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Artykuły w czasopismach na temat "Societies Authors"
Sørbø, Marie Nedregotten. "Elusive Women Authors in Norwegian Nineteenth-Century Reading Societies". NORA - Nordic Journal of Feminist and Gender Research 25, nr 4 (2.10.2017): 279–95. http://dx.doi.org/10.1080/08038740.2017.1380699.
Pełny tekst źródłaHaleem, Irm. "Women, Patronage, and Self-Representation in Islamic Societies". American Journal of Islam and Society 18, nr 1 (1.01.2001): 102–6. http://dx.doi.org/10.35632/ajis.v18i1.2038.
Pełny tekst źródłaMolnar, Dragana Jeremić, i Aleksandar Molnar. "Franz Boas’ Postulate of the Warfare Origin of Secret Societies and Myths about the “Culture Heroˮ and the “Tricksterˮ in North America". Issues in Ethnology and Anthropology 16, nr 1 (17.04.2021): 19–48. http://dx.doi.org/10.21301/eap.v16i1.1.
Pełny tekst źródłaAl-Junaid, Syed Abdul Hamid, i Syed Aziz Anwar. "Behavioral Science Foundations of Organization Development". American Journal of Islam and Society 17, nr 1 (1.04.2000): 1–19. http://dx.doi.org/10.35632/ajis.v17i1.2071.
Pełny tekst źródłaSharma, Ravi S., Elaine W. J. Ng, Mathias Dharmawirya i Ekundayo M. Samuel. "A Policy Framework for Developing Knowledge Societies". International Journal of Knowledge Society Research 1, nr 1 (styczeń 2010): 22–45. http://dx.doi.org/10.4018/jksr.2010010103.
Pełny tekst źródłaSILVER, BRIAN D., i KATHLEEN M. DOWLEY. "Measuring Political Culture in Multiethnic Societies". Comparative Political Studies 33, nr 4 (maj 2000): 517–50. http://dx.doi.org/10.1177/0010414000033004004.
Pełny tekst źródłaJOHNS, ADRIAN. "Miscellaneous methods: authors, societies and journals in early modern England". British Journal for the History of Science 33, nr 2 (czerwiec 2000): 159–86. http://dx.doi.org/10.1017/s0007087499003933.
Pełny tekst źródłaLendvai, Tünde, i András Tóth. "What Can Privacy Mean in Data-Driven Societies?" Academic and Applied Research in Military and Public Management Science 22, nr 1 (30.03.2023): 115–32. http://dx.doi.org/10.32565/aarms.2023.1.9.
Pełny tekst źródłaBailin, Miriam. "A Community of Interest—Victorian Scholars and Literary Societies". Articles, nr 55 (20.04.2010): 0. http://dx.doi.org/10.7202/039558ar.
Pełny tekst źródłaChiglintsev, Evgueny Alexandrovich, Natalya Yurievna Bikeyeva, Maxim Vadimovich Griger, Igor Vladimirovich Vostrikov, Farit Nafisovich Ahmadiev, Alexandr Alexandrovich Zaitsev, Natalia Anatolievna Shadrina i Enzhe Midhatovna Dusaeva. "Images of Power in the Societies of Antiquity and the Middle Ages: Symbols and Ritual Practices of the East and West". Journal of Politics and Law 12, nr 5 (31.08.2019): 83. http://dx.doi.org/10.5539/jpl.v12n5p83.
Pełny tekst źródłaRozprawy doktorskie na temat "Societies Authors"
Peris, Steven L. "Marie von Ebner-Eschenbach's Ohne Liebe: A Translation and Commentary". BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3487.
Pełny tekst źródłaFreche, Bibiane. "Entre rupture et continuité: le champ littéraire belge après la seconde guerre mondiale (3 septembre 1944-8 octobre 1960)". Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210874.
Pełny tekst źródłaDoctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
Sanigová, Jana. "Autorské právo v profesi výkonného umělce". Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-75119.
Pełny tekst źródłaFargo, Joyce E. "A descriptive study of the history, growth, development and value of non-academic writing groups in Salem, Oregon". Thesis, 1993. http://hdl.handle.net/1957/36454.
