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Artykuły w czasopismach na temat „Song of Solomon Old Testament”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

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1

Rainbow, Jesse. "The Song of Songs and the Testament of Solomon: Solomon's Love Poetry and Christian Magic." Harvard Theological Review 100, no. 3 (2007): 249–74. http://dx.doi.org/10.1017/s0017816007001587.

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A widespread early Christian tradition regarded Solomon as the great exorcist and magician of antiquity, the forerunner of the exorcistic activity of Jesus, and the genius of later Christian magic and divination. In time, this tradition (henceforth the “Solomon magus” tradition) would become increasingly syncretistic and would yield the numerous grimoires and claviculae of the Middle Ages, but in the early centuries of Christianity, the tradition produced texts which were more or less haggadic, that is, engaged in the exegesis of canonical materials and rooted in earlier Jewish interpretive tr

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2

Smith, John Arthur. "Musical aspects of Old Testament canticles in their biblical setting." Early Music History 17 (October 1998): 221–64. http://dx.doi.org/10.1017/s0261127900001650.

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The Hebrew Old Testament contains, besides prose narratives and laws, a considerable amount of poetry. The books of Lamentations, Proverbs and Psalms and the Song of Solomon, together with the prophetic oracles that make up the books of Amos, Habakkuk, Joel, Micah, Nahum, Obadiah and Zephaniah, consist entirely, or almost entirely, of poetry. In several other books, especially Job and the books of the prophets Haggai, Isaiah and Jeremiah, poetry predominates, while in the books of history and law, although prose predominates, poetry is never entirely absent, brief though its manifestations som

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3

Cate, Robert L. "Book Review: nalytical Key to the Old Testament; Volume 3, Ezra-Song of Solomon." Review & Expositor 89, no. 3 (1992): 411–12. http://dx.doi.org/10.1177/003463739208900310.

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Кашкин, А. "Journal for the Study of the Old Testament. Bibliographical Review Part 4: 1980." Библия и христианская древность, no. 3(15) (February 15, 2022): 175–206. http://dx.doi.org/10.31802/bca.2022.15.3.008.

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«Журнал для исследования Ветхого Завета» («Journal for the Study of the Old Testament») — один из ведущих научных журналов по библеистике. В этом библиографическом обзоре рассматриваются все публикации журнала, содержащиеся в выпусках с 15-го по 18-й; все четыре выпуска вышли в 1980 году. Особенно следует отметить интересные статьи, посвящённые следующим темам: книга Еноха, особенности библейских этимологий, историчность повествований об Иосифе и Моисее (№ 15), Бревард Чайлдс, канонический подход (№ 16), функции псалмов, эсхатология Книги Даниила, анализ избранных эпизодов Песни Песней, красот

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5

Shepherd-Barr, Kirsten. "‘Mise en Scent’: The Théâtre d'Art's Cantique des cantiques and the Use of Smell as a Theatrical Device." Theatre Research International 24, no. 2 (1999): 152–59. http://dx.doi.org/10.1017/s0307883300020770.

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In December 1891, an adaptation by Paul-Napoléon Roinard of the Old Testament text of the Cantique des cantiques (Song of Songs) of Solomon was performed at the recently created Théâtre d'Art, expressly to present a new idea of theatre as total art by engaging the visual, aural, and olfactory senses of the audience. One of the few theatre historians who has mentioned this remarkable endeavour notes that in it,‘music, words, colour, even perfume, were to be harmonized; all the senses were to be involved, simultaneously, in the one overwhelming experience’. Roinard's synaesthetic experiment drew

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6

ბაშელეიშვილი, ლიანა (ლია). "„ქებაჲ ქებათაჲს“ ქართული თარგმანების კულტურულ-კოგნიტური ასპექტები". Literary Researches 44 (27 листопада 2024): 11–31. https://doi.org/10.62119/lr.44.2024.8226.

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The discussion of the cultural-cognitive aspects of the Georgian translations of the most difficult text of the Old Testament, „Song of Songs“, is connected with many difficulties. Because such high texts are characterized by hiding and obscuring themselves, covering the composition, disguising themselves through allegorical contexts. The places to be analyzed in the Georgian editions of this book of King Solomon are compared with each other, as well as with the academic text of the Septuagint, the Septuagint accompanied by a literal Hebrew translation, the Sinic and Venetian codices of

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7

Muhammad Hafeez and Dr Saeed Ahmad. "A BIRD’S EYE VIEW OF SOLOMONIC PROVERBS." Tasdiqتصدیق۔ 4, no. 01 (2022): 76–82. http://dx.doi.org/10.56276/tasdiq.v4i01.88.

