Gotowa bibliografia na temat „Sound”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Sound”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Sound"
Mini, Darshana Sreedhar. "‘Un-sound’ Sounds". Music, Sound, and the Moving Image 13, nr 1 (lipiec 2019): 3–30. http://dx.doi.org/10.3828/msmi.2019.2.
Pełny tekst źródłaRegina, Frilia Shantika. "BUNYI SERTAAN PADA PELAFALAN PENYANYI YURA YUNITA: PEMANFAATAN KAJIAN FONETIK SEBAGAI BAHAN AJAR MATA KULIAH FONOLOGI". Semantik 9, nr 2 (14.09.2020): 77–84. http://dx.doi.org/10.22460/semantik.v9i2.p77-84.
Pełny tekst źródłaMéchoulan, Eric, i David F. Bell. "Are Sounds Sound? For an Enthusiastic Study of Sound Studies". SubStance 49, nr 2 (2020): 3–29. http://dx.doi.org/10.1353/sub.2020.0007.
Pełny tekst źródłaIsodarus, Praptomo Baryadi. "Facilitating Sounds in Indonesian". Journal of Language and Literature 18, nr 2 (12.09.2018): 102–10. http://dx.doi.org/10.24071/joll.v18i2.1566.
Pełny tekst źródłapaine, garth. "endangered sounds: a sound project". Organised Sound 10, nr 2 (sierpień 2005): 149–62. http://dx.doi.org/10.1017/s1355771805000804.
Pełny tekst źródłaDudschig, Carolin, Ian Grant Mackenzie, Jessica Strozyk, Barbara Kaup i Hartmut Leuthold. "The Sounds of Sentences: Differentiating the Influence of Physical Sound, Sound Imagery, and Linguistically Implied Sounds on Physical Sound Processing". Cognitive, Affective, & Behavioral Neuroscience 16, nr 5 (29.07.2016): 940–61. http://dx.doi.org/10.3758/s13415-016-0444-1.
Pełny tekst źródłaYu, Boya, Jie Bai, Linjie Wen i Yuying Chai. "Psychophysiological Impacts of Traffic Sounds in Urban Green Spaces". Forests 13, nr 6 (19.06.2022): 960. http://dx.doi.org/10.3390/f13060960.
Pełny tekst źródłaImamori, Kanta, Atsuya Yoshiga i Junji Yoshida. "Sound quality evaluation for luxury refrigerator door closing sound". INTER-NOISE and NOISE-CON Congress and Conference Proceedings 263, nr 5 (1.08.2021): 1845–54. http://dx.doi.org/10.3397/in-2021-1968.
Pełny tekst źródłaYu, Boya, Linjie Wen, Jie Bai i Yuying Chai. "Effect of Road and Railway Sound on Psychological and Physiological Responses in an Office Environment". Buildings 12, nr 1 (22.12.2021): 6. http://dx.doi.org/10.3390/buildings12010006.
Pełny tekst źródłaOszczapinska, Urszula, Bridget Nance, Seojun Jang i Laurie M. Heller. "Typical sound level in environmental sound representations". Journal of the Acoustical Society of America 153, nr 3_supplement (1.03.2023): A162. http://dx.doi.org/10.1121/10.0018517.
Pełny tekst źródłaRozprawy doktorskie na temat "Sound"
Di, Bona Elvira. "Sound and sound sources". Paris, EHESS, 2013. http://www.theses.fr/2013EHES0058.
Pełny tekst źródłaLn this dissertation I defend two theses: the "identity view" and the "maximalist view". According to the first thesis, when we hear sounds, we hear also events and happenings which occur at the sources where sounds have been produced. According to the second thesis, our auditory landscape is constituted by sounds which not only are identical to the audible events occurring at sound sources, but they are also the tools which help us to recover information about the material objects which generate sound. This dissertation is composed by five chapters and an Excursus. In Chapter 1, I propose a taxonomy of sound theories. My taxonomy organises sound theories into four groups: the minimalist group, the moderate group, the maximalist group and the overmaximalist group. In Chapter Il, I deal with issues on the a-spatiality of auditory perception, in the attempt to demonstrate that we hear sound as co-Iocated with sound sources. Furthermore, I define the relation between sound sources and their sounds and justify the identity view by virtue of the distinction between two aspects of sound sources -the thing source (such as bells or violins) and the event source (such as collisions or vibratory events at the object). In Chapters III and IV, I tackle the problem of the audible qualities of sound (pitch, loudness, timbre, duration and location) in the light of the characterization of sound as event source. The objective of the last chapter is the problem of the direct perception of sound and sound sources in the light of the considerations made in the previous chapters. I add an Excursus in which I evaluate the possibility of perceiving causality by audition
Liao, Wei-Hsiang. "Modelling and transformation of sound textures and environmental sounds". Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066725/document.
