Gotowe bibliografie tematyczne / Silk garments

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Gotowa bibliografia na temat „Silk garments”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Silk garments"

Shan, Yu Fu, Gu Huang, Xiao Ming Qian i Li Min Tong. "Research on Stitch Slipping and Influencing Factors of Silk Garments". Advanced Materials Research 175-176 (styczeń 2011): 879–83. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.879.

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Due to the delicacy of the material, stitch slipping occurs easier in silk garments than in the garments of other materials. Stitch slipping often occurs in the positions which are often subjected to stress, such as shoulder seam, side seam, and sleeve seam of the silk garment. The reasons of the stitch slipping in silk garments both from silk material itself and the manufacturing process of silk garments were analyzed. Sewing needle, stitch density and seam allowance were main manufacturing factors that affecting the stitch slipping in silk garments. By making experiments with silk garments of satin fabric, the influencing level of these three manufacturing factors were analyzed, at the same time the valuable reference data was also put forward.

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Wu, Jing, Jing Wei Liu i Qing Jin Wang. "Research on Implications of Silk Garments". Advanced Materials Research 175-176 (styczeń 2011): 873–78. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.873.

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Silk is Chinese cultural legacy, and whether in ancient times or now, a very important role was played on the clothing stage. Through the history, silk reeling technology, fabric texture, printing and dyeing patterns and clothing styles of silk clothing may have been improved, but many implications have not been changed. Implication is a person's heart for an object out of the product taste. Times changes, implication remains. In the modern era consumer psychology were focused on, consumers’ implications for silk clothing were dived, so resonance is greatly caused by consumers. First the traditional and modern implications of silk were analyzed, and the key words were got. These terms have been used to describe the different means of silk clothing. Second 5 sample silk garment was researched by the way of interpreting drawings. Semantic differential method was used to score. Last two kinds of properties of silk garments’ implications were obtained through factor analysis. The original implications can be included by these two properties, and the representation has been clearly shown. In the future silk clothing design methods and research directions, these two properties can be used as the basis, the consumer market segments positioning and style design has been carried out. Reference was supplied for silk clothing design methods and research.

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Davidson, Hilary. "Reconstructing Jane Austen’s Silk Pelisse, 1812–1814". Costume 49, nr 2 (1.06.2015): 198–223. http://dx.doi.org/10.1179/0590887615z.00000000076.

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This article explores the physical qualities and historical contexts of the silk pelisse coat dated c. 1812–1814 associated with Jane Austen (1775–1817) through family provenance and now held by Hampshire County Museum Services and Archives. The author took an exact pattern of the pelisse (included), then made replica garments. The association with Jane Austen is considered using evidence from Austen’s letters about her tastes in colours, length of fabrics needed for clothing, and ownership of a silk pelisse. The silk’s oak-leaf pattern is interpreted as a British patriotic motif, especially during the period of Napoleonic conflicts. Questions and insights arising from the process of reproduction are discussed, and the pelisse is compared to other surviving garments, and to contemporary fashionable images. As evidence suggests the pelisse probably did belong to Austen, her physical characteristics that can be gleaned from the garment are compared with information about Austen’s appearance.

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Huang, Zhen Zhen, i Xiao Yun Wang. "Research on Silk Apparel Retail Marketing Development Strategy". Advanced Materials Research 175-176 (styczeń 2011): 900–905. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.900.

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As large marketing research data shown, silk clothing marketing share of china has been small. So far, there is still lack of a high-profile silk clothing brand in our country, which has great potential for developing. In this paper, silk apparel retail marketing development strategy were profoundly analyzed and studied. Firstly, silk garments’ marketing research data was analyzed. In order to expand silk clothing marketing comprehensively in the perspective of marketing channels and brand-building, the retail marketing strategy and mathematical statistics methods were used. At last it simulated the retail marketing development strategy in a small silk garments marketing sample in order to have a more intuitive view for the implementation of the strategy. Thereby, it can contribute to grasp silk apparel marketing, make full use of china’s rich silk resources and create silk brand power to make china silk flare brilliant in the world.