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The book of proverbs lies in the Old Testament. Beautiful and wisely sayings of prophet Solomon Sang of the Songs and Proverbs are considered the masterpieces that reflect the highest rank of poetry and the most influenced sayings. The book of Proverbs consists of seven (7) sections and thirty-one (31) chapters.The first section (chapter 1-9) consists of sayings of Solomon in which the father or teacher advise his son or students. The second section consists of two parts, the first part (10-14) contrasting the righteous and the wicked, and the second (15-22:16) addressing wise and foolish spee

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8

Baldwin, Joyce. "The Song of Solomon by G. Lloyd Carr (Tyndale Old Testament Commentaries, Leicester and Downers Grove, IVP, 1984. 175 pp. pb. £3.95)." Evangelical Quarterly: An International Review of Bible and Theology 58, no. 2 (1986): 158–59. http://dx.doi.org/10.1163/27725472-05802008.

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9

Хвальков, Е., та Ф. И. Юлаев. "Песнь песней / предисловие, перевод с древнегреческого и комментарии". Библия и христианская древность, № 3(23) (4 листопада 2024): 39–139. https://doi.org/10.31802/bca.2024.23.3.002.

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В настоящей публикации представлен новый перевод Песни песней Соломона на русский язык с древнегреческого текста Септуагинты. Во вступительной статье указывается на стоящую перед русской библеистикой задачу перевода на русский язык всех книг Ветхого Завета с Септуагинты. Рассматриваются особенности греческого текста Песни песней в переводе LXX, даётся обзор её рукописной традиции, печатных изданий, славянских и русских переводов. Наконец, отмечаются особенности настоящего перевода. Перевод сопровождается греческим текстом, который в ряде мест отходит от стандартного издания А. Ральфса, учитыва

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10

Lattke, Michael. "Dating theOdes of Solomon." Antichthon 27 (November 1993): 45–59. http://dx.doi.org/10.1017/s0066477400000782.

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41 verse texts are extant of the original 42 poems (also described as hymns, psalms or songs) which comprise the so-calledOdes of Solomon—a corpus not to be confused with the 18 so-calledPsalms of Solomon.As can be seen from the Appendix, the history of the discovery and publication of these poems began with C.G. Woide at the end of the eighteenth century.1 Up to that time the only evidence for theOdes of Solomonwas twofold. On the one hand, there was an enigmatic Latin quotation of three lines (i.e. 19:6-7a) in theDivinae Institutionesof Lactantius (c.240-c.320). On the other hand, the mere t

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11

Carr, D. M. "Song of Songs: A Commentary.(Old Testament Library)." Journal of Jewish Studies 57, no. 2 (2006): 343–45. http://dx.doi.org/10.18647/2681/jjs-2006.

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Adam, Domin, and Horea Lazăr. "Angel’s song in The Old and New Testament." Altarul Reîntregirii, no. 3 (2018): 65–88. http://dx.doi.org/10.29302/ar.2018.3.3.

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13

Boustan, Raʿanan, and Michael Beshay. "Sealing the Demons, Once and For All: The Ring of Solomon, the Cross of Christ, and the Power of Biblical Kingship." Archiv für Religionsgeschichte 16, no. 1 (2015): 99–130. http://dx.doi.org/10.1515/arege-2014-0008.

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Abstract This paper traces the historical development of the tradition that King Solomon made use of a signet-ring to marshal the demons as a labor-force for the construction of the Jerusalem Temple and analyzes the shifting ritual uses to which this tradition was put.We argue that this tradition, which is most fully articulated in the Testament of Solomon, is a Christian innovation of the third and fourth centuries rather than a venerable Jewish tradition with roots in the Second Temple period. This branch of the Solomon tradition first emerged within the context of internal Christian debates

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14

Stokl, T. J. "Magic and Divination in the Old Testament. By SOLOMON NIGOSIAN." Journal of Theological Studies 61, no. 1 (2010): 264–65. http://dx.doi.org/10.1093/jts/flq006.

