Gotowa bibliografia na temat „Soul music”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Soul music”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Soul music"
Dopson, Laurence. "Soul music". Nursing Older People 17, nr 7 (październik 2005): 39. http://dx.doi.org/10.7748/nop.17.7.39.s24.
Pełny tekst źródłaShepherd, Reginald. "Soul Music". Chicago Review 40, nr 2/3 (1994): 35. http://dx.doi.org/10.2307/25305834.
Pełny tekst źródłaLaSalle. "Sweet Soul Music". Antioch Review 78, nr 1 (2020): 91. http://dx.doi.org/10.7723/antiochreview.78.1.0091.
Pełny tekst źródłaRestani, Donatella. "Embryology as a Paradigm for Boethius’ musica humana". Greek and Roman Musical Studies 4, nr 2 (1.09.2016): 161–90. http://dx.doi.org/10.1163/22129758-12341274.
Pełny tekst źródłaBintarto, A. Gathut. "Aspek Olah Vokal Musik Klasik Barat pada Musik Populer". Journal of Urban Society's Arts 1, nr 1 (10.04.2014): 44–56. http://dx.doi.org/10.24821/jousa.v1i1.787.
Pełny tekst źródłaValiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic". Political Theory 45, nr 2 (3.08.2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.
Pełny tekst źródłaBolden, Tony. "Critical Reflections on Soul: A Conversation with Portia K. Maultsby". Langston Hughes Review 29, nr 2 (grudzień 2023): 174–89. http://dx.doi.org/10.5325/langhughrevi.29.2.0174.
Pełny tekst źródłaBolden, Tony. "The Power of Gospel in the Black Arts Movement: A Conversation with Claudrena N. Harold". Langston Hughes Review 29, nr 2 (grudzień 2023): 201–16. http://dx.doi.org/10.5325/langhughrevi.29.2.0201.
Pełny tekst źródłaHostettler, Nick, i Alan Norrie. "Do You Like Soul Music?" Alethia 3, nr 2 (13.07.2000): 2–8. http://dx.doi.org/10.1558/aleth.v3i2.2.
Pełny tekst źródłaPlank, Steven. "Music of the Ravish'd Soul". Musical Times 136, nr 1831 (wrzesień 1995): 466. http://dx.doi.org/10.2307/1003722.
Pełny tekst źródłaRozprawy doktorskie na temat "Soul music"
Ekberg, Sebastian. "Varför låter det så? : En studie av pianospel inom jazz, pop och soul". Thesis, Örebro universitet, Musikhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-86665.
Pełny tekst źródłaMaxwell, David R. "Augustine's De musica 6.12.34-6.14.48 an ontology of music which saves the soul /". Theological Research Exchange Network (TREN), 2005. http://www.tren.com.
Pełny tekst źródłaCurtis, Sandra L. "Singing subversion, singing soul, women's voices in feminist music therapy". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ44871.pdf.
Pełny tekst źródłaPaiva, Carlos Eduardo Amaral de [UNESP]. "Black Paul: a soul music no Brasil nos anos 1970". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127967.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese investiga a aclimatação do gênero musical soul music no Brasil dos anos 1970. Por meio da análise da canção de importantes músicos negros da época: Tim Maia, Jorge Ben e Tony Tornado, bem como do chamado movimento Black Rio, sugerimos uma inflexão na formação de uma identidade negra no país, o que representou a emergência de uma estrutura de sentimentos negra e transnacional. Esta estrutura de sentimentos se caracterizou pela sua afirmação étnica e pelo seu internacionalismo vinculado à contracultura negra ocidental. No contexto político repressivo da ditadura, este movimento musical ajudou a aglutinar jovens negros em torno de uma política de identidades, além de fazer uma oposição manifesta ao mito da democracia racial, ideologia oficial do regime civil-militar
This thesis investigates the acclimatisation of soul music genres in Brazil in the 70's by the analysing the songs of important black musicians of the era: Tim Maia, Jorge Ben and Tony Tornado as well as the movement called Black Rio. We suggest an inflection on the formation of the black identity in the country that represented the emergence of a black structure of feelings in transnational levels. This structure of feelings is chacacterised by its ethinic affirmation and its internationalism tied to black western counterculture. In a repressive political context of dictatorship, this musical movement helped bring together young black men around political identity and made a clear objection to the myth of racial democracy, the official ideology of the civil-military regime
Paiva, Carlos Eduardo Amaral de. "Black Paul : a soul music no Brasil nos anos 1970 /". Araraquara, 2015. http://hdl.handle.net/11449/127967.