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Saraswathi, E., i J. Jeyakodi Moses. "Polyacrylic Acid and Chitosan Treatments on Silk Fabric for Protection Enhancements". International Research Journal of Pure and Applied Chemistry 24, nr 2 (27.03.2023): 19–34. http://dx.doi.org/10.9734/irjpac/2023/v24i2805.

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Silk is utilized as most valuable fibers based on the unique properties like shiny sheen, remarkable comfort performance and bio considerations. Silk materials possess high applications as a natural substrate in the textile/garment industry and as a bio component in the medical applications. As silk is fine, delicate and sensitive it needs more care to protect from the ill effects of insects, light and chemicals. Hence, in this work an attempt is carried out on silk fabric by treatment with polyacrylic acid and chitosan followed by dyeing using few natural dyes and one synthetic reactive dye and subsequently subjected for different tests towards physical properties, colorimetric and fastness properties, low stress mechanical properties, antimicrobial and uv protection properties, SEM and XRD studies. The results of these tests give very good improvement of the protection behavior on the silk fabric suitable for the garments and other end use products.

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Thomas, Kim S., Lucy E. Bradshaw, Tracey H. Sach, Fiona Cowdell, Jonathan M. Batchelor, Sandra Lawton, Eleanor F. Harrison i in. "Randomised controlled trial of silk therapeutic garments for the management of atopic eczema in children: the CLOTHES trial". Health Technology Assessment 21, nr 16 (kwiecień 2017): 1–260. http://dx.doi.org/10.3310/hta21160.

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BackgroundAtopic eczema (AE) is a chronic, itchy, inflammatory skin condition that affects the quality of life of children and their families. The role of specialist clothing in the management of AE is poorly understood.ObjectivesTo assess the effectiveness and cost-effectiveness of silk garments for the management of AE in children with moderate to severe disease.DesignParallel-group, observer-blind, randomised controlled trial of 6 months’ duration, followed by a 2-month observational period. A nested qualitative study evaluated the beliefs of trial participants, health-care professionals and health-care commissioners about the use of silk garments for AE.SettingSecondary care and the community in five UK centres.ParticipantsChildren aged 1–15 years with moderate or severe AE.InterventionsParticipants were randomised (1 : 1 using online randomisation) to standard care or standard care plus 100% silk garments made from antimicrobially protected knitted sericin-free silk [DermaSilkTM(AlPreTec Srl, San Donà di Piave, Italy) or DreamSkinTM(DreamSkin Health Ltd, Hatfield, UK)]. Three sets of garments were supplied per participant, to be worn for up to 6 months (day and night). At 6 months the standard care group received the garments to use for the remaining 2-month observational period.Main outcome measuresPrimary outcome – AE severity using the Eczema Area and Severity Index (EASI) assessed at 2, 4 and 6 months, by nurses blinded to treatment allocation. EASI scores were log-transformed for analysis. Secondary outcomes – patient-reported eczema symptoms (Patient Oriented Eczema Measure); global assessment of severity (Investigator Global Assessment); quality of life of the child (Atopic Dermatitis Quality of Life, Child Health Utility – 9 Dimensions), family (Dermatitis Family Impact Questionnaire) and main carer (EuroQoL-5 Dimensions-3 Levels); use of standard eczema treatments (e.g. emollients, topical corticosteroids); and cost-effectiveness. The acceptability and durability of the clothing, and adherence to wearing the garments, were assessed by parental/carer self-report. Safety outcomes – number of skin infections and hospitalisations for AE.ResultsA total of 300 children were randomised (26 November 2013 to 5 May 2015): 42% female, 79% white, mean age 5 years. The primary analysis included 282 out of 300 (94%) children (n = 141 in each group). Garments were worn for at least 50% of the time by 82% of participants. Geometric mean EASI scores at baseline, 2, 4 and 6 months were 8.4, 6.6, 6.0, 5.4 for standard care and 9.2, 6.4, 5.8, 5.4 for silk clothing, respectively. There was no evidence of difference between the groups in EASI score averaged over all follow-up visits adjusted for baseline EASI score, age and centre (ratio of geometric means 0.95, 95% confidence interval 0.85 to 1.07;p = 0.43). This confidence interval is equivalent to a difference of –1.5 to 0.5 in the original EASI scale units. Skin infections occurred in 39 out of 141 (28%) and 36 out of 142 (25%) participants for standard care and silk clothing groups, respectively. The incremental cost per QALY of silk garments for children with moderate to severe eczema was £56,811 from a NHS perspective in the base case. Sensitivity analyses supported the finding that silk garments do not appear to be cost-effective within currently accepted thresholds.LimitationsKnowledge of treatment allocation may have affected behaviour and outcome reporting for some of the patient-reported outcomes.ConclusionsThe addition of silk garments to standard AE care is unlikely to improve AE severity, or to be cost-effective compared with standard care alone, for children with moderate or severe AE. This trial adds to the evidence base to guide clinical decision-making.Future workNon-pharmacological interventions for the management of AE remain a research priority among patients.Trial registrationCurrent Controlled Trials ISRCTN77261365.FundingThis project was funded by the National Institute for Health Research (NIHR) Health Technology Assessment programme and will be published in full inHealth Technology Assessment; Vol. 21, No. 16. See the NIHR Journals Library website for further project information.

