance and the vertical perspective". Peripeti 14, S6 (1.01.2017): 23–30. http://dx.doi.org/10.7146/peri.v14is6.110658.
Pełny tekst źródłaShmatova, G. A. "“Open space”: The spectator’s place in contemporary theatre communications". Shagi / Steps 3, nr 3 (2017): 97–107. http://dx.doi.org/10.22394/2412-9410-2017-3-3-97-107.
Pełny tekst źródłaKlobukova (Golubinskaya), N. F. "At the Crossroads of Cultures: A Story of Two Performances". Russian Japanology Review 5, nr 2 (24.01.2023): 95–115. http://dx.doi.org/10.55105/2658-6444-2022-2-95-115.
Pełny tekst źródłaStańczyk, Marta. "Liberté, égalité, sororité. Kobiece gatunki cielesne i francuskie „ekstremistki”". Literatura i Kultura Popularna 24 (18.04.2019): 97–112. http://dx.doi.org/10.19195/0867-7441.24.8.
Pełny tekst źródłaStaniškytė, Jurgita. "Reinstalling the Fourth Wall: Digital Performance and Spectatorship in (Post-)Pandemic Era". Art History & Criticism 19, nr 1 (30.11.2023): 31–38. http://dx.doi.org/10.2478/mik-2023-0003.
Pełny tekst źródłaDavydova, Olga S., i Larisa E. Muravieva. "The spectator’s anxiety in film narrative: Notes on films by Bertrand Bonello". Media Linguistics 9, nr 1 (2022): 64–76. http://dx.doi.org/10.21638/spbu22.2022.105.
Pełny tekst źródłaYeung, Lorraine. "The Nature of Horror Reconsidered". International Philosophical Quarterly 58, nr 2 (2018): 125–38. http://dx.doi.org/10.5840/ipq2018326104.
Pełny tekst źródłaSofer, Andrew. "Catastrophe Practices and the Ontological Gambit: Nicholas Mosley’s Plays for Not Acting". Theatre Journal 75, nr 4 (grudzień 2023): 455–67. http://dx.doi.org/10.1353/tj.2023.a922216.
Pełny tekst źródłaSilva, Carlos Nogueira da. "O objecto estético como mundo, na phénoménologie de l’expérience esthétique i, de mikel dufrenne". Phainomenon 3, nr 1 (1.10.2001): 57–66. http://dx.doi.org/10.2478/phainomenon-2001-0010.
Pełny tekst źródłaBoczkowska, Kornelia. "The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel". Kultura Popularna 4, nr 54 (7.05.2018): 24–35. http://dx.doi.org/10.5604/01.3001.0011.6717.
Pełny tekst źródłaRozprawy doktorskie na temat "Spectator’s place"
Lauraire, Héloïse. "Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe". Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Pełny tekst źródłaBetween the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action
CATALANO, ANA ROSA SARAIVA. "THE PLACE OF THE PARTICIPATING SPECTATOR IN LYGIA CLARK S AND HÉLIO OITICICA S WORK". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6409@1.
Pełny tekst źródłaThe goal of this dissertation is to analyse the existing relationship between the art work, the artist and the spectator within the context of Lygia Clark s e Hélio Oiticica s work. These two artists were chosen as the object of this study because both were committed to proposing new issues regarding the inclusion of the spectator as a direct agent in the modification and even creation of the art work. They stood out in the artistic world by proposing innovating issues, searching to occupy the real space and free themselves from the bidimensionality of the canvas and the easel. The research is based on the premise that both are current references in the history of Brazilian art and investigates the span of their trajectory, from their participation in the Neoconcrete group up to their last pieces, stressing the problematics involved in each one s work and, specially, to what point they were able to establish a direct dialogue with the public.
Besson, Roger. "Les lieux de l'interaction : fréquentation du stade et intégration sociale à Neuchâtel". Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1017.
Pełny tekst źródłaIn February 2007, Neuchâtel celebrates the inauguration of a brand new soccer stadium. For the club of Neuchâtel Xamax, which has been facing economical difficulties since a long time, this infrastructure represents a promising bright future. Everyone praises without restraint the comfort of the new arena, which is described as a friendly place, convenient to encounters, able to attract bigger crowds of people for long festive afternoons dedicated to the soccer entertainment. The analysis of the real social impact of the modernisation of this type of infrastructure is nonetheless very tricky. It implies not only a critical reflection on the attributes that can be considered as “socially virtuous” for the community, but also requires deciphering how the place works in its whole complexity. Following that, the research first requires the construction of a theoretical and methodological tool, which allows the study of the “integration potential” of this kind of space. Within the framework of the soccer stadium analysis, the use of this tool shows us that, in the case of Neuchâtel, this place plays a quite important social role. Based on various sources (questionnaire surveys, statistics relative to affluences, discourse analysis on a forum, etc.), the comparison of the situations that characterize the old and new infrastructure leads nevertheless to a nuanced assessment of the process of modernisation
Wang, Gang. "CORRELATIONS RELATIVE TO THE REACTION PLANE AT THE RELATIVISTIC HEAVY ION COLLIDER BASED ON TRANSVERSE DEFLECTION OF SPECTATOR NEUTRONS". Kent State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=kent1144770985.
Pełny tekst źródła"The place of the participating spectator in lygia clarks and hélio oiticicas work". Tese, MAXWELL, 2004. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=6409:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.
