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Pinsky, Michael. "Space dictates art > art dictates space". Thesis, University of East London, 2000. http://roar.uel.ac.uk/3609/.
Pełny tekst źródłaVasilenko, Anastasia. "Op-art in the art space". Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15275.
Pełny tekst źródłaGalyna, Agieieva, Агєєва Галина Миколаївна, Агеева Галина Николаевна, Nickolchuk Bogdana S, Нікольчук Богдана Сергіївна i Никольчук Богдана Сергеевна. "Airports as art-space". Thesis, Natuonal Aviation University, 2019. http://er.nau.edu.ua/handle/NAU/38532.
Pełny tekst źródłaThe results of researches on the use of airports as distinctive culturological platforms (art spaces) are presented. Illustration of features of the formation and functioning of the Art Space of Terminal D International Airport Boryspil (Kiev).
King, Barbara Amelia. "Space Art + Space Science a polymathic paradigm shift in the art/science dialogue". Master's thesis, Faculty of Engineering and the Built Environment, 2021. http://hdl.handle.net/11427/32739.
Pełny tekst źródłaKortenhoeven, Nicola. "Expressive space textile art centre /". Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112346.
Pełny tekst źródłaFong, Ching-to Solomon, i 方正道. "Metamorphosis of city: art space". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B3198387X.
Pełny tekst źródłaFong, Ching-to Solomon. "Metamorphosis of city : art space /". Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946262.
Pełny tekst źródłaFloyd, Tiffany. "Mental Space". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2674.
Pełny tekst źródłaYes, Melissa R. "Space Program". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.
Pełny tekst źródłaSand, Monica. "Space in motion : the art of activating space in-between". Doctoral thesis, KTH, Arkitektur, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4876.
Pełny tekst źródłaQC 20100909
MASSON, MICHEL NUNES LOPES. "SPACE IN THE ART OBJECT EXHIBITION". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5715@1.
Pełny tekst źródłaThe Space in Works of Art Exhibition is a study that intends to understand the role of the enviroment in art exhibitions. Assumes it`s interference in the fruition of pieces as an action towards the design field limits. Starts from an historical and social analisys of exhibition to build the basis under it`s proposals, trying to understand how the exhibitions design can be recognized as language. For such, it makes use of the space`s existing dicotomy, the neutral and the active space, as one of it`s pillars.
Conklin, Tiffany Renée. "Street Art, Ideology, and Public Space". PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/761.
Pełny tekst źródłaCoats, Mary Frances. "Cataloguing space". Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2462.
Pełny tekst źródłaMataraga, Francesca School of Arts UNSW. "The empty space". Awarded by:University of New South Wales. School of Arts, 2007. http://handle.unsw.edu.au/1959.4/31945.
Pełny tekst źródłaBundy, Dallin J. "Magical Realism and the Space Between Spaces". DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1309.
Pełny tekst źródłaTerne, Clara. "Space + Poetics". Thesis, Konstfack, Grafisk Design & Illustration, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-123.
Pełny tekst źródłaValente, Liz Fagundes Oliveira. "Space and art – interrelations between architecture and contemporary art at Inhotim". Universidade Federal de Viçosa, 2016. http://www.locus.ufv.br/handle/123456789/8449.
Pełny tekst źródłaMade available in DSpace on 2016-09-02T13:13:13Z (GMT). No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5) Previous issue date: 2016-04-18
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A presente dissertação é o resultado de uma pesquisa fenomenológica, onde o objeto de pesquisa são as inter-relações entre a arquitetura e as expressões artísticas contemporâneas em Inhotim. A teoria da fenomenologia entende que a experiência sensorial do espaço é também uma função singular da arquitetura. Em arquitetura ela é demonstrada pela manipulação de elementos materiais e imateriais do espaço, a fim de produzir um impacto nos sentidos humanos. Desde a consolidação da arte contemporânea, particularmente da arte pós- objeto2 como arte ambiental, site-specific, new media, instalações e outras que promovem experiências sensoriais, tem se fortalecido a necessidade preservação das relações entre a obra e seu lugar. Mudanças no caráter essencial da arte, como a arte é, tem interferido no formato coerente dos espaços para arte. Portanto, por meio do estudo de caso do Inhotim, a questão central que direciona esta dissertação é como as mudanças nos paradigmas nas artes trouxeram novas conformações arquitetônicas que melhor acomodam a arte contemporânea. Este trabalho é organizado em três escalas de análise dessa inter-relação: (1) a escala do “fato” artístico em relação ao espaço; (2) a escala da galeria em relação ao fato artístico; e, (3) a escala de todo espaço físico do museu, analisando Inhotim como um todo, lendo sua forma que é orientada por percursos, suas paisagens construídas e seu conjunto arquitetônico. O termo “pós-objeto” foi extraido do CARRIER, D. The art museum today. Curator: The museum journal. Volume 54, Issue 2, p. 181–189, Abril de 2011.
