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Artykuły w czasopismach na temat "Soul music – History and criticism"
BERNSTEIN, LAWRENCE F. "““Singende Seele”” or ““unsingbar””? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries". Journal of Musicology 23, nr 1 (1.01.2006): 3–61. http://dx.doi.org/10.1525/jm.2006.23.1.3.
Pełny tekst źródłaFarkas, Márton. "Lukács in Self-Translation: The Necessity of Contingency in The Soul and the Forms". October 161 (sierpień 2017): 23–41. http://dx.doi.org/10.1162/octo_a_00302.
Pełny tekst źródłaWatkins, Holly. "From the Mine to the Shrine: The Critical Origins of Musical Depth". 19th-Century Music 27, nr 3 (2004): 179–207. http://dx.doi.org/10.1525/ncm.2004.27.3.179.
Pełny tekst źródłaBotstein, Leon. "On Criticism and History". Musical Quarterly 79, nr 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Pełny tekst źródłaDesrosiers, Diane, i Jean-Philippe Beaulieu. "L’écriture féminine à la Renaissance française sous le regard des chercheurs canadiens". Renaissance and Reformation 37, nr 4 (30.04.2015): 3–18. http://dx.doi.org/10.33137/rr.v37i4.22637.
Pełny tekst źródłaValiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic". Political Theory 45, nr 2 (3.08.2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.
Pełny tekst źródłaBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, nr 1-2 (1.03.2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Pełny tekst źródłaRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, nr 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Pełny tekst źródłaBuell, Arthur. "CALIFORNIA SOUL: MUSIC OF AFRICAN AMERICANS IN THE WEST". Oral History Review 28, nr 2 (wrzesień 2001): 164–66. http://dx.doi.org/10.1525/ohr.2001.28.2.164.
Pełny tekst źródłaJr., Waldo E. Martin, Jacqueline Cogdell DjeDje i Eddie S. Meadows. "California Soul: Music of African Americans in the West." Journal of American History 86, nr 1 (czerwiec 1999): 308. http://dx.doi.org/10.2307/2567538.
Pełny tekst źródłaRozprawy doktorskie na temat "Soul music – History and criticism"
Scannell, John School of Media Film & Theatre UNSW. "James Brown: apprehending a minor temporality". Awarded by:University of New South Wales. School of Media, Film and Theatre, 2006. http://handle.unsw.edu.au/1959.4/26955.
Pełny tekst źródłaKirilov, Kalin Stanchev. "Harmony in Bulgarian Music". Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Pełny tekst źródłaThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
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Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Pełny tekst źródłaSchmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Pełny tekst źródłaWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Pełny tekst źródłaSarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D". Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Pełny tekst źródłaPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaStrahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /". Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Pełny tekst źródłaSchmitz, Michael David. "Oriental influences in the piano music of Claude Achille Debussy". Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187118.
Pełny tekst źródłaLau, Man-chun, i 劉文俊. "A study of Hong Kong popular music industry (1930-2000)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.
Pełny tekst źródłaKsiążki na temat "Soul music – History and criticism"
Haa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1995.
Znajdź pełny tekst źródłaHaa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1997.
Znajdź pełny tekst źródłaPruter, Robert. Chicago soul. Urbana: University of Illinois Press, 1991.
Znajdź pełny tekst źródłaChicago soul. Oxford: Bayou, 1991.
Znajdź pełny tekst źródłaPruter, Robert. Chicago soul. Urbana: University of Illinois Press, 1991.
Znajdź pełny tekst źródłaSoul/R&B. Minneapolis: Twenty-First Century Books, 2013.
Znajdź pełny tekst źródłaThe berimbau: Soul of Brazilian music. Jackson: University Press of Mississippi, 2010.
Znajdź pełny tekst źródłaGoaty, Frédéric. Black & soul. Paris: Layeur, 2004.
Znajdź pełny tekst źródłaGalm, Eric A. The berimbau: Soul of Brazilian music. Jackson: University Press of Mississippi, 2010.
Znajdź pełny tekst źródłaMolina, Ruben. Chicano soul: Recordings & history of an American culture. La Puente, Calif: Mictlan Publishing, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Soul music – History and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". W The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Pełny tekst źródłaDahl, Per. "Music Criticism in Norway". W The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Pełny tekst źródłaKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". W Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Pełny tekst źródłaFrey, Emily. "Music Criticism in Imperial Russia". W The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Pełny tekst źródłaWatt, Paul. "British Music Criticism, 1890–1945". W The Cambridge History of Music Criticism, 371–91. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.020.
Pełny tekst źródłaRacz, Mark. "Jazz Criticism in America". W The Cambridge History of Music Criticism, 459–83. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.025.
Pełny tekst źródłaFrith, Simon. "Writing about Popular Music". W The Cambridge History of Music Criticism, 502–26. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.027.
Pełny tekst źródłaDingle, Christopher. "Comparing Notes: Recording and Criticism". W The Cambridge History of Music Criticism, 249–71. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.014.
Pełny tekst źródłaRose, Stephen. "German-Language Music Criticism before 1800". W The Cambridge History of Music Criticism, 104–24. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.007.
Pełny tekst źródłaWilson, Alexandra. "Music Criticism in Nineteenth-Century Italy". W The Cambridge History of Music Criticism, 190–207. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.011.
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