Pełny tekst źródłaThe processing of environmental sounds has become an important topic in various areas. Environmental sounds are mostly constituted of a kind of sounds called sound textures. Sound textures are usually non-sinusoidal, noisy and stochastic. Several researches have stated that human recognizes sound textures with statistics that characterizing the envelopes of auditory critical bands. Existing synthesis algorithms can impose some statistical properties to a certain extent, but most of them are computational intensive. We propose a new analysis-synthesis framework that contains a statistical description that consists of perceptually important statistics and an efficient mechanism to adapt statistics in the time-frequency domain. The quality of resynthesised sound is at least as good as state-of-the-art but more efficient in terms of computation time. The statistic description is based on the STFT. If certain conditions are met, it can also adapt to other filter bank based time-frequency representations (TFR). The adaptation of statistics is achieved by using the connection between the statistics on TFR and the spectra of time-frequency domain coefficients. It is possible to adapt only a part of cross-correlation functions. This allows the synthesis process to focus on important statistics and ignore the irrelevant parts, which provides extra flexibility. The proposed algorithm has several perspectives. It could possibly be used to generate unseen sound textures from artificially created statistical descriptions. It could also serve as a basis for transformations like stretching or morphing. One could also expect to use the model to explore semantic control of sound textures
Liao, Wei-Hsiang. "Modelling and transformation of sound textures and environmental sounds". Electronic Thesis or Diss., Paris 6, 2015. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2015PA066725.pdf.
Pełny tekst źródłaThe processing of environmental sounds has become an important topic in various areas. Environmental sounds are mostly constituted of a kind of sounds called sound textures. Sound textures are usually non-sinusoidal, noisy and stochastic. Several researches have stated that human recognizes sound textures with statistics that characterizing the envelopes of auditory critical bands. Existing synthesis algorithms can impose some statistical properties to a certain extent, but most of them are computational intensive. We propose a new analysis-synthesis framework that contains a statistical description that consists of perceptually important statistics and an efficient mechanism to adapt statistics in the time-frequency domain. The quality of resynthesised sound is at least as good as state-of-the-art but more efficient in terms of computation time. The statistic description is based on the STFT. If certain conditions are met, it can also adapt to other filter bank based time-frequency representations (TFR). The adaptation of statistics is achieved by using the connection between the statistics on TFR and the spectra of time-frequency domain coefficients. It is possible to adapt only a part of cross-correlation functions. This allows the synthesis process to focus on important statistics and ignore the irrelevant parts, which provides extra flexibility. The proposed algorithm has several perspectives. It could possibly be used to generate unseen sound textures from artificially created statistical descriptions. It could also serve as a basis for transformations like stretching or morphing. One could also expect to use the model to explore semantic control of sound textures
Davies, Shaun, of Western Sydney Nepean University i Faculty of Visual and Performing Arts. "Sound art and the annihilation of sound". THESIS_FVPA_XXX_Davies_S.xml, 1995. http://handle.uws.edu.au:8081/1959.7/402.
Pełny tekst źródłaMaster of Arts (Hons)
Davies, Shaun. "Sound art and the annihilation of sound". Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/402.
Pełny tekst źródłaDavies, Shaun. "Sound art and the annihilation of sound /". View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030902.141711/index.html.
Pełny tekst źródłaChapman, David P. "Playing with sounds : a spatial solution for computer sound synthesis". Thesis, University of Bath, 1996. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307047.