This thesis is the result of a phenomenological research study, where the object of the research is the interrelations between architecture and contemporary artistic expressions at Inhotim. The theory of phenomenology acknowledges that the sensory experience of space is also unique function of space. In architecture it is demonstrated through the manipulation of material and immaterial elements of space in order to produce an impact on the human senses. Since the consolidation of contemporary art, particularly post-object1 art such as environment, site-specific, new media, installations and others that convey sensorial experiences, the need to preserve the relationship between the work and its place has strengthened. Changes in what/how art is have interfered in how art spaces are. Therefore, through the case of the Inhotim, the central matter that this thesis seeks to address is how the changes of paradigms in the arts brought about new architectural conformations that better accommodate contemporary art. This work is organized in three scales of analysis of this interrelation: (1) the scale of the artistic fact in relation to space; (2) the scale of the gallery in relation to the artistic fact; and, (3) the scale of the whole physical space of the museum, approaching Inhotim as whole, reading into its path- oriented form, its created landscapes and architectural set. The term “post-object” was extracted from CARRIER, D. The art museum today. Curator: The museum journal. Volume 54, Issue 2, pages 181–189, April 2011.
O autor não apresentou título em português.
Lee, Ileana C. "Living space". Connect to this title online, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1106598599.
Pełny tekst źródłaVahtar, Marta. "Art as integral part of architectural space". Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/70223.
Pełny tekst źródłaIncludes bibliographical references (leaves 93-97).
To integrate art with architecture is the intention of every architect. However, many times other requirements overwhelm artistic potential. There are numerous good, simple examples in the history of architecture where solutions to a variety of often functional requirements have produced exceptional artistic expressions, which in tum have inspired contemporary architectural practice. Pre-industrial architecture not only responded to natural conditions in the environment; it employed all the senses as well ·. in its design of living environments. Today, unfortunately, we rarely find that architects pay attention to sound, smell, water, natural cycles, or, almost unimaginable, to time. Our technology encourages us to separate ourselves from nature. However, this same technology can help us to reintegrate ourselves with nature by designing better living environments. This thesis is, therefore, my way of rethinking design principles that shape the contemporary urban environment and often give it such a cold, formal image. My own philosophy of design is given in the introduction. The rest of the thesis is basically the supportive material, which further illuminates the ideas presented in the introduction. The first part discusses some general trends in contemporary society in order to place my own view of design within a broader context, while the second part lists numerous examples from the history of architecture and art to illustrate and further my philosophy. At the end, in the appendix, I present one of my own projects, the Interactive Water Curtain, to concretely show some of the implications of my aesthetics. Through this work I hope to illustrate the richness of various traditional architectural practices that take advantage of sound, water, time (celestial movement), fragrances, and even living creatures in designing places. I hope this will stimulate creative thinking about using not just visual effects in the design of our living environment, but employing acoustic, olfactory, astronomical, ecological, and kinesthetic design in order to create sensually richer and more pleasant environments where people can live in harmony with nature and other living creatures.
by Marta Vahtar.
M.S.V.S.
Oketch, Francis Onyango. "Art and conversation : disturbation in public space". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:7b5abb31-0fed-44fb-bcd1-91e1fa96bd58.
Pełny tekst źródłaKrenn, Martin. "The political space in social art practices". Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692824.
Pełny tekst źródłaWagner, Julia E. "Cube forms of continuity in space /". Connect to online version, 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/291.pdf.
Pełny tekst źródłaPerego, Federica <1994>. "VENICE ART STOPS. Contemporary art in the public space: projects and externalities". Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21772.
Pełny tekst źródłaOuzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.
Pełny tekst źródłaTitle from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
Reishus, John William. "Demarcating space : barriers and screens". Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864906.
Pełny tekst źródłaDepartment of Art
McComas, Magers Robyn. "Interactions in the space of one tree /". View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030331.152733/index.html.
