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Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 19 lutego 2022

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1

Tenement cities: From 19th century Berlin to 21st century Nairobi. Trenton, NJ: Africa World Press, 2011.

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2

Murphy, Kevin D. The houses of Greenwich Village. New York: Abrams, 2008.

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3

Schuch, Gerald. Weston estates in the 19th century: A history of the development of the estates of the major houses in Weston in the 19th century.... Bath: Gerald Schuch, 1997.

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4

Houses of the Hamptons, 1880-1930. New York, NY: Acanthus Press, 2007.

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5

Lawrance, Gary. Houses of the Hamptons, 1880-1930. New York: Acanthus Press, 2013.

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6

American country building design: Rediscovered plans for 19th-century farmhouses, cottages, landscapes, barns, carriage houses & outbuildings. New York: Sterling Pub., 1997.

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7

1920-, Ridley Jasper, red. The Houses of Hanover and Saxe-Coburg-Gotha. London: Cassell, 2000.

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8

Godwin, Ridley Jasper, i Fraser Antonia 1932-, red. The houses of Hanover and Saxe-Coburg-Gotha. Berkeley: University of California Press, 2000.

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9

(Egypt), Majlis al-Aʻlá lil-Thaqāfah, red. Buyūt aḥyāʼ al-Qāhirah al-Qadīmah fī al-qarn al-tāsiʻ ʻashar =: 19th century houses of Old Cairo quarters. al-Qāhirah: al-Majlis al-Aʻlá lil-Thaqāfah, 2009.

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10

Greene, Vivien. Vivien Green's dolls' houses: The complete Rotunda Collection. Woodstock, N.Y: Overlook Press, 1995.

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11

S, Benjamin Susan, red. North Shore Chicago: Houses of the lakefront suburbs, 1890-1940. New York: Acanthus Press, 2004.

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12

Silva, D. M. K. D., red. Architecture of tampitaviharas in Sri Lanka: A documentary of some selected Buddha image-houses built on stone pillars in the 16th-19th century Sri Lanka. Colombo: D.P. Chandrasekara, 2002.

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13

Meyers, Melanie. An octagon for the Curriers. San Francisco, CA: Post Pub., 1995.

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14

Marc, Treib, Gebhard David i San Francisco Museum of Modern Art., red. An everyday modernism: The houses of William Wurster. San Francisco, Calif: San Francisco Museum of Modern Art, 1995.

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15

(Photographer), Paul Rocheleau, red. The Houses of Greenwich Village. Abrams, 2008.

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16

American Country Building Design: Rediscovered Plans for 19th-Century Farmhouses, Cottages, Landscapes, Barns, Carriage Houses & Outbuildings. Sterling, 2005.

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17

Bell, Peter. Timber and Iron: Houses in North Queensland Mining Settlements, 1861-1920. Univ of Queensland Pr, 1985.

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18

Open Houses: Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain. University of Pennsylvania Press, 2018.

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19

Surchin, Anne, i Gary Lawrance. Houses of the Hamptons 1880-1930 (The Architecture of Leisure). Acanthus Press, 2007.

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20

Ibsen's Houses: Architectural Metaphor and the Modern Uncanny. Cambridge University Press, 2015.

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21

Sandberg, Mark B. Ibsen's Houses: Architectural Metaphor and the Modern Uncanny. Cambridge University Press, 2018.

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22

Cohen, Stuart Earl, i Susan Benjamin. North Shore Chicago: Houses of the Lakefront Suburbs, 1890-1940 (Suburban Domestic Architecture Series). Acanthus Press, 2005.

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23

Arnold, Lewis, Turner James 1937-1986, McQuillin Steven i Sheldon G. W. 1843-1914, red. The Opulent interiors of the gildedage: All 203 photographs from Artistic houses. New York: Dover, 1987.

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24

Turner, James, Arnold Lewis i Steven McQuillin. The Opulent Interiors of the Gilded Age: All 203 Photographs from Artistic Houses, with New Text. Dover Publications, 1987.

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25

1930-, Lewis Arnold, Turner James 1937-1986, McQuillin Steven i Sheldon George William 1843-1914, red. The Opulent interiors of the Gilded Age: All 203 photographs from "Artistic houses" : with new text. New York: Dover, 1987.

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26

Angelo, Frank, i Melanie Meyers. An Octagon for the Curriers. Post Company, 1996.

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27

Greene, Vivien, i Margaret Towner. The Vivien Greene Dolls' House Collection. Overlook Hardcover, 1995.

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28

Luna, Francisco Vidal, i Herbert S. Klein. An Economic and Demographic History of São Paulo, 1850-1950. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503602007.001.0001.

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This volume is the continuation of an earlier study of colonial and imperial São Paulo and covers the period 1850-1950. These volumes are the first full scale survey of the economy and society of the state of São Paulo in this two century period in any language. Today São Paulo is the most populated state of Brazil and also the richest and most industrialized one. It is also the world leader in the production of sugar cane and orange juice and houses one of the world’s major airplane manufacturers. Its GDP today is almost double the size of Portugal or Finland and close to the size of the entire economy of Colombia or Venezuela and its capital city is one of the top five metropolitan centers in the world. This volume shows how the region of São Paulo went from being one of the more marginal and backward areas of the nation to its leading agricultural, industrial and financial center. Special emphasis is given to the creation of a modern state government and finances in the late 19th and early 20th centuries as well as the evolution of tis coffee economy and its internal market as well as its leading role it played in the integration of over two million European and Asian immigrants into Brazilian society.
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29

Ford, Sarah Gilbreath. Haunted Property. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496829696.001.0001.

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At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. This book considers how writers in works from 19th slave narratives to 21st century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all of the other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, this study reveals how writers can use the gothic to combat legal possession with spectral possession. The book thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Instead, gothic tales of slavery are the very distillation of the anxieties about race and property located in the larger American literary tradition.
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30

Snead, James E. Relic Hunters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736271.001.0001.

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Relic Hunters is a study of the complex relationship between the people of 19th century America with the material antiquities of North America's indigenous past. As scholars struggled to explain their existence, farmers in Ohio were plowing up arrowheads, building their houses atop burial mounds, and developing their own ideas about antiquity. They experienced the new country as a "place with history" reflected in material traces that became important touch points for scientific knowledge, but for American cultural identity as well. Relic Hunters traces the encounter with American antiquities from 1812 to 1879. This encompasses the period when archaeology took root in the United States: it also spans the "deep settlement" of the Midwest and sectional strife both before and after the Civil War. At the center of the story is the first iconic find of American archaeology, known as "the Kentucky Mummy." Discovered deep in a cavern, this dessicated burial became the subject of scholarly competition, traveling exhibitions, and even poetry. The book uses the theme of the Kentucky Mummy to structure the broader story of the public and American antiquities, a tour that leads through rural museums, mound excavations, lecture tours, shady deals, and ultimately into the famous attic of the Smithsonian Institution. Ultimately, Relic Hunters is a story of the American landscape, and of the role of archaeology in shaping that place. Derived from letters, memoranda, and reports found in more than a dozen archives, this is a unique account of a critical encounter that shaped local and national identity in ways that are only now being explored.
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