Pełny tekst źródłaBrowne, Vicky Kay. "Images of sound and the sound of images". Thesis, The University of Sydney, 2010. https://hdl.handle.net/2123/24589.
Pełny tekst źródłaWennebjörk, Turdell Johan. "Sound Fence". Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-92054.
Pełny tekst źródłaStone, Anne. "De'ath sound". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29515.pdf.
Pełny tekst źródłaKsiążki na temat "Sound"
Sadler, Wendy. Sound. Oxford: Raintree, 2006.
Znajdź pełny tekst źródła1945-, Altman Rick, red. Sound theory, sound practice. New York: Routledge, 1992.
Znajdź pełny tekst źródłaSadler, Wendy. Sound: Listen up! Oxford: Raintree, 2006.
Znajdź pełny tekst źródłaPuget Sound Partnership (Wash.) i Puget Sound Action Team, red. Sound health, Sound future: Protecting and restoring Puget Sound, Puget Sound Partnership Recommendations. [Olympia, WA]: Puget Sound Partnership, 2006.
Znajdź pełny tekst źródłaPartnership, Puget Sound, i Puget Sound Action Team (Wash.), red. Sound health, sound future: Protecting and restoring Puget Sound, Puget Sound Partnership recommendations. [Olympia, WA]: Puget Sound Partnership, 2006.
Znajdź pełny tekst źródłaPuget Sound Partnership (Wash.) i Puget Sound Action Team, red. Sound health, Sound future: Protecting and restoring Puget Sound, Puget Sound Partnership Recommendations. [Olympia, WA]: Puget Sound Partnership, 2006.
Znajdź pełny tekst źródłaPuget Sound Partnership (Wash.) i Puget Sound Action Team (Wash.), red. Sound health, Sound future: Protecting and restoring Puget Sound, Puget Sound Partnership Recommendations. [Olympia, WA]: Puget Sound Partnership, 2006.
Znajdź pełny tekst źródłaOxlade, Chris. Experiments with sound: explaining sound. Chicago, Ill: Heinemann Library, 2008.
Znajdź pełny tekst źródłaMinoru, Hatanaka, i Nozaki Takeo, red. Sound art: Sound as media. Tokyo: Yoshida Hajimu, 2000.
Znajdź pełny tekst źródłaSorrentino, Christopher. Sound on sound: A novel. Normal, Ill: Dalkey Archive Press, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Sound"
Solomos, Makis. "Sound and Sound Milieus *". W Arts, Ecologies, Transitions, 168–72. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-43.
Pełny tekst źródłaKalpidou, Maria. "Sound Body, Sound Mind". W The Development of Children’s Happiness and Success, 79–95. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429356414-7.
Pełny tekst źródłaBöhringer, Joachim, Peter Bühler, Patrick Schlaich i Hanns-Jürgen Ziegler. "Sound". W X.media.press, 119–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-59522-6_4.
Pełny tekst źródłaKeighley, H. J. P., F. R. McKim, A. Clark i M. J. Harrison. "Sound". W Mastering Physics, 173–79. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-86062-3_19.
Pełny tekst źródłaKeighley, H. J. P., F. R. McKim, A. Clark i M. J. Harrison. "Sound". W Mastering Physics, 173–79. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08849-2_19.
Pełny tekst źródłaWatkiss, Stewart. "Sound". W Beginning Game Programming with Pygame Zero, 181–205. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5650-3_8.
Pełny tekst źródłakydd, Elspeth. "Sound". W The Critical Practice of Film, 166–84. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_8.
Pełny tekst źródłade Rosen, Laurence. "Sound". W Encyclopedia of Psychology and Religion, 2240. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_656.
Pełny tekst źródłaSkantze, P. A. "Sound". W Shakespeare and the Making of Theatre, 180–98. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28493-8_11.
Pełny tekst źródłaVistnes, Arnt Inge. "Sound". W Physics of Oscillations and Waves, 163–212. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72314-3_7.
Pełny tekst źródłaStreszczenia konferencji na temat "Sound"
Rocha, Rosimária. "Backyard Sounds, An Immersive Sound Experience". W ARTECH 2019: 9th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359852.3359943.
