Gotowe bibliografie tematyczne / Spectacle

Gotowa bibliografia na temat „Spectacle”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 maja 2024

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Artykuły w czasopismach na temat "Spectacle"

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Li, Xiaoyan, Xiaoshan Lin, Jinzhu Tang i Guifang Hu. "Spectacle-wearing compliance and its associated determinants among infants with bilateral corrective refractive errors: An observational study". Medicine 103, nr 6 (9.02.2024): e36316. http://dx.doi.org/10.1097/md.0000000000036316.

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This study aimed to evaluate spectacle-wearing compliance and identify the determinants associated with it in infants with bilateral corrective refractive errors. Infants aged < 3 years with bilateral corrective refractive errors who were supplied with spectacles for > 1 month were enrolled at the pediatric comprehensive clinic of Zhongshan Ophthalmic Center. Spectacle-wearing compliance was evaluated by calculating the percentage of spectacle-wearing time in the awake time (STIT), and its potential determinants were identified based on interviews with the infants’ caregivers using univariate and multivariate logistic regression analysis. Pearson correlation analysis was performed to further determine the degree of correlation between spectacle-wearing compliance and weight of spectacles. A total of 366 infants (age: 20.85 ± 9.06 months, male: 54.92%) were included. The mean percentage of STIT was 64.00%±41.69%. The communication between caregivers of different infants regarding spectacle-wearing experience (P = .004, OR = 2.290, 95% confidence interval [CI] for OR = 1.301–4.029), perceptions of spectacle-wearing importance (P = .000, OR = 6.337, 95% CI for OR = 3.664–10.961), and weight of spectacles (P = .000, OR = 7.271, 95% CI for OR = 4.141–12.769) were significantly associated with spectacle-wearing compliance. Besides, spectacle-wearing compliance was positively correlated with the weight of spectacles (P < .01), exhibiting a decreasing trend with the weight of spectacles. Overall, spectacle-wearing compliance requires improvement. Moreover, efficient strategies aimed at improving spectacle-wearing compliance, such as enhancing communication between caregivers of different infants regarding spectacle-wearing experience, raising awareness about the importance of wearing spectacles, and reducing the weight of spectacles, are urgently needed.
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Bhatt, Nikunj K., Manisha Rathi, C. S. Dhull, Sumit Sachdeva i Jitender Phogat. "Spectacle compliance amongst school children of Rohtak, Haryana, India". International Journal Of Community Medicine And Public Health 4, nr 3 (22.02.2017): 734. http://dx.doi.org/10.18203/2394-6040.ijcmph20170749.

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Background: Refractive errors are the commonest cause of visual impairment in school children worldwide. They can be easily corrected by a pair of spectacles, only when they are used regularly. The purpose of present study is to document the actual rate of spectacle wear at the time of examination, assess principle determinants of spectacle wear and reasons for non-compliance among different demographic groups.Methods: 200 school children in the age group of 6-15 years with refractive errors were selected. The schools were visited without prior intimation to the students 3 months after the initial examination. Reasons for spectacle wear non-compliance were enquired.Results: 78 (39.0%) children out of 200 were compliant to spectacle wear, while 122 (61.0%) were non-compliant to spectacle wear. Main reason for not wearing spectacles was ‘teased about the appearance with spectacles’.Conclusions: School teachers should explain the risk of non-wearing of spectacles and benefits of spectacle wearing to both children and their parents. Most of the children were not compliant because they were teased about, did not like, or were not comfortable in their spectacles- all societal issues that could and should be addressed.
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Jhetam, Siddeeqa, i Khathutshelo P Mashige. "Effects of spectacles and telescopes on visual function in students with oculocutaneous albinism". African Health Sciences 20, nr 2 (22.07.2020): 758–67. http://dx.doi.org/10.4314/ahs.v20i2.28.