Pełny tekst źródłaGraduation date: 1993
Almeida, Patrícia. "O autor de literatura e o seu direito: perspetivas na era digital". Master's thesis, 2017. http://hdl.handle.net/10071/15010.
Pełny tekst źródłaThe main goals of this research were to understand how the dynamics associated with the copyright system imply writers, specifically in fiction literature, and which are their opinions on the current configuration of the book chain and copyright, addressing these topics from the point of view of digital hegemony. At the same time, it was important to understand how this phenomenon is seen in the literary environment and in the perspective of the authors that have been in the market since the time when the printed book was the only possibility of reading and the authors who, in turn, have a career mostly developed in the digital age. Although the findings suggest a certain dissatisfaction with the established models, the empirical study revealed that the authors are not very focused on other possibilities, namely those ones produced by the internet and digital media, so they still prefer the classic form of publishing, defending the importance that the book in printed format has for readers circle and for themselves
Fonseca, Hugo Santos. "Direitos de Autor Musicais - Transição Digital e o Futuro das Entidades de Gestão Colectiva". Master's thesis, 2022. http://hdl.handle.net/10316/99809.
Pełny tekst źródła“There’s only one great occupation that can change the world: that’s real rock and roll.” A frase é de Lou Reed, célebre compositor e membro fundador da banda The Velvet Underground. É provocatória, apesar de o seu alcance ser mais conceitual do que realista, na verdade. Inquestionável é que outras forças motrizes podem mudar e fazer avançar o mundo, mas o músico norte-americano referia-se a uma muito particular forma de mudança: aquela que tem lugar dentro do indivíduo. Lou vinha de um tempo diferente. Os ventos mudaram, a tinta no papel transformou-se em pixéis e os discos em bits, mas o espírito do rock ‘n’ roll perdurou e continua a personificar o mesmo pedigree que é comum a todas as grandes obras de Arte: a capacidade de desafiar o status quo e adaptá-lo às exigências da modernidade, incitar ao pensamento, defender a liberdade de expressão, promover ideais de justiça, igualdade de oportunidades, tolerância, e acima de tudo, liberdade. O código genético da Música (aqui epitomizada pelo rock, mas de que são exemplos tantos outros géneros) não é, afinal, assim tão diferente do do Direito. Apesar de diferirem quanto à escolha dos instrumentos de trabalho, carregam ambos em si a urgência de procurar e disseminar valores profundamente democráticos, numa tarefa que pretende ser o mais inovadora possível. O Direito sempre foi, e sempre será, uma parte integrante da Cultura, e é neste ponto de convergência que surge esta dissertação. A Música é uma forma de Arte que há muito nos acompanha enquanto seres sencientes. Reflexo directo da forma como o Homem se vê e vê o mundo que o rodeia, é possível traçar uma fidelíssima linha cronológica da História da humanidade ao estudar a evolução dos movimentos e tendências musicais ao longo dos tempos. E enquanto forma artística particularmente etérea, cuja existência no plano físico é bem mais subjectiva do que as restantes formas de expressão artística, questões jurídicas muito particulares se levantam, desde o momento em que a obra musical sai da "mão" do autor e chega ao ouvinte. Estamos, no fundo, a colocar dimensões jurídicas num som, e em qualquer som, que algures, alguém, estará interessado em ouvir. Esta dissertação partirá deste mote para se focar nas especificidades dos direitos de autor musicais, e mais concretamente, nos mecanismos a que se recorre para a protecção dos mesmos. E a Música, como sempre, enfrenta hoje os mesmos desafios da restante sociedade: uma sociedade de informação que não conhece fronteiras. Nos dias que correm, mais do que nunca, todos conseguimos, remotamente, ter acesso a um inacreditável arquivo de obras musicais, de todos os tempos e de todos os autores. Um feito notável para todos nós consumidores, mas onde pelo meio, perdido algures nas invisíveis ondas de rádio ou bits num qualquer servidor, ficou um emaranhado de direitos autorais. O