Artykuły w czasopismach: „Shudder”

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Choo, Maurice H., P. K. Mah, B. L. Chia, N. C. Tan i L. M. Cho. "Musical Murmur and Cardiac Shudder". Chest 87, nr 6 (czerwiec 1985): 836–37. http://dx.doi.org/10.1378/chest.87.6.836.

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Dwyer, Philip G. "‘It Still Makes Me Shudder’". War in History 16, nr 4 (15.09.2009): 381–405. http://dx.doi.org/10.1177/0968344509341681.

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Johnson, Andrea Shan. "A Shudder Swept Through Them". PNEUMA 38, nr 3 (2016): 312–29. http://dx.doi.org/10.1163/15700747-03803002.

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Upon hearing that baptism should be administered by immersion while invoking the name of Jesus at the Arroyo Seco camp meeting of 1913, one minister expressed concern that this practice would associate the early pentecostal movement with a man named Sykes. Who Sykes was has been the matter of some mystery, but this research based on archival holdings and newspapers suggests that it was Joshua Sykes, a pacifist preacher who lived in both Los Angeles and the Bay Area. Sykes represents Progressive era controversies in religion and in pacifism, and his history explains some of the early resistance to adopting this particular form of baptism.

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Osorio, D. "Eye evolution: Darwin's shudder stilled". Trends in Ecology & Evolution 9, nr 7 (lipiec 1994): 241–42. http://dx.doi.org/10.1016/0169-5347(94)90286-0.

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Watts, R. F., R. K. Nibert i M. Tandon. "Anti-shudder durability of automatic transmission fluids: Mechanism of the loss of shudder control". Tribotest 4, nr 1 (wrzesień 1997): 29–50. http://dx.doi.org/10.1002/tt.3020040103.

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van den Berg, Arie. "Who Will Not Shudder to Hear?" Quaerendo 45, nr 3-4 (23.11.2015): 189–208. http://dx.doi.org/10.1163/15700690-12341334.

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Buchholz, William M. "You Have To Know How To Shudder". Journal of Palliative Medicine 9, nr 4 (sierpień 2006): 998–99. http://dx.doi.org/10.1089/jpm.2006.9.998.

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Matteucci, Giovanni. "Adorno’s Aesthetic Constellation from Shudder to Fashion". Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 62, nr 1 (2017): 42–65. http://dx.doi.org/10.28937/1000107635.

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Indem er den Vorschlag Adornos ernst nimmt, demzufolge Kunst als etwas Gewordenes zu verstehen ist, will der Beitrag eine Rekonstruktion von Adornos ästhetischer Programmatik präsentieren. Adorno verortet Kunst innerhalb einer Kurve, die mit der anthropologischen Erfahrung des Schauders beginnt und mit dem Verschwimmen der ästhetischen Dimension (dank der »Logik« der Mode) endet. Mit dieser Rekonstruktion soll gezeigt werden, dass die Kritische Theorie auf fatale Weise dieser ästhetischen Konstellation zuneigt. Sie verdient heute besondere Aufmerksamkeit aufgrund der Analogie mit den ästhetisierenden Entwicklungen des späten Kapitalismus. Folglich kann Adorno als ein kritischer Denker der Globalisierung betrachtet werden, insofern seine Theorie in einem prägnanten Sinne ästhetisch ist. Seine ästhetische Konstellation mag sogar die konstitutiven oder zumindest einige wesentliche Elemente umgreifen, die notwendig sind, um die »ästhetische Lebensform« in den Vordergrund zu rücken. By taking seriously an Adornian suggestion, according to which art should be understood as something that “has become what it is”, the main purpose of this essay is to provide an essential reconstruction of Adorno’s aesthetic program. The latter places art within a curve, or constellation, that has the experience of the “shudder” as its anthropological beginning and an ending corresponding to the current context, characterized by the widespread diffusion of the aesthetic dimension (thanks to the “logic” of fashion). Our reconstruction aims to suggest that critical theory is fatally inclined towards this aesthetic constellation as a whole, and therefore it deserves today special attention by virtue of a parallelism with the aestheticizing developments of late-capitalism. As a consequence, Adorno may be considered a (critical) philosopher of globalization, insofar as his theory is aesthetic in a pregnant sense. His aesthetic constellation might in fact encompass the constitutive elements, or at least some essential elements, which are useful to bring the “aesthetic form of life” to the fore.

