Rozprawy doktorskie: „Sociallist realism in literature”

1

Fantina, Richard. "Charles Reade's Sensational Realism". Scholarly Repository, 2007. http://scholarlyrepository.miami.edu/oa_dissertations/60.

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Sensation fiction, which flourished in England from the 1850s to the 1880s, was viewed by Victorian establishment figures as a threat to prevailing social values. This dissertation focuses on the work of Charles Reade, who along with Wilkie Collins and Mary Elizabeth Braddon, was among the most well-known sensation novelists. While several novels by Collins and Braddon have been rediscovered by scholars since the 1980s, Reade's fiction remains neglected. With its explicit critique of the emerging regimes of power/knowledge in the fields of medicine, criminal justice, and sexual mores, Reade's work anticipates Michel Foucault's theories elaborated a century later. Although previous readings of Victorian fiction have drawn on the ideas of Foucault in an attempt to identify sensation novels as cultural productions complicit with a developing bourgeois hegemony, I argue that these novels represent a narrative genre that challenges and resists these disciplinary constraints. In addition, Reade's work provides a rare glimpse of alternative sexualities and gender identities in nineteenth-century fiction that can be read in light of feminist and gender theory. This dissertation recovers the fiction of Charles Reade as a body of work that anticipates recent trends in literary and cultural theory and that speaks to us today with an uncanny familiarity.

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Ruan, W. "Arnold Bennett : A study in realism". Thesis, University of Edinburgh, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373370.

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Lai, Wood-yan, i 黎活仁. ""Socialist realism" in China". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31231184.

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Dobozy, Tamas. "Towards a definition of dirty realism". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56533.pdf.

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Rave, Maria Eugenia B. "Magical Realism and Latin America". Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Davies, Sian Martin. "The language of Hardy's fiction : realism and history". Thesis, Cardiff University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359236.

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Savory, Stephen John. "Artificial realism : form and content in Elizabethan fiction". Thesis, University of Bradford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236510.

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Howat, Tyler Paul. "Scott Pilgrim's Gaming Reality: An Introduction to Gamer Realism". University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1343318875.

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Adams, Jennifer. "Magic Realism in Holocaust Literature : Troping the Traumatic Real". Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521912.

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Lopes, Leanne. "Realism in Russian literature capturing truth and eliciting responses /". Click here to view, 2010. http://digitalcommons.calpoly.edu/englsp/2/.

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Thesis (B.A.)--California Polytechnic State University, 2010.
Project advisor: Robert Inchausti. Title from PDF title page; viewed on Mar. 24, 2010. Includes bibliographical references. Also available on microfiche.

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Ngara, Kudzayi Munyaradzi. "Imagining the real-magical realism as a post-colonial strategy for narration of the self in Zakes Mda's Ways of dying and the Madonna of Excelsior". Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_9422_1254822217.

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The thesis examines the role of magical realism as a postcolonial trope in Ways of Dying and The Madonna of Excelsior. It begins by stating that the author uses magical realism as an alternative strategy for self narration in the face of the dominant ideologies of colonialism (apartheid) and nationalism. Chapter One examines the absurd taxonomies of colour that were legislated under apartheid in South Africa and, using ideas of postcolonial deconstruction, locate Toloki and Niki as characters in existing in incongrous circumstances. Chapter Two shows the strategies adopted by Toloki to fashion his own reality as opposed to accepting a place within a predetermined objective reality. Chapter Three examines the examination of sex as a physical act and the gendered rolesof women. The thesis concludes by considering the place and possiblities of Mda's writing in the canon of Southern African Literature in the light of the rich heritage of elements that are magical on the sub-continent of Africa.

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Spear, Keith. "A genetic model of duality in Latin American magical realism /". View online, 1995. http://repository.eiu.edu/theses/docs/32211998781347.pdf.

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Rourke, Warren Jeremy. "K. Sello Duiker's realism: form, critique, and floating kingdoms". Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27551.