desafio que aqui se propõe é precisamente o de deslindar este novelo. Percorrer os regimes contratuais de edição mais (e menos) comuns para compositores e autores, aludindo não apenas ao nosso sistema nacional pautado pela europeização, mas também a figuras jurídicas características de ordenamentos jurídicos estrangeiros. Questionarmo-nos sobre o papel das editoras discográficas nos dias de hoje: na mesma medida em que podem ser uma rampa de lançamento para muitos autores, podem também agir dissimuladamente contra os mesmos, subvertendo o espírito dos direitos de autor, e recorrendo a expedientes legais duvidosos para sequestrar para si mesmas lucros pelo trabalho dos artistas. Áreas cinzentas, onde há a necessidade de proteger os direitos do autor, mesmo contra aqueles que os deveriam proteger a princípio. Ainda, uma oportunidade para abordar a questão dos desafios da transição digital na música, e do decrescente papel das grandes "labels" nesta área, com o advento das novas tecnologias, em que cada vez mais se dilui a necessidade de um intermediário. Também uma ocasião para questionar os problemas suscitados por esta realidade de uma perspectiva crítica, e compará-los com as vantagens dos modelos tradicionais de distribuição. É que, afinal de contas, os serviços de streaming vieram fazer-nos repensar o conceito de "ter" e de "comprar" música. O que se agrava ainda mais se ponderarmos os perigos que a acessibilidade imediata, potenciada pelo streaming, acarreta para uma possível desvalorização da obra artística em si, com consequências danosas para a protecção do autor. Por fim, questionamo-nos (ou melhor dizendo, adensamos a discussão…) sobre o papel que terão as famigeradas entidades de gestão colectiva numa sociedade cada vez mais digital e intolerante à falta de transparência. Tudo isto, sempre num prisma dinâmico, retrospectivo e prospectivo, olhando para a frente sem esquecer o passado, nesta bissectriz entre a intangibilidade da Arte e a concretude do Direito, e harmonizando o emocional com o racional.
“There’s only one great occupation that can change the world: that’s real rock and roll.” The quote’s author is Lou Reed, famous songwriter and member of the band The Velvet Underground. It’s a provocative statement, despite the fact that its scope is more conceptual than realistic. It is unquestionable that other driving forces can change the world, but the north-american musician was referring to a very particular form of change: the one that takes place within the individual. Lou came from a very different time. Meanwhile, the winds have changed, ink on paper became pixels, and records turned into bits, but the rock ‘n’ roll spirit has endured and it still embodies the same pedigree that is common to all great works of art: the ability to challenge the status quo, to adapt it to the needs of modernity, to provoke thought, defend freedom of speech and promote ideals of justice, equal opportunities, tolerance, and above all, freedom. Music’s genetic code (here described as rock music, but of which so many other genres are equally great exemples) is, after all, not so different from that of Law. Despite differing when it comes to the choice of working materials, both carry the urgency in seeking and disseminating democractic values, in the most effective and innovative way achievable. Law has always been, and always will be, an integral part of Culture. This dissertation is born in this convergence point.Music is an art form that has been with us, as sentient beings, for a long time. Being a direct reflection of the way Man looks at Himself and sees the world around Him, it is possible to sketch a very faithful timeline of the History of humanity by studying the evolution of musical tendencies over time.And as a particularly ethereal artistic form, which’s existence on the physical world is much more subjective than other forms of artistic expression, there are very particular legal questions that arise from the moment the musical work leaves the artist's "hand", to the instant it reaches the listener. We are, at heart, attributing legal dimensions to a sound: to any sound, that somewhere, someone, will be interested in listening to.This dissertation will start from this motto to focus on the specificities of