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15

Leach, Edmund. "The Legitimacy of Solomon. Some structural aspects of Old Testament history." European Journal of Sociology 42, no. 1 (2001): 131–74. http://dx.doi.org/10.1017/s0003975600008201.

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I must start with a personal disavowal. This essay employs an explicitly Lévi-Straussian procedure but it is not intended as a guide to wider aspects of Lévi-Strauss thought. Although I feel reasonably safe with Lévi-Strauss's concept of structure, I am quite out of my depth when it comes to the related but subtler notion of esprit. Lévi-Strauss's esprit appears in sundry guises. In 1952, originally in English, he/it was a personalized “human mind”, an uninvited guest who took his place around the conference table among a group of American linguists and anthropologists (I); in the earlier chap

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16

Posta, Anna. "Latin paraphrases of Old Testament books in verse in 16th century Hungary." Hungarian Studies 37, S (2023): 15–31. http://dx.doi.org/10.1556/044.2023.00245.

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AbstractA popular trend in 16th-century Hungarian Neo-Latin poetry was the transposition of biblical, especially Old Testament books and texts. Georg Purkircher (Georgius Purkircher) paraphrased the Book of Wisdom, Péter Laskai Csókás (Petrus C. Lascovius) the Song of Songs, János Bocatius (Johannes Bocatius) the Book of Sirach/Ecclesiasticus, and Leonhardus Mokoschinus (Leonhardus Mokoschinus) a part of the Old Testament books (from Genesis to II Kings) in Latin. Internationally, only Mokoschinus' paraphrase of the Old Testament is known to any extent. In the present paper I will attempt to o

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Firth, David G. "They Sang and They Celebrated: The Women’s Celebration in 1 Samuel 18:7." Bulletin for Biblical Research 33, no. 4 (2023): 476–88. http://dx.doi.org/10.5325/bullbiblrese.33.4.0476.

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Abstract Following David’s defeat of Goliath, he is met by the local women who sang and danced as they celebrated the victory. This song shows important links to earlier women’s songs in the Old Testament, indicating an important tradition of teaching through song that was passed down. First Samuel then shows evidence of this pattern as the song is subsequently recited by men who have learned it from the women.

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López Ramírez, Manuela. "Icarus and Daedalus in Toni Morrison's "Song of Solomon"." Journal of English Studies 10 (May 29, 2012): 105. http://dx.doi.org/10.18172/jes.183.

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In Song of Solomon Toni Morrison rewrites the legend of the Flying Africans and the Myth of Icarus to create her own Myth. Her depiction of the black hero’s search for identity has strong mythical overtones. Morrison rescues those elements of mythology black culture which are still relevant to blacks and fuses them with evident allusions to Greek mythology. She reinterprets old images and myths of flight, the main mythical motif in the story. Her Icarus engages on an archetypical journey to the South, to his family past, led by his Daedalic guide, on which he finally recovers his ancestral abi

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Ellis, James W. "Hannah’s Song: A Foreshadowing of the Magnificat." European Journal of Theology and Philosophy 1, no. 3 (2021): 15–24. http://dx.doi.org/10.24018/theology.2021.1.3.14.

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Although women’s words account for a small portion of biblical scripture, the Bible records two related prayerful songs that were sung by female prophets: the song of Hannah, in the Old Testament, and the Magnificat of Mary, in the New Testament. This essay uses typological methodology to explore the songs’ connections, including their shared literary precedents and nearly identical theological themes. Their fundamental similarities suggest Hannah’s song served as a harbinger of the Magnificat. Hannah and Mary’s shared blessing, divinely ordained motherhood, and their shared inspiration, the H

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20

W. Kvalvaag, Robert. "«Rivers of Babylon» som utgangspunkt for undervisning om Det gamle testamentet: En postkolonial tilnærming." Prismet 75, no. 2-3 (2024): 133–55. http://dx.doi.org/10.5617/pri.11859.

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How can a song from popular culture serve as an introduction to the study of the Old Testament in secondary school? In this article, I argue that the The Melodians’ song «Rivers of Babylon», later made famous by Boney M, can serve as a bridge between the Old Testament text and the pupils. «Rivers of Babylon» is based upon the first part of Psalm 137, and in my analysis of the psalm-text I use postcolonial theory. My aim is to reflect in a critical way how The Melodians (and Boney M) used and redefined the original source material from the Bible, and also how the song raises the question of the

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Assefa, Daniel, Steve Delamarter, Garry Jost, Ralph Lee, and Curt Niccum. "The Textual History of the Ethiopic Old Testament Project (THEOT): Goals and Initial Findings." Textus 29, no. 1 (2020): 80–110. http://dx.doi.org/10.1163/2589255x-02901002.

