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Artykuły w czasopismach na temat "Song"
Stoddard, Philip K., Michael D. Beecher, S. Elizabeth Campbell i Cynthia L. Horning. "Song-type matching in the song sparrow". Canadian Journal of Zoology 70, nr 7 (1.07.1992): 1440–44. http://dx.doi.org/10.1139/z92-200.
Pełny tekst źródłaNakano, Tomoyasu, Kazuyoshi Yoshii i Masataka Goto. "Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models of Musical Elements". International Journal of Semantic Computing 10, nr 01 (marzec 2016): 27–52. http://dx.doi.org/10.1142/s1793351x1640002x.
Pełny tekst źródłaLennox, Stephen J. "Song of Songs". Bulletin for Biblical Research 22, nr 3 (1.01.2012): 428–29. http://dx.doi.org/10.2307/26424583.
Pełny tekst źródłaKreutzer, Michel L., i Laurent Nagle. "Song Tutoring Influences Female Song Preferences in Domesticated Canaries". Behaviour 134, nr 1-2 (1997): 89–104. http://dx.doi.org/10.1163/156853997x00296.
Pełny tekst źródłaЩітова, С. А., i О. М. Якимець. "THE INNOVATIVE INTERPRETATION OF THE CHAMBER-VOCAL GENRE IN THE LATE WORKS OF SCHUBERT". Музикознавча думка Дніпропетровщини, nr 15 (4.11.2019): 163–71. http://dx.doi.org/10.33287/221913.
Pełny tekst źródłaSigler Ficken, Millicent, Kathryn M. Rusch, Sandra J. Taylor i Donald R. Powers. "Blue-Throated Hummingbird Song: A Pinnacle of Nonoscine Vocalizations". Auk 117, nr 1 (1.01.2000): 120–28. http://dx.doi.org/10.1093/auk/117.1.120.
Pełny tekst źródłaNowicki, Stephen, i Jared Strote. "Responses To Songs With Altered Tonal Quality By Adult Song Sparrows (Melospiza Melodia)". Behaviour 133, nr 3-4 (1996): 161–72. http://dx.doi.org/10.1163/156853996x00099.
Pełny tekst źródłaRizqy, Titis. "Creativity of Teachers in Creating Java Song in Industrial Era 4.0". International Conference of Moslem Society 3 (12.04.2019): 296–304. http://dx.doi.org/10.24090/icms.2019.2332.
Pełny tekst źródłaGarland, Ellen C., Luke Rendell, Luca Lamoni, M. Michael Poole i Michael J. Noad. "Song hybridization events during revolutionary song change provide insights into cultural transmission in humpback whales". Proceedings of the National Academy of Sciences 114, nr 30 (24.07.2017): 7822–29. http://dx.doi.org/10.1073/pnas.1621072114.
Pełny tekst źródłaKaplan, Jonathan, i Aren M. Wilson-Wright. "How Song of Songs Became a Divine Love Song". Biblical Interpretation 26, nr 3 (4.09.2018): 334–51. http://dx.doi.org/10.1163/15685152-00263p03.
Pełny tekst źródłaRozprawy doktorskie na temat "Song"
Junkermann, Penelope Robin. "The relationship between Targum Song of Songs and Midrash Rabbah Song of Songs". Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-relationship-between-targum-song-of-songs-and-midrash-rabbah-song-of-songs(d9749f55-93cb-4b58-b235-36d5a0f9a697).html.
Pełny tekst źródłaParker, Anthony Raymond. "Solomon's song a three act screenplay based on the Song of Songs /". Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Pełny tekst źródłaRostig, Grace. "Ambiguity in the Song of Songs". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ47791.pdf.
Pełny tekst źródłaKing, J. Christopher. "The bridegroom's perfect marriage-song : Origen on the Song of songs as eschatological text". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312664.
Pełny tekst źródłaMunro, Jill M. "The imagery of the 'Song of Songs'". Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/27082.