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Kaushall, Justin Neville. "Natural Spontaneity, or Adorno's Aesthetic Category of the Shudder". Telos 2020, nr 192 (2020): 125–44. http://dx.doi.org/10.3817/0920192125.

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NIKITINA, VERONIKA V. "SEMANTICS OF VERBS DESCRIBING PHYSICAL MANIFESTATIONS OF EMOTIONS: SODROGAT'SYA 'SHUDDER'". Theoretical and Applied Linguistics 3 (2020): 85–93. http://dx.doi.org/10.22250/2410-7190_2020_6_3_85_93.

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Pahl, Katrin. "I Shudder to Think in Transition: Between Cixous and Hegel". Oxford Literary Review 24, nr 1 (lipiec 2002): 131–46. http://dx.doi.org/10.3366/olr.2002.008.

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Weisenburger, Steven. "The Shudder and the Silence: James Baldwin on White Terror". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 15, nr 3 (styczeń 2002): 3–12. http://dx.doi.org/10.1080/08957690209600069.

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Popova, N. K., i M. V. Mal'tseva. "Genetic models of impaired prestimulus inhibition of the shudder reaction". Bulletin of Experimental Biology and Medicine 126, nr 1 (lipiec 1998): 718–20. http://dx.doi.org/10.1007/bf02446071.

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Sofian, Rosbi, Takahiro Ryu, Kenichiro Matsuzaki, Takashi Nakae, Atsuo Sueoka, Yoshihiro Takikawa, Yoichi Ooi i Kensaku Kawazu. "Occurrence Mechanism and Suppression Method for Shudder in Automatic Transmission Powertrain". International Journal of Automotive Engineering 5, nr 3 (2014): 91–99. http://dx.doi.org/10.20485/jsaeijae.5.3_91.

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Wu, Guangqiang, i Wenbo Luan. "The Impact of Gear Meshing Nonlinearities on the Vehicle Launch Shudder". SAE International Journal of Commercial Vehicles 8, nr 1 (14.04.2015): 1–12. http://dx.doi.org/10.4271/2015-01-0610.

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Jafri, Firoz Ali, Martin Fuß, George Bailey, Chi-Kuan Kao, Syed T. Razzacki i Eli Avny. "Shudder Durability of a Wet Launch Clutch Part II - Durability Study". SAE International Journal of Engines 2, nr 1 (20.04.2009): 246–53. http://dx.doi.org/10.4271/2009-01-0330.

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Li, Shaohui, Zechao Di, Zhiyu Zhao, Yang Liu, Jingjing Xu, Haitao Cui, Dongsheng Huang, Zhongguo Liu i Yang Li. "Effection of calcium phosphate tribofilm on anti-shudder performance in ATFs". Tribology International 120 (kwiecień 2018): 1–8. http://dx.doi.org/10.1016/j.triboint.2017.12.017.

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Krutnik, Frank. "Chiller-Dillers for the Shiver-and-Shudder Set: The Whistler Film Series". Film Studies 17, nr 1 (2017): 49–72. http://dx.doi.org/10.7227/fs.17.0004.

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This article explores the serial dynamics behind and within the succession of B-films Columbia Pictures developed from the popular CBS radio programme The Whistler. It examines how this anthology series developed within Columbias on going strategy of low-budget production, while responding to specfiic industrial challenges facing 1940s B-films. Besides looking at broader synergies between radio and cinema during this period, the article also qualies the tendency to categorise the Whistler movies as films noir, suggesting it is more productive to view them as products of a broader pulp serialscape that is shaped by alternative cultural and industrial logics.