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Before drawing together composite elements from his works of novelistic art, as well as his life in writing, the intention of this thesis is to argue that Duiker's realism is an 'authentic' one. Furthermore, Duiker's 'commitment' as an authentic literary realist is to 'articulate' an oppositional world outlook that I am codifying as 'alter-native'. The alter-nativism is expressed not only by the 'interplay' of the 'lumpen' protagonists of the novels but by Duiker himself in the extra-generic marginalia to his short literary career. In order to give 'value' to the contention of this thesis as a whole I will utilize a number of theorists working critically with the relation between language and consciousness, and therefore, as I argue, the 'zero point' of social being.

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Mathews, Peter David 1975. "Strategies of realism : realist fiction and postmodern theory". Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8656.

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Brindley, Nicola. "Writing complexity : the American novel and systems realism". Thesis, Keele University, 2014. http://eprints.keele.ac.uk/3216/.

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Although the relationship between literature and science has been a major focus of research in the last few decades, the influence of complex systems science on recent American fiction has not yet been comprehensively documented. I argue that a significant body of that fiction is systems-aware and thus represents the world as a network of complex systems. In the first section of the thesis, I claim that the origin of systems fiction can be found in the nineteenth-century social novel, which displayed significant knowledge of system function. Despite the narrative challenges posed by the complex, nonlinear structure of systems, contemporary authors somewhat surprisingly turn to a broadly traditional form of realism rather than experimental literary techniques. Motivated by the desire for social engagement, systems realism conceptualises systems as fundamentally ordered and thus narratable, though it acknowledges that this order is frequently inaccessible. In the second section, I engage in a close reading of systems-aware fiction and explore the extent to which novels incorporate the principles and discourse of systems science. I suggest that these novels seek to understand social concerns through analogy and the creation of fictional models which foreground structural homologies between systems. In the third and final section, I argue that systems-awareness is vital to an understanding of recent ‘post-postmodern’ paradigms, and I demonstrate this through an exploration of emerging trends in fiction which are shaped by systems thinking. In particular, I focus upon the emergence of environmental concerns in recent American writing. To explore the extent to which authors have perceived reality as systemic and have engaged with the representational challenges presented by complex systems provides us with new ways of thinking about the novel as a form. For these reasons I suggest that systems realism is central to the contemporary history of the novel.

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Young, Jennifer Maria. "Paradidomi : magical realism and the American South". Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/169817/.

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The thesis is comprised of a novel and a critical reflection. The novel component, entitled The Mathers’ Land, draws on traditions of magical realism, storytelling, memory and metafiction. The framing narrative of the novel follows Luanne Richardson, a librarian who has moved South with her new boyfriend, Kenneth Miers. As soon as they arrive in Peebles, North Carolina, Kenneth disappears. Luanne only knows that he last visited a particular house that belongs to the Mathers, the richest family in Peebles. Luanne forces an encounter with the head of the family, Walter Mathers. Despite her initially confrontational contact, Walter Mathers offers Luanne a job to construct a history of his family through interviews and records. He hopes the history will provide an answer to why his only son Eric has not produced an heir. Luanne’s research draws her into a claustrophobic society where no one seems to notice the frequent deaths of the wives of the Mathers family or their odd attachment to roses and a dogwood tree, as elements of magical realism occur in the frame story. The interviews Luanne conducts appear on the pages of the novel as fully developed stories, which draw on themes of tradition, loss and family attachment. These themes are explored through perceptions of memory and storytelling. The critical reflection component considers both what methods and writings made it to the thesis as well as what methods and writings did not. It explores the modes of construction, from the use of Oulipian and metafictional techniques to the use of magical realism. The major influences from specific writers are addressed in terms of structure, magical realism and Southerness, specifically Harry Mathews, Joseph McElroy, Mischa Berlinksi, Sharyn McCrumb, Randall Kenan, Steven Sherrill, and particularly Doris Betts. The reflection concludes by addressing what it means to be an expatriate ‘Southern’ writer.

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Harvey, Alison Dean. "Irish realism women, the novel, and national politics,1870-1922 /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417800181&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Kavanagh, Matthew. "Second nature: American fiction in the age of capitalist realism". Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18440.