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Abstract This article offers an introduction to the Textual History of the Ethiopic Old Testament (THEOT) project. This includes a description of the background to THEOT and its primary purpose of mapping the history of the transmission of the Ethiopic Old Testament. The bulk of the article summarizes the project’s preliminary findings, generally, and, in particular, about Ethiopic Psalms, Song of Songs, Deuteronomy, Ruth, Amos, Obadiah, Jonah, and Haggai. Some attention is also given to evidences of contact with the Hebrew text tradition, although the Ethiopic is clearly a daughter version of

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Dewantara, Agustinus Wisnu. "MEMPROMOSIKAN AMSAL DALAM KATEKESE KELUARGA." JPAK: Jurnal Pendidikan Agama Katolik 6, no. 3 (2018): 101–11. http://dx.doi.org/10.34150/jpak.v6i3.153.

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The Book of Proverbs is a book in both the Tanakh (Judaism), and the Old Testament (Christianity). The book contains some of the most important teaching and instructions in each of their respective Religions. Most scholars believe that Solomon was the writer of at least part of the book Other authors are mentioned as well, but these references are missing in the Greek Septuagint. The Septuagint sees King Solomon as the author of the whole Book of Proverbs This paper will punctuate the option for Christian family to apply Proverbs in family catechesis. Christian family must be helped in accordi

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Mora, Carlos E. "Elijah-Elisha discipleship as a type of Jesus and his disciples." Advenimiento 9 (June 30, 2021): 17–28. https://doi.org/10.59758/adv.2021.9.1.1728.

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The idea of discipleship is not a new one in the New Testament. We find this practice established in the Old Testament. Moses did it with Joshua. David also guided and prepared his son Solomon for being a king. But the experience of Elijah as mentor and Elisha as his disciple requires a special attention. Since there are many similarities between them and what we found in the Gospels and the book of Acts about discipleship, this research compares the experiences of both OT prophets with Jesus and his disciples following the principles of the biblical typology. The goal of this study is to high

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Clea Moreno-Szypowska, Jadwiga. "Żydowska metoda hermeneutyczna na podstawie egzegezy Pieśni nad Pieśniami Abrahama Ibn Ezra i brata Luisa de León." Filozofia Chrześcijańska 17 (July 30, 2021): 115–33. http://dx.doi.org/10.14746/fc.2020.17.6.

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The aim of these article is to present the more important rules of Jewish exegesis developed mainly by Hillel on the example of a commentary on the Song of the Songsof Abraham Ibn Ezra and Luis de León. The text tries to show how traditional Jewishhermeneutics is used in the innovative commentaries of a scholar from Tudela from the XIth century and a theologian from Belmonte from the XVIth century and how the first infl uenced the second. Interpretative methods developed in the most important centers of Judaic thought of the beginning of our era have been used for centuries to explain biblical

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Zhang, Ting. "An Analysis of Hebrew Poetry with the Example of <i>The Song of Songs </i>from the Perspective of Hegel Aesthetics." Studies on Religion and Philosophy 1, no. 2 (2025): 25–32. https://doi.org/10.71204/x71vy124.

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The Bible includes both the Old Testament and the New Testament. The Old Testament is often referred to as the Hebrew Bible, in which the Song of Songs is one of the most extraordinary work. This study seeks to explore the beauty in the Song of Songs to deeply appreciate the poem by using some of Hegelian aesthetic theories in the complete system of idealistic aesthetics Hegel established in Aesthetics. Besides the introduction and conclusion, the full text is divided into three sections. The first section discusses the beauty of the human body. The God made humans for them to multiply. So the

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Hack, Márta. "„A derék asszony dicsérete"." DÍKÉ 6, no. 1 (2022): 28–49. http://dx.doi.org/10.15170/dike.2022.06.01.03.