Pełny tekst źródłaBanca: Ana Lúcia Castro
Banca: Dagoberto José Fonseca
Banca: José Adriano Fenerick
Banca: Márcia Regina Tosta Dias
Resumo: Esta tese investiga a aclimatação do gênero musical soul music no Brasil dos anos 1970. Por meio da análise da canção de importantes músicos negros da época: Tim Maia, Jorge Ben e Tony Tornado, bem como do chamado movimento "Black Rio", sugerimos uma inflexão na formação de uma identidade negra no país, o que representou a emergência de uma estrutura de sentimentos negra e transnacional. Esta estrutura de sentimentos se caracterizou pela sua afirmação étnica e pelo seu internacionalismo vinculado à contracultura negra ocidental. No contexto político repressivo da ditadura, este movimento musical ajudou a aglutinar jovens negros em torno de uma política de identidades, além de fazer uma oposição manifesta ao mito da democracia racial, ideologia oficial do regime civil-militar
Abstract: This thesis investigates the acclimatisation of soul music genres in Brazil in the 70's by the analysing the songs of important black musicians of the era: Tim Maia, Jorge Ben and Tony Tornado as well as the movement called "Black Rio". We suggest an inflection on the formation of the black identity in the country that represented the emergence of a black structure of feelings in transnational levels. This structure of feelings is chacacterised by its ethinic affirmation and its internationalism tied to black western counterculture. In a repressive political context of dictatorship, this musical movement helped bring together young black men around political identity and made a clear objection to the myth of racial democracy, the official ideology of the civil-military regime
Doutor
Duris, Elizabeth Claire. "Contemporary Implications of Music and the Soul in Plato's Timaeus". University of Toledo / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1588634110162632.
Pełny tekst źródłaPerry, Vincent-Gerard Dulos Perry. "Soul Reborn: An Appropriation of the Motown Aesthetic". Thesis, Griffith University, 2017. http://hdl.handle.net/10072/370959.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland Conservatorium
Arts, Education and Law
Full Text
Harris, Christopher S. "Gods, God, & Soul Food: Young Black Spirituality in Rap Music". Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/448.
Pełny tekst źródłaHughes, Timothy Stephen. "Groove and flow : six analytical essays on the music of Stevie Wonder /". Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11410.
Pełny tekst źródłaGonçalves, Eloá Gabriele. "Banda Black Rio = o soul no Brasil da década de 1970". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284466.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-19T08:52:06Z (GMT). No. of bitstreams: 1 Goncalves_EloaGabriele_M.pdf: 60495318 bytes, checksum: 3a3ebc85450535991b7e825c6bfdb5ef (MD5) Previous issue date: 2011
Resumo: Este trabalho estuda a trajetória da Banda Black Rio, formada em meados dos anos de 1970, cuja produção caracteriza--?se por fusões de múltiplas musicalidades. Através da análise musical de uma amostragem do repertório gravado pela banda, verificou?se nessa produção a presença de elementos característicos de gêneros brasileiros como o samba, o choro e o baião, mesclados aos do jazz, do soul e do funk. A pesquisa revelou que procedimentos adotados pelos músicos nas composições, releituras, arranjos e instrumentação produziram resultados sonoros peculiares. Trata--?se de uma sonoridade híbrida, que, de certa forma, expressa a emergência de uma nova sensibilidade num contexto histórico brasileiro marcado pela presença de um regime político autoritário, do desenvolvimento e da integração da indústria cultural e do advento de novas identidades geracionais e étnicas
Abstract: This work studies the history of the band Black Rio, formed in the mid 1970s, whose production is characterized by a fusion of multiple musicalities. Through musical analysis of a sample of the repertoire recorded by the band, it was verified the presence of characteristic elements of Brazilian genres such as samba, choro and baião, merged with components of jazz, soul and funk. The research found that the procedures adopted by the musicians in compositions, re--?readings, arrangements and instrumentations produced a peculiar sound result. It is a hybrid sonority that, in a certain way, expresses the emergence of a new sensibility in a Brazilian historical context marked by the presence of an authoritarian political regime, by the development and integration of the cultural industry and by the advent of new generational and ethnical identities
Mestrado
Fundamentos Teoricos
Mestre em Música
Książki na temat "Soul music"
Pratchett, Terry. Soul Music. New York: HarperCollins, 2007.
Znajdź pełny tekst źródłaPratchett, Terry. Soul music. Barcelona: Plaza & Janés Editores, 2004.
Znajdź pełny tekst źródłaill, Schmitt Louis J., red. Music in my soul. Chicago: Ampersand, 2011.