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Marks, John. "Clone Stories: ‘Shallow are the souls that have forgotten how to shudder’". Paragraph 33, nr 3 (listopad 2010): 331–53. http://dx.doi.org/10.3366/para.2010.0203.

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This article explores literary interrogations of the bioethical implications of cloning. It does so by outlining the basic science of cloning before going on to question the dominance of the Freudian notion of the ‘uncanny’ in the critical theoretical responses to cloning by figures such as Jean Baudrillard and Slavoj Žižek. The second half of the article turns to two recent novels exploring the theme of cloning: Eva Hoffman's The Secret, and Kazuo Ishiguro's Never Let Me Go. It is argued that the former rehearses familiar themes of revulsion connected to the figure of the clone, yet resolves the struggle for identity in a ‘human’ conclusion; whereas the latter maintains the uncanny in-human difference of the clone even as it highlights the dangers of the biopolitical instrumentalization of life itself. The article therefore argues that fictional treatments of cloning can provide an important alternative to simplified debates on the subject in the mass media.

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NAKAGOSHI, Daisuke, Takahiro RYU, Takashi NAKAE, Atsuo SUEOKA, Kazuhisa OMURA, Yoshihiro TAKIKAWA i Yoichi Ooi. "218 A Study on Shudder Vibration of AT Lock-up Clutch Systems". Proceedings of the Dynamics & Design Conference 2010 (2010): _218–1_—_218–5_. http://dx.doi.org/10.1299/jsmedmc.2010._218-1_.

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Conti, Christopher. "Endgame and the Life to Come". Samuel Beckett Today / Aujourd’hui 33, nr 1 (19.07.2021): 121–35. http://dx.doi.org/10.1163/18757405-03301008.

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Abstract This paper revisits the interpretations of Endgame by Theodor Adorno and Stanley Cavell via an unusual route: Samuel Scheffler’s afterlife conjecture. Scheffler’s thought experiment—based on a doomsday scenario that Beckett’s characters already appear to inhabit—seeks the achievement of the ordinary in an age of climate change by disclosing our evaluative dependence on future generations. I suggest that the paradigm shift to a global subject lies not in the dystopian fiction Scheffler looks to, however, but the “shudder” of the ‘I’ in aesthetic experience, the model for which is Beckett’s Endgame.

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Zhu, Yitao, Makarand Datar, Kalyan Addepalli i Natalie Remisoski. "Optimization of Front Wheel Drive Engine Mounting System for Third Order Shudder Improvement". SAE International Journal of Commercial Vehicles 10, nr 1 (11.04.2017): 1–7. http://dx.doi.org/10.4271/2017-01-9175.

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Ginzberg, Lori D. ""The Hearts of Your Readers will Shudder": Fanny Wright, Infidelity, and American Freethought". American Quarterly 46, nr 2 (czerwiec 1994): 195. http://dx.doi.org/10.2307/2713338.

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Moriarty, Rachel. "‘The faith of our fathers’: the making of the early Christian past". Studies in Church History 33 (1997): 5–17. http://dx.doi.org/10.1017/s0424208400013152.

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A hundred years ago, in 1895, London theatre audiences were treated to an interesting exchange on what we would now call the reception of early Church history. The play was Oscar Wilde’s The Importance of Being Earnest, and in it the Reverend Dr Chasuble and Miss Prism are discussing marriage, not entirely hypothetically. Dr Chasuble ‘(with a scholar’s shudder)’ observes, ‘The precept as well as the practice of the Primitive Church was distinctly against matrimony’, and Miss Prism replies ‘(sententiously), That is obviously the reason why the Primitive Church has not lasted up to the present day’.

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Ankerstein, Carrie. "Strapline: The perpetuation of prescriptivism in popular culture". English Today 35, nr 3 (7.12.2018): 55–60. http://dx.doi.org/10.1017/s0266078418000470.