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As part of the Old Testament and ancient Hebrew wisdom literature, the Proverbs of Solomon describes an ideal for women. In the Old Testament, the image of women is not pejorative, even though from the Fall of mankind, a woman is under the authority of a man. The status of girls and married women in a patriarchal family had somewhat changed for the better under the Law of Moses; although divorce and polygamy were legal, monogamous marriage received indirect protection. The Law also protected women and widows in cases of defamation and, in matters of inheritance as well. This study closes with

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Hilber, John W. "Song of Songs. Baker Commentary on the Old Testament Wisdom and Psalms." Bulletin for Biblical Research 18, no. 2 (2008): 326–28. http://dx.doi.org/10.2307/26423855.

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Hilber, John W. "Song of Songs. Baker Commentary on the Old Testament Wisdom and Psalms." Bulletin for Biblical Research 18, no. 2 (2008): 326–28. http://dx.doi.org/10.2307/bullbiblrese.18.2.0326.

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Gallagher, Edmon L. "Why did Jerome Translate Tobit and Judith?" Harvard Theological Review 108, no. 3 (2015): 356–75. http://dx.doi.org/10.1017/s0017816015000231.

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Jerome translated the Hebrew Bible into Latin over a decade and a half beginning in about 390c.e.With each translation he included a preface dedicating (in most cases) the translation to a friend or patron and defending his reliance on what he called thehebraica veritas (Hebrew truth)against his many detractors. This last feature of the prefaces proved necessary because by choosing the Hebrew text of the Old Testament as his base text, Jerome directly challenged the traditional position of the Septuagint within the church. The unpopularity of this move in some circles compelled Jerome repeated

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Moughtin, Sharon. "Book Review: Song of Songs: A Commentary; Song of Songs: The New International Commentary on the Old Testament." Expository Times 116, no. 2 (2004): 68. http://dx.doi.org/10.1177/001452460411600218.

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Siahaan, Harls Evan Rianto. "Hikmat Sebagai Implikasi Pendidikan Kristiani: Refleksi 1 Raja-raja 3:1-15." DUNAMIS: Jurnal Penelitian Teologi dan Pendidikan Kristiani 1, no. 1 (2016): 15. http://dx.doi.org/10.30648/dun.v1i1.99.

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Di dalam sutdi Perjanjian Lama, hikmat menjadi bagian yang terpenting dalam aktualisasi hidup tokoh yang berhasil. Di antara tokoh tersebut adalah Salomo yang disebut sebagai orang yang paling berhikmat, sehingga pada zamannya ia tidak tertandingi dalam banyak hal mencakup seluruh aspek kehidupan mausia saat itu. Intinya, Perjanjian Lama menunjukkan nilai lebih yang diberikan oleh hikmat yang tidak dapat dilakukan oleh orang pada umumnya. Kajian ini merupakan penelitian teks 1 Raja-Raja 3:1-15 tentang hikmat yang diperoleh Salomo. Hikmat yang diberikan oleh Allah pada waktu itu pada hakikatnya

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Lotter, GA, and Rian S. Steyn. "Hooglied: Hedendaagse paradigma vir romantiese verhoudings." Verbum et Ecclesia 27, no. 1 (2006): 70–89. http://dx.doi.org/10.4102/ve.v27i1.143.

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In this article it is argued that the Old Testament book Song of Songs can serve as a present-day paradigm for romantic relationships. Song of Songs is being viewed as a collection of love poems and songs where the romantic relationship between a man and a woman is in the focus. The authors discuss the so called “love triangle” which is to be found in Song of Songs. The challenge for correcting relationships with regards to reciprocity and equility in this relationship is also researched followed by the important (albeit absent in the text itself) acknowledgement of people’s own limitation and

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Kogan, Leonid. "Soqotrano-Biblica." Vetus Testamentum 70, no. 2 (2020): 245–69. http://dx.doi.org/10.1163/15685330-12341392.

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Abstract The article investigates the thematic and stylistic parallelism between Old Testament books (primarily, but not exclusively, Proverbs, Ecclesiastes, and the Song of Songs) and the oral poetry in the Modern South Arabian language Soqotri. Striking similarities between the two corpora, noted already by the father of Soqotri studies in the West, David Heinrich Müller, are investigated in depth on the basis of the author’s fieldwork experience on the island.

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Stevens, John. "Samson dux fortissime: an international Latin song." Plainsong and Medieval Music 1, no. 1 (1992): 1–40. http://dx.doi.org/10.1017/s0961137100000231.