Pełny tekst źródłaSmith, Craig. "Structuring interactivity : space and time in relational art". Thesis, Goldsmiths College (University of London), 2006. http://research.gold.ac.uk/11018/.
Pełny tekst źródłaHiggins, Darcy. "Marked Space: Public Art and the Public Sphere". Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307382998.
Pełny tekst źródłaCastronovo, Anthony Joseph. "Lift: Public Art and the Activation of Space". The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1418835875.
Pełny tekst źródłaLochner, Eben. "The democratisation of art CAP as an alternative art space in South Africa". Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002205.
Pełny tekst źródłaMark-Ng, Elsa. "Public Art in Outdoor Space: How Environmental Art Can Influence Notions of Place". Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559347543553644.
Pełny tekst źródłaHowell, Amy Beth. "Line, Space and Plane". Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.
Pełny tekst źródłaPark, Young Sun. "Defining video space art within video installations in the context of spaces and spectators". Thesis, University of the Arts London, 2005. http://ualresearchonline.arts.ac.uk/2312/.
Pełny tekst źródłaMcComas, Magers Robyn. "Interactions in the space of one tree". Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/25847.
Pełny tekst źródłaMiles, Malcolm Francis Richardson. "Art & social transformation : theories and practices in contemporary art for radical social change". Thesis, Oxford Brookes University, 2000. http://radar.brookes.ac.uk/radar/items/0132de2c-a906-10e2-1e1e-c93c268829e2/1.
Pełny tekst źródłaMizrahi, M. X. "Lyrical space : the construction of space in contemporary architecture, art and literature in Argentina". Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1425681/.
Pełny tekst źródłaWhearty, Lauren Ann. "Making Space: Language, Painting, Poem". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307394266.
Pełny tekst źródłaDeVoe, Timothy D. "Working Space". VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1463.
Pełny tekst źródłaZuccolo, Michelle University of Ballarat. "Space : contemplating the voids". University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12735.
Pełny tekst źródłaMaster of Arts (Visual Arts)
Zuccolo, Michelle. "Space : Contemplating the voids". Thesis, University of Ballarat, 2006. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/31831.
Pełny tekst źródłaMaster of Arts (Visual Arts)
Zuccolo, Michelle. "Space : contemplating the voids". University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/16226.
Pełny tekst źródłaMaster of Arts (Visual Arts)
Pitman, Krista Chandler. "Understanding space the conceptualization and evaluation of display in Dia:Beacon /". Birmingham, Ala. : University of Alabama at Birmingham, 2007. https://www.mhsl.uab.edu/dt/2007m/pitman.pdf.
Pełny tekst źródłaBaum, Michael B. "Boundaries notions of land, space, and memory /". Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/m_baum_041610.pdf.
Pełny tekst źródłaHall, Jennifer A. "The human interface in three dimensional computer art space". Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/74325.
Pełny tekst źródłaMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Bibliography: leaves 61-68.
by Jennifer A. Hall.
M.S.V.S.
Doyle, Denise. "Art and the imagination in avatar-mediated online space". Thesis, University of East London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536629.
Pełny tekst źródłaCerna, Peter J., Pamela R. Klein i Joy Mullett. "THE ART OF INTERNATIONAL SPACE STATION TELEMETRY BANDWIDTH MANAGEMENT". International Foundation for Telemetering, 2001. http://hdl.handle.net/10150/607670.
Pełny tekst źródłaThe technicalities of sharing telemetry bandwidth have been addressed in design and specification for the builders of the International Space Station. But success in sharing bandwidth comes from building relationships, documenting guidelines, negotiating, understanding human nature, peer review and willingness to participate in an evolving process. The station, 240 miles above Earth, moves through space at 17,000 mph, has its mass added to by humans and machines, regularly docks with visiting spacecraft, has year-round residents, and communicates with space agencies around the globe. Each new module -- with associated computers, multiplexers, and communications buses -- creates additional telemetry demands.
Karle, Ryan. "Leveraging Sound, Space and Visual Art in an Installation". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1460.
Pełny tekst źródłaDouglas, Susan J. (Susan Jane) Carleton University Dissertation Canadian Studies. "Architectural referents in Canadian art: a question of space". Ottawa, 1991.
Znajdź pełny tekst źródłaEriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /". Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.
Pełny tekst źródłaWest, Katie. "A Space for the Contemplation of a Sacred Subject". BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5792.
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