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Purpose: To investigate the effects of spectacle and telescope corrections on visual acuity (VA), contrast sensitivity (CS) and reading rates (RR) in students with oculocutaneous albinism (OCA). Methods: An observational study design was conducted on 81 students with OCA. Distance and near VA, CS and RR were measured without correction, with spectacle correction and with a combination of spectacle correction and telescopes. Results: The mean distance and near VA values with a combination of spectacle correction and telescopes were significantly better than those without correction and with spectacle correction alone (p = 0.01). Mean CS values achieved with spectacles alone were significantly better than those obtained with a combination of spectacles and telescopes (p = 0.01). There was no significant difference between logCS values obtained without correction compared to those obtained with a combination of spectacle correction and telescopes. There were no significant differences between RR values obtained with a combination of spectacles and telescopes and those without and with spectacle correction alone (all p > 0.05). Conclusion: This article provides valuable information to eye care practitioners on the effects of spectacles and telescopes on visual acuity, contrast sensitivity and reading rate in students with OCA. Keywords: Oculocutaneous albinism; visual acuity; telescope; contrast sensitivity; reading rate.
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Riaz, Rashid, Mohammad Sher Zaman i Rao Rashad Qamar. "SPECTACLE-WEAR". Professional Medical Journal 25, nr 12 (8.12.2018): 1852–56. http://dx.doi.org/10.29309/tpmj/18.4416.

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Background: Refractive errors are the most common cause of avoidable visual impairment in children worldwide. Importance of school screening of refractive errors is one of the most important initiatives outlined in WHO Vision 2025 targets. Corrected refractive errors visually rehabilitate the school going children. But the benefit depends on the compliance of the spectacle wear by children. Purpose: To study the compliance of spectacle wear and to highlight the reasons of non compliance in school going children of Multan. Study Design: Cross-sectional descriptive study. Setting: Ophthalmology Department, Nishtar Medical University Multan, Pakistan. Period: Jan 2009 to Oct 2012. Materials and Methods: 631 students. Among them 187 males and 175 female students were prescribed spectacles for constant wear during school screening program. Each student was given a pro forma indicating name, age, gender, prescription and column of reasons of non compliance. After six months, we conducted a follow-up visit where these students were accessed about spectacle compliance and reasons of non compliance on the given feedback pro forma from teachers. The data was collected and analyzed by SPSS version 20. Results: The overall non-compliance rate of spectacle wear in primary school children was 35.91%. A significantly higher proportion of boys 119 (57.14%) were not wearing their spectacles compared to girls 175 (54.86%). Themain reasons for non compliance in primary school boys and girls were casual in wearing their spectacles, does not like to wear spectacles, break their spectacles frequently and some children feel spectacles are not needed or cause headache. Conclusions: Poor compliance of using spectacles was noted in our study among children with refractive errors with main reason for not using these spectacles was that they did not like to wear them. So there is need to adopt aggressive awareness campaign among teachers and parents to enhance their knowledge for better outcomes and visual improvement of the children. Screening of primary school children with refractive error was difficult task in Multan. Limited information was available on the magnitude of the compliance for spectacle wear and their reasons of noncompliance. This information is crucial for establishing a program and will strengthen the efforts for a better eye care in school children.
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Sano, Bulus Stanley, i Sarki Pamela Diyale. "Barriers to spectacle acceptance among secondary school students in Igabi, North-Western Nigeria". International Journal Of Community Medicine And Public Health 7, nr 11 (26.10.2020): 4283. http://dx.doi.org/10.18203/2394-6040.ijcmph20204721.

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Background: The aim of this study was to determine spectacle acceptance and its barriers among secondary school students in Igabi, North-western Nigeria.Methods: In a students’ sample of 534, those with presenting VA < 6/9 in either eye that can be improved by 2 lines or more with refraction were identified. The students and their parents were provided with information on obtaining spectacles and its benefits. Two months later students were identified and assessed by direct inspection for purchase of spectacles and reasons for non- purchase were identified.Results: Thirty-four students out of 534 (6.4%) had refractive error with the age group of 16-18 years accounting for 204 (38%) of the study population. Only 14 (41.2%) of those requested to buy -spectacles bought. Among those who bought and use spectacles, 10 (71.4%) were females. Cost was responsible for 14 (70%) of spectacle non-purchase while extent of refractive error and various misconceptions on spectacle use were also determinants of spectacle purchase and use. Spectacle use was associated with subjective improvement in academic performance in 12 (85.7%) of those who bought and use spectacles.Conclusions: Cost of spectacles and various misconceptions on its use affect acceptance.
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Ichikawa, Makoto, Takahiko Kimura, Hiroyuki Egusa, Makiko Nakatsuka, Jun Amano, Tomomi Ueda i Takara Tashiro. "Modification of Depth and Distance Perception Caused by Long-Term Wearing of Left—Right Reversing Spectacles". Perception 32, nr 2 (luty 2003): 131–53. http://dx.doi.org/10.1068/p3342.