Pełny tekst źródłaClarke, Rosalind S. "Canonical interpretations of the Song of Songs". Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203507.
Pełny tekst źródłaStewart, Andrew Philip. "Participant identity in the Song of songs". Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Pełny tekst źródłaJuma, Dorcas Chebet. "Encountering the female voice in the Song of Songs : reading the Song of Songs for the dignity of Kenyan women". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95821.
Pełny tekst źródłaENGLISH ABSTRACT: This study investigates one of the central aspects of a Kenyan woman’s identity, namely the notion of sexuality, which unfortunately also underlies numerous socio-economic and developmental challenges currently confronting Kenyan women. The research shows that in Kenya, patriarchal ideologies are used to control the sexuality of women in the name of ‘our culture’. Thus, it is and has been difficult for many Kenyan women to live with dignity as beings equally created in the image and likeness of God. The study, therefore, sought to identify, expose, criticize, destabilize and to deconstruct patriarchal ideologies that deny Kenyan women the right to live with dignity. Patriarchal ideologies that have been used to mute the voices of Kenyan women on matters of sex and sexuality are challenged by introducing the voices of Kenyan women. The latter is done with reference to poetry that reflects the voices and experiences of Kenyan women as a means of expressing who they really are in the midst of a society that silences them. It is shown that, by means of poetry, the full power and energy of these women may be mobilized. Moreover, the voices and experiences of Kenyan women offer a contextual re-reading of the Song of Songs for their dignity. The study presents the female voice in the Song of Songs (a text from a male pen) as responding in a new way to the patriarchal Old Testament society on matters of sex and sexuality. In the process, a twofold strategy is proposed with which negative perceptions of the sexuality of women in the worldview of Kenya may be addressed: First, this study proposes that it is important to purposefully steer conversations regarding issues of sex and sexuality. The latter is done in the conviction that this is one way of creating a platform for addressing other gender-based injustices that deny Kenyan women the right to live with dignity. Second, by focusing on Kenyan poetry, as well as on the female voice in the Song of Songs, there is a possibility of reconstructing positive aspects of the sexuality of Kenyan women, which may allow them to live with dignity. To achieve the aim of this study, to re-read the Song of Songs for the dignity of Kenyan women, an African Women’s Theological approach is used within the broader context of feminist and womanist approaches to the Song. Through an African Women’s approach to the Song of Songs, the study asks how the female voice that spoke boldly in the patriarchal setting of the Old Testament can also be liberating in the Kenyan patriarchal setting. The female voice in Song of Songs presents issues of sex and sexuality in a new way. As such, it is proposed that the latter voice, read through the hermeneutical lens of Kenyan women’s poetry or poetry on Kenyan women, has the potential to inform and therefore to transform the patriarchal setting of the Kenyan society. It is only if Kenyan women are empowered to negotiate safe sex and to express their sexuality on their own terms and conditions, that this will be fully realized.