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Second Nature: American fiction in the age of capitalist realism During the 1990s the global triumph of capitalism has made it, paradoxically, all the more difficult to see. Not only is capitalism increasingly derealized (e.g. cyber-capital), its very ubiquity renders it unremarkable, to the point that it appears a neutral part of objective reality. This dissertation examines how American writers have responded to the 'spectrality' that results from the mediation of everyday experience through the market. I discuss formal strategies in the work of Bret Ellis, Chuck Palahniuk, Don DeLillo, William Gibson and others to represent the unrepresentable: what Slavoj ?i?ek calls the impersonal and anonymous function of the global market mechanism. Chapter one provides a formalist reading of Ellis's American Psycho, a novel whose claustrophobic narrative represents the world of late capitalism at the level of its concept ("This is not an exit"). Lacking any sense of a horizon, Patrick Bateman experiences the world as radically closed. Because he is incapable of recognizing an elsewhere, he cannot imagine an otherwise; demonstrating no awareness of antagonism, Patrick acts it out in increasingly brutal and frenetic outbursts of violence. Where American Psycho presents Patrick's sadistic violence as a symptom, my second chapter suggests that Fight Club's consensual beatings treat violence as a fetish. Palahniuk's novel aims to domesticate antagonism by staging it as a piece of masochist theatre. Its limits, however, are painfully apparent. Fight Club's strategy of fetishistic disavowal has pathological effects, namely, the narrator's split personality. Chapter three discusses DeLillo's critique of cyber-capital: a vision of the market as a perpetual motion machine, one capable of circulating solely on its own momentum without reference to anything beyond itself. Inevitably, though, antagonism reasserts itself in the form of a collateral crisis—the subject of Cosmopo
Deuxième nature : la fiction américaine à l'époque du réalisme capitaliste Au cours des années 1990, le triomphe mondial du capitalisme a paradoxalement rendu les choses plus difficiles à voir. Le capitalisme est non seulement de plus en plus déréalisé (p. ex. : cybercapital), son ubiquité même le rend imperceptible, à un point tel qu'il semble être un élément neutre de la réalité objective. La présente dissertation aborde comment les auteurs américains ont réagi à la « spectralité » qui fait en sorte que l'expérience quotidienne est de plus en médiatisée au sein du marché. J'examine les stratégies formelles des œuvres de Bret Ellis, Chuck, Palahniuk, Don DeLillo, William Gibson et autres auteurs afin de représenter ce qui ne peut être représenté : ce que Slavoj ?i?ek appelle la fonction impersonnelle et anonyme des rouages du marché mondial. Le premier chapitre se veut une interprétation formelle de l'œuvre American Psycho d'Ellis, un roman dont la narration claustrophobe représente le monde du capitalisme tardif au niveau de son concept (« This is not an exit »). Souffrant d'un manque de perspective, Patrick Bateman vit une expérience du monde très fermée. Puisqu'il est incapable de reconnaître ailleurs, il ne peut s'imaginer autrement; faisant preuve d'un manque de connaissance de l'antagonisme, Patrick présente des excès de brutalité frénétique de plus en plus violents. Bien qu'American Psycho présente la violence sadique de Patrick comme étant un symptôme, mon deuxième chapitre laisse entendre que les raclées consensuelles de Fight Club traitent la violence en tant que fétiche. Le roman de Palahniuk vise à domestiquer l'antagonisme en en faisant une pièce de théâtre masochiste. Toutefois, ses limites sont affreusement évidentes. La stratégie de Fight Club de manque de foi pathologique a une incidence, entre autres sur le dédoublement de personnalité du narrateur. Le troisième chapitre aborde

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McCaw, Neil Alexander. "Doubtful realism : the changing dynamics of history in George Eliot". Thesis, University of Winchester, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360485.

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George Eliot's realist project was one fundamentally undercut by doubt; doubt both as to her ability to represent a coherent and essentially unified notion of human existence, and also (and ultimately) doubt as to the nature of nineteenthcentury reality itself. The barometer of this, this dissertation argues, is Eliot's increasingly problematic representation of history and the historical process. Towards the end of her literary career, it is argued, the doubt undermining her realism culminated in a loss of faith in the historical process; not just in her ability to accurately recreate history in her novels, but more significantly in the nature of the process of history itself. The oscillation between confidence and doubt prevalent in the novels is seen to manifest itself in a tendency towards a totalising (narrative) conception of the historical process, while at the same time Eliot is seen as acting to destabilise these narratives. This process of depicting and then questioning totality and narrative is viewed as relevant both to Eliot's depiction of human subjectivity and also to her relationship with the Whig narrative of English history; a discourse of nineteenth-century historiography that is implicated as crucial to an appreciation of George Eliot. This is especially significant in terms of her latent nationalism, and particularly in terms of the Orientalism identified as inherent in her representation of Judaism.