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This Old Testament ‘annunciation’ prophesies the birth of Samson, one of the popular heroes of medieval story and art. There is a plenitude of evidence on this point, but his popularity could be deduced quite simply from the song which is the subject of this article. Samson dux fortissime is well known; it is often referred to, and it has been recorded at least twice in recent years. However, there is no adequate published edition of it, no comparative study of its sources and notations, and no analysis of the way in which the imposing rhetoric of its poetry is combined with an intricately pat

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Yoo, Jeongmo. "Allegory or Literal Historical Interpretation?: Andrew Fuller’s Critique of Robert Robinson’s View of the Canonicity of the Song of Songs." Evangelical Quarterly 90, no. 3 (2019): 264–88. http://dx.doi.org/10.1163/27725472-09003005.

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This study deals with Andrew Fuller’s (1754–1815) critique of Robert Robinson of Cambridge (1735–1790) with a particular focus on Fuller’s critique of Robinson’s view of the canonicity of the Song of Songs. Fuller’s defence of the canonicity of the Song of Songs and his interpretation of it evidently follows the mainstream Protestant view of the Reformation and the Post-Reformation eras in continuity with the patristic and medieval exegetical tradition. In particular, standing firm with the predominant exegetical tradition of previous centuries, Fuller takes allegory as the main exegetical met

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Ruset-Oancă, Monica. "Re-writing Old Testament legends in La Queste del Saint Graal." University of Bucharest Review. Literary and Cultural Studies Series 10, no. 2 (2021): 102–13. http://dx.doi.org/10.31178/ubr.10.2.8.

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In this paper, I intend to present the way in which the Biblical stories and medieval legends are re-written in the episode of the Miraculous Ship in La Queste del Saint Graal, and to identify several characteristics of this vessel, considered ideal for the questers’ preparation for the ecstatic life in the presence of the Grail. The multi-layered symbolism of this miraculous self-moving ship is constantly enriched with new connotations, and from being a sacred place that offers the successful knights the opportunity to meditate on their spiritual life before reaching Sarras and the Holy Grail

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Kuznetsova, Vera S. "Folklore Version of the “Biblical” Story about Solomon in Hell and Her Russian Siberian Texts." Studies in Theory of Literary Plot and Narratology, no. 1 (2024): 46–57. http://dx.doi.org/10.25205/2713-3133-2024-1-46-57.

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The main theme of folk stories about the biblical King Solomon is his wisdom, which allows him to solve difficult problems and find a way out of difficult situations. Such stories include stories about Solomon in hell: left in hell during the descent of Christ into hell, for the liberation of the souls of the Old Testament righteous languishing there, Solomon, thanks to his wisdom, finds a way to get out of there – he threatens the devils to build a church, for which he is expelled from hell and so freed; they are the subject of consideration in the article. Neither the Holy Scriptures nor the

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Olusegun James Adigun and Adebayo Afolaranmi. "Old Testament Succession Plans As Models for Contemporary Time Leadership: An Appraisal." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 19, no. 1 (2025): 213–30. https://doi.org/10.20890/reflexus.v19i1.3033.

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One of the greatest challenges that have been confronting the church in this contemporary time is the failure in the succession plan in raising leaders for continuity and stability. More so, examples abound where transfer, retirement or demise of leaders culminated in the collapse of a gigantic Christian ministry which took years to be built through the grace of God. So, the purpose of this paper is to examine the succession plans presented in the Old Testament, analyzing their relevance and applicability to the contemporary leadership transitions by exploring the biblical accounts of leadersh

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Д.В., Юревич. "Библейское учение о цели творения Богом мира". Труды кафедры богословия Санкт-Петербургской Духовной Академии, № 3(23) (1 вересня 2024): 108–18. http://dx.doi.org/10.47132/2541-9587_2024_3_108.

