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Artykuły w czasopismach na temat "South African National Gallery. Friends"
Andersen, Josephine. "The South African National Gallery Library News Collection". de arte 26, nr 44 (wrzesień 1991): 40–43. http://dx.doi.org/10.1080/00043389.1991.11761135.
Pełny tekst źródłaKerkham, R. "FRESH: ARTIST'S RESIDENCY PROGRAM: South African National Gallery". Nka Journal of Contemporary African Art 2007, nr 21 (1.09.2007): 122–23. http://dx.doi.org/10.1215/10757163-21-1-122.
Pełny tekst źródłaLodge, Tom, i Milan Oralek. "FRATERNAL FRIENDS: SOUTH AFRICAN COMMUNISTS AND CZECHOSLOVAKIA, 1945–89". Journal of African History 61, nr 2 (lipiec 2020): 219–39. http://dx.doi.org/10.1017/s0021853720000353.
Pełny tekst źródłaAndersen, Josephine, i Nozuko Mjoli. "Beyond the walls: taking the art library to the community". Art Libraries Journal 20, nr 4 (1995): 22–24. http://dx.doi.org/10.1017/s0307472200009597.
Pełny tekst źródłaCrawshay-Hall, Jayne Kelly. "Between Dreams and Realities: A History of the South African National Gallery, 1871–2017". de arte 55, nr 3 (21.05.2020): 95–101. http://dx.doi.org/10.1080/00043389.2020.1731653.
Pełny tekst źródłaCrampton, Andrew. "The art of nation-building: (re)presenting political transition at the South African National Gallery". cultural geographies 10, nr 2 (kwiecień 2003): 218–42. http://dx.doi.org/10.1191/1474474003eu270oa.
Pełny tekst źródłaCarman, Jillian. "A History of the Iziko South African National Gallery: Reflections on Art and National Identity, by Anna Tietze". de arte 53, nr 1 (2.01.2018): 102–8. http://dx.doi.org/10.1080/00043389.2018.1459095.
Pełny tekst źródłaAndersen, Josephine. "Redressing past cultural biases and imbalances in South Africa: a contribution by the Library of the South African National Gallery". Art Libraries Journal 23, nr 1 (1998): 4–7. http://dx.doi.org/10.1017/s0307472200010749.
Pełny tekst źródłaNwafor, Okechukwu. "A Nomad's Harvest, Iziko South African National Gallery (ISANG), Cape Town March 5–July 9, 2014". African Arts 48, nr 2 (czerwiec 2015): 80–82. http://dx.doi.org/10.1162/afar_r_00223.
Pełny tekst źródłaAndersen, Josephine. "The museum art library as a bridge between the artist and society, with special reference to the South African National Gallery". Art Libraries Journal 20, nr 2 (1995): 4–12. http://dx.doi.org/10.1017/s0307472200009299.
Pełny tekst źródłaRozprawy doktorskie na temat "South African National Gallery. Friends"
Hahn, Catherine Neville. "The political house of art : the South African National Gallery, 1930-2009". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19314/.
Pełny tekst źródłaCook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /". Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Pełny tekst źródłaYoshie, Yoshiara. "Art museums in a diverse society : a visitor study at the South African National Gallery". Thesis, SOAS, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498502.
Pełny tekst źródłaLilla, Qanita. ""The advancement of art" : policy and practice at the South African National Gallery, 1940-1962". Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/18426.
Pełny tekst źródłaThis thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. Drawing on newspaper reports, the South African National Gallery's exhibition catalogues, pamphlets and annual reports, records of parliamentary debate and the crucial report of the Stratford Commission of 1948 the study has reconstructed a detailed history of the South African National Gallery. Established in 1871 as a colonial museum catering for a small part of the settler population of British descent, the museum came under pressure to accommodate the Afrikaner community after 1948. This did not mean that the liberal ethos at the museum disappeared, however. The South African National Gallery was strongly influenced by public pressure in this period. Public outrage over controversial art sales in 1947 led to the appointment of a commission of enquiry into the workings of the museum. At the same time, the head of the Board of Trustees, Cecil Sibbett, engaged the public on matters of Modern art. The museum's conservative and controversial Director, Edward Roworth was replaced in 1949 by John Paris who ushered in a new phase of development and management, encouraged the reconceptualization of South African art and reorganized the permanent collection. This initiative took place despite decreased autonomy for the Director and increased government imposition of Afrikaner Nationalist ideology. Nevertheless, the South African National Gallery avoided becoming a political instrument of the Apartheid regime.
Becker, Natasha. "Inside and outside the family album: Making, exhibiting and archiving the photograph in the South African National Gallery and the National Library of South Africa". University of the Western Cape, 2018. http://hdl.handle.net/11394/6046.
Pełny tekst źródłaOne of the first things that reached me about photography was how a photograph tells a story or stories. This experience is perhaps most common when viewing personal photographs. A few years ago I was looking through a vast number of personal photographs, of a family I knew well, and was struck by how all the photographs (in albums, framed or lying loosely about) were part of a particular family narrative. Even without the storytelling, which accompanied my viewing of the photographs, I could still 'read' bits and pieces of the family history (and the broader social, political and cultural histories) in their photographs.
Moruthane, Sepadi. "The digital classification of “unknown maker(s)” of cultural objects: A case study of Iziko South African National Gallery". Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/32884.
Pełny tekst źródłaBarben, Marc Walter. "What does it mean to be a 'national' gallery when the notions of 'nation' transform radically?: An analysis of the Iziko South African National Gallery's practices and policies in historical contexts". Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13650.
Pełny tekst źródłaWhile much has been written on the European display of non - western art and artefact collected from their colonies in Africa, less has been documented about the European settler arts institutions, like the South African National Gallery (SANG), whose distant location away from the imperial centre initially presented particular challenges. In South Africa, since colonialism, these challenges have been expanded by settler nationalisms, a racially oppressive regime, a liberation movement, and a relatively peaceful transition to a democracy. In its form and its function, the SANG has reflected the redefined nationalisms that accompanied these historical moments. In light of the global history of national galleries and more recent theoretical discussions about cultural institutions, this study probes the complex layering of histories evidenced in collection and exhibition practices at the SANG in its historical contexts. Historically South African galleries have reflected colonial and later apartheid ideologies. With the transition to a democratic society in 1994, the ‘new’ South Africa ushered in a radically redefined national identity. If national collections reflect the nations to which they belong, this study questions the SANG’s ability in reflecting successive redefinitions of South African nationhood, and its adaptability in meeting shifting social and political requirements. By examining shifts in collections and display practices and policies, in the SANG’s historical contexts, this paper ultimately asks the question: What does it mean to be a ‘national’ gallery when the notions of ‘nation’ transform radically?
Książki na temat "South African National Gallery. Friends"
Dolby, Joe. Strat Caldecott: Retrospective, South African National Gallery, 7.5.1986-15.6.1986. [Cape Town]: South African National Gallery, 1986.
Znajdź pełny tekst źródłaKatz, Hanns Ludwig. Hanns Ludwig Katz: South African National Gallery : 24.11.1993-27.2.1994. Cape Town: South African National Gallery, 1994.
Znajdź pełny tekst źródłaContemporary South African art: 85-95, from the South African National Gallery permanent collection. [Cape Town: The Gallery], 1997.
Znajdź pełny tekst źródłaGallery, South African National. Guide to the manuscripts in the South African National Gallery. Pretoria: The Service, 1993.
Znajdź pełny tekst źródłaPemba, George Mnyalaza Milwa. George Milwa Mnyaluza Pemba: South African National Gallery, 27.4.1996-28.7.1996. [Bellville]: Mayibuye Books, 1996.
Znajdź pełny tekst źródłaGallery, South African National, red. The Abe Bailey collection in the South African National Gallery. [Cape Town]: Abe Bailey Trust, 2008.
Znajdź pełny tekst źródłaAlexander, Jane. Jane Alexander: DaimlerChrysler Award for South African sculpture 2002. Ostfildern-Ruit: Hatje Cantz, 2002.
Znajdź pełny tekst źródłaGallery, South African National, i District Six Museum Foundation, red. District Six: Image and representation : South African National Gallery : 28.10.1995- 25.2.1996. [Cape Town]: District Six Museum Foundation, 1995.
Znajdź pełny tekst źródła1955-, Bedford Emma, i South African National Gallery, red. A decade of democracy: South African art, 1994-2004 : from the permanent collection of Iziko : South African National Gallery. Wetton, Cape Town: Double Storey Books, 2004.
Znajdź pełny tekst źródłaDelmont, Elizabeth. Maggie Laubser: Early works from the Silberberg Collection : South African National Gallery, 2 December 1987-31 January 1988 = Maggie Laubser : vroeë werke uit die Silberberg-versameling, Suid-Afrikaanse Nasionale Kunsmuseum, 2 Desember 1987-31 Januarie 1988. Cape Town: South African National Gallery, 1987.
Znajdź pełny tekst źródłaCzęści książek na temat "South African National Gallery. Friends"
"Classical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895–1947)". W Images of the Art Museum, 191–214. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110341362-010.
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