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Wang, Bing Zi, i Ying Chen. "The Application of Digital Printing Technology in Modern Silk Garments". Advanced Materials Research 796 (wrzesień 2013): 577–83. http://dx.doi.org/10.4028/www.scientific.net/amr.796.577.

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Mainly from the perspectives of technology, design and application, this paper studied how to take use of digital printing technology to make silk garments feature more modern aesthetic value, and expand the application space of silk fabrics in modern clothing. Through the investigation of the whole production process currently, this paper gave a summary of the status quo and existing problems of digital positioning printing on cutting pieces, and put forward an optimization of the overall design and production process. A simulating practical production process in CAD software is applied to verify the optimized process. It is considered that the rise of digital printing technology pulls the direction of fashion design toward the Eastern from the Western system, the former one focusing on decorative patterns and the later on perspective and structure. The aim of this paper is to promote new thinking and develop silk fabrics and silk clothing, which have more modern aesthetic value, through the investigation of the application of digital printing technology in modern silk clothing, so as to make silk the symbol of Chinese civilization recover its vitality.

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Panagiotakopulu, E., P. C. Buckland, P. M. Day, C. Doumas, A. Sarpaki i P. Skidmore. "A lepidopterous cocoon from Thera and evidence for silk in the Aegean Bronze Age". Antiquity 71, nr 272 (czerwiec 1997): 420–29. http://dx.doi.org/10.1017/s0003598x00085021.

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What were the fine garments vividly painted in the Minoan frescoes made of? Fine cotton (cotton from Egypt is still prized today)? Or the yet finer fabric of silk? And if silk, where did the stuff, or knowledge of cultivating the silk-worms, come from? A cocoon from Santorini offers new evidence.

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Yan, Yu Xiu, Li Xin Li i Zi Min Jin. "Analysis on Quality Management of Silk Clothing Production". Advanced Materials Research 175-176 (styczeń 2011): 943–46. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.943.

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In order to improve the quality of silk garments, on the basis of the result of previous studies, and through the practice in the silk companies, the root of the problems was analyzed by SPSS. In view of the unique nature of silk fabrics, the improvement measures of quality management were raised, which is of significant practical value and social value.

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Zhang, Guang Xian, Fu Tang Chen, Jun Zhou, Feng Xiu Zhang, Hui Zheng i Da Yang Wu. "Preparation and Property of Bamboo Silk Fabric". Advanced Materials Research 627 (grudzień 2012): 53–56. http://dx.doi.org/10.4028/www.scientific.net/amr.627.53.

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In this paper, natural bamboo yarn and silkworm silk, bamboo pulp yarn and silkworm silk were twisted together to make bamboo silk yarn. And then they were weaved to bamboo silk fabric. The properties of bamboo silk fabrics were studied too. The results showed that bamboo pulp silk fabric was very soft, suitable to make underwear and shirt etc. Natural bamboo silk fabric was relative stiff, suitable to make outwear. All the bamboo silk fabric had wonderful anti statistic property; their cockle elasticity property was equal to silk; the whiteness, moisture regain and moisture permeability were very good. These showed the bamboo silk fabric not only had the properties of bamboo fibers, but also had the properties of pure silk fabric. Then they were suitable to be fabric of garments.

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Rozprawy doktorskie na temat "Silk garments"

Bendzovski, Daniel. "Trend-sandwich : Exploring new ways of joining inspiration, such as different kinds of trends, through processes of morphing and melding different trendy garments and materials, for new methods, garment types, materials and expressions". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-248.

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The aim of this work is to explore the joining of inspiration, such as different garments and materials, in relation to commonly used methods in the fashion industry when it comes to joining of different trends and references such as clashing and collaging. The work proposes a new method and framework for join- ing inspiration which generates different results depending on what kind of inspiration that is put in to it. A garment can roughly be broken down to a silhouette and shape, materials and details. The material put in to the method and framework is based on information from trend seminars for SS16, because that is how many of today’s trend-oriented fashion brands get there inspiration. Trendy garment silhouettes are mixed through processes of computational morphing in Adobe Flash by a generation of spin in the mixing process were shape hints are used in a new manner. The new generated silhouettes are further developed and materialized through procedures of interpretation and figuration. Different trendy materials are melded in a direct and concrete way through mixed media techniques such as laminating, fusing and vacuum-techniques. The final steps of the method is a garment shape and material synthesis with starting point in the generated shape with the final material. The projects intention is to let the physical experimentation, interpretation and figuration play a central role in the research process for new types of methods, garments, materials and expressive pos- sibilities.

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Książki na temat "Silk garments"

Bradford, Jenny. Silk ribbon embroidery for gifts and garments. Birchgrove, NWS, Australia: S. Milner, 1990.

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Ahmet, Ertuğ, Baker Patricia L, Tezcan Hülya i Wearden Jennifer Mary, red. Silks for the sultans: Ottoman imperial garments from Topkapı Palace. [Turkey]: Ertuğ & Kocabiyik, 1996.

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Bradford, Jenny. Silk Ribbon Embroidery: For Gifts and Garments (Milner Craft Series). Sterling Pub Co Inc, 1991.

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Object of Seduction: Chinese Silk in the Early Modern Trans-Pacific Trade, 1500-1950. Lexington Books/Fortress Academic, 2022.

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Object of Seduction: Chinese Silk in the Early Modern Transpacific Trade, 1500-1700. Lexington Books/Fortress Academic, 2023.

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Silks for the sultans: Ottoman imperial garments from Topkapı Palace. [Turkey]: Ertuğ & Kocabiyik, 1996.

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Jaeger Handknits: 16 designer garments : using Roma, Pure Silk DK, matchmaker Merino DK & extra fine Merino DK. Holmfirth: Jaeger Handknits, 2006.

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Putting on the Dog: The Animal Origins of What We Wear. Trinity University Press, 2019.

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Kwasny, Melissa. Putting on the Dog: The Animal Origins of What We Wear. Trinity University Press, 2022.

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Kwasny, Melissa. Putting on the Dog: The Animal Origins of What We Wear. Trinity University Press, 2021.

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Części książek na temat "Silk garments"

Chen, Fangli, Wanwen He, Zejun Tian i Laili Wang. "Impacts of Silk Garment Production on Water Resources and Environment". W Sustainable Development of Water and Environment, 311–19. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45263-6_28.

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Cui, Kaiwei, i Peng Guo. "m.c.or-shy Ltd. Company v. Hangzhou Fuming Refrigeration Technology Co., Ltd. and Hangzhou Silk Garment Import and Export Co., Ltd." W Selected Chinese Cases on the UN Sales Convention (CISG) Vol. 3, 305–13. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6851-0_40.

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Hedayat Munroe, Nazanin. "The Divine Cloak of Majesty: Material Culture in Sufi Practice". W Sufi Lovers, Safavid Silks and Early Modern Identity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721738_ch04.