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For 35 to 39 days, four observers wore continuously left–right reversing spectacles which pseudoscopically reverse the order of binocular disparity and direction of convergence. In three tests, we investigated how the visual system copes with the transformation of depth and distance information due to the reversing spectacles. In stereogram observation, after a few days of wearing the spectacles, the observers sometimes perceived a depth order which was opposite to the depth order that they had perceived in the pre-spectacle-wearing period. Monocular depth cues contributed more to depth perception in the spectacle-wearing period than they did in the pre-spectacle-wearing period. While the perceived distance significantly decreased during the spectacle-wearing period, we found no evidence of adaptive change in distance perception. The results indicate that the visual system adapts itself to the transformed situation by not only changing the processing of disparity but also by changing the relative efficiency of each cue in determining apparent depth.
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Garg, Yug, Roche Varghese Abraham, D. Samhitha, J. Sneha, Ramesh Holla, Rohith Motappa, Bhaskaran Unnikrishnan i in. "IJCM_230A: Obstacles Faced by Medical Undergraduates Wearing Spectacles In A Medical College In Mangalore". Indian Journal of Community Medicine 49, Suppl 1 (kwiecień 2024): S67. http://dx.doi.org/10.4103/ijcm.ijcm_abstract230.

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Background: Spectacle compliance is vital among the young population to combat visual impairment arising from untreated refractive errors. Encouraging spectacle use is crucial, despite the challenges they present, such as fogging, scratches, and discomfort when prescribed wrong Objectives: 1. To study the obstacles faced by medical undergraduates while using spectacles. 2. To find out the various factors associated with the obstacles faced by undergraduates while wearing spectacles. Methodology: The study protocol was submitted for the approval from the Institutional Ethics Committee (IEC) of Kasturba Medical College, Mangalore. After obtaining the approval from ethics committee, permission was obtained from the Dean of Kasturba Medical College, Mangalore and data collection was done after receiving informed consent from the participants. A semi- structured questionnaire was distributed to the participants Results: 72.7% faced obstacle of dependency on spectacles and 71.5% faced difficulty of adjusting spectacles with gloved hands. · Out of 60(34.9%) study participants who ride two-wheeler, 21(35%) participants faced difficulties while riding due to spectacle use and wearing helmet(42.8%), glaring(19.1%) and fogging(14.2%) were the major difficulties faced. · Among 54(32%) study participants who drive 4-wheeler, 9(16.6%) participants faced difficulties while driving due to spectacle use and the major difficulties encountered were glaring(55.5%) and restricted field of vision(22.2%). · A statistically significant association with P value of 0.001 was established between duration of spectacle usage and dependency on spectacles Conclusion: Based on our study, we have found that most of the participants have been using spectacles for 1-10 years mainly for correction of refractive errors like myopia and thus use spectacles throughout the day.
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Vankudre, Gopi S., i Babu Noushad. "Barriers and Perception Towards Spectacle Wear among Student Population of University of Buraimi, Oman". Sultan Qaboos University Medical Journal [SQUMJ] 21, nr 3 (29.08.2021): 416–22. http://dx.doi.org/10.18295/squmj.4.2021.004.