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Hitt, Michael Regan. ""This Appalling Narrative Business": Virginia Woolf and the Conventions of Realism". The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392109464.

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Hakala, Marjorie R. "Are all the fairies dead? : fairy tales and place in Victorian realism /". Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/151.pdf.

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Whittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.

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Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Grossman attempts to reinterpret traditional state ideas of Sovietness into a more inclusive, democratic version by creating heroes from traditionally marginalized groups. To do this, he reinterprets and inverts traditional tropes of the Socialist Realist genre. Genric limitations on his worldview, however, prevent this vision from being completely realized in the course of his work. I trace Grossman's work from his early short fiction to his Khruschev era novels and show how this trope develops during his career as a Soviet writer and citizen.

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Wright, Benjamin Jude. ""Of That Transfigured World" : Realism and Fantasy in Victorian Literature". Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4617.

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"Of That Transfigured World" identifies a generally unremarked upon mode of nineteenth-century literature that intermingles realism and fantasy in order to address epistemological problems. I contend that works of Charles Dickens, Charlotte and Emily Brontë, Walter Pater, and Oscar Wilde maintain a realist core overlaid by fantastic elements that come from the language used to characterize the core narrative or from metatexts or paratexts (such as stories that characters tell). The fantastic in this way becomes a mode of interpretation in texts concerned with the problems of representation and the ability of literature to produce knowledge. Paradoxically, each of these authors relies on the fantastic in order to reach the kinds of meaning nineteenth-century realism strives for. My critical framework is derived from the two interrelated discourses of sacred space theology and cultural geography, focusing primarily on the terms topos and chora which I figure as parallel to realism and fantasy. These terms, gleaned from Aristotle and Plato, function to express two interweaving concepts of space that together construct our sense of place. Topos, as defined by Belden C. Lane, refers to "a mere location, a measurable, quantifiable point, neutral and indifferent" whereas chora refers to place as "an energizing force, suggestive to the imagination, drawing intimate connections to everything else in our lives." In the narratives I examine, meaning is constructed via the fantastic interpretations (chora) of realistically portrayed events (topos). The writers I engage with use this dynamic to strategically address pressing epistemological concerns relating to the purpose of art and its relationship to truth. My dissertation examines the works of Dickens, the Brontës, Pater, and Wilde through the lens of this conceptual framework, focusing on how the language that each of these writers uses overlays chora on top of topos. In essence each of these writers uses imaginative language to transfigure the worlds they describe for specific purposes. For Dickens these fantastic hermeneutics allow him to transfigure world into one where the "familiar" becomes "romantic," where moral connections are clear, and which encourages the moral imagination necessary for empathy to take root. Charlotte and Emily Brontës's transfigurations highlight the subjectivity inherent in representation. For Pater, that transfigured world is aesthetic experience and the way our understanding of the "actual world" of topos is shaped by it. Oscar Wilde's transfigured world is by far the most radical, for in the end that transfigured world ceases to be artificial, as Wilde disrupts the separation between reality and artifice. "Of That Transfigured World" argues for a closer understanding of the hermeneutic and epistemological workings of several major British authors. My dissertation offers a paradigm through which to view these writers that connects them to the on-going Victorian discourses of realism while also pointing to the critical sophistication of their positions in seeking to relate truth to art. My identification of the tensions between what I term topos and chora in these works illuminates the relationship between the creation of meaning and the hermeneutics used to direct the reader to that particular meaning. It further points to the important, yet sometimes troubling, role that imagination plays in the epistemologies at the center of that crowning Victorian achievement, the Realist novel.

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Takolander, Maria, i mikewood@deakin edu au. "Apprehending butterflies and flying beauties: Bringing magical realism to ground". Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.154534.

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Christianson, Frank Q. "Realism and the cult of altruism : philanthropic fiction in nineteeth-century America and Britain /". View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174588.

