Gotowe bibliografie tematyczne / Short stories, Australian

Gotowa bibliografia na temat „Short stories, Australian”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Short stories, Australian"

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Amanuddin, Syed, i Kerryn Goldsworthy. "Australian Short Stories". World Literature Today 60, nr 1 (1986): 174. http://dx.doi.org/10.2307/40141411.

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Engler, Erich. "Carmel Bird ed. Stories (1991): Relations: Australian Short Stories". Zeitschrift für Australienstudien / Australian Studies Journal 10 (1996): 154–58. http://dx.doi.org/10.35515/zfa/asj.10/1996.23.

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Scheidt, Déborah. "Mateship and egalitarianism in Henry Lawson’s short stories". Gragoatá 23, nr 45 (30.04.2018): 153. http://dx.doi.org/10.22409/gragoata.2018n45a1057.

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Mateship is an important element of the so-called “Australian Tradition” in literature. It consists of a particular bond between men who travel the rural areas known as “the bush” or “the outback”. This article examines some of Henry Lawson’s mateship stories, with a focus on the different connotations that the term can assume for the author, especially regarding the theme of egalitarianism. It considers how the Bulletin Magazine, which “discovered” Lawson and published many of his stories, had a role in fostering a special model of Australian democracy and a peculiar style for Australian literature. It also reflects on how the dissemination of Lawson’s stories through periodicals in the last decades of the 19th century helped create a feeling of what Benedict Anderson calls “nation-ness”.------------------------------------------------------------------------------------MATESHIP E IGUALITARISMO NOS CONTOS DE HENRY LAWSONMateship é um elemento importante da chamada “Tradição Australiana” na literatura. Refere-se a um vínculo especial entre homens que percorrem as áreas rurais conhecidas na Austrália como “the bush” ou “the outback”. Este artigo examina alguns dos contos de Henry Lawson que trazem esse elemento, com ênfase especial nas diferentes conotações que o termo pode assumir para o autor, especialmente com relação à temática do igualitarismo. O artigo considera como o periódico Bulletin, o qual “descobriu” Lawson e publicou vários de seus contos, foi relevante para a promoção de um modelo particular de democracia na Austrália e um estilo característico para a literatura local. O artigo também reflete sobre como a disseminação dos contos de Lawson por meio de periódicos na última década do século XIX contribuiu para a criação do que Benedict Anderson chama de “nation-ness”.---Artigo em inglês.
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Scheidt, Déborah. "Mateship and egalitarianism in Henry Lawson’s short stories". Gragoatá 23, nr 45 (30.04.2018): 153–71. http://dx.doi.org/10.22409/gragoata.v23i45.33569.

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Mateship is an important element of the so-called “Australian Tradition” in literature. It consists of a particular bond between men who travel the rural areas known as “the bush” or “the outback”. This article examines some of Henry Lawson’s mateship stories, with a focus on the different connotations that the term can assume for the author, especially regarding the theme of egalitarianism. It considers how the Bulletin Magazine, which “discovered” Lawson and published many of his stories, had a role in fostering a special model of Australian democracy and a peculiar style for Australian literature. It also reflects on how the dissemination of Lawson’s stories through periodicals in the last decades of the 19th century helped create a feeling of what Benedict Anderson calls “nation-ness”.---Original in English. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n45a1057.
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King, Bruce, i Murray Bail. "The Faber Book of Contemporary Australian Short Stories". World Literature Today 62, nr 4 (1988): 724. http://dx.doi.org/10.2307/40144767.

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Helff, Sissy. "Children in Detention: Juvenile Authors Recollect Refugee Stories". Papers: Explorations into Children's Literature 17, nr 2 (1.12.2007): 67–74. http://dx.doi.org/10.21153/pecl2007vol17no2art1197.

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'Dark Dreams: Australian Refugee Stories by Young Writers aged 11-20 Years', which is considered as one of the most original literary attempts made to grapple with the overwhelming number of often untold and nameless refugee stories in Australia, is discussed. Two short texts which cover the war and migration zones of Vietnam and Afghanistan, and are biographical accounts which differ in genre and style are considered for discussion.
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Osborne, Roger. "Dairy farm philosopher: J.P. McKinney's ‘According to Noonan’ stories and Ron Campbell's Australian Journal". Queensland Review 24, nr 2 (17.11.2017): 293–304. http://dx.doi.org/10.1017/qre.2017.38.

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AbstractWhile working as a dairy farmer in the Sunshine Coast hinterland during the 1920s, Jack McKinney began contributing short stories to the popular weekly, the Australian Journal. Drawing on his own experience and sense of humour, he developed these stories into a series, ‘According to Noonan’, which the Australian Journal published until 1939 and reprised in the 1950s. This article will examine these stories and consider them in relation to McKinney's later life and writing.
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Darby, Robert. "‘An instinct for freedom’: Political undercurrents in the short fiction of Marjorie Barnard". Literature & History 26, nr 1 (maj 2017): 56–73. http://dx.doi.org/10.1177/0306197317695408.

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It is generally held that the short stories of the Australian writer Marjorie Barnard (1897–1987) do not express political values or deal with social issues, but are confined to the exploration of personal concerns. The author herself referred to her short stories as subjective ‘indulgences’, and this evaluation has largely been accepted by commentators. In this paper I challenge this interpretation and argue that the political pressures of the later 1930s seeped or forced themselves into her short fiction and, further, that several of her most interesting stories were directly instigated by and concerned with contemporary political and social questions. I further suggest that as her own political commitment intensified under the pressures of fascism and war, her original devotion to practising art, untainted by propaganda, came under severe pressure.
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SCHEIDT, Déborah. "AUSTRALIAN ENGLISH AND THE PERCEPTION OF “AUSTRALIANESS” IN HENRY LAWSON’S SHORT STORIES". Muitas Vozes 3, