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Książki na temat „Sound zone”

Autor: Grafiati
Data publikacji: 14 września 2024

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1

Canning, Douglas J. Coastal erosion management studies in Puget Sound, Washington: Executive summary. Olympia, Wash: Water and Shorelands Resources Program, Washington Dept. of Ecology, 1995.

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2

Keith, MacDonald, Washington (State). Shorelands & Coastal Zone Management Program. i Coastal Erosion Management Strategy (Wash.), red. Shoreline armoring effects on physical coastal processes in Puget Sound, Washington. Olympia, Wash: Shorelands and Coastal Zone Management Program, Washington Dept. of Ecology, 1994.

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3

Jack, Cox. Engineering and geotechnical techniques for shoreline erosion management in Puget Sound. Olympia, Wash: Shorelands and Coastal Zone Management Program, Washington Dept. of Ecology, 1994.

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4

MacDonald, Keith. Management options for unstable bluffs in Puget Sound, Washington. Olympia, Wash: Shorelands and Coastal Zone Management Program, Washington Dept. of Ecology, 1994.

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5

Lynn, Brian. Nearshore habitat loss in Puget Sound: Recommendations for improved management. [Olympia?, Wash.]: Puget Sound/Georgia Basin International Task Force, [1998], 1998.

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6

Clancy, Margaret. Management measures for protecting and restoring the Puget Sound Nearshore: Prepared in support of the Puget Sound Nearshore Ecosystem Restoration Project. Olympia, Wash: Washington Dept. of Fish and Wildlife, 2009.

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7

Johannessen, Jim. Beaches and bluffs of Puget Sound. [Seattle, Wash: Seattle District, U.S. Army Corps of Engineers, 2007.

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8

Johannessen, Jim. Beaches and bluffs of Puget Sound. [Seattle, Wash: Seattle District, U.S. Army Corps of Engineers, 2007.

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9

Terich, Thomas. Living with the shore of Puget Sound and the Georgia Strait. Durham: Duke University Press, 1987.

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10

Menashe, Elliott. Vegetation management: A guide for Puget Sound bluff property owners. Olympia, Wash: The Program, 1993.

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11

Thom, Ronald M. Shoreline armoring effects on coastal ecology and biological resources in Puget Sound, Washington. Olympia, Wash: Shorelands and Water Resources Program, Washington Dept. of Ecology, 1994.

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12

Thom, Ronald M. Shoreline armoring effects on coastal ecology and biological resources in Puget Sound, Washington. Olympia, Wash: Shorelands and Coastal Zone Management Program, Washington Dept. of Ecology, 1994.

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13

Thom, Ronald M. Shoreline armoring effects on coastal ecology and biological resources in Puget Sound, Washington. Olympia, Wash: Shorelands and Coastal Zone Management Program, Washington Dept. of Ecology, 1994.

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14

Inc, Myers Biodynamics, Lorilla Engineering Inc, Washington (State). Shorelands and Water Resources Program. i Washington (State). Dept. of Ecology., red. Surface water and groundwater on coastal bluffs: A guide for Puget Sound property owners. [Olympia]: Washington State Dept. of Ecology, 1995.

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15

Greiner, Courtney M. Principles for strategic conservation and restoration: Prepared in support of the Puget Sound Nearshore Ecosystem Restoration Project. Olympia, Wash: Washington State Dept. of Fish and Wildlife, 2010.

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16

1943-, Johnson Bruce, red. Earogenous zones: Sound, sexuality and cinema. Oakville, CT: Equinox, 2010.

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17

Office, General Accounting. Nuclear waste: Change in test strategy sound, but DOE overstated savings : report to congressional requesters. Washington, D.C: U.S. General Accounting Office, 1994.

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18

Carolyn, Lee Kunshan, red. Crossing cultural boundaries =: Wen hua zong heng. New York: Routledge, 2009.

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19

Gramling, Jessica. Ballast water and shipping patterns in Puget Sound: Considerations for siting of alternative ballast water exchange zones. Olympia, Wash: Puget Sound Water Quality Action Team, 2000.

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20

2009, Bao Jing active, red. Hai shang liu sheng: Shanghai lao ge zong heng tan = Sound ever-lingering at sea : Shanghai old songs : an verview. Shanghai Shi: Shanghai yin yue chu ban she, 2009.

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21

Yan, Lirui. Hui xiang yu shu ming: "Yi dai zong shi" de dian ying jing yu = Light of sight, shadow of sound : the film-realm of Wong Kar-wai's the grandmaster. Hangzhou: Zhejiang da xue chu ban she, 2019.

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22

Brüll, Mathias. Jazz auf AMIGA: Die Discographie der Jazz-und Semijazz-Veröffentlichung auf dem Label AMIGA des VEB Deutsche Schallplatten Berlin / DDR (vormals Lied der Zeit GmbH und VEB Lied der Zeit, später Deutsche Schallplatten GmbH, Berlin) inclusive der AMIGA-Nachfolge-Labels der Deutschen Schallplatten GmbH, Berlin (DSB, ZONG, musiCando, DORADO, BLUESONG, GALA Classics), auf anderen Labels des VEB Deutsche Schallplatten Berlin / DDR (ETERNA, LITERA, SCHOLA, NOVA) ... ; [die Jazz-Schallplatten des AMIGA-Labels von 1947 bis 1990]. Berlin: Pro Business, 2003.

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23

Chiu, Ching-Sang. Report of the Office of Naval Research Phase II International Workshop on Shallow-Water Acoustics, Seattle, June 27, 1998. Monterey, Calif: Naval Postgraduate School, 1998.

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24

Spalding, Lee-anne. Noise and Sound (Construction Zone Science). Fitzgerald Books, 2007.

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25

Wissner, Reba. Dimension of Sound: Music in the Twilight Zone. Pendragon Press, 2013.

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26

A dimension of sound: Music in the Twilight zone. Hillsdale, NY: Pendragon Press, 2013.

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27

Coastal habitats in Puget Sound: A research plan in support of the Puget Sound Nearshore Partnership. Seattle, Wash: U.S. Geological Survey, 2006.

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28

Gabriel, Anthony O. An evaluation of coastal hazard management programs in the Puget Sound Lowland. 1988.

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29

Wood, Laurie, Leah Bendell, Patricia Gallaugher i Shelley McKeachie. Stewarding the Sound. Taylor & Francis Group, 2021.

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Wood, Laurie, Leah Bendell, Patricia Gallaugher i Shelley McKeachie. Stewarding the Sound. Taylor & Francis Group, 2019.

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31

Master Guide to Blue Zone Diet: An Ultimate Guide to Maintaining a Sound Health. Independently Published, 2022.

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32

Richardson, John. Between Speech, Music, and Sound. Redaktor Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.47.

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This chapter discusses the growing tendency toward aestheticization of the spoken voice in cinema. It provides a taxonomy of different means of speech aestheticization, including poetic speech; accelerated and decelerated speech; wordy or dialogue-heavy soundtracks; heightened voice and dialogue in literary adaptations; fetishization of the voice; technologically manipulated speech; aesthetically marked speech resulting from distinct physical or psychological attributes; comic timing as musicality in speech; and interaction of voices with environmental sounds or aestheticized non-diegetic sounds. Undoubtedly, this phenomenon is bound up with proliferation of digital technologies, which means that previous inaudible sounds can be perceived with increased clarity and sonic manipulation is accomplished with little effort. Occupying a liminal zone between speech and song, flowing speech in cinema is suspended in the middle stage of what Rick Altman calls “audio dissolve,” where the actor in a musical inflects her speech aesthetically while transitioning into song and dance.
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33

Latimer, James S., Mark A. Tedesco, R. Lawrence Swanson, Charles Yarish i Paul E. Stacey. Long Island Sound: Prospects for the Urban Sea. Springer London, Limited, 2013.

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34

Latimer, James S., Mark A. Tedesco, R. Lawrence Swanson, Paul E. Stacey i Corey Garza. Long Island Sound: Prospects for an Urban Sea. Springer, 2016.

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35

Stewarding the Sound: The Challenge of Managing Sensitive Coastal Ecosystems. Taylor & Francis Group, 2019.

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36

Wood, Laurie, Leah Bendell, Patricia Gallaugher i Shelley McKeachie. Stewarding the Sound: The Challenge of Managing Sensitive Coastal Ecosystems. Taylor & Francis Group, 2019.

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37

Wood, Laurie, Leah Bendell, Patricia Gallaugher i Shelley McKeachie. Stewarding the Sound: The Challenge of Managing Sensitive Coastal Ecosystems. Taylor & Francis Group, 2019.

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38

Brooks, Tiffany Tiffany. Ideal Zone Diet Cookbook: An Absolute Diet Guide to Weight Loss and Sound Health Through Simple, Delicious and Nutritious Recipes. Independently Published, 2021.

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39

Williams, Gavin, red. Hearing the Crimean War. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190916749.001.0001.

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This book addresses the sounds of the Crimean War, along with the many ways nineteenth-century wartime is aurally constructed. It examines wide-ranging experiences of listeners in Britain, France, Turkey, Russia, Italy, Poland, Latvia, Daghestan, Chechnya, and Crimea, illustrating the close interplay between nineteenth-century geographies of empire and the modes by which wartime sound was archived and heard. This book covers topics including music in and around war zones, the mediation of wartime sound, the relationship between sound and violence, and the historiography of listening. Individual chapters concern sound in Leo Tolstoy’s wartime writings, and his place within cosmopolitan sensibilities; the role of the telegraph in constructing sonic imaginations in London and the Black Sea region; the absence of archives for the sounds of particular ethnic groups, and how songs preserve memories for both Crimean Tatars and Polish nationalists; the ways in which perceptions of voice rearranged the mental geographies of Baltic Russia, and undermined aspirations to national unity in Italy; Italian opera as a means of conditioning elite perceptions of Crimean battlefields; and historical frames through which to understand the diffusion of violent sounds amid everyday life. The volume engages the academic fields of musicology, ethnomusicology, history, literary studies, sound studies, and the history of the senses.
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40

Fonseca, Susan Campos, i Julianne Graper. Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0009.

