Rozprawy doktorskie na temat „Short stories, Australian”
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McDonald, Donna. "The view from here : a collection of essays and short stories". Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35900/1/35900_McDonald_1998.pdf.
Pełny tekst źródłaWang, Labao. "Australian short fiction in the 1980s : continuity and change". Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.
Pełny tekst źródłaShaw, Edwina. "Thrill seekers and In search of a genre or What exactly is it that I've written? /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18754.pdf.
Pełny tekst źródłaCaskey, Sarah A. "Open secrets, ambiguity and irresolution in the Australian, New Zealand, and Canadian short story". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ58399.pdf.
Pełny tekst źródłaDarby, Robert English Australian Defence Force Academy UNSW. "While freedom lives : political preoccupations in the writing of Marjorie Barnard and Frank Dalby Davison, 1935-1947". Awarded by:University of New South Wales - Australian Defence Force Academy. Dept. of English, 1989. http://handle.unsw.edu.au/1959.4/38670.
Pełny tekst źródłaHawryluk, Lynda J. "Semi-detached /". View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.102851/index.html.
Pełny tekst źródłaHawryluk, Lynda J. "Semi-detached". Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.
Pełny tekst źródłaKato, Megumi Humanities & Social Sciences Australian Defence Force Academy UNSW. "Representations of Japan and Japanese people in Australian literature". Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.
Pełny tekst źródłaSamuels, Selina Ruth. "Fertile soil : short stories by women from Australia, Canada and the Caribbean, 1968-1995". Thesis, Queen Mary, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285693.
Pełny tekst źródłaGillieatt, Sue Jane. "Ambivalence in the provision of intergenerational care to older Australians and neighbourhood watch (short stories)". Thesis, Curtin University, 2012. http://hdl.handle.net/20.500.11937/1217.
Pełny tekst źródłaHorner, Ann Elizabeth. "No-one was watching: A collection of short fiction and Stories beyond the gates: An exegesis". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2132.
Pełny tekst źródłaHolden, S. "Australian literature : a study of the construction of short fiction in the Australian literary field". Thesis, 1998. https://eprints.utas.edu.au/20436/7/whole_HoldenSteven1999.pdf.
Pełny tekst źródłaO'Neill, Ryan. "The weight of a human heart: short story collection and critical exegesis". Thesis, 2015. http://hdl.handle.net/1959.13/1300141.
Pełny tekst źródłaThe creative component of this thesis is The Weight of a Human Heart, a collection of twenty short stories written in a variety of different styles, and utilising a number of diverse settings, from Africa to China to Australia. The collection is comprised of an equal number of realist and formally experimental short stories, including stories in the form of book reviews, homework assignments and graphs and charts. The critical exegesis maps out the major influences on The Weight of the Human Heart in the context of a survey of the Australian short story, an examination of metafiction, and a discussion of the work of James Joyce, Vladimir Nabokov and the Oulipo.
Gabriel, Matthew. "Deterrence vivarium: a collection of stories and exegesis". Thesis, 2017. http://hdl.handle.net/2440/105381.
Pełny tekst źródłaThesis (M.Phil.) -- University of Adelaide, School of Humanities, 2017.
Crofts, Karen. "A taste of dreams". Thesis, 2009. http://hdl.handle.net/1959.13/40102.
Pełny tekst źródłaFood, as a social signifier, is an important device in literature that has been used skilfully by writers like Woolf, Proust and Carver. My short story collection, A Taste of Dreams, employs food as a theme across the collection to reveal details about characters and the relationships between those who come together to cook and dine. The essay that follows examines suburban fiction and domestic routines including the preparation and consumption of food, food-related spaces such as the kitchen and dining table and the significance of meals beyond the food itself. Domestic fiction set in the Australian suburbs had a late and uncertain beginning. The image of the Australian bush and frontier dominated both art and literature through the nineteenth and early-twentieth centuries, well after the cities and suburbs were established. It was only after the Second World War, with the great postwar land boom, that artists and writers turned to the suburbs. Initially, this residential space, where the majority of Australians lived, was derided and spurned, viewed as homogeneous, status-oriented and uniformly conservative. Intellectuals attacked the architecture of the new landscape and concluded that the residents who bought into this lifestyle were conditioned by their streetscape. In the 1970s, new writers like Garner, Winton, Malouf and Updike emerged. They looked beyond the streetscape, front fence and lawns to reveal the details, the diversity and complexities of lives within the suburban milieu. Domestic situations were explored against a background of iconic symbols and signifiers—the backyard, shed, garage, bedroom, laundry and kitchen—to reveal the unique details of characters’ lives within the suburban home. A Taste of Dreams is a contribution to the genre of short story writing set in the Australian suburbs. Food links the stories and provides an avenue through which the reader can gain an understanding of the characters, their homes and their relationships.