Pełny tekst źródłaWHITTAKER, R. "MULTIDIMENSIONAL SOUND IN SOUND REINFORCEMENT FOR THEATRE". W Reproduced Sound 2000. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/18678.
Pełny tekst źródłaGUY, RW, i A. DE MEY. "SOUND INTENSITY MEASUREMENT OF SOUND TRANSMISSION LOSS". W Reproduced Sound 1985. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22525.
Pełny tekst źródłaWRIGHT, JR. "SEEING SOUND". W Reproduced Sound 1998. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/18931.
Pełny tekst źródłaMAPP, P., i S. KATZ. "LAYERED SOUND - A NEW APPROACH TO SOUND REPRODUCTION". W Reproduced Sound 2003. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/18174.
Pełny tekst źródłaNEWELL, PR, i SM KATZ. "DISCRETE LAYERED SOUND". W Reproduced Sound 2006. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/17860.
Pełny tekst źródłaFELLGETT, PB. "AMBISONIC SURROUND SOUND". W Reproduced Sound 1985. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22520.
Pełny tekst źródłaListon, K., i I. M. Wiggins. "SOUND PRESSURE LEVELS IN CLOSE PROXIMITY TO SOUND REINFORCEMENT LOUDSPEAKERS". W Reproduced Sound 2021. Institute of Acoustics, 2021. http://dx.doi.org/10.25144/13800.
Pełny tekst źródłaWang, Fangzhou, Hidehisa Nagano, Kunio Kashino i Takeo Igarashi. "Visualizing video sounds with sound word animation". W 2015 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2015. http://dx.doi.org/10.1109/icme.2015.7177422.
Pełny tekst źródłaJohnson, David Linton, T. J. Plona i H. Kojima. "Probing porous media with 1st sound, 2nd sound, 4th sound, and 3rd sound". W AIP Conference Proceedings Vol. 154. AIP, 1987. http://dx.doi.org/10.1063/1.36398.
Pełny tekst źródłaRaporty organizacyjne na temat "Sound"
Carpenter, Grace. Shenandoah National Park: Acoustic monitoring report, 2016?2017. National Park Service, 2023. http://dx.doi.org/10.36967/2300465.
Pełny tekst źródłaDickerson, Kelly, Jeremy R. Gaston i Savannah McCarty-Gibson. Parameterizing Sound: Design Considerations for an Environmental Sound Database. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 2015. http://dx.doi.org/10.21236/ada616644.
Pełny tekst źródłaABERDEEN TEST CENTER MD SOLDIER SYSTEMS DIV. Sound Level Measurements. Fort Belvoir, VA: Defense Technical Information Center, sierpień 2011. http://dx.doi.org/10.21236/ada550455.
Pełny tekst źródłaRutledge, Annamarie, i Leslie (Leslie Alyson) Brandt. Puget Sound Region. Houghton, MI: USDA Northern Forests Climate, czerwiec 2023. http://dx.doi.org/10.32747/2023.8054016.ch.
Pełny tekst źródłaKrause, Timothy. Sound Effects: Age, Gender, and Sound Symbolism in American English. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2301.
Pełny tekst źródłaChillara, Vamshi. Powering Implants Using Sound. Office of Scientific and Technical Information (OSTI), lipiec 2017. http://dx.doi.org/10.2172/1369168.
Pełny tekst źródłaHarrison, Richard W., Walter M. Madigosky i Basil Vassos. Sound Absorbing Acoustic Horns. Fort Belvoir, VA: Defense Technical Information Center, marzec 1986. http://dx.doi.org/10.21236/ada212831.
Pełny tekst źródłaWatkins, William A. Marine Mammal Sound Archive. Fort Belvoir, VA: Defense Technical Information Center, sierpień 2003. http://dx.doi.org/10.21236/ada417094.
Pełny tekst źródłaGaughen, C. D. Quantifying Sound Coating Adhesion. Fort Belvoir, VA: Defense Technical Information Center, marzec 2000. http://dx.doi.org/10.21236/ada380878.
Pełny tekst źródłaKriete, Birgit. Orcas in Puget Sound. Fort Belvoir, VA: Defense Technical Information Center, styczeń 2007. http://dx.doi.org/10.21236/ada477509.
Pełny tekst źródła