AFRIKKANSE OPSOMMING: Hierdie studie ondersoek een van die sentrale aspekte van ’n Keniaanse vrou se identiteit, naamlik die idee van seksualiteit, wat ongelukkig ook onderliggend is aan talle sosio-ekonomiese en ontwikkelingsuitdagings wat Keniaanse vroue tans konfronteer. Die navorsing toon in Kenia word patriargale ideologieë gebruik om die seksualiteit van vroue te beheer in die naam van ‘ons kultuur’. Dit is dus moeilik vir baie Keniaanse vroue om met waardigheid te leef as gelyk-geskape na die beeld en gelykenis van God. Hierdie studie poog om patriargale ideologieë wat Keniaanse vrouens die reg om met waardigheid te leef ontneem te identifiseer, te kritiseer, te destabiliseer en te dekonstrueer. Die studie daag patriargale ideologieë uit wat gebruik is en word om die stemme van Keniaanse vrouens oor seks en seksualiteit stil te maak. Dit word spesifiek gedoen deur die stemme en ervarings van Keniaanse vrouens in poësie te gebruik (soms in die gedigte van manlike digters!) as uitdrukking van hulle lewens te midde van ”’n patriargale samelewing. Dit word getoon hoedat hiedie gedigte die krag en energie van hierdie vroue kan mobiliseer. Meer nog, die stemme van Keniaanse vrouens bied die geleentheid tot ’n kontekstuele herlees van Hooglied met die oog op die erkening en beskerming van hulle waardigheid. Die vroulike stem in Hooglied word verstaan as ’n nuwe reaksie op die Ou Testamentiese samelewing met betrekking tot kwessies soos seks en seksualiteit. In die proses word daar met ’n tweeledige strategie voorendag gekom waarmee die negatiewe opvattings oor die seksualiteit van vroue in die wêreldbeeld van Keniaanse mans aangespreek kan word. Eerstens word die noodsaak voorgestel van ’n doelbewuste rigtinggewing aan gesprekke oor seks en seksualiteit. Dit word gedoen vanuit die oortuiging dat dit een manier is om ’n platform te skep waar gelsagsgebasseerde ongeregtighede wat Keniaanse vroue die reg op ’n menswaardige lewe ontsê aangespreek kan word. Tweedens, deur op Keniaanse poësie en die vroulike stem in Hooglied te fokus, word voorgestel dat dat posititewe aspekte van die seksualiteit van Keniaanse vroue herkonstrueer kan word, wat dan kan meewerk om hulle met waardigheid te kan laat leef. Ten einde bogenoemde doelwit van hierdie studie te bereik, word ’n Afrika-vrouebenadering toegepas in die lees van Hooglied. Dit vind plaas binne ’n breër konteks van Feministiese en sogenaamde “Womanist” benaderings tot die boek. Met ’n Afrika vroue benadering as leesstrategie, word aangedui dat en hoe die vroulike stem wat vreesloos in haar eie patriargale, Ou Testamentiese konteks spreek ook bevrydend kan funksioneer binne die Keniaanse patriargale konteks. Daar word dus getoon dat die vroulike stem in Hooglied seks en seksualiteit op ’n nuwe manier aanbied. Gevolglik stel hierdie studie voor dat die vroulike stem in Hooglied, gelees deur die hermeneutiese lens van Keniaanse gedigte oor of deur vroue, die potensiaal het om die patriargale konteks van die Keniaanse samelewing eendersyds te ontbloot en andersyds te transformeer. Dit is slegs wanneer Keniaanse vroue bemagtig word om vir veilige seks te kan onderhandel en hulle seksualiteit op hulle eie terme uit te kan druk, dat hulle menswaardigheid ten volle gerealiseer sal word.
Gault, Brian P. "The adjuration repetend in the Song of songs". Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Pełny tekst źródłaBaxter, Brian A. "An exegesis of Song of Songs 2:15". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1168.
Pełny tekst źródłaKsiążki na temat "Song"
Jeanne Marie Bouvier de La Motte Guyon. Song of songs. New Kensington, PA: Whitaker House, 1997.
Znajdź pełny tekst źródłaHughesdon, Beverley. Song of Songs. London: Century, 1988.
Znajdź pełny tekst źródłaGalle, Rita. Song of Songs. Woodmere, N.Y: Pardes Rimonim Press, 1990.
Znajdź pełny tekst źródła1958-, House Paul R., red. Song of songs. Nashville: Thomas Nelson Publishers, 2004.
Znajdź pełny tekst źródłaRenzo, Sala, red. Song of love: The Song of songs. Boston, MA: Pauline Books & Media, 2008.
Znajdź pełny tekst źródłaClairvaux, Bernard of. Song of Songs I. Redaktor Kilian Walsh OCSO. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218218.
Pełny tekst źródłaBicknell, Jeanette, i John Andrew Fisher. Song, songs, and singing. Malden, MA: John Wiley & Sons, 2013.