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It is probably safe to say that whenever an expert encounters their field of expertise outside of science or academia, they shudder at misrepresentations, over-simplifications or flat out untruths. This sort of thing sometimes happens to me when I indulge in a bit of couch potato lounging and come across remarks about English or language in general on sitcoms. Thanks to Netflix, I can watch all the shows I missed when they first aired. I say this so that you, dear reader, will understand why my focus is on shows that aired several years ago and are now run as repeats or binge watched via streaming.

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Cánepa, Laura, i Rogério Ferraraz. "HOST". Revista FAMECOS 28, nr 1 (30.06.2021): e39240. http://dx.doi.org/10.15448/1980-3729.2021.1.39240.

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Este trabalho trata do filme de horror australiano Host (Rob Savage, 2020), realizado para o canal de streaming Shudder, no primeiro semestre de 2020, durante a quarentena que paralisou o planeta por causa da pandemia da COVID-19. Dirigido a distância para emular uma sessão espírita organizada por seis amigos via aplicativo Zoom, o filme, encenado por seis atrizes e um ator com câmeras caseiras, traz ao primeiro plano o mal-estar do confinamento mediado pelos computadores e celulares. A partir de uma análise de Host, buscaremos observar como esse filme de horror nos oferece reflexões sobre a primeira experiência global de quarentena permeada pelas mídias digitais e pela internet.

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Zhao, Hongyuan, Anne Neville, Ardian Morina, Richard Vickerman i John Durham. "Improved anti-shudder performance of ATFs—Influence of a new friction modifier and surface chemistry". Tribology International 46, nr 1 (luty 2012): 62–72. http://dx.doi.org/10.1016/j.triboint.2011.06.012.

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Lee, Kwang-Hee, Deuk-Won Lee, Jin-Ho Chung, Won-Oh Cho i Chul-Hee Lee. "Design of generated axial force measurement tester for tripod constant velocity joints under shudder condition". Journal of Mechanical Science and Technology 28, nr 10 (październik 2014): 4005–10. http://dx.doi.org/10.1007/s12206-014-0913-9.

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Zumaroh, Zumaroh. "BISNIS HARAM DAN PENGARUHNYA TERHADAP FISIK DAN PSIKIS MANUSIA". Jurnal Ilmiah Mizani: Wacana Hukum, Ekonomi Dan Keagamaan 4, nr 2 (7.07.2018): 149. http://dx.doi.org/10.29300/mzn.v4i2.1019.

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Abstract: One form of work someone does to produce a variety of products is business. For Muslims, business is always controlled by the law of halal and haram, both in the way of acquisition and utilization. Physically, a person’s malicious practices will result in enormous losses, he will experience various diseases that are difficult to cure or even no cure. This affects the depletion of the treasures it has collected in such haram ways. Psychically, the warning and punishment sanctions experienced by malbic businessmen are more dire. In addition to causing various traits and bad traits within himself and his family, he will also experience severe depression and shudder as a manifestation of the aridity of the soul due to his evil behavior in business.

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Kim, Jeong-Lae, Jae-Sil Choi i Kyu-Sung Hwang. "A Study on Anticipation System of Shudder Distinction by the Physical Shape Alteration in Static Condition". Journal of the Institute of Internet Broadcasting and Communication 17, nr 3 (30.06.2017): 115–20. http://dx.doi.org/10.7236/jiibc.2017.17.3.115.

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WORMAN, NANCY. "EXQUISITE CORPSES AND OTHER BODIES IN THE ELECTRA PLAYS". Bulletin of the Institute of Classical Studies 58, nr 1 (1.06.2015): 77–92. http://dx.doi.org/10.1111/j.2041-5370.2015.12003.x.

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Abstract This essay explores the dynamics that surround the figuring and staging of bodies in the Electra plays – especially dead bodies, but also living ones that are represented as approximate and / or proximate to corpses. Interacting with such bodies intensifies agony and transport for characters and audiences alike, both of which affects plunge toward sublimity. At the same time the strongly gendered familial dynamics of pivotal scenes inflect the emotional shudder that attends them with a psychic recoil, as mothers haunt sons and sisters seek to lie down with brothers or other ‘wrong’ objects of affection. Focusing on how Orestes and especially Electra position themselves in relation to these bodies, the essay argues that they operate as sublime and uncanny objects, attracting the living into confrontation with their perverse pleasures and stimulating aesthetic and affective reactions that are central to tragic mimesis.