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Chung, Ook 1963. "Le réalisme magique; suivi de, Nouvelles orientales et désorientées /". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61137.

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Created in 1925 by the art critic Franz Roh, the term magic realism originally meant a form of post-expressionist painting. Soon thereafter, writers such as Massimo Bontempelli, Johan Daisne, and Franz Hellens applied it to literature and made it a genre combining elements of realism with a fantastic inner world. It is that "interiority" which distinguishes magic realism from conventional fantastic literature. With Alejo Carpentier's "real maravilloso", this interiority takes on collective dimension and that is perhaps why magic realism is nowadays linked to South American fiction. The second part of this thesis is made up of short stories, most of which are inspired by magic realism.

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Chan, Siu-wai Sylvia, i 陳小惠. "Carnivalesque adventures in Kiss of the spider woman and Nights at thecircus". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29789151.

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邱偉平 i Wai-ping Yau. "Magic realism and `root-searching' in the works of Mo Yan, Zhaxi Dawa and Han Shaogong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213844.

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Levine, Caroline Elizabeth. "The collapse of realism : time, knowledge and representation in Victorian narrative". Thesis, Birkbeck (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362741.

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Heady, Emily Walker. "Conversion in crisis realism and religious experience in the Victorian novel /". [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3167276.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.
Title from PDF t.p. (viewed Dec. 3, 2008). Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1007. Chairperson: Patrick Brantlinger.

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Pedros-Gascon, Antonio Francisco. "Dialogos transatlanticos un "Boom" de Uda y Vuelta /". Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1187031136.

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Bhattacharya, Sourit. "The crisis of modernity : realism and the postcolonial Indian novel". Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/97322/.

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This thesis attempts to understand, through a study of postcolonial Indian novels, the nature and character of Indian (post)colonial modernity. Modernity is understood as the social condition that (post)colonial modernisation and development have given rise to. This condition underlies a historical crisis which is manifest in various kinds of catastrophic events – famine, peasant insurgency, caste violence, communal riot, state repression, and so on. By analysing three of these historical events – the 1943-44 Bengal famine, the Naxalbari Movement (1967-1972), and the State of Emergency (1975-1977) – this thesis argues that a careful reading of the dialectic between event and crisis can offer crucial insights into the conditions of postcolonial modernity. It claims that novels that register these events are able to capture the event-crisis dialectic through their use of form and mode. Socially committed writers adopt the realist form to represent the historical aspects and traumatising consequences of the events. However, because the nature, form, and orientation of these events are different, their realisms undergo immense stylistic improvisation. These stylistic shifts are shaped primarily by the writers’ adapting of various literary modes to the specific requirements (i.e. the historical context). Modes are chosen to represent and historicise the specific character and appearance of an event. In order to represent the Bengal famine, the thesis argues, Bhabani Bhattacharya and Amalendu Chakraborty use analytical-affective and metafictional modes, while Mahasweta Devi and Nabarun Bhattacharya deploy quest and urban fantastic modes to register the Naxalbari Movement and its aftermath. For the Emergency, writers such as Salman Rushdie, O. V. Vijayan, and Arun Joshi use magical, grotesque and mythical modes, and Nayantara Sahgal and Rohinton Mistry employ critical realist modes, defined sharply by the writers’ class- and caste-based perspectives. These modes shape the realisms in the respective texts and transform realist literary form into a highly experimental and heterogeneous matter. Contrary to the prevailing academic belief that modernity breeds modernism, the thesis posits that, in the postcolonial Indian context, the conditions of modernity have provoked a historically conscious, experimental, and modernistic form of ‘crisis realism’.

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Bundy, Dallin J. "Magical Realism and the Space Between Spaces". DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1309.

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Magical realism comes from Franz Roh, a german art historian and critic, who first used the term to describe the Post-Expressionism movement in visual art. His seminal writings and definitions on Post-Expressionism, then known as magical realism, were translated into Spanish and made available to Latin America in the mid twentieth century. Authors like Jorge Luis Borges and Gabriel Garcia Marquez adopted Roh's writings and re-appropriated magical realism into literary art, and from there the new genre proliferated through the Latin American Boom and magical realism in literary fiction reached global recognition, inspiring authors across the world to take it up and continue the tradition into the present.