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Khamsa lovers are discussed as metaphors for the Sufi concept of earthly love as a mirror of divine love, bringing into question whether these silks would be worn by devout worshipers as a khirqa (‘Sufi cloak’). The relationship between material culture and spirituality is discussed in both mainstream Islam and Sufi mystic practice. Sufi etiquette books called futuwwat nama are discussed as the guidelines for garments, fibre types and patterns permissible for Sufi aspirants. In heterodox Islam the history of silk, gold and figural garments are studied through hadith (canonical saying about the Prophet’s life) and Qur’anic verse. Early modern kingship in Safavid Iran and Mughal India is introduced as extensions of Sufi practice and beliefs, expressed through symbolic dress and garments gifted as khil‘at (‘robes of honour’).

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Hedayat Munroe, Nazanin. "Silks, Signatures and Self-fashioning". W Sufi Lovers, Safavid Silks and Early Modern Identity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721738_ch01.

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Presenting a literature review of silks depicting love scenes from Khamsa poetry, this chapter introduces garments displaying the characters as a mode of selffashioning. The scenes originated from twelfth-century Persian-language poetry, reproduced as textiles in the Safavid period between 1550 and 1650. Three silk designs include the signature of Ghiyath al-Din, a naqshband (‘textile designer’) from Yazd, Iran, presented as both a royally sponsored artist and a Sufi, representing the paradox of luxury and mystic practice. The concept and etymology of naqshband and the organization of textile workshops in the Safavid period is discussed in conjunction with consumption and patronage. Resembling Khamsa manuscript paintings produced in the same period, the silks featured in this study point to a collaboration between painters and silk designers, whose workshops were separate.

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Hedayat Munroe, Nazanin. "Conclusion". W Sufi Lovers, Safavid Silks and Early Modern Identity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721738_concl.

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Reattribution is proposed for some of the silks from Safavid sixteenth-century to Mughal seventeenth-century production, based on the migration of textile specialists and shared cultural values expressed by the silks. Nizami’s Khamsa and those of other poets represent these shared symbols of mystic aspirations of elite patrons and royalty in the Safavid and the Mughal realms. Symbolism in the story of Khusrau and Shirin demonstrates the emotional balance needed to achieve ideal kingship on earth, a metaphor of the divine realm; while the story of Layla and Majnun illustrates the transformative power of love as a catalyst for the evolution of the Sufi aspirant. The ‘trickle down’ effect of signed silk velvet and lampas designs to unsigned, less costly designs implies a general trend for Khamsa lovers worn as silk garments by Sufi lovers.

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"Protein Fibres". W The Chemistry of Textile Fibres, 67–110. Wyd. 2. The Royal Society of Chemistry, 2015. http://dx.doi.org/10.1039/9781782620235-00067.

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The most common class of natural fibres after the cellulosics are the protein fibres. The majority of these fibres are obtained from animal hair, chief amongst which is wool. Another important protein fibre is silk, though it is distinguished from hair fibres in that it is extruded by silk worms and its chemical constitution differs subtly from that of the hair fibres. In this chapter, the chemical compositions of the protein fibres are described and the chemical reactions, which are extensive in their scope, are detailed. In addition to their chemical complexity, hair fibres in particular have a complex morphological structure, one that varies according to the animal from which the hair fibre is obtained, and this feature of the fibres is discussed. The unique characteristics of spider silk are explained. A description of the chemical treatments that can be applied to protein fibres to confer durability in use in textile garments is also given.

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"Protein Fibres". W The Chemistry of Textile Fibres, 77–122. Wyd. 3. Royal Society of Chemistry, 2023. http://dx.doi.org/10.1039/bk9781837670505-00077.

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The most common class of natural fibres after the cellulosics are the protein fibres. The majority of these fibres are obtained from animal hair, chief amongst which is wool. Another important protein fibre is silk, though it is distinguished from hair fibres in that it is extruded by silkworms and its chemical constitution differs subtly from that of the hair fibres. In this chapter the chemical compositions of the protein fibres are described and the chemical reactions, which are extensive in their scope, are detailed. In addition to their chemical complexity, hair fibres in particular have a complex morphological structure, one which varies according to the animal from which the hair fibre is obtained, and this feature of the fibres is discussed. The unique characteristics of spider silk are explained. A description of the chemical treatments that can be applied to protein fibres to confer durability in use in textile garments is also given.