musical author rights, and more specifically, on the mechanisms used for its protection. And Music today, as it always has, faces the same challenges as the rest of society: a society of information that knows no borders. These days, more than ever, we’re all able to remotely have access to an incredible archive of musical works, from all times and from all authors. A remarkable feat for all of us consumers indeed, but in between, lost somewhere among the invisible radio waves or the bits stored on any server, a tangle of author rights was left behind. The challenge proposed here is to unravel this skein.We’ll go through the most (and the least) common contractual regimes for composers and authors, alluding not only to our national laws, inspired by european tendencies, but also to foreign legal systems. Then, we’ll ask ourselves about the role of record companies and publishers today: although they can act as a launching pad for many authors, they can also covertly act against them, subverting the spirit of author rights, and resorting to dubious legal tactics to hijack profits from the artists' work. Gray areas, where there is a need to protect author’s rights, even from those who should be protecting them in the first place. Furthermore, the present dissertation serves as an opportunity to address the challenges posed by digital evolutions in Music, and by the decreasing role of the so-called “big labels”, caused by the invention of new technologies, diluting the need for a middleman. It is also an occasion to question these topics from a critical standpoint, and to compare them to the advantages of the traditional distribution models. After all, streaming services have made us rethink the concept of "owning" and "purchasing" Music, which can be problematic considering the dangers that immediate accessibility (enhanced by streaming) entails for a possible devaluation of the artistic work itself, with harmful consequences to the protection of the authors. Finally, we ask ourselves (or rather, we deepen the discussion…) about the role that the infamous collecting societies will have in an increasingly digital society, intolerant to the lack of transparency. All this, in a dynamic retrospective and prospective approach, looking forward without forgetting the past, in this bisector between the intangibility of Art and the concreteness of Law, and harmonizing the emotional with the rational.
Książki na temat "Societies Authors"
Gray, H. L. Publishing your own book: A guide for authors and societies. Stoke-on-Trent, Staffs: Deanhouse, 1985.
Znajdź pełny tekst źródłaMontenegro, Santiago José Sepúlveda. Una palabra que se acerca: "Tómese un tinto con..." memorias 2018. [Bogotá, Colombia]: Nicanor, 2019.
Znajdź pełny tekst źródłaFattūḥ, ʻĪsá. al- Ṣālūnāt al-nisāʾīyah fī al-ʻaṣr al-ḥadīth: Abḥāth wa-dirāsāt. Bayrūt: al-Manārah, 2001.
Znajdź pełny tekst źródłaAuthors, Association of Nigerian. Cardinal projects of Dzukogi's tenure as General-Secretary, ANA, Association of Nigerian Authors: 4-year development plan. Nigeria]: Association of Nigerian Authors, 2011.
Znajdź pełny tekst źródłaHyŏphoe, Hanʼguk Munin, red. Mundan yusa. Wyd. 8. Sŏul-si: Wŏlgan Munhak Chʻulpʻanbu, Hanʼguk Munin Hyŏphoe, 2002.
Znajdź pełny tekst źródłaSenna, Homero. História de uma confraria literária: O sabadoyle. Rio de Janeiro: Xerox, 1985.
Znajdź pełny tekst źródłaMukhametzi︠a︡nov, Ilʹi︠a︡s. Dei︠a︡telʹnostʹ pisatelʹskikh organizat︠s︡ii Tatarii v kontekste sot︠s︡iokulʹturnoĭ politiki v sfere khudozhestvennoĭ literatury (20-30 gody XX veka). Kazanʹ: [publisher not identified], 2008.
Znajdź pełny tekst źródłaDe, Santoshakumāra. Rabibāsarera kāla. Kalakātā: Rabibāsara, 2002.
Znajdź pełny tekst źródłaMauriala, Vesa. Uutta aikaa etsimässä: Individualismi, moderni ja kulttuurikritiikki tulenkantajien elämässä 1920- ja 1930-luvulla. Helsinki: Gaudeamus, 2005.
Znajdź pełny tekst źródłaIm, Wŏn-sik. Sinchʻun munye ŭi mundansachŏk yŏnʾgu: Sosŏl chakpʻum ŭl chungsim ŭro. Wyd. 8. Sŏul-si: Kukhak Charyowŏn, 2003.
Znajdź pełny tekst źródłaCzęści książek na temat "Societies Authors"
Quadflieg, Sven, Klaus Neuburg i Simon Nestler. "About the Authors". W (Dis)Obedience in Digital Societies, 372–80. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839457634-015.