Znajdź pełny tekst źródłaGregory, Hugh. Soul music A-Z. New York: Da Capo Press, 1995.
Znajdź pełny tekst źródłaChris, Wells, red. Music Master soul catalogue. London: Retail Entertainment Data Publishing, 1994.
Znajdź pełny tekst źródłaErtl, Franz. Soul-Diktionär. Wyd. 2. Köln: W. Herbst, 1987.
Znajdź pełny tekst źródłaCoppernoll, Christopher L. Soul 2 soul. Nashville: Word Pub., 1998.
Znajdź pełny tekst źródłaGoaty, Frédéric. Black & soul. Paris: Layeur, 2004.
Znajdź pełny tekst źródłaHansen, Mark Victor. Chicken Soup for the American Idol Soul. Deerfield Beach: Health Communications, Inc., 2007.
Znajdź pełny tekst źródłaHaa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Soul music"
Grafe, Adrian. "Sweet Soul Music". W The Persistence of the Soul in Literature, Art and Politics, 197–209. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40934-9_11.
Pełny tekst źródłaRabaka, Reiland. "Soul Sisters". W Black Women's Liberation Movement Music, 70–101. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003427339-4.
Pełny tekst źródłaSteele, Janeé M., i Charmeka S. Newton. "Music for Your Soul". W Black Lives Are Beautiful, 171–73. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003221357-32.
Pełny tekst źródłaPatterson, Jamie E. "‘Getting My Soul Back’". W Global Metal Music and Culture, 245–60. New York: Routledge, 2016. http://dx.doi.org/10.4324/9781315742816-19.
Pełny tekst źródłaRobertson, Diarra Osei. "Cash Rules Everything around Me: Appropriation, Commodification, and the Politics of Contemporary Protest Music and Hip Hop". W Soul Thieves, 31–49. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137071392_3.
Pełny tekst źródłaKipusi, Sein A. "The Soul in Soul Music: Educational Tools for Decolonial Ruptures". W Education, Colonial Sickness, 259–70. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-40262-3_13.
Pełny tekst źródłaValsiner, Jaan. "Poetry and Music: Translations for the Soul". W The Moonlight Doctor, 145–62. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-52531-5_9.
Pełny tekst źródłaTheorell, Töres. "Music for Body and Soul: Physiological Effects of Listening to Music". W SpringerBriefs in Psychology, 33–47. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8920-2_5.
Pełny tekst źródłaVarriale, Simone. "Aesthetic Encounters: Evaluating Rock, Jazz and Soul". W Globalization, Music and Cultures of Distinction, 139–64. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56450-4_7.
Pełny tekst źródłaPrettyman, Michele. ""Music in the Air"". W Summer of Soul (... Or, When the Revolution Could Not Be Televised), 64–77. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003397601-6.
Pełny tekst źródłaStreszczenia konferencji na temat "Soul music"
Jia, Xiaoguang. "Music Education is the Soul Baptism of College Students". W IPEC 2021: 2021 2nd Asia-Pacific Conference on Image Processing, Electronics and Computers. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3452446.3452616.
Pełny tekst źródłaGuseva, E. S. "Leo Tolstoy’s Perception of Music in the Context of His Ethical and Aesthetic Views on Art". W IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-127-139.
Pełny tekst źródłaOlărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.
Pełny tekst źródłaBugor, Elena, i Tatiana Berezovicova. "Alexei Stârcea's early vocal creation. Romances on poems of Fyodor Tyutchev". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.14.
Pełny tekst źródłaIstileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)". W Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.
Pełny tekst źródłaWenshuang Feng. "Song of the soul with free and easy freedom - talk about the song of original works of music of Chinese network". W Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730807.
Pełny tekst źródłaNguyen Thi, Yen. "The Three-Tiered World (Tam Phu) of the Tay People in Vietnam through the Performance of Then Rituals". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-3.
Pełny tekst źródłaStoica, Alina mihaela, i Daniela Aducovschi. "USING E-LEARNING SOFTWARE FOR DEVELOPING EURHYTHMY AS A MANNER OF ARTISTIC EXPRESSION FOR PUPILS AND STUDENTS". W eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-226.
Pełny tekst źródłaPlamadeala, Ana-Maria. "Cinematic Elegy: Valorizing the Constellation of Ancestral Paradigms". W Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.15.
Pełny tekst źródłaBowman, Rob. "33 1/3 revolutions per minute: Isaac Hayes’ Hot buttered soul and the myth of the black consumer". W Situating Popular Musics, redaktorzy Ed Montano i Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.08.
Pełny tekst źródła