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Objectives: The study aims to evaluate the barriers and perception towards spectacle wear among student population of University of Buraimi, Oman. Methods: This descriptive, questionnaire based, cross-sectional study was conducted between December 2017 and May 2018. To evaluate participant’s barriers and perception towards spectacle wear, a self-designed, validated questionnaire prepared in English language, obtained responses from 170 a university student population within the Sultanate of Oman. Chi-square test was used to assess the association between the type of perception with the socio-demographic and refractive error related profiles of the participants. Results: All participants with inappropriate spectacle correction (61.82%) responded to the questionnaire. Majority of them (73.5%, n = 125) were having their eyes examined for the first time. Only 28 (16.5%) were wearing spectacles. Nearly half of the participants (54%, n = 91) had positive attitude towards spectacle wear, followed by negative (36%, n = 62) and neutral perception (10%, n = 17). Participants from a health science background had a higher positive perception towards spectacle wear compared to the non-medical study majors (P = 0.012). The difference in the perception scores between myopic and hypermetropic refractive error group was statistically insignificant (P = 0.882). Conclusion: A majority of the participants were having inappropriate spectacle corrections and did not undergo any prior ocular examinations. Very few participants were wearing spectacles, however, it was inappropriate concerning their current refractive status. The other reasons for spectacle non-wear were, ordering of new spectacles, lost them, or were broken. Nearly half of the participants had positive perceptions towards spectacle wear. The positive perception was higher among students with health-related majors. The study stresses to extend the current school eye health initiative within the region to the university level. A holistic eye health promotional approach integrating students, teachers, and parents can help in improving spectacle wear within the population. Keywords: Eyeglasses; Refractive errors; School eye health; Spectacle compliance; Patient compliance.
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Kankonkar, Prajoth, i Sharvani Pai. "Factors affecting non-compliance to spectacle wear in children aged six years and below with refractive errors: A hospital based cross-sectional study in India". Indian Journal of Clinical and Experimental Ophthalmology 7, nr 3 (15.09.2021): 503–8. http://dx.doi.org/10.18231/j.ijceo.2021.100.

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Uncorrected refractive errors (RE) are the most common cause of preventable visual Impairment (VI) in children, which if not treated in time can lead to amblyopia. VI in early childhood interferes with their overall development affecting their future opportunities in life. Spectacles remain the most popular and effective method for correction of RE. Children unlike adults, often don’t understand the need for wearing spectacles, thus prescribing spectacles in children becomes difficult. Aim of this study was to find out proportion of spectacle wear non-compliance in children aged six years and below and identify factors associated with it. The study was conducted among 115 children aged six years and below with refractive errors who were prescribed spectacle correction. Children were selected using simple random sampling. Multivariate logistic regression was used to identify independent factors associated with spectacle wear non-compliance. Proportion of spectacle wear non-compliance was 53.04%. Children with spectacle wear non-compliance were more likely to: belong to age of two to four years (AOR = 4.3; 95%CI: 1.3-14.3); have mother with up-to primary school education (AOR = 3.7; 95%CI: 1.2-11.7); have anisometropia (AOR = 11.1; 95%CI: 3.4-36.7). Statistically significant association was observed between spectacle wear non-compliance and child’s age, mother’s education, anisometropia, astigmatism, manifest squint, intolerance to glasses, glasses lost, glasses broken, concerned teasing and cost issues. Children less than four years of age; with anisometropia and those whose mothers had up-to primary school education were more likely to be non-compliant to spectacle wear.
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Flyverbom, Mikkel, i Juliane Reinecke. "The Spectacle and Organization Studies". Organization Studies 38, nr 11 (28.01.2017): 1625–43. http://dx.doi.org/10.1177/0170840616685366.

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The aim of this essay is to revisit Guy Debord’s critical theory of the spectacle as formulated 50 years ago in the ‘Society of the Spectacle’ in light of the contemporary production of spectacles. Debord’s arguments about appearance, visibility and celebrity are echoed in the way organizations increasingly focus on their brand, image, impression, and reputation. Yet, the role of spectacles in organizational life has remained under-researched in organization studies. As the boundaries between fact and fiction, reality and representation, substance and appearance become increasingly blurred, questions about the production and effects of spectacles seem more pertinent than ever. Are representations faithful mirrors of reality, or attempts to conceal reality? Do they replace reality, or bring new realities into being? By articulating three possible understandings of the spectacle, as fetishism, hyper-reality or performativity, this essay invites organization scholars to examine the organization of the real and the making of organizations through processes of spectacular representation including discursive practices, visual images and theatrical performances.
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Rozprawy doktorskie na temat "Spectacle"

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Fitzmorris, James McKay. "Summoning the spectacle /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/10221.