Znajdź pełny tekst źródłaKeel, Othmar. The Song of songs. Minneapolis: Fortress Press, 1994.
Znajdź pełny tekst źródłaHarold, Bloom, red. The Song of songs. New York: Chelsea House Publishers, 1988.
Znajdź pełny tekst źródłaMoore, David George. Ecclesiastes, Song of Songs. Redaktorzy Akin Daniel L. 1957- i Anders Max E. 1947-. Nashville, Tenn: Broadman & Holman, 2003.
Znajdź pełny tekst źródłaCzęści książek na temat "Song"
del Rosario, Ingeborg. "Song of Songs". W Encyclopedia of Psychology and Religion, 2226–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_790.
Pełny tekst źródłaRothenberg, Naftali. "Song of Songs". W Rabbi Akiva's Philosophy of Love, 91–110. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58142-2_5.
Pełny tekst źródłaRosario, Ingeborg. "Song of Songs". W Encyclopedia of Psychology and Religion, 1684–85. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_790.
Pełny tekst źródłaCyrous, Sam, Carol L. Schnabl Schweitzer, Stacey Enslow, Paul Larson, Rod Blackhirst, Morgan Stebbins, Erel Shalit i in. "Song of Songs". W Encyclopedia of Psychology and Religion, 861–62. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_790.
Pełny tekst źródłaWestbrook, Deeanne. "Wordsworth’s Song of Songs". W Wordsworth's Biblical Ghosts, 123–43. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780312299330_6.
Pełny tekst źródłaWright, Julia M. "3.7 “Sons of Song”". W Romantic Poetry, 333–53. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.22wri.
Pełny tekst źródłaAstell, Ann W., i Catherine Rose Cavadini. "The Song of Songs". W The Wiley-Blackwell Companion to Christian Mysticism, 25–40. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118232729.ch2.
Pełny tekst źródłaAstell, Ann W., i Catherine Rose Cavadini. "The Song of Songs". W The Wiley-Blackwell Companion to Christian Mysticism, 25–40. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118232736.ch2.
Pełny tekst źródłaBlanc, Luis F. Girón. "Song of Songs in Song of Songs Rabbah". W Encyclopaedia of Midrash, 857–70. BRILL, 1987. http://dx.doi.org/10.1163/9789004531352_018.
Pełny tekst źródła"Song of Songs:". W Fierce, 89–95. 1517 Media, 2017. http://dx.doi.org/10.2307/j.ctt1gr7fb8.15.
Pełny tekst źródłaStreszczenia konferencji na temat "Song"
"Sadhukarn Song, The Song in Thai Rituals". W March 21-23, 2018 Istanbul (Turkey). Dignified Researchers Publication, 2018. http://dx.doi.org/10.17758/dirpub1.dir0318018.
Pełny tekst źródłaSutthithepthamrong, Phanuthep, i Vadim Marshalkovskiy. "@Blood Song". W SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3446562.3458514.
Pełny tekst źródłaNavone, Victor. "Alien Song". W ACM SIGGRAPH 2001 video review. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/945314.945317.
Pełny tekst źródłaPalmer, Nicholas, Roelof Kemp, Thilo Kielmann i Henri Bal. "SWAN-song". W the Third International Workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2389148.2389160.
Pełny tekst źródłaGabbolini, Giovanni, i Derek Bridge. "Generating Interesting Song-to-Song Segues With Dave". W UMAP '21: 29th ACM Conference on User Modeling, Adaptation and Personalization. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450613.3456819.
Pełny tekst źródłaYanling, Zhuang, i Wang Huajie. "Interpretation of 8 Tenses Song/Planting Trees(Song)". W Proceedings of the 2019 3rd International Conference on Education, Culture and Social Development (ICECSD 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icecsd-19.2019.35.
Pełny tekst źródłaLee, Juheon, Sungkyun Chang, Sang Keun Choe i Kyogu Lee. "Cover Song Identification Using Song-to-Song Cross-Similarity Matrix with Convolutional Neural Network". W ICASSP 2018 - 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2018. http://dx.doi.org/10.1109/icassp.2018.8461395.