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Phipps, Elena. "Weaving Silver: Brilliance and Sheen in Colonial Andean Textiles". W Silver, 193–226. British AcademyOxford, 2023. http://dx.doi.org/10.5871/bacad/9780197267547.003.0010.

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Abstract Precolumbian artisans understood very well how to incorporate materials to make shiny and glimmering garments, composed of gold and silver plaques or colourful feathers stitched onto the surface of cloth. But it was not until the Spanish introduction of metal yarns, composed of silver or gilt silver sheet strips wrapped around a core yarn that Andean textile traditions developed to incorporate these special elements into a woven cloth. This chapter examines at the ways in which silver and the idea of woven brilliance manifests in the textiles from the 16th century onwards. Its focus is how the concept of lustre in cloth– lipi in the Quechua language—constructed especially through the use of precious metals and silk, also connects to different aspects of Andean cultural value systems as illa.

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Shackel, Paul A. "The Duplan Silk Mill and the Garment Industry in Northeastern Pennsylvania". W The Ruined Anthracite, 69–83. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252045141.003.0005.

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This chapter provides an overview of the anthracite women in the labor force. Initially, the textile industry found its way into northeastern Pennsylvania as manufacturers escaped organized labor. Initially, daughters worked in these mills to help supplement the income of the miner workers’ families. They worked for lower wages compared to those in East Coast union mills. The International Ladies’ Garment Workers’ Union (ILGWU) became a strong organizing force. As a result, the industry fled to the unorganized South and eventually offshore. In recent years, the ready-made garment industry has grown tremendously in developing countries, where unchecked capitalism continues to affect the health and safety of the new garment workers.

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Conrad, Joseph. "XI". W Victory, redaktor Mara Kalnins. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199554058.003.0042.

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Two candles were burning on the stand-up desk. Mr. Jones, tightly enfolded in an old but gorgeous blue silk dressing-gown, kept his elbows close against his sides and his hands deeply plunged into the extraordinarily deep pockets of the garment. The costume accentuated his...

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Streszczenia konferencji na temat "Silk garments"

Chen, Yugang. "Tie-dyed art in the application of the silk garments". W 2016 3rd International Conference on Management, Education Technology and Sports Science (METSS 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/metss-16.2016.9.

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Nesterova, Tamara. "The vestiges of the clothing from the stone church from Orheiul Vechi". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.16.

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In the stone church, in the village of Orheiul Vechi, the bones of two people were discovered, with fragments of clothing kept in the funeral complex. The material used was identical: gilded silver threads, twisted on yellow silk thread. The first clothing was made of a coat decorated on the chest with braids, on the top it had a metallic thread coat, cut in front, from which remained three large hemispherical buttons with embossed surface. The inventory discovered in the second burial consisted of a garment with festoon lance, which outlined the upper part of the cut in front, completed with buttons and braids woven from the same metal wire. The wear was completed with an outer garment, of which metal clips and ribbon fragments remained. The research of clothing vestiges, corroborated with pictorial representations from Arab-Persian miniatures, synchronized with the history of the village of Orheiul Vechi, limited the dating of these pieces to the 14th century. The first clothing complex comes from a man from the area of Early Asia, the second clothing complex – from a woman from the Turanian environment on the Volga.

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Correia De Barros, Ana, R. Moutinho, Catarina Correia, Gonçalo Lemos, Carlos Resende, Liliana Cunha, Daniel Silva, Sarah Maggioli i Susana Brito Amorim. "Design and Evaluation of a Device for Ecological Momentary Assessment with Workers in a Garment Factory". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001796.

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Chronic sick leaves in Europe are strongly related to mental health issues. Ecological Momentary Assessment (EMA) enables collecting data on mental health, but it is challenging to implement in fast-paced and controlled work environments. We describe the design of an EMA device for workers in a garment factory, along with individual data visualisation, which were evaluated in naturalistic setting with eight workers for one week during work hours to understand whether and how participants would engage with the device. Participants easily used the device at work and appropriated it in different ways, mainly by extending its declared function. Confrontation with individual data visualisations led to episodes of self-discovery and participants suggested extending the use of the device to more operators to get a picture of workers’ wellbeing. However, participants expressed doubts about data validity.

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