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Artykuły w czasopismach na temat "Sommereux"
Tangeraas, Ingeborg. "Sommeren som endret alt". Tidsskrift for Den norske legeforening 130, nr 3 (2010): 294–95. http://dx.doi.org/10.4045/tidsskr.09.1521.
Pełny tekst źródłaFlaaten, Vigdis. "MELON – en av sommerens mest forfriskende frukter". Norsk tidsskrift for ernæring 8, nr 2 (czerwiec 2010): 20–21. http://dx.doi.org/10.18261/ntfe.8.2.7.
Pełny tekst źródłaBrügger, Niels, i Susanne Lervad. "De intellektuelles tavshed". Slagmark - Tidsskrift for idéhistorie, nr 6 (30.01.2018): 98–104. http://dx.doi.org/10.7146/sl.v0i6.103434.
Pełny tekst źródłaBjerkeset, Sverre. "For en forskjell sommeren og ungdommen gjør". Plan 52, nr 02 (26.06.2020): 30–33. http://dx.doi.org/10.18261/issn1504-3045-2020-02-06.
Pełny tekst źródłaWestergaard, Peter K. "Nietzsches 'pile' - Sentenser og ordsprog - sommeren 1883". Slagmark - Tidsskrift for idéhistorie, nr 61 (9.03.2018): 181–86. http://dx.doi.org/10.7146/sl.v0i61.104067.
Pełny tekst źródłaLorenzen, Vilh. "En fodtur i Sønderjylland i sommeren 1893". Sønderjydske Årbøger 105, nr 1 (1.01.1993): 79–108. http://dx.doi.org/10.7146/soenderjydskeaarboeger.v105i1.81185.
Pełny tekst źródłaMamen, Jostein. "Fønvind: Når «sommeren» avlegger et besøk vinterstid". Naturen 147, nr 2 (15.05.2023): 95–102. http://dx.doi.org/10.18261/naturen.147.2.6.
Pełny tekst źródłaK. Taylor, Shelley. "Sproglige og kulturelle vidensfonde i klasseværelset". Sprogforum. Tidsskrift for sprog- og kulturpædagogik 22, nr 62 (1.05.2016): 7. http://dx.doi.org/10.7146/spr.v22i62.23786.
Pełny tekst źródłaKim, Hee-Young, i Yong-Jae Lee. "Expansion of Sensibility Area and Industrial Application in the Convergence Era - With Special Reference to Analysis of the Internet Arts of Sommerer and Mignonneau -". Journal of the Korea Contents Association 10, nr 12 (28.12.2010): 146–54. http://dx.doi.org/10.5392/jkca.2010.10.12.146.
Pełny tekst źródłaJakobsen, Karen Sonne. "Skriveridentitet og skrivepraktikker i elevperspektiv". Sprogforum. Tidsskrift for sprog- og kulturpædagogik 23, nr 65 (1.12.2017): 34–41. http://dx.doi.org/10.7146/spr.v23i65.112853.
Pełny tekst źródłaRozprawy doktorskie na temat "Sommereux"
Sommerer, Andreas [Verfasser]. "Numerische Optimierung adaptiver transsonischer Profile / Andreas Sommerer". Aachen : Shaker, 2005. http://d-nb.info/1181619947/34.
Pełny tekst źródłaSommerer, Lucia M. [Verfasser]. "Personenbezogenes Predictive Policing : Kriminalwissenschaftliche Untersuchung über die Automatisierung der Kriminalprognose / Lucia Sommerer". Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://nbn-resolving.de/urn:nbn:de:101:1-2020062215071418906468.
Pełny tekst źródłaSommerer, Lucia [Verfasser]. "Personenbezogenes Predictive Policing : Kriminalwissenschaftliche Untersuchung über die Automatisierung der Kriminalprognose / Lucia Sommerer". Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://d-nb.info/1212393961/34.
Pełny tekst źródłaRABELLO, Rafaelle Ribeiro. "A estética da media art: as obras de Christa Sommerer e Laurent Mignonneau". Universidade Federal do Pará, 2011. http://repositorio.ufpa.br/jspui/handle/2011/7796.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
As tendências teóricas e atividades de criação procuraram de alguma forma caminhar lado a lado com as descobertas e os desenvolvimentos tecnocientíficos. Os pensamentos científicos e tecnológicos contemporâneos ampliam e transformam as bases materiais e os potenciais dos modos de produção estético. Tais transformações podem ser observadas no campo da Media Art, manifestação concernente ao contexto contemporâneo, cujas principais investigações artísticas centram-se na Arte Computacional, Arte da Telepresença, Imersão, Realidade Virtual, Arte Transgênica e Arte Genética. Portanto, a presente dissertação tem como objetivo pesquisar as Teorias Estéticas que emergem do contexto da Media Art fundamentadas na ideia de interatividade e interface, assim como os resultados estéticos de Christa Sommerer e Laurent Mignonneau construídos na interseção dos pensamentos científicos, tecnológicos e artísticos. Em linhas gerais, utiliza-se a noção de “Arte como sistema vivo” como recurso para compreender o processo interativo como um conjunto de elementos interconectados, sujeito à constante intervenção.