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Choi, Eunha. "Gestured Realism in Julio Ramon Ribeyro| Fiction's Fragmented and Contingent Form". Thesis, New York University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3556985.

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While reconsidering Julio Ramón Ribeyro's short fiction, this dissertation re-examines the discourses about realism that predominated in the 1960s and 1970s, during the eruption of the Latin American literary and cultural phenomenon known as the boom. Situated at the intersection of philosophical reflection and literary criticism, it interrogates the boom's totalizing conception of realism and its equally exhaustive corollaries while arguing that Ribeyro's fractured form of realism forges new models to critique the relations between fiction and the real.

The first chapter of the dissertation studies the concept of realism that the boom denigrated while promoting their project of totalizing novels predicated on antirealist aesthetic forms. Assorted texts are examined to complicate the boom's conceptualization that realism, trammeled and outdated, simply mimics reality whereas antirealism conjures a richer view of it by contradicting it. Chapter two argues that Ribeyro's short story, whose form at once absorbs the structure of the fable and disavows the latter's allegorical compass, comes into being upon his failure to write the totalizing novel. His finite short story form occupies the absence enacted by the novel that never was. The last two chapters explore the everyday and the gesture in Ribeyro's short narratives as spatiotemporal reconfigurations—rather than figural constructions—that set the critical structure to re-imagine the short story form and by extension realism as assemblages of autonomous fragments of a never completed whole. Chapter three interrogates the time of realism when it becomes unhinged from teleological and etiological temporalities of fixed linearity. By mobilizing the gesture as a critical tool that amplifies interrupted actions rather than their dramatization, chapter four argues that Ribeyro's realism pieces together finite and contingent fragments that flatten the erstwhile hierarchical relations between things and people.

From the antipodes of figural or tropological regimes of interpretation, Gestured Realism advances new frameworks for the analysis of realism in short and long form fiction outside the paradigms of allegory and symbolism. By cracking echoes of doubt in the disciplinarian order of sequential and coherent signification, it proposes a realism that remains on the verge of disarticulation and incompletion.

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Jaynes, Lindsey. "The Authority of Difference: Culturally Effected Realism in Whitman and Henry James". Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1309283371.

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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Philipps, Lionel. "Trompe-l'oeil littéraires au XVIIe siècle d'une esthétique de la surprise à la tentation du silence /". Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2002. http://books.google.com/books?id=up9ZAAAAMAAJ.

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Geary, James P. "Social Realism in Central America: the Modern Short Story Translated". Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1215444512.

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Grassbaugh, Andrea L. "Reading Jonathan Franzen as a Zombie Novelist: Addressing Reductive Assessments of Contemporary Social Realism". Walsh University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=walsh1556046783239868.

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Spence, Leah Mogford. "Magic words : a reconceptualization of magic realism /". Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9423.

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Stanford, Amanda Theresa. "Outsized reality : how 'magical realism' hijacked modern Latin American fiction". Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7847.

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Creative Portion abstract (75%): Literary Fiction Manuscript Souvenirs of the Revolution Against the backdrop of the Mexican Revolution of 1910, betrayal, sexual deviance, rigid morality and a fatal subservience to moral correctness drives the Montelejos clan: complex and self-serving, innocent and deluded, larger than life, an illustrious family line in its final decline. Mariabella Montelejos, who tries to sell her only daughter for the price of a new carriage during the bloodiest part of the Revolution. Her daughter, Portensia Montelejos, who leaves her mother’s body to moulder in the front room after soldiers come at the point of a gun. Gloria Vasquez, celebrated beauty, practising witch, and tormentor of her step-sister, Teresa: ill, gullible, naive, awoken to her destiny by the surreal birth of her daughter. Paulina, a child who once communed with the holy, made an empty vessel by the abuse of her father – and revered as a living saint as she lies dying in a Pueblano convent. The men of the family, weak and susceptible to the mandates of their dying class, are no match for the machinations of such women. Evil abuser Ebner Collins, paralyzed by a jealous man’s bullet in the middle of the Sinai desert. Hernando Vasquez, cowed into marriage by the longing for his dead wife, Evelyn Cuthbert. Guiermo Fuentes de Solis, cuckolded husband. Jaime Vasquez, who hears voices and lives at the bottom of a bottle, unable to save his cousin Paulina. The Revolution is the beginning of the end for Montelejos, and the miraculous will be its undoing. Analytical Portion abstract (25%): An Outsized Reality: How “Magical Realism” Hijacked Modern Latin American Literature With the publication of Gabriel García Márquez’s Cien Anos de Soledad in 1967, Latin American writing captured the world’s attention. Critics, readers, and imitators rushed to discuss and emulate this astounding novel. A whole genre of literature, “magical realism”, was popularized, and with it, critical discussion of its influences, history, genre limitations, and the sheer “imagination” it brought to the forefront of literary debate. In this thesis I will discuss the problems associated with “Western” critical analysis of Latin American writing, specifically as it seeks to define, without a proper context, the literature which draws life from the history and culture of Latin America and categorizes its literature without the cultural understanding required.