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Krishnan, Sherly Rishi, i Christopher Fisher. "A Virtual Spectacle". Thesis, Uppsala universitet, Institutionen för speldesign, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384232.

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Our goal was to create an enhanced spectator experience to better engage the rapidly growing audience for Esports, through the use of Virtual Reality (VR) technology. In this study, we delve into the ways in which VR can do this. To test this hypothesis, we created a VR spectator add-on for a game and gathered data using semi-structured interviews. The data from the interviews were then analyzed using thematic analysis. The results of our study show that VR provides more engagement through a combination of possible factors including proximity to the action, novelty of VR experiences and the harder controls in VR. The results also show that the terms "immersion" and "spatial presence" were quite possibly used interchangeably by the participants and also that there may not be a correlation between the terms "engagement" and "spatial presence". In conclusion, we believe that the increased sense of engagement through VR technology can be taken even further and has the potential to be something more than what traditional modes of spectating can offer.
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Trevien, Claire. "Revolutionary prints as spectacle". Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/54059/.

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The Revolutionary era was a period of radical political change in France which dissolved traditional boundaries of privilege. It was also a time of creative experimentation on the stage, the street, and in print. Performance and theatrical language were an integral part of the French Revolution. This interdisciplinary thesis makes a vital contribution to knowledge of the cultural production of the French Revolution by analysing the theatrical influences in its satirical prints. It argues that printmakers drew from different aspects of Revolutionary performance to create their prints, from street singers and fairground performers to unsanctioned Revolutionary events and topics favoured by the stage, including the representation of Revolutionary characters in hell. These depictions – observed for the first time under thematic banners – provide a new insight into the multiplicity of opinions, beliefs and attitudes during the French Revolution.
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Lane, Katherine Ann. "Spectacle of the Missing". Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1216670444.

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Donsker, Mayme. "Between Nothingness And Spectacle". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2770.

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Looking closely at anonymous subjects in found photographs to jog collective memories and point at gestures, bodily traces of complexity, connectedness or just a quiet moment where nothing monumental is really happening; a pause for distance, a pause for discernment, there is no real difference between nothingness and spectacle.
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Huang, Gang. "A journey of spectacle between London and Shanghai : (an)other hermeneutics of spectacle". Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23050/.

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This thesis is aimed at exploring a different interpretation of the spectacle. The existing literature is based on Situationism and the Frankfurt School’s interpretation within which the society of spectacle is demonstrated to not only visually encapsulate the subjects in an enchanting commodification but also restrict the perceptual experiences to regular boredom through such repetitive and exclusive rendition. This criticism rests on a Hegelian and Marxist reading and suggests that the alienating and un-lifelike phantasmagoria of commodification haunts people's daily lives and subjugates the personal struggle that emancipates the subject from being reified in alienation to being unitary in intimacy. The dialectical negation imposed upon the spectacle is challenged in this work by a divergent hermeneutics, which relocates the spectacle in an epistemological complex drawing inspiration from Bataille’s general economy of excess expenditure, Foucault/Deleuze's genealogy, Benjamin's historiography, Barthesian semiological analysis, and Baudrillard’s hyperreal simulacra. Illuminated by this different hermeneutics, the spectacle is rather a kind of unproductive expenditure, which is heterogeneous to dissipate the excess restrictively exuded from the homogeneous mechanism of production in utility as irreducible to realistic production. Thus, the society of spectacle is not negative to the productive mechanism but inhabits it to have incapacity wherein an unreserved play of images is restricted by utility and territorialised fragmentarily by different political-sociological milieus to prohibit the channel of excess towards an unconditional expenditure as an unruly and destructive torrent. The solution is to blur and transgress the restriction, rather than negate it, whereby to fuse the prohibited and the allowed in restriction as a visual hybridity of incompatibilities. Then, a journey of spectacle between London and Shanghai is a concrete method of substantiating this visual fusion as an experiential and incommensurable distribution that drifts between different spatiotemporal fragments on the surface of multiple images. This optical disparity is not restricted to a bourgeois-ruled phantasmagoria but transgressive to uncover time flow to recollect and merge the hidden and accursed heterogeneities outpoured from revolution.
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Fittock, Dominique Raye. "Panathenaia : the spectacle of politics /". Title page, contents and introduction only, 2002. http://web4.library.adelaide.edu.au/theses/09AR/09arf547.pdf.