Crofts, Karen. "A taste of dreams". 2009. http://hdl.handle.net/1959.13/40102.
Pełny tekst źródłaFood, as a social signifier, is an important device in literature that has been used skilfully by writers like Woolf, Proust and Carver. My short story collection, A Taste of Dreams, employs food as a theme across the collection to reveal details about characters and the relationships between those who come together to cook and dine. The essay that follows examines suburban fiction and domestic routines including the preparation and consumption of food, food-related spaces such as the kitchen and dining table and the significance of meals beyond the food itself. Domestic fiction set in the Australian suburbs had a late and uncertain beginning. The image of the Australian bush and frontier dominated both art and literature through the nineteenth and early-twentieth centuries, well after the cities and suburbs were established. It was only after the Second World War, with the great postwar land boom, that artists and writers turned to the suburbs. Initially, this residential space, where the majority of Australians lived, was derided and spurned, viewed as homogeneous, status-oriented and uniformly conservative. Intellectuals attacked the architecture of the new landscape and concluded that the residents who bought into this lifestyle were conditioned by their streetscape. In the 1970s, new writers like Garner, Winton, Malouf and Updike emerged. They looked beyond the streetscape, front fence and lawns to reveal the details, the diversity and complexities of lives within the suburban milieu. Domestic situations were explored against a background of iconic symbols and signifiers—the backyard, shed, garage, bedroom, laundry and kitchen—to reveal the unique details of characters’ lives within the suburban home. A Taste of Dreams is a contribution to the genre of short story writing set in the Australian suburbs. Food links the stories and provides an avenue through which the reader can gain an understanding of the characters, their homes and their relationships.
Atherfold, Joanna. "Watermark: a short story cycle". Thesis, 2015. http://hdl.handle.net/1959.13/1309822.
Pełny tekst źródłaWatermark is a short story cycle exploring intergenerational and personal relationships in coastal communities. The stories observe the complexity of characters drawn together, but also separated, by family, topography and circumstance. Written to reflect experiences from the 1960s through to present times, the stories reveal individuals responding to the uncertainty and disorder of life-changing events and unexpected revelations. Located in a quintessentially Australian landscape, the characters transgress physical and metaphorical boundaries and experience pivotal moments of transformation, even if – and, as it will be argued, because – those times are fleeting or unsustainable. The stories oscillate between their autonomous status and their interconnection within the broader narrative framework of the short story cycle. This structural aesthetic enables continuity through recurring characters, settings and themes. Paradoxically, these elements combine to reflect fractured relationships and unstable characters against a backdrop that is constantly changing. The exegesis draws on the notion of liminality to explore the generic and thematic concerns that emerged during the composition of the stories, particularly in relation to the oppositions and paradoxes evinced above. It looks at the complexities and challenges of the short story cycle with close reference to three short story cycles with coastal settings – The Bodysurfers by Robert Drewe, The Turning by Tim Winton and Having Cried Wolf by Gretchen Shirm. These texts reveal that Australian short story writers regard the coastline as more than simply a setting; it is a place of transition and a viable site to explore character development and transformation.
Cullen, Patrick. "What came between: short story cycle and critical exegesis". Thesis, 2013. http://hdl.handle.net/1959.13/1040214.
Pełny tekst źródłaThis thesis includes a creative component, What Came Between, and an accompanying critical exegesis. What Came Between is a collection of twelve realist short stories about residents of adjoining terraces in inner-city Newcastle. The collection opens on the 28th of December 1989, the day of the Newcastle Earthquake, and ends a decade later on New Year’s Eve as the BHP steelworks closes and the city’s history of steelmaking comes to an end. This kind of collection, which gains unity from its consistent setting and recurring characters, belongs to the short story cycle genre. The exegesis discusses the two contexts most relevant to What Came Between, that is the realist mode and the short story cycle genre, and notes the relative influences of Raymond Carver and Tim Winton in both instances.
Flanagan, Willanski Cassie. "Here where we live: the evolution of contemporary white Australian writers’ responses to white settler status". Thesis, 2012. http://hdl.handle.net/2440/85506.
Pełny tekst źródłaThesis (M.A.) -- University of Adelaide, School of Humanities, 2012
Hawryluk, Lynda J., University of Western Sydney i Faculty of Humanities and Social Sciences. "Semi-detached". 1997. http://handle.uws.edu.au:8081/1959.7/28403.
Pełny tekst źródłaMaster of Arts (Hons) Writing
Smith, Gary. "Who am I and why? : pressures on the writing self". Thesis, 2004. https://vuir.vu.edu.au/15693/.
Pełny tekst źródła