Pełny tekst źródłaKsiążki na temat "Spectator’s place"
Canter, David V. Football in its place: An environmental psychology of football grounds. London: Routledge, 1989.
Znajdź pełny tekst źródłaSen, Amartya. Our Obligation to Future Generations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825067.003.0007.
Pełny tekst źródłaHarris, Joanne. Place in the Sun/Al and Christine's World of Leather/the Spectator (Storycuts). Transworld Publishers Limited, 2011.
Znajdź pełny tekst źródłaDoane, Mary Ann. Bigger Than Life. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021780.
Pełny tekst źródłaBontemps, Arna. Recreation and Sports. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0021.
Pełny tekst źródłaSchliesser, Eric. Philosophy of Science. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690120.003.0011.
Pełny tekst źródłaSlocum, Karla. Black Towns, Black Futures. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653976.001.0001.
Pełny tekst źródłaBailey, Doug. Cutting Skin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190611873.003.0002.
Pełny tekst źródłaKoehlinger, Amy. History of Sport and Religion in the United States and Britain. Redaktorzy Robert Edelman i Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.34.
Pełny tekst źródłaHolt, Robin. Unhomeliness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199671458.003.0008.
Pełny tekst źródłaCzęści książek na temat "Spectator’s place"
Canter, David, Miriam Comber i David L. Uzzell. "Spectators' Views". W Football in its Place, 22–56. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003482574-2.
Pełny tekst źródłaHill, Shonagh. "Feeling Out of Place: The ‘Affective Dissonance’ of the Feminist Spectator in The Boys of Foley Street". W Performance, Feminism and Affect in Neoliberal Times, 269–81. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59810-3_21.
Pełny tekst źródłaLo, Dennis. "Translocalities of Sadness". W The Authorship of Place, 145–64. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.003.0007.
Pełny tekst źródłaParker, Fred. "Addison’s Modesty, or the Essayist as Spectator". W Joseph Addison, 164–81. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198814030.003.0009.
Pełny tekst źródłaLie, Sulgi. "On Enunciation without an Enunciator: Suture". W Towards a Political Aesthetics of Cinema. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462983632_ch02.
Pełny tekst źródłaStrukov, Vlad. "A Plea for the Dead (Self): Renata Litvinova’s Goddess: How I Fell in Love (2004)". W Contemporary Russian Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474407649.003.0007.
Pełny tekst źródłaBudick, Sanford. "‘Conversion’ of the ‘Nothing’ by the Instrumentality of The Merchant of Venice". W Hazarding All, 33–54. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474493154.003.0002.
Pełny tekst źródłaRedmon, Allen H. "Adaptation". W Rewatching on the Point of the Cinematic Index, 142–84. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841810.003.0005.
Pełny tekst źródłaŞahbaz, Ramazan Pars, i Ali Turan Bayram. "The Role of Movies/TV Series in Building Country/City/Destination Brands". W Brand Culture and Identity, 1204–17. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7116-2.ch064.
Pełny tekst źródłaŞahbaz, Ramazan Pars, i Ali Turan Bayram. "The Role of Movies/TV Series in Building Country/City/Destination Brands". W Strategic Place Branding Methodologies and Theory for Tourist Attraction, 269–82. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0579-2.ch013.
Pełny tekst źródłaStreszczenia konferencji na temat "Spectator’s place"
Giurescu, Adina. "The aesthetic experience of the contemporary theater audience". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.21.
Pełny tekst źródłaOlarewaju, Oluseyi, Athanasios V. Kokkinakis, Simon Demediuk, Justus Roberstson, Isabelle Nölle, Sagarika Patra, Daniel Slawson i in. "Automatic Generation of Text for Match Recaps using Esport Caster Commentaries". W 6th International Conference on Computer Science, Engineering And Applications (CSEA 2020). AIRCC Publishing Corporation, 2020. http://dx.doi.org/10.5121/csit.2020.101810.
Pełny tekst źródłaCONDURACHE, Dumitriana. "A Diverse Beauty: Amore, by Pippo Delbono". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0015.
Pełny tekst źródłaStanković, Emilija. "ULOGA TRANSPORTA U SNABDEVANjU RIMA". W XV Majsko savetovanje: Sloboda pružanja usluga i pravna sigurnost. University of Kragujevac, Faculty of Law, 2019. http://dx.doi.org/10.46793/xvmajsko.103s.
Pełny tekst źródłaThurston, Leanne. "How Staged Head-On Collisions Changed Public Perception of Railroads". W 2019 Joint Rail Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/jrc2019-1329.
Pełny tekst źródłaMyers, Marie J. "BRIDGING LANGUAGE GAPS OF L2 (SECOND LANGUAGE) TEACHERS BY OPTIMIZING THEIR SELF-AWARENESS". W International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end112.
Pełny tekst źródłaMonteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.
Pełny tekst źródłaBlidar, Crina-Rozalia. "Traditions and customs in the country of Codru, Maramureş". W Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.
Pełny tekst źródłaRaporty organizacyjne na temat "Spectator’s place"
Commonwealth Bank - Spectators in Martin Place at the opening of the new Head Office - 22 August 1916 (plate 645). Reserve Bank of Australia, marzec 2021. http://dx.doi.org/10.47688/rba_archives_pn-000850.
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