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Buy, Frédéric. "L'organisation contractuelle du spectacle sportif". Aix-Marseille 3, 2001. http://www.theses.fr/2001AIX32030.

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Malgré l'interventionnisme croissant de l'Etat et l'indéniable publicisation qui en résulte, le sport reste profondément ancré dans le droit privé. Le contrat constitue en effet l'élément fondateur de l'activité, et son rôle apparaît au grand jour à travers la façon dont s'organise le spectacle sportif. Quelles sont les caractéristiques de l'activité contractuelle qui crée le spectacle ? Le spectacle justifie-t-il un régime contractuel spécifique ? Telles sont les deux questions essentielles auxquelles se propose de répondre la présente étude. Sont ainsi évoqués, en premier lieu, les principaux contrats constitutifs du spectacle. Entre acteurs du mouvement sportif et agents économiques extérieurs, se développe un tissu de relations fort complexe fondé sur des contrats d'engagement, de télévision, de publicité, d'intermédiaire, d'assurance, etc. . . , et régi par un ensemble de règles originales dont la source est à la fois étatique et corporatiste. .
Despite increasing State intervention and the undeniable application of public law that follows, sport remains firmly anchored in private law. Indeed, the contract is the founding element of this activity, and its role is clearly shown in the manner in which sporting events are organized. What are the characteristics of the contract-related activities which create the sporting event ? Do sporting events require specific contracting regulations ? These are the two main questions that the present study aims to answer. First, the main contracts establishing the event will be considered. A complex web of relations develops between figures in the sporting world and external financial agents based on employment, television, advertising, intermediary and insurance contracts, etc. . . Which is governed by a set of regulations of state and corporatist origin. .
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Buy, Frédéric. "L'organisation contractuelle du spectacle sportif /". Aix-en-Provence : Presses universitaires d'Aix-Marseille, 2002. http://catalogue.bnf.fr/ark:/12148/cb39080534z.

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King, Taylor Z. "A Spectacle and Nothing Strange". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5905.

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Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the room. ‘A spectacle and nothing strange’ is an arrangement of gestures, of made difference, of kinships, of orientations and possible futures, sustained tension, coded adornment, big dyke energy, shifts in hardness, leaning softness, much more than flowers, ...and in any case there is sweetness and some of that.
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Książki na temat "Spectacle"

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Wolf, Winkler, i National Museums of Scotland, red. A spectacle of spectacles: Exhibition catalogue. [Leipzig]: Edition Leipzig, 1988.

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Carl-Zeiss-Stiftung, Jena, i National Museums of Scotland, red. A spectacle of spectacles: Exhibition catalogue. [Leipzig]: Edition Leipzig, 1988.

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Rockwell, David. Spectacle. London: Phaidon, 2006.

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Jacobsohn, Ricardo E. Spectacle vivant, spectacle sur support: Esthétique comparée des arts du spectacle. Paris, France: L'Harmattan, 2006.

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Media spectacle. London: Routledge, 2003.

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photographer, Baker Jia Oak, red. Gravity & spectacle. Flagstaff, Arizona: Tolsun Books, 2020.

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Spectacle: Stories. Minneapolis, MN: Graywolf Press, 2013.

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Fabrice, Boulanger, red. Place au spectacle! Québec: Éditions FouLire, 2013.

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France, Borel, red. Le Corps-spectacle. Bruxelles: Editions de l'Université de Bruxelles, 1987.

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Company, Walt Disney, i Pixar (Firme), red. Place au spectacle! Montréal: Phidal, 2012.

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Części książek na temat "Spectacle"

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Sahagun, Luis Gregorio Iglesias. "Spectacle". W Encyclopedia of Critical Psychology, 1838–44. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_422.