Pełny tekst źródłaMondal, Uttam Kr, i J. K. Mandal. "Song authentication technique through concealment of secret song (SATCon)". W 2011 International Conference on Recent Trends in Information Technology (ICRTIT). IEEE, 2011. http://dx.doi.org/10.1109/icrtit.2011.5972306.
Pełny tekst źródłaKhoa, Đỗ Đăng, Ngô Hồng Đăng, Phan Đăng Phong i Đỗ Sanh. "Động lực học ngược của rô bốt song song 3RRR". W HỘI NGHỊ KHOA HỌC TOÀN QUỐC LẦN THỨ NHẤT ĐỘNG LỰC HỌC VÀ ĐIỀU KHIỂN. Publishing House for Science and Technology, 2019. http://dx.doi.org/10.15625/vap.2019000277.
Pełny tekst źródłaWijaya, Hendry, i Raymond Sunardi Oetama. "Song Similarity Analysis With Clustering Method On Korean Pop Song". W 2021 6th International Conference on New Media Studies (CONMEDIA). IEEE, 2021. http://dx.doi.org/10.1109/conmedia53104.2021.9617204.
Pełny tekst źródłaRaporty organizacyjne na temat "Song"
Lizurek, Grzegorz. Episode: SONG TRANH. Institute of Geophysics, Polish Academy of Sciences, styczeń 2015. http://dx.doi.org/10.25171/instgeoph_pas_isepos-2017-001.
Pełny tekst źródłaShiller, Ben, i Joel Waldfogel. Music for a Song: An Empirical Look at Uniform Song Pricing and its Alternatives. Cambridge, MA: National Bureau of Economic Research, październik 2009. http://dx.doi.org/10.3386/w15390.
Pełny tekst źródłaKramer, Elisabeth. Candidates sing the same old anti-corruption song. Redaktor Sam Hendricks. Monash University, luty 2024. http://dx.doi.org/10.54377/fc8f-8ec3.
Pełny tekst źródłaSeacord, Robett C., i Scott A. Hissam. Browsers for Distributed Systems: Universal Paradigm or Siren's Song? Fort Belvoir, VA: Defense Technical Information Center, lipiec 1998. http://dx.doi.org/10.21236/ada351644.
Pełny tekst źródłaMizrach, Amos, Michal Mazor, Amots Hetzroni, Joseph Grinshpun, Richard Mankin, Dennis Shuman, Nancy Epsky i Robert Heath. Male Song as a Tool for Trapping Female Medflies. United States Department of Agriculture, grudzień 2002. http://dx.doi.org/10.32747/2002.7586535.bard.
Pełny tekst źródłaDutta, Lopamudra, i Soubhik Chakraborty. Analyzing a Raga based Bollywood song: A statistical approach. Peeref, kwiecień 2023. http://dx.doi.org/10.54985/peeref.2304p4050647.
Pełny tekst źródłaCoolican, Michael A. The Song Remains the Same: United States Marine Corps and V/STOL. Fort Belvoir, VA: Defense Technical Information Center, styczeń 2002. http://dx.doi.org/10.21236/ada403750.
Pełny tekst źródłaLaura Céspedes Arias, Laura Céspedes Arias. Hybridization in Andean warblers: how color, song, and genes interact in avian hybrid zones. Experiment, wrzesień 2016. http://dx.doi.org/10.18258/7813.
Pełny tekst źródłaMoskowitz, Ira S., i Daniel D. Kang. Comments on Optical Fiber Communication Channel Capacity Results of Song, Mahajan, Mahadevan, and Morris. Fort Belvoir, VA: Defense Technical Information Center, marzec 2010. http://dx.doi.org/10.21236/ada518673.
Pełny tekst źródłaManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse i Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), listopad 2020. http://dx.doi.org/10.19088/ids.2020.001.
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