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В статье рассматривается ветхозаветное учение о цели творения Богом мира в свете новозаветного Откровения и церковной традиции экзегезы. Для ветхозаветных фрагментов, раскрывающих причину творения Богом мира (Прит 8:29b‑31 и 16:4), производится филологический анализ древнееврейского текста, указываются возможные варианты интерпретации, приводятся примеры различных переводов. Анализируется древнегреческий текст фрагментов Посланий св. ап. Павла (Кол 1:16 и Рим 11:36), раскрывающих цель творения мира. Приводятся примеры из святоотеческой экзегезы, которая синтезирует учение Соломона и ап. Павла

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Supriyanto, Agustinus. "Understanding the Logo and Motto of Pope Francis' Visit to Asia and Oceania from the Relationship Experience of Biblical Figures in Concerning to International Law and Relations." International Journal of Religion 5, no. 10 (2024): 5654–61. http://dx.doi.org/10.61707/v6rch297.

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This paper aims to ensure that Christians can take advantage of the phenomena of globalism and localism associated with Pope Francis' visit to the Asia Pacific. The selection of Biblical figures is taken from figures who are relevant to the phenomenon of International Relations and Law. From the Old Testament is taken the experience of the relationship between the Queen of Sheba and Solomon. The relationship between the Queen and the King at that time reflects that in Old Testament times International Law was already known in accordance with the situation of that time. The figures in the New T

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Lorek, Piotr. "Jezus jako ΥΙΟΣ w Corpus Paulinum. Ujęcie typologiczne". Ruch Biblijny i Liturgiczny 60, № 3 (2007): 209. http://dx.doi.org/10.21906/rbl.372.

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The New Testament letters attributed to Paul depict Jesus Christ as the Son (υἱός) seventeen times. Using the phenomenon of intertextuality and typology, the present article aims to identify the Old Testament’s inspiration for Pauline use of the title “Son” for Jesus. It appears that some main archetypes of Jesus’ sonship can be recognized (Adam, Isaac, the paschal lamb replacing the firstborn son, Israel corporately as son, David, Solomon, Daniel’s Son of Man, and indirectly Isaiah’s Servant of the Lord). These pictures of sonship are intertwined by Paul and used for all main stages of Jesus’

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Shahangian, Noori Sadat. "معاد شناسی یهود". اندیشه دینی 34 (20 лютого 2020): 25–40. https://doi.org/10.5281/zenodo.3677294.

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This article is directed towards learning Jewish traditional teachings on human destiny after death. It has been documented to the Old Testament and Talmud besides three apocalyptic literature (namely Second Book of Ezra,First Book of Enoch , Theosophy of Solomon).The study of after-life and related themes such as Sheol (nether -land) ,its attributes and transition of views related to deads' conditions, their resurrection and its end , the coming of Messiah , the conditions of his coming and its proceeded and followed events,Messianic period and its characteristics ,the judgement , reward

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Vynogradov, Andriy. "THE PROBLEM OF SELF-IDENTIFICATION OF PERSONALITY IN TONY MORRISON'S NOVELS." Fìlologìčnì traktati 16, no. 2 (2024): 203–14. https://doi.org/10.21272/ftrk.2024.16(2)-20.

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Toni Morrison's work is notable for its emphasis on the problems of African-American national and cultural identity. The vast majority of characters in Morrison's novels represent a relevant cross-section of American society; the writer explores the historical fate of the black population of the New World, the complicated processes of transition from slavery to freedom. In the novels of the early 1970s («The Bluest Eye», «Sula») Morrison explores the destructive aspects of disintegration in the fates of characters who cannot transcend «collapsed communities» and «broken families» and partly fa

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P. Havran, Nikolina. "Typologycal Allegory in the Characterisation of Saint Simeon." Филолог – часопис за језик књижевност и културу 15, no. 30 (2024): 363–81. https://doi.org/10.21618/fil2430363h.

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The present paper analyses the examples of typological allegory employed as a means of characterisation of Stefan Nemanja/Saint Simeon, the founder of the holy Nemanjic dynasty and its first saint, in the Serbian mediaeval hagiography literature of the 13th century – in the Hagiography of St. Simeon Nemanja by Sava Nemanjic; the Life of Saint Simeon by Stefan the FirstCrowned; Domentian’s the Life of Saint Sava and the Life of Saint Simeon; and the Life of Saint Sava by Teodosije the Hilandarian. The questions that the paper addresses include the degree of frequency of typological allegory use

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Veselov, Fedor Nikitovich. "Alexander the Great and Solomon the Wise: Who was Ivan the Terrible quoting?" Studia Slavica et Balcanica Petropolitana, no. 2(34) (2023): 3–13. http://dx.doi.org/10.21638/spbu19.2023.201.