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Cowley, R. Adams, Steven E. Linberg i Thomas C. Majerus. "Pathophysiological Research Possibilities in Multiple Trauma Cases: An Overview on the Worth of Research on Critically Injured Patients". Prehospital and Disaster Medicine 1, S1 (1985): 21–22. http://dx.doi.org/10.1017/s1049023x0004365x.

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To even pose the question, “Can you do worthwhile pathophysiological research on critically injured patients?” practically suggests that we give up and surrender a field of medical science that is both challenging and laden with potential. Rather we should be posing the question, “Can we really afford not to be doing this research?” The purists of science must shudder when they think of trying to make sense out of the apparent chaos which surrounds a victim of multiple trauma. Sometimes we do as well, but perhaps we cannot afford to turn our backs because our egos perk at the recognized challenge. Perhaps we look at the heart-rending deterioration of a previously healthy 20–year old and say to ourselves, “What can I do differently the next time?” For these reasons and more, we all continue in our endeavors.

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Felsch, Philipp. "Mountains of Sublimity, Mountains of Fatigue: Towards a History of Speechlessness in the Alps". Science in Context 22, nr 3 (wrzesień 2009): 341–64. http://dx.doi.org/10.1017/s0269889709990044.

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ArgumentThe discovery of the Alps in the second half of the eighteenth century spawned an aesthetics of sublimity that enabled overwhelmed beholders of mountains to overcome their confusion symbolically by transforming initial speechlessness into pictures and words. When travelers ceased to be content with beholding mountains, however, and began climbing them, the sublime shudder turned into something else. In the snowy heights, all attempts to master symbolically the challenging landscape was thwarted by vertigo, somnolence, and fatigue. After 1850, physiologists intervened, using the Alpine terrain as a laboratory landscape that was ideally suited to examine one of the most threatening concerns offin de siècleindustrial societies: fatigue. This essay examines how the picturesque voyage turned into an experimental physiology of fatigue, and how the “wordless subjectivity” of romantic travelers turned into the “wordless objectivity” of life scientists.

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Slough, C. G., M. P. Everson, R. C. Jaklevic, D. J. Melotik i Weidian Shen. "Clutch Shudder Correlated to ATF Degradation through Local Friction vs. Velocity Measurements by a Scanning Force Microscope". Tribology Transactions 39, nr 3 (styczeń 1996): 609–14. http://dx.doi.org/10.1080/10402009608983573.

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Ketterer, David. ""Shudder": A Signature Crypt-ogram in "The Fall of the House of Usher"". Resources for American Literary Study 25, nr 2 (1999): 192–205. http://dx.doi.org/10.1353/rals.1999.0006.

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Heschel, Susannah. "From Jesus to Shylock: Christian Supersessionism and “The Merchant of Venice”". Harvard Theological Review 99, nr 4 (październik 2006): 407–31. http://dx.doi.org/10.1017/s0017816006001337.

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In 1943 the SS Gauleiter, “district administrator,” of Vienna, Baldur von Schirach, commissioned a performance of The Merchant of Venice at the famed Burgtheater to celebrate the deportation of allthe Jews;Vienna had become Judenrein “cleansed of Jews.” When Werner Krauss, the Nazis'leading actor, first appeared on stage as Shylock, he made the audience shudder. According to the newspaper account:With a crash and a weird train of shadows, something revoltingly alien and startlingly repulsive crawled across the stage…. The pale pink face, surrounded by bright red hair and beard, with its unsteady, cunning little eyes;the greasy caftan with the yellow prayershawl slung round; the splay-footed, shuffling walk; the foot stamping with rage; the claw-like gestures with the hands; the voice, now bawling, now muttering—all add up to a pathological image of the East European Jewish type, expressing all its inner and outer uncleanliness, emphasizing danger through humor.