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Marsh, Joss. "Spectacle". W A New Companion to Victorian Literature and Culture, 299–311. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch20.

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Marsh, Joss. "Spectacle". W A Companion to Victorian Literature and Culture, 276–88. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165358.ch19.

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Lovatt, Helen. "Flavian Spectacle". W A Companion to the Flavian Age of Imperial Rome, 361–75. Hoboken, NJ: John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118878149.ch20.

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Nuss, Melynda. "Creative Spectacle". W Distance, Theatre, and the Public Voice, 1750–1850, 151–70. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137291417_6.

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Wilson, Mark. "Downsizing spectacle". W Planning and Managing Smaller Events, 12–22. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429266263-2.

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Davis, Glyn. "Mobile spectacle". W Researching Live Music, 103–14. London: Focal Press, 2021. http://dx.doi.org/10.4324/9780367405038-8.

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Marsden, Jean I. "Public Spectacle". W The Routledge Companion to Eighteenth-Century Literatures in English, 404–16. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003271208-41.

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Goes, Frank. "Glass-spectacles—Spectacle Optics". W The Eye in History, 159. Jaypee Brothers Medical Publishers (P) Ltd., 2013. http://dx.doi.org/10.5005/jp/books/11837_15.

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Manning, Frank E. "Spectacle". W Folklore, Cultural Performances, And Popular Entertainments, 291–99. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0036.

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Abstract A large-scale, extravagant cultural production that is replete with striking visual imagery and dramatic action and that is watched by a mass audience. The spectacle is especially characteristic of modem societies, socialist and capitalist, but is also found in traditional societies significantly affected by modem influences. It is arguable that spectacle has surpassed religious RITUAL as the principal symbolic context in which contemporary societies enact and communicate their guiding beliefs, values, concerns, and selfunder standings. The repertoire of spectacles is vast, but the most familiar examples come from the field of sports. The greatest of all spectacles is probably the Olympic Games, which attract tens of thousands of participants, live audiences of two to three million persons, and media audiences estimated to number a third of the world’s total population. World Cup soccer matches also draw huge live and television audiences, as do, in the United States, championship and other “classic” games in professional baseball and football, college football, and various other sports ranging from golf through horse and stock car racing. When the magazine Sports Illustrated was started in 1954, it included a photographic section called “Spectacle,” which in its prospec tus stated, “Sport . . . is magic to the eye. It lingers in the life-long treasury of vision.”
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Streszczenia konferencji na temat "Spectacle"

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Demer, Joseph L., Franklin I. Porter, Jefim Goldberg, Herman A. Jenkins i Kim Schmidt. "The Effect of Telescopic Spectacles on Visual Acuity During Head Motion". W Noninvasive Assessment of the Visual System. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/navs.1987.wa1.

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Telescopic spectacles are commonly prescribed to the visually impaired. However, many such low vision patients cannot use spectacle magnifiers effectively. This may be because these patients cannot maintain adequate stability of the magnified image on the retina during head movements. Head movements are the ubiquitous consequence of ambulation, tremor, and postural instability.
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Zajac, Marek. "Hybrid achromatic spectacle lens". W 13th Polish-Czech-Slovak Conference on Wave and Quantum Aspects of contemporary Optics. SPIE, 2003. http://dx.doi.org/10.1117/12.545111.

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Dreher, Andreas W., Jagdish Jethmalani, Laurence Warden i Lawrence Sverdrup. "Wavefront-guided spectacle lenses". W Biomedical Optics (BiOS) 2007, redaktorzy Fabrice Manns, Per G. Soederberg, Arthur Ho, Bruce E. Stuck i Michael Belkin. SPIE, 2007. http://dx.doi.org/10.1117/12.701459.

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Dechard, Elise, i Sy Bodson. "Site Spectacle Seed Sprout". W 2017 ACSA Annual Conference. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.amp.105.34.