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King, Zachary Harrison. "Comic book realism: sincerity, ethics, and the superhero in contemporary American literature". Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/6782.

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Comic Book Realism: Sincerity, Ethics, and the Superhero in Contemporary American Literature reads a trio of recent American novels in the context of superhero comics, the influence of which looms large over these texts but has for one reason or another been largely neglected by critics. Michael Chabon’s The Amazing Adventures of Kavalier & Clay, Jonathan Lethem’s The Fortress of Solitude, and Junot Díaz’s The Brief Wondrous Life of Oscar Wao feature protagonists whose immersion in their comic book collections translates into their lives by allowing them to comprehend and interact with the world in the language of the superhero metaphor. I argue that these texts should be studied because of, and not despite, their affiliation with superhero comics, against what seems to be a latent critical bias which has led many to overlook or disregard the superheroic elements of these texts. Understanding how Chabon, Lethem, and Díaz engage with the superhero genre is essential to understanding their engagement with issues of identity, ethical responsibility, and masculinity. Daniel Bautista has read Junot Díaz’s The Brief Wondrous Life of Oscar Wao as a work not of magical realism but of something new, “comic book realism,” which blends a realist approach to literature with popular culture citations in order to represent with accuracy the myriad cultural influences coming to bear on his characters’ lives. I suggest that Bautista’s label should be extended to Chabon, Lethem, and a variety of other authors who are engaging with the genre as Díaz does; in so doing, I connect a variety of novels which have either seldom been studied before or have never been studied in connection with each other. I begin by examining comic book realism’s affinity with emerging theories about the literary movement following postmodernism, which some have dubbed “post-postmodernism.” I argue that comic book realism’s approach to questions of identity, as informed by the dynamic between superhero and alter ego, aligns with Adam Kelly’s sense of a post-postmodern New Sincerity, which rejects any ironic valence between identity and mass culture; consequently, the novels of comic book realism unironically engage with superhero comics as tools for identity formation. I then turn to Levinasian ethics in order to address the charge that superhero comics are solely escapist; instead, I argue that escapism in these novels necessitates an act of memory, an ethical awareness of the absence from which these characters are attempting to escape. These texts, then, are not unethical in their attempts to escape historical atrocities like the Holocaust. Rather, they constitute an ethical act of remembrance in foregrounding this absence. In my penultimate chapter, I take up the question of masculinity, so central to the gendered space of superhero comics, arguing that the novels of comic book realism reject the hypermasculine standard of the superhero in favor of what I call an ideal of “mild-mannered masculinity,” after the superhero’s alter ego. Compared to the virile and confident Superman identity, Clark Kent represents a model of masculinity that is weak and timid, a model valorized by Chabon, Lethem, and Díaz. In my final chapter, I take stock of the contributions of women writers to the genre of comic book realism, whose work is overlooked by the presupposition that superhero comics are a boy’s domain. Here I find that the women writers evince a need to create their own space in the superhero genre, while I suggest that recent trends in the genre suggest that the next generation of women writers may engage with the genre in a different, somewhat unpredictable way.

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Burback, Kyle. "Expanded and Integrated Entries from the Orthogonal Encyclopedia on Nature". Ohio University Art and Sciences Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors149277574680419.