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Latchaw, Joan. "Shudder for the Covenant Broken: Repair of the World in Marge Piercy’s The Art of Blessing the Day". ISLE: Interdisciplinary Studies in Literature and Environment 25, nr 1 (2018): 43–61. http://dx.doi.org/10.1093/isle/isy004.

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Zhao, Hongyuan, Ardian Morina, Anne Neville, John Durham i Richard Vickerman. "Anti-Shudder Properties of ATFs—An Investigation into Friction Modifying Mechanisms Using VSFT and SAE No. 2 Tests". Tribology Transactions 53, nr 6 (6.10.2010): 816–30. http://dx.doi.org/10.1080/10402004.2010.491174.

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Wolffe, John. "The Jesuit as Villain in Nineteenth-Century British Fiction". Studies in Church History 48 (2012): 308–20. http://dx.doi.org/10.1017/s0424208400001406.

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In The Jesuit, an early work by the popular novelist John Frederick Smith, three young English officers pass through Lisbon during the Peninsular War. While exploring a church they meet a mysterious Jesuit, who engages them in conversation about hostile British attitudes to his order. He tells them that ‘You paint a devil of your own creation, give it horns and attributes, then shudder at the phantom you have raised’. However, in the context of the novel, the threat from Jesuits is all too real. The villain of the story, the orders General in Spain, has no scruples about engaging in a sustained career of deception, manipulation, theft, abduction, rape and murder behind a façade of outward respectability and high religious office. He also exercises considerable power behind the vacant Spanish throne and even attempts unsuccessfully to make the future Duke of Wellington the unwitting agent of his nefarious purposes. The ‘devil’ Smith himself created was indeed a formidable one.

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Briatková, Veronika. "Misleading minds and playing with senses in the works of H.G. Wells". Ars Aeterna 8, nr 1 (1.06.2016): 34–41. http://dx.doi.org/10.1515/aa-2016-0004.

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AbstractWings flapping in the dark, a scientist who is able to be present in two places at once as a result of an accident in the laboratory, and unknown creatures hiding in the shadows. This paper focuses on those works of English writer H.G. Wells (1866-1946) which create mystery by playing with human perception and the human senses. In these stories, the mysteries might have a real cause, or they might be a result of confusion. Either way, it certainly makes the characters question the reliability of their minds. They shudder with fear, and sometimes they are on the verge of losing their sanity. These phenomena are examined from the perspective of cognitive approaches. The analysis focuses on mental processing and how it influences the mental stability of the characters in question. One of the questions asked is what kinds of responses are elicited by these mysteries involving potentially misled senses.

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Levin, D. Yu. "Gold Buckle of the Steel Belt of Russia. To the 120th Anniversary of the Circum- Baikal Railway". World of Transport and Transportation 19, nr 1 (8.09.2021): 260–71. http://dx.doi.org/10.30932/1992-3252-2021-19-260-271.

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120 years ago, on June 22 (June 9 old style), 1901 the Committee on construction of the Trans-Siberian Railway approved final decision on the location of the route of Circum-Baikal Railway (CBR).This railway is a monument to the heroic construction of the Trans-Siberian Railway. At the beginning of 20th century, the whole world followed its construction: someone with a shudder, someone with curiosity. The main goal was defined by the urgent need to connect the Central part of Russia and the Far East. Hence, there was an insurmountable natural obstacle on the way: the largest lake in the world. Today the CBR is an architectural reserve, englobing a huge number of engineering structures. Many of them are still unique. Prospecting work on Lake Baikal lasted for 13 years. The lake is surrounded by mountains, 300 tributaries from different rivers flow into it. So laying a railway track was an extremely difficult task, Russian engineers have brilliantly coped with.

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Zhao, H., A. Neville, A. Morina, J. Durham i R. Vickerman. "A new method to evaluate the overall anti-shudder property of automatic transmission fluids – multiple parameters spider chart evaluation". Proceedings of the Institution of Mechanical Engineers, Part J: Journal of Engineering Tribology 222, nr 3 (marzec 2008): 459–69. http://dx.doi.org/10.1243/13506501jet375.