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This chapter explores how conceptual disputes over genre boundaries, noise, and music open a window into a society that debates and constructs its own contemporaneity, in dialogue with conceptions about what is meant by indigeneity, music, musical composition, musicality, and experimentalism in the twenty-first century. The chapter inquires into how discourses about experimentation and innovation coming from the realm of Noise are constructed under specific technological assumptions; it also explores how these discourses might play out within the Costa Rican artistic scene. On an aesthetic level, this chapter problematizes how the “noise community” (formed by sound artists) imagines itself in the face of a “community of musicians,” separated by the principles of “academic training,” and how Noise, without the noise community, conceives itself as an anomalous zone in Costa Rican society, evidencing processes of “interior coloniality” that function on a micropolitical level.
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41

Twilight Zone Volume 15: Sounds and Silences; Last Night of a Jockey. Genius Entertainment, 2005.

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42

Schoenbaum, Thomas J. Islands Capes and Sounds: The North Carolina Coast. John F. Blair Publisher, 1988.

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43

Connellan, Geoff. Water Use Efficiency for Irrigated Turf and Landscape. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9780643106888.

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Achieving high water use efficiency in maintaining turf, trees and landscape areas is a core responsibility of open space managers. Water Use Efficiency for Irrigated Turf and Landscape provides a logical and scientifically sound approach to irrigation in urban areas in Australia. It is based on green space delivering defined outcomes using the principles of water sensitive urban design and irrigation efficiency. The book covers all stages of the water pathway – from the source to delivery into the plant root zone. Major topics include system planning, estimating water demand, water quality, irrigation systems, soil management and irrigation performance evaluation. Clearly presented explanations are included, as well as line drawings and worked examples, and a plant water use database covering more than 250 plant species. A Water Management Planning template is included to guide water managers and operators through a process that will deliver a sound plan to achieve sustainable turf, urban trees and landscapes. Best Management Practice Irrigation principles are outlined and their implementation in open space turf and landscape situations is explained. The benefits and limitations of the various methods of delivering water to plants are covered, together with case studies and guidelines for specific horticultural situations. Methodologies to evaluate irrigated sites are included along with recommended benchmark values. The book presents the latest irrigation technology, including developments in water application, control technology and environmental sensors such as weather stations, soil moisture sensors and rain sensors.
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44

Smith, Christopher J. Recovering the Creole Synthesis. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037764.003.0001.

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This book traces the roots of blackface minstrelsy—and the creole sounds, practices, and procedures that made minstrelsy possible—by analyzing the artworks, letters, sketchbooks, music collection, ephemera, and biography of William Sidney Mount, together with similar materials from some of his predecessors and contemporaries. It argues that nineteenth-century blackface is not a radical new invention, but rather the codification and theatricalization of a cluster of working-class performance idioms that were already familiar from the boundary zones of streets, wharves, decks, and fairgrounds. It also uses ethnography and ethnochoreology to reconstruct the behavioral contexts in which minstrelsy took place, along with its creole synthesis of music-and-movement, sound, and the body across boundaries of race, class, geography, and time. This chapter looks at a few preliminary examples that confirm Mount's relevance as a visual source for minstrelsy's musicological reconstruction, including information that he provides on musical instruments and techniques in the period, as well as attitudes about class, race, and gender.
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45

School Zone - Reading Flash Card 4-Pack - Ages 4 and Up, Short and Long Vowel Sounds, Combination Sounds, Rhyming, and More. School Zone Publishing, 2019.

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46

Colmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.

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Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.
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47

School Zone - Big Spelling Grades 1-3 Workbook - Ages 6 to 9, Letter Sounds, Consonants, Puzzles, and More. School Zone Publishing, 2012.

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48

School Zone - Alphabet Workbook - 96 Pages, Ages 4+, Preschool to Kindergarten, Letters, Alphabetical Order, ABCs, Letter Sounds, and More. School Zone, 2010.

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49

School Zone - Learn The Alphabet Workbook - Ages 4 to 6, Preschool, Kindergarten, Letter Sounds, Uppercase & Lowercase Letters, Tracing, and More. School Zone, 2017.

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50

School Zone - Alphabet Fun! Write & Reuse Workbook - Ages 4 to 6, Preschool to Kindergarten, Tracing, Printing, Letters, Sounds, Phonics, Wipe Clean. School Zone Publishing Company, 2012.

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