Pełny tekst źródłaMendis, Dinusha Kishani. "Conclusion: Recommendations for Academic Authors and Collecting Societies — A Proposal for the Future". W Universities and Copyright Collecting Societies, 221–33. The Hague: T.M.C. Asser Press, 2009. http://dx.doi.org/10.1007/978-90-6704-723-4_9.
Pełny tekst źródłaBerriane, Yasmine, Annuska Derks, Aymon Kreil i Dorothea Lüddeckens. "Making Sense of Change: Methodological Approaches to Societies in Transformation—An Introduction". W Methodological Approaches to Societies in Transformation, 1–29. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65067-4_1.
Pełny tekst źródłaKhasanov, A. Z., U. Z. Shermukhamedov i A. R. Abdullayev. "The method for determining the designed resistance of soils with considering the theory of soil strength proposed by the authors". W Smart Geotechnics for Smart Societies, 464–67. London: CRC Press, 2023. http://dx.doi.org/10.1201/9781003299127-54.
Pełny tekst źródłaYoung, Mitchell, Maria Laura Frigotto i Rómulo Pinheiro. "Towards Resilient Organisations and Societies? Reflections on the Multifaceted Nature of Resilience". W Towards Resilient Organizations and Societies, 307–31. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82072-5_12.
Pełny tekst źródłaCatalá-Pérez, Daniel, i Gabino Ponce-Herrero. "Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions". W Music as Intangible Cultural Heritage, 101–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_7.
Pełny tekst źródłaMonferrer-Sala, Juan Pedro. "In the Eyes of Others: Nāmūs and sharī‘ah in Christian Arab Authors. Some Preliminary Details for a Typological Study". W Law and Religious Minorities in Medieval Societies: Between Theory and Praxis, 111–24. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.relmin-eb.5.109353.
Pełny tekst źródłaStepanovic, Mila, i Venere Ferraro. "Envisioning Technological Artefacts Through Anticipatory Scenarios and Diegetic Prototypes". W Springer Series in Design and Innovation, 399–407. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_38.
Pełny tekst źródłaBulli, Giorgia, i Sorina Crisina Soare. "La politicizzazione della questione migratoria tra vecchi e nuovi attori". W Migrazioni in Italia: oltre la sfida, 191–228. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-6453-965-2.10.
Pełny tekst źródła"Authors". W Past and Present Energy Societies, 331–34. transcript-Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839419649.331.
Pełny tekst źródłaStreszczenia konferencji na temat "Societies Authors"
Peicheva, Dobrinka, Valentina Milenkova, Dilyana Keranova, Vladislava Lendzhova i Violeta Nikolova. "Virtuality and Reality. The Digitalization of Societies and the Possible Consequences". W Intelligent Human Systems Integration (IHSI 2022) Integrating People and Intelligent Systems. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100987.
Pełny tekst źródłaYURTBEKLER, Hasan. "TWO AUTHORS IN THE CONTEXT OF SOCIALIST-REALISTIC LITERATURE: JOHN STEINBECK AND ORHAN KEMAL". W 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-6.
Pełny tekst źródłaIzgarskaya, Anna A., i Ekaterina A. Gordeychik. "WORLD-SYSTEM ASPECTS OF EDUCATIONAL INEQUALITY IN A PERIPHERIZED SOCIETY". W All-Russian Conference with International Participation "Education, Social Mobility, and Human Development: to the 90th Anniversary of Prof. L.G. Borisova". Novosibirsk State University, 2022. http://dx.doi.org/10.25205/978-5-4437-1383-0-151-161.
Pełny tekst źródłaPrasad, P. Anil, i Naveen Kumar M. "Management of Lifelong Learning: from Individuals to Learning Organizations and Societies". W Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.1990.
Pełny tekst źródłaKurbanova, Lida, Salambek Sulumov, Nasrudi Yarychev i Zarina Ahmadova. "Narrative analysis to the problem of information extremism in the student environment". W East – West: Practical Approaches to Countering Terrorism and Preventing Violent Extremism. Dela Press Publishing House, 2022. http://dx.doi.org/10.56199/dpcshss.reul6227.