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Crider, Ryan. "The Believing Game, a Novella with Critical Introduction| "Character"-izing Hysterical Realism". Thesis, University of Louisiana at Lafayette, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10163261.

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The dissertation consists of an extended critical essay entitled “‘Character’-izing Hysterical Realism: Postmodernism, 9/11, and the Realistic Aesthetic” and original fiction in the form of a novella, The Believing Game. The critical essay contextualizes the development of the subgenre of hysterical realism in the literary fiction of the 1990s and examines its regression in the years following the terrorist attacks of September 11, 2001. I suggest that hysterical realism can be partly understood as a hybrid of realism and postmodernism and a “bridge” from postmodernism to a new, still-emerging post-postmodern fiction. The Believing Game, set in a Midwestern college town, examines the challenges, fears, and desires of a young woman on the verge of falling into disillusionment. In her struggle to maintain self-confidence in the face of various personal crises, the main character may represent the general plight of twenty-something millennials. The novella deals prominently with themes such as faith, desire, love, and the tension between personal independence and social expectation.

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Banghart, Andrew S. "Escaping the Real: Popularizing Science and Literary Realism in the Victorian Marketplace". Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1465568858.

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Ue, Wai Hung Tom. "Victims of Circumstances: Victorian Realism and the Transnational Narratives of Dickens, Daudet, and Gissing". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97261.

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Drawing on Hans Robert Jauss' theory of the horizon of expectations, I examine a character type that George Gissing identifies in the title of his short story "A Victim of Circumstances" (1893) as it appears in four works: Charles Dickens' Bleak House (1853), Alphonse Daudet's Jack (1876), Gissing's Workers in the Dawn (1880) and Veranilda (1903). This thesis reveals how these novelists converse about individual agency and deterministic circumstances. It argues that these three Victorian novelists repeatedly subvert simplistic readings of their characters as passive victims and, in this way, suggest the greater importance of perceptive social reading as a way of dealing with adverse circumstances. It thus illuminates Gissing's status as a reader and writer who is heavily influenced by his contemporaries, and sheds light, to a limited extent, on the impacts of both Dickens on French literature and Daudet on Victorian British literature.
Par l'entremise du cadre théorique d'horizon des attentes développé par Hans Robert Jauss, cette thèse examine le type de personnage que George Gissing caractérise dans le titre de son conte "A Victim of Circumstances" (1893), et ce, dans quatre oeuvres: Bleak House (1953) de Charles Dickens, Jack (1876) d'Alphonse Daudet et de Gissing, Workers in the Dawn (1880) et Veranilda (1903). La thèse met en évidence le discours de ces écrivains sur les choix de l'individu et les circonstances déterministes. L'argument avancé dans la thèse est que ces trois romanciers de l'époque victorienne résistent couramment à une lecture simpliste qui représenterait leurs personnages comme des victimes passives, et ainsi soulignent l'importance d'une mise en contexte social de la lecture afin de permettre la compréhension de circonstances difficiles. La thèse révèle que Gissing est à la fois un lecteur et un écrivain fortement influencé par ses contemporains. De plus, elle examine, dans un petit échantillon de textes, l'influence de Dickens sur la littérature française et celle de Daudet sur la littérature britannique de l'époque victorienne.

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Walawalkar, Sanjot Aroon. "Retelling histories: magical realism in Gunter Grass's Die Blechtrommel and Salman Rushdie's Midnight's Children". The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1409836356.

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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /". Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Richetti, Bethany A. Richetti. "Learning to Re-present: Realism & Education in Literature and Visual Arts, 1800-1880". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1503067718362243.

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Garske, Kevin T. "Society and Suffering: City as Character in 19th Century Realism". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1219.

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The aim of this thesis is to investigate the relationship between the city and the individual in literature, thereby acknowledging the anthropomorphic qualities we endow with our cities and in turn, how these qualities consolidate into the trope of the city character. We build this understanding by discussing the social, moral, political, literary, etc. associations of the city, and how these lend themselves to expressions of human energy or reflections of human character. These understandings are then given form through close readings of Gustave Flaubert’s Sentimental Education and Fyodor Dostoevsky’s Crime and Punishment.

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