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Site Spectacle Seed Sprout is a conceptual proposal to initiate a more socially conscious approach to deconstruction and urban renewal in the city of Detroit. The project provides an alternative response to the current city-center based system with its traditional top-down, trickle-down development models, inadequate demolition program, and slow, scattered blight beautification.
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Govender, Sivagami, i Harold E. Bedell. "Perceptual Adaptation to Distortions Produced by Meridional Magnifying Lenses". W Noninvasive Assessment of the Visual System. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/navs.1990.wa4.

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Many patients report perceptual distortion and symptoms of discomfort when spectacle lenses are first worn or when a significant change is made in the prescription. Clinical observations indicate that, after a period of lens wear, most patients experience less distortion, suggesting that adaptation has occurred. The rapidity and completeness of this adaptation depends apparently upon the type of spectacles worn (and, hence, the distortions induced), as well as characteristics of the individual that, as yet, are not well understood.
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Husna, Hanna Nurul, i Ai Meri Yulianti. "Lens decentration of spectacle wearers". W INTERNATIONAL CONFERENCE ON SCIENCE AND APPLIED SCIENCE (ICSAS) 2019. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5141632.

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Kubrak, Janusz, i Ludomir Wlodarski. "Thin films on spectacle lenses". W Ophthalmic Measurements and Optometry, redaktorzy Maksymilian Pluta i Mariusz Szyjer. SPIE, 1998. http://dx.doi.org/10.1117/12.328302.

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Bartkowska, Janina. "Decentration of a spectacle lens". W Ophthalmic Measurements and Optometry, redaktorzy Maksymilian Pluta i Mariusz Szyjer. SPIE, 1998. http://dx.doi.org/10.1117/12.328326.

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Bucchi, Gabriele, i Lise Michel. "Introduction : Le spectacle du châtiment". W Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.8049.

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Atchison, David A. "A Review of Spectacle Lens Design". W Ophthalmic and Visual Optics. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/ovo.1991.fa1.

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For the purpose of this review, spectacle lens design refers to the design of lenses in order to minimise side-effects of wearing corrective spectacle lenses. These side effects include: aberrations which reduce image quality; factors affecting spatial perception such as spectacle magnification, distortion and visual field size; weight; poor cosmesis.
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Raporty organizacyjne na temat "Spectacle"

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Struik, L. C. Geology, Spectacle Lakes, Cariboo Land District, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/126427.

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Schrimsher, Robert H., i Morris R. Lattimore. Prevalence of Spectacle Wear among U.S. Army Aviators. Fort Belvoir, VA: Defense Technical Information Center, sierpień 1990. http://dx.doi.org/10.21236/ada227583.

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González Requena, J., i L. Torres Hortelano. The Takeover of Politics by the Spectacle of the Real. Case Study: El Objetivo. Revista Latina de Comunicación Social, grudzień 2017. http://dx.doi.org/10.4185/rlcs-2017-1241en.

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Marzal-Felici, J., i M. Soler-Campillo. The spectacle of excess. Representations of 2008’s financial crisis in northamerican mainstream cinema. Revista Latina de Comunicación Social, styczeń 2018. http://dx.doi.org/10.4185/rlcs-2018-1247en.

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Poloboc, Alina. Fancy Lollipop. Intellectual Archive, grudzień 2023. http://dx.doi.org/10.32370/iaj.2997.

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"Fancy Lollipop" is a vibrant and energetic artwork featuring a blend of bold and bright colors. The color palette, which includes shades of blue, pink, and black, creates a sense of drama and theatricality in the piece. The colors are strategically placed in the composition to emphasize key elements of the image, such as the main character, Fancy Lollipop. Speaking of the main character, Fancy Lollipop is depicted as an extravagant and self-assured individual. Their presence in the artwork is unmistakable, and their confident and assured stance reflects their bold and attention-grabbing personality. The use of quick, expressive brushstrokes in their figure creates a sense of movement and energy, further enhancing the feeling of spectacle and showmanship in the piece. Overall, "Fancy Lollipop" is an impressive example of contemporary art that draws on real-life characters encountered by the artist during their stay in Miami. The artwork offers an immersive visual experience that captures the viewer`s attention with its colorful and energetic composition, and is sure to leave a lasting impression on those who encounter it.
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Aeromagnetic total field map, Spectacle Lakes, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/125943.

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