Pełny tekst źródłaGąsior, Dariusz, Krzysztof Brzostowski i Igor Perko Igor Perko. "Utility-based Resource Allocation Under Uncertainty". W Challenges in Economics and Business in the Post-COVID Times. University of Maribor Press, 2022. http://dx.doi.org/10.18690/um.epf.5.2022.43.
Pełny tekst źródłaNaidu, Jyoti Prakash, Siddhartan Govindasamy i Mandayam A. Srinivasan. "Research Based and Design Based Education: Experiences in India, UK, and USA". W ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97335.
Pełny tekst źródłaZhanbayev, Rinat A., Muhammad Irfan, Zeeshan Fareed, Anna V. Shutaleva i Daniil G. Maksimov. "Demoethics and the Sustainable Development Paradigm". W 9th International Scientific Conference ERAZ - Knowledge Based Sustainable Development. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2023. http://dx.doi.org/10.31410/eraz.s.p.2023.197.
Pełny tekst źródłaNikolov, Georgi, Elka Vasileva i Veselina Lyubomirova. "REGIONAL HUMAN CAPITAL MANAGEMENT – ASPECTS OF INTERACTION WITH THE ECONOMIC DEVELOPMENT OF THE TERRITORY". W Sixth International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/limen.2020.253.
Pełny tekst źródłaGuan, Shan. "Current and Future Tendency of Monitoring Technology for Integrity Assessment and Life Extension of the Hull Structure of Floating Production, Storage and Offloading (FPSO) Vessel". W ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-41020.
Pełny tekst źródłaRaporty organizacyjne na temat "Societies Authors"
Cunha e Melo, Mariana, i Jonas de Abreu Castro. Systemic Approach to Technology (SAT): The case for society-focused technology. Center for Technology and Public Interest, SL, październik 2023. http://dx.doi.org/10.59262/tm58mc.
Pełny tekst źródłaPark, Donghyun, i Kwanho Shin. Population Aging, Silver Dividend, and Economic Growth. Asian Development Bank, marzec 2023. http://dx.doi.org/10.22617/wps230070-2.
Pełny tekst źródłaKantis, Hugo, Pablo Angelelli, Juan J. Llisterri i Luis Tejerina. Is Youth Entrepreneurship a Necessity or an Opportunity?: A First Exploration of Household and New Enterprise Surveys in Latin America. Inter-American Development Bank, maj 2006. http://dx.doi.org/10.18235/0008891.
Pełny tekst źródłaHakmeh, Joyce, Emily Taylor, Allison Peters i Sophia Ignatidou. The COVID-19 pandemic and trends in technology. Royal Institute of International Affairs, luty 2021. http://dx.doi.org/10.55317/9781784134365.
Pełny tekst źródłaEgeland, Jan. Peacemaking and the Prevention of Violence in Situations of Internal Strife and Intrastate Conflict: The Role of Governments and NGOs. Inter-American Development Bank, marzec 1998. http://dx.doi.org/10.18235/0006889.
Pełny tekst źródłaКучерган, Єлизавета Валеріївна, i Надія Олександрівна Вєнцева. Historical educational experience of the beginning the twentieth century in the practice of the modern higher school of Ukraine. [б.в.], 2018. http://dx.doi.org/10.31812/0564/2139.
Pełny tekst źródłaAvdimetaj, Teuta. Interacting with Trauma: Considerations and Reflections from Research in Kosovo. RESOLVE Network, październik 2022. http://dx.doi.org/10.37805/rve2022.2.
Pełny tekst źródłaKeinan, Ehud. Asian Chemists speak with one voice. AsiaChem Magazine, listopad 2020. http://dx.doi.org/10.51167/acm00001.
Pełny tekst źródłaGirdap, Hafza. Book Review: The Turkish Malaise – A Critical Essay. European Center for Populism Studies (ECPS), kwiecień 2022. http://dx.doi.org/10.55271/br0012.
Pełny tekst źródłaBentley-Gray, Daisy. Talanoa: Pushing Boundaries to Promote Pacific Ways of Being in Aotearoa New Zealand Tertiary Education. Unitec ePress, wrzesień 2023. http://dx.doi.org/10.34074/ocds.102.
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