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Numerous legends and apocrypha, circulating in the non-literary scene of Slavia Orthodoxa, in which both Alexander the Great and Solomon the Wise were gradually endowed with parallel features, should have become the basis for the functional similarity of these images in Slavic literature. An important role in the literature of the southern and eastern Slavs in this process was played by the Serbian recension of the Alexander Romance, the second Slavonic translation of the pseudo-Callisthenes work. In the Romance Alexander the Great not only inherits the relics of King Solomon, but the Old Test

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Mustolehudin, Mustolehudin. "Moral Value in Lyrics of Dangdut Compesed by Rhoma Irama." Analisa 19, no. 2 (2012): 213. http://dx.doi.org/10.18784/analisa.v19i2.167.

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<p><em>Mora</em><em>l values undoubtedly play a significant role in human life. These values are not only in religious texts (such as Qur’an, Hadits, Old Testament, Bible, Book of Psalms) but also in literatures. One of the examples is lyrics of Rhoma Irama’s song from 1970s to 1980s. This is a library research using a content analysis approach. Meanwhile, this research utilizes semiotic and hermeneutic methods. The findings show that the lyrics of Rhoma Irama’s song during 1970-1980 contained some moral values which could be implemented in personal life, family, societ

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Joachimsen, Kristin. "Steck's Five Stories of the Servant in Isaiah lii 13-liii 12, and Beyond." Vetus Testamentum 57, no. 2 (2007): 208–28. http://dx.doi.org/10.1163/156853307x183712.

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AbstractBernhard Duhm's Servant Song thesis from 1892 has had a paradigmatic status for more than a century. Gottesknecht has become a technical term, Ebed-Jahwe-Lied a genre, Stellvertretung an established theological concept, and "Servant Song Research" a particular discipline within Old Testament scholarship. is article investigates of Odil Hannes Steck's reading. Steck outlines an intra-Isaianic reception of the songs on five levels dating from 539 to 270 BCE. In the original version, the servant of Isa. liii is identified individually as the prophet. On the remaining four redactional leve

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Reichlin, Susanne. "Stimmenarrangement." Poetica 52, no. 3-4 (2021): 266–91. http://dx.doi.org/10.30965/25890530-05201011.

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Abstract Frauenlob’s Marienleich has been studied primarily from the perspective of its elaborate metaphors and allegories. Scholars have identified the source of these metaphors in the exegesis of the Song of Songs as well as other Old Testament books and described the overlapping of diverse metaphorical traditions in the text. This paper argues that not only the metaphors, but also the voices of the Marienleich are artfully arranged. The essay shows how switching of the voice, echo effects, and multiplication of the voice create a polyphony that reflects the intertextual underpinning of Mari

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Wilson, Catherine. "REVIEW: Ophir: Bougainville's epic struggle for freedom." Pacific Journalism Review : Te Koakoa 27, no. 1and2 (2021): 304–6. http://dx.doi.org/10.24135/pjr.v27i1and2.1212.

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Ophir: Decolonize. Revolutionize, directed by Alexandre Berman and Olivier Pollet. Arsam International/Fourth World Films/Ulster University. 2020. 97 minutes. https://www.ophir-film.com/ IN OPHIR (2020), a feature length documentary film about the Bougainville civil war (1989-1998), French filmmakers Alexandre Berman and Olivier Pollet analyse the devastating conflict and under-reported repercussions which continue to reverberate in the region today. Ophir in the Old Testament (Genesis 10; 1 Kings 10:22) is a land of great mineral wealth exploited by King Solomon. In eastern Papua New Gu

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Harkovschenko, Yevgen A. "Sophia's theme in world and national spirituality." Ukrainian Religious Studies, no. 29 (March 9, 2004): 86–95. http://dx.doi.org/10.32420/2004.29.1488.

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The Sophia tradition was formed in European philosophical and religious creativity and was developed in the pre-Christian period by Plato. Then it was reflected in Gnosticism and Neo-Platonism, the writings of prominent theorists of Christianity - fathers and teachers of the church, mystics of the Middle Ages. This tradition was reflected in the temple architecture and iconography of the Orthodox East, and took a systematic form of the doctrine of sophiology in the "philosophy of unity." The doctrine of Sophia the Wisdom of God is set forth in the biblical book of the parables of the Solomons,

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