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Ditchfield, Simon. "Martyrs on the Move: Relics as Vindicators of Local Diversity in the Tridentine Church". Studies in Church History 30 (1993): 283–94. http://dx.doi.org/10.1017/s0424208400011761.

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Robert Bellarmine put it with his customary clarity and forcefulness when he wrote: There is nothing that they [the Protestants] shudder at and abhor more than the invocation of saints, the cult of relics and the veneration of images. For they consider that these things constitute manifest impiety and idolatry.It was in recognition of this pressing reality that Rome—principally via the agency of die Sacred Congregation of Rites and Ceremonies—sought to put its house in order. It did so in two main ways: on the one hand, it relaunched official saint-making—the year of the congregation’s foundation (1588) saw the first official canonization after a hiatus of over half a century. Hand in hand with this went the tightening up of canonization procedure which was to culminate in a papal bull of 1634 that remained the final word on the subject until well into this century. On the other hand, regional churches were required to submit their local saints’ offices to Rome for approval. In addition, die authentication, translation, and display of relics became subject tounprecedented regulation.

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Gerstner, David A. "Past the Post?: Screening Progress and Fascism's Return". tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, nr 1 (23.01.2017): 73–81. http://dx.doi.org/10.31269/triplec.v15i1.838.

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The 2016 presidential election triggers many unanticipated responses. Emotions run high. Political activists discover newfound energy. One’s place in the world has been unfixed, troubled, and unsettled. Philosophers and artists, stunned, rethink the terms for their critical positions and the formal aesthetics that shape their work. The moment is thus rife with anxiety in search of a response. As a film scholar, I find myself driven to script a response. Ironically, as I write I feel paused in time and space. My unfixedness in the shadow of the election put in motion what can best be described as quivering stasis. From my troubled place, an intellectual processing unfolded. I conjured ideas and images that invariably failed to yield a satisfactory response to what had come to pass. What had I seen? Felt? My psychical and physical response to current events might be likened to what Adorno refers to as “the capacity to shudder, as if goose bumps were the first aesthetic image” (437). It’s not a pretty picture. But we’ve known this all along.

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López de Castro, Armando. "Teresa de Ávila y la poesía cancioneril = Teresa de Ávila and the songbook poetry". Lectura y Signo, nr 15 (24.12.2020): 189–204. http://dx.doi.org/10.18002/lys.v0i15.6472.

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Teresa de Jesús escribió poesía porque tenía un alma musical y sabía dar ritmo a sus poemas. Es una música que surge de la oscuridad y habla de lo profundo, destinada a elevarse desde la fuerza de su dolorosa espera, de ahí que invite a la plegaria con el estremecimiento de ser sustancia viva. Vueltos hacia su propio interior, sus poemas potencian su energía sonora desde la desnudez de su fingida retórica y nos hacen volar el oído hacia lo sobrenatural, buscando la recuperación del orden perdido. Teresa de Jesús wroter poetry because she had a musical soul and knew how to give rhythm to her poems. It is a music that emerges from the darkness and speaks from the deep, destined to rise from the force of its painful waiting, hence the invitation to prayer with the shudder of being living substance. Turned towards his own interior, his poems enhance his sound energy from the nakedness of his feigned rhetoric and make us blow our ears towards the supernatural, seeking the recovery of the lost order.

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Kaneko, H. "Revision of the automatic transmission fluid–anti-shudder performance test: activity report of JASO ATF Subcommittee for JASO M349-2001". JSAE Review 24, nr 3 (lipiec 2003): 355–56. http://dx.doi.org/10.1016/s0389-4304(03)00043-2.

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Day, Matthew. "Let's Be Realistic: Evolutionary Complexity, Epistemic Probabilism, and the Cognitive Science of Religion". Harvard Theological Review 100, nr 1 (styczeń 2007): 47–64. http://dx.doi.org/10.1017/s0017816007001423.