The theoretical trends and creation activities intended to somehow walk sideby- side with the discoveries and tecno-scientific developments. The contemporary scientific and technological thoughts wide and transform material basis and the aesthetics's production mode potentials. Such transformations can be observed in the Media Art field, an attributive manifestation to the contemporary context, which the main artistic investigations are focused on Computational Art, Tele-presence Art, Iimmersion, Virtual Reality, Transgenic Art and Genetic Art. Therefore, this master thesis has the objective to investigate the Aesthetic Theories which emerge from the Media Art context and have foundations on the idea of interactivity and interface, such as the Christa Sommerer's and Laurent Mignonneau's aesthetic results idealized based on the scientific, technological and artistics' thoughts. Broadly, the notion of the “Art as a live system” is adopted in order to comprehend the interative process as a set of chained elements, subject to constant intervection.
Sommerer, Mathias [Verfasser]. "Multiple-Use-Technologien in der Fusionsforschung und industriellen Anwendungen: Mikrostrukturelle Aspekte des thermozyklischen Bruchverhaltens von Wolfram / Mathias Sommerer". München : Verlag Dr. Hut, 2018. http://d-nb.info/1162768010/34.
Pełny tekst źródłaEngeßer, Jonas [Verfasser], Sylvia [Akademischer Betreuer] Stracke, Sylvia [Gutachter] Stracke i Claudia [Gutachter] Sommerer. "Der Einfluss des Calcimimetikums R568 und des Wachstumsfaktors TGF-ß1 auf die vaskuläre Kalzifizierung humaner glatter Gefäßmuskelzellen / Jonas Engeßer ; Gutachter: Sylvia Stracke, Claudia Sommerer ; Betreuer: Sylvia Stracke". Greifswald : Universität Greifswald, 2021. http://d-nb.info/1236693663/34.
Pełny tekst źródłaSommerey, Caroline [Verfasser], i Matthias [Akademischer Betreuer] Jäger. "Klinische Fall-Kontroll-Studie über die operative Versorgung des primären Klumpfußes : Vergleich pantarsales Release nach McKay über den Cincinnati-Zugang versus Achillessehnenverlängerung / Caroline Sommerey ; Betreuer: Matthias Jäger". Duisburg, 2020. http://d-nb.info/1210861615/34.
Pełny tekst źródłaSommerey, Sandra [Verfasser]. "Klassifikation des Charcotfußes anhand von klinischen und radiologischen Befunden / vorgelegt von Sandra Sommerey". 2004. http://d-nb.info/972836241/34.
Pełny tekst źródłaMello, Elenice Schmitz. "Horizontes da interatividade na arte digital: o exemplo de Christa Sommerer e Laurent Mignonneau". Master's thesis, 2013. http://hdl.handle.net/1822/29107.
Pełny tekst źródłaCom a tecnologia presente em nosso cotidiano as pessoas estão cada vez mais habituadas ao seu uso. Sendo assim, a tarefa de lidar com computadores, periféricos e softwares precisa cada vez menos ser explicada ou ensinada. Com isso, a participação do público em instalações ou mesmo em obras de arte parece ter-se tornado mais natural e fluída. Foram selecionados os artistas Christa Sommerer e Laurent Mignonneau como foco de estudo deste trabalho. Analisou-se suas obras, técnicas e linha de criação. Além disso, a arte sempre foi um tema que instigou a humanidade, que acompanha sua história. Como não poderia ser diferente, hoje em dia, tem-se uma ramificação da arte: a Arte Digital. Buscou-se compreender os conceitos intrínsecos nesse nicho da arte bem como entender de forma cronológica os caminhos que levaram essa arte a chegar aqui. Abordou-se ainda neste projeto, a questão da experiência do usuário, evidenciando as sensações que o artista deseja transmitir ou mesmo como a obra havia sido idealizada e como tomou um rumo diferente. Explorar-se-á o assunto da relação homem/máquina e sua evolução no decorrer dos anos. Mesmo que não exista uma única forma de criação, esta pesquisa será uma importante ferramenta para artistas iniciantes, que ainda estão a dar seus primeiros passos. E como resultado final desta dissertação, apresentam-se as distinções entre a criação de obras convencionais e de obras digitais. Entendendo melhor o processo como um todo.
With the technology in our everyday life, people are increasingly getting used to it. Thus, the task of dealing with computers, peripherals and software don´t need to be explained or taught. With this, the public paticipation in installations or even in works of art seems to have become more natural and fluid. It was selected the artists Christa Sommerer and Laurent Mignonneau as the focus of the study of this work. It was analyzed their works, techniques and line creation. Moreover, art has always been an issue that instigated humanity, it follows his history. It couldn´t be different today, when exists a branch of art: the Digital Art. It was tried to understand the concepts inherent in this niche of the art as well as understand chronologically the paths that led this art to get here. It is also addressed in this project, the issue of user experience, highlighting the feelings that the artist wishes to convey or even how the work was planned and how it has taken a different turn. It will explore the subject of the man / machine and its evolution over the years. Even if there is not only one form of creation, this research will be an important tool for new artists, who are making their first steps. And as a final result of this thesis, we present the distinctions between creating works of conventional arts and digital arts, trying to understand the whole process better.
