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Artykuły w czasopismach na temat "Spatialité japonaise"
Cruz-Saito, Mizuki, Masatsugu Nishida i Philippe Bonnin. "Le tatami et la spatialité japonaise". Ebisu 38, nr 1 (2007): 55–82. http://dx.doi.org/10.3406/ebisu.2007.1483.
Pełny tekst źródłaCalbérac, Yann. "Dispositif, récit et spatialité. Le motif du tokonoma dans l’œuvre du plasticien Alexandre-Takuya Katô". Nouvelle revue d’esthétique 32, nr 2 (30.01.2024): 203–14. http://dx.doi.org/10.3917/nre.032.0203.
Pełny tekst źródłaSekimura, Makoto. "L’identité humaine et la spatialité dans la culture japonaise". Caietele Echinox 40 (28.06.2021): 199–208. http://dx.doi.org/10.24193/cechinox.2021.40.16.
Pełny tekst źródłaBerque, Augustin. "Public, commun et privé dans la spatialité japonaise vus de l’ère Shôwa (1926-1989)". Le Visiteur N° 24, nr 1 (1.03.2019): 67–77. http://dx.doi.org/10.3917/visit.024.0062.
Pełny tekst źródłaTetsurō, Watsuji. "Extraits de Fūdo". Dossier 64, nr 2 (11.12.2008): 327–44. http://dx.doi.org/10.7202/019502ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Spatialité japonaise"
Melay, Alexandre. "Temporalité et spatialité dans l'esthétique japonaise : Formes de l'architecture au Japon". Thesis, Saint-Etienne, 2015. http://www.theses.fr/2015STET2209.
Pełny tekst źródłaThis thesis focuses on the question of the identity of contemporary Japanese architecture through Japanese traditions and aesthetics, deeply rooted from the cultural background of Japan : a real passage through both intellectual, spiritual and artistic fields. The purpose of this research is to analyze the interrelation existing between tradition and modernity ; to establish a filiation, or a lineage, a possible evolution, to understand the transformation of Japanese architecture through different concepts between space and time. It comes to shed light on the expression of tradition in Japanese architecture : a “new tradition”, a notion of japan-ness where tradition becomes the matrix of modernity. In other words, tradition could be understand as a true catalyst. The goal of this thesis is to show that Japanese architecture has resolved the difficult balance between National tradition and International modernity. The tradition seems to be also one of the matrix of the future. The tradition is not only architectural, but it includes spirituality, aesthetics, art, and the manner how culture is linking to space and time. In other words, it is important to understand the cultural Japanese tradition background as a true conceptual levers for the new generation of Japanese architects. The tradition is a legacy of the past which should be preserved to maintain an identity, which could give a path, and vision for future. The quality of the relationship with the tradition depends not only of the harmony and beauty of our living, but also from the wealthy architectural message transmitted to future generations
Sahban, Ilham. "Sanctuaires shintō et spatialité : l’omniprésence de l’espace des kami". Electronic Thesis or Diss., Paris 8, 2023. http://www.theses.fr/2023PA080003.
Pełny tekst źródłaThe Shinto cult, though fundamental in Japanese culture, is paradoxically poorly known outside the boarders of the archipelago. The term jinja, commonly translated by “Shinto shrine”, has a very broad meaning and is not easy to define. This term encompasses a multiplicity of forms of spaces dedicated to the kami cult, from mountains and forests considered sacred sites to the most elaborate constructed forms. Both in urbanized or rural environment, Shinto rituals are regulated by the agrarian calendar, particularly the periods of sowing and harvesting; on these crucial dates, the seasonal processions contribute to renewing the vitality of the kami, thereby assure abundance and prosperity to the community.Next, the multiple uses within the limits of the Shrine, ceremonial uses but also festive or even commercial uses, highlight the interpenetration between sacred and profane space within the enclosure of the jinja. Finally, the architectural configuration of Shinto shrines is not the main subject of our development, but the tradition of the architectural replication on a reduced scale is a particularity which can explain the influence of main Shrines over their province or even on a national scale.This research belongs to the field of spatial anthropology; in a transdisciplinary approach, we base our work on theoretical works in Western languages and Japanese language, and also on our ethnographic observations of rituals in Shrines of various scales, from neighborhood Shrines to the main national Shrines of Ise jingū and Izumo taisha
Matsugi, Hiromi. "La sculpture d’espaces d’Isamu Noguchi en dialogue avec la spatialité américaine, 1933-1988". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080063.
Pełny tekst źródłaThis thesis studies the body of artistic projects by Isamu Noguchi (1904 - 1988) that he termed "sculpture of spaces". They are environmental in situ creations such as gardens and plazas, which cannot be transported, cannot be disassembled, and are accessible to the general public, apart from artistic institutions. Our hypothesis is that there is a complex relationship, made up of aspiration, criticism and reaction, between sculpture of spaces and American spatiality, which is constituted by spatial norms governing all behaviours and orientations, collective or individual, in the American society. The aim of this thesis is to make the case, through a detailed examination of each project, as well as its putting in context with the architecture, urban planning and cultural policy of public spaces, that Noguchi's work is not an end in itself. It proves to be a means to move the dominant American spatiality, expansive and centrifugal, inherited from How the West Was Won, towards a more centripetal one which, by taking into account the multiplicity of environmental and historical elements, reunites man and his location
Matsugi, Hiromi. "La sculpture d’espaces d’Isamu Noguchi en dialogue avec la spatialité américaine, 1933-1988". Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080063.
Pełny tekst źródłaThis thesis studies the body of artistic projects by Isamu Noguchi (1904 - 1988) that he termed "sculpture of spaces". They are environmental in situ creations such as gardens and plazas, which cannot be transported, cannot be disassembled, and are accessible to the general public, apart from artistic institutions. Our hypothesis is that there is a complex relationship, made up of aspiration, criticism and reaction, between sculpture of spaces and American spatiality, which is constituted by spatial norms governing all behaviours and orientations, collective or individual, in the American society. The aim of this thesis is to make the case, through a detailed examination of each project, as well as its putting in context with the architecture, urban planning and cultural policy of public spaces, that Noguchi's work is not an end in itself. It proves to be a means to move the dominant American spatiality, expansive and centrifugal, inherited from How the West Was Won, towards a more centripetal one which, by taking into account the multiplicity of environmental and historical elements, reunites man and his location
Książki na temat "Spatialité japonaise"
Duteil-Ogata, Fabienne, Nishida Masatsugu, Patricia Marmignon, Marie-Élisabeth Fauroux, Philippe Bonnin i Shigemi Inaga. Vocabulaire de la spatialité japonaise. Paris: CNRS, 2014.
Znajdź pełny tekst źródłaJacquet, Benoît, Masatsugu Nishida i Philippe Bonnin. Dispositifs et notions de la spatialité japonaise. Lausanne: Presses polytechniques et universitaires romandes, 2014.
Znajdź pełny tekst źródłaNishida, Masatsugu, Philippe Bonnin i Shigemi Inaga. Pour un vocabulaire de la spatialité Japonaise. 2013.
Znajdź pełny tekst źródła