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John Dewey famously argued that Darwin had introduced a new conceptual vocabulary that would completely overhaul the traditional philosophical enterprise. His sense was that the kinds of monumental metaphysical questions that philosophy typically asked about causes, trends and purposes start to look meaningless and willfully unanswerable once we absorb the tough lessons of natural selection. More specifically, Dewey thought that The Origin of Species provided a strong but beneficial dose of philosophical therapy because it illustrated how to simultaneously abandon the lifeless questions of the past while formulating new questions to take their place. Darwin's achievement revealed for Dewey that sometimes philosophical progress is not “an affair of different ways of dealing with old problems, but of relegation of the problems to the attic in which are kept the relics of former intellectual bad taste.” From this perspective, the litmus test for measuring intellectual growth is surprisingly simple. If we examine the concerns that once excited our ancestors and feel only the shudder of regret that so much energy was wasted on a lost cause, we can be reasonably confident that we have taken a few steps forward.

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Zhao, Hongyuan, Ardian Morina, Anne Neville i Richard Vickerman. "Anti-Shudder Properties of ATFs—Investigation into Tribofilm Composition on Clutch Friction Material and Steel Surfaces and the Link to Frictional Performance". Tribology Transactions 55, nr 6 (listopad 2012): 782–97. http://dx.doi.org/10.1080/10402004.2012.709921.

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STEELE, BRIAN. "Inventing Un-America". Journal of American Studies 47, nr 4 (28.08.2013): 881–902. http://dx.doi.org/10.1017/s0021875813001394.

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No writer is more closely bound up with our deepest sense of the meaning of the “American” than Thomas Jefferson and it is difficult to imagine America's national purpose without some reference to his words. Yet Jefferson's projection of American identity also assumed and even constituted, of necessity, the un-American and it is in this sense that the un-American provided the necessary contours of what became the “American.” Jefferson's various projects are often seen in tension with one another. But this dialectic between the American and the un-American helps reconcile many of them. Federalists, Jefferson believed, assumed that governing Americans demanded the force and corruption that had long kept Europeans in order, whereas Americans, he believed, had an experience of history that rendered them capable of transcending such political theory and practicing democratic politics. This paper explores this dialectic between the American and the un-American in Jefferson's thought as a problem of national self-definition and argues that Jefferson's overwhelming confidence about American identity rested to a large degree in the shudder produced by his experience of the other. Years before Joseph McCarthy and HUAC, Jefferson's project of defining the nation created the un-American, rendering Americans ever since profoundly, however paradoxically, ambivalent about the prospects for revolutionary republicanism abroad.

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Mariot, J.-P., i J.-Y. K'nevez. "Dynamics of an automotive transmission consisting of a tripod joint and a ball joint. A symbolic approach". Proceedings of the Institution of Mechanical Engineers, Part K: Journal of Multi-body Dynamics 216, nr 3 (1.09.2002): 203–11. http://dx.doi.org/10.1177/146441930221600301.

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The present paper deals with the zero friction dynamics of an automotive transmission consisting of an inboard ball joint close to the wheel and an outboard tripod joint close to the gearbox, connected by an intermediate shaft. The ball joint is a constant-velocity joint (CVJ) whereas the tripod joint is not. In the idealized case of an intermediate shaft of infinite length, the tripod joint behaves like a CVJ and has the following properties: the input and output torque are equal, the transverse forces generating the output torque are equal and there are no shudder vibrations or inertial shaft effects. For a real transmission with a finite-length shaft, deviations from constant-velocity (CV) properties are due to tripod joint angle variation which causes static and dynamic perturbations; these perturbations are expressed symbolically using first-order approximations in terms of tripod joint angle and ratio of shaft length to tulip radius. For most of the front drive cars equipped, the angle of the tripod joint remains close to 0.1 rad; considering a constant input torque at a 100rad/s input velocity, the perturbations are found to be less than 3 per cent for the driving forces when compared with the CVJ.

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