Sommerer, Thomas [Verfasser]. "Selektive Hautschuppenanalyse : Strategien zur Gewinnung von Individual-STR-Profilen aus Hautepithelzellen / vorgelegt von Thomas Sommerer". 2010. http://d-nb.info/1010744933/34.
Pełny tekst źródłaKsiążki na temat "Sommereux"
Erichsen, Agnete. Alfabetet om sommeren. Kristiansand: Barnas Forlag, 2001.
Znajdź pełny tekst źródłaStocker, Gerfried, Gottfried Keßler, Christa Sommerer i Laurent Mignonneau, red. Christa Sommerer Laurent Mignonneau. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2.
Pełny tekst źródłaTangen, Turid. Sommeren med ruter ess. Oslo: Gyldendal, 1985.
Znajdź pełny tekst źródłaHustvedt, Siri. Sommeren uden mænd: Roman. [Kbh.]: Gyldendals Bogklubber, 2011.
Znajdź pełny tekst źródłaMüry-Leitner, Mona. Maria Biljan-Bilger: Ausstellungshalle Sommerein. Salzburg: Anton Pustet, 2007.
Znajdź pełny tekst źródłaEriksen, Endre Lund. Den sommeren pappa ble homo. Oslo: Aschehoug, 2012.
Znajdź pełny tekst źródłaGerfried, Stocker, Sommerer Christa 1964- i Mignonneau Laurent 1967-, red. Christa Sommerer & Laurent Mignonneau: Interactive art research. Wien: Springer, 2009.
Znajdź pełny tekst źródłaGerfried, Stocker, Sommerer Christa 1964- i Mignonneau Laurent 1967-, red. Christa Sommerer & Laurent Mignonneau: Interactive art research. Wien: Springer, 2009.
Znajdź pełny tekst źródłaIndia, Philatelic Congress of, red. Diaries of W.T. van Sommeren and A.B. Thompson. Calcutta: Philatelic Congress of India, 2000.
Znajdź pełny tekst źródłalandsmuseum, Grønlands, red. Arkæologisk rekognoscering i Jameson Land, Nordøstgrønland sommeren 1986: Rapport 1986. [Godthåb]: Grønlands landsmuseum, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Sommereux"
Mignonneau, Laurent, Christa Sommerer, Peter Weibel, Christian Paul i Matthias Michalka. "Art as Research Research as Art". W Christa Sommerer Laurent Mignonneau, 8–25. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_1.
Pełny tekst źródłaSakane, Itsuo, Erkki Huhtamo, Christine Schöpf, Hannes Leopoldseder i Christa Sommerer. "Interface Design Aspects in the Interactive Artworks of Sommerer & Mignonneau". W Christa Sommerer Laurent Mignonneau, 26–53. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_2.
Pełny tekst źródłaReichle, Ingeborg, John L. Casti, Machiko Kusahara, Christa Sommerer i Laurent Mignonneau. "From Artificial Life and Complexity Research to Bio and Nano Art". W Christa Sommerer Laurent Mignonneau, 54–125. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_3.
Pełny tekst źródłaMoriyama, Tomoe, Christa Sommerer, Laurent Mignonneau i Roberto Lopez-Gulliver. "Immersion, Illusion and Intelligent Environments". W Christa Sommerer Laurent Mignonneau, 126–65. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_4.
Pełny tekst źródłaDe Merèdieu, Florence, Oliver Grau, Christa Sommerer, Laurent Mignonneau i Roberto Lopez-Gulliver. "Multimodal Interaction with Internet Data". W Christa Sommerer Laurent Mignonneau, 166–89. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_5.
Pełny tekst źródłaAscott, Roy, Christa Sommerer, Laurent Mignonneau i Michael Shamiyeh. "Communication Interfaces". W Christa Sommerer Laurent Mignonneau, 190–215. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99016-2_6.
Pełny tekst źródła"Maria-Biljan-Bilger-Ausstellungshalle Sommerein". W Friedrich Achleitners Blick auf Österreichs Architektur nach 1945, 518–23. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783035602227-157.
Pełny tekst źródła"3.3 Die natürlichen Interfaces von Christa Sommerer und Laurent Mignonneau". W Haptik am User Interface, 123–31. transcript Verlag, 2020. http://dx.doi.org/10.1515/9783839451342-020.
Pełny tekst źródła"3.3 Die natürlichen Interfaces von Christa Sommerer und Laurent Mignonneau". W Haptik am User Interface, 123–31. transcript-Verlag, 2020. http://dx.doi.org/10.14361/9783839451342-020.
Pełny tekst źródłaDuff, David G. "Canada: Capital Gains Realized by an Austrian Private Foundation: Sommerer v. The Queen". W TTCL Series. IBFD, 2013. http://dx.doi.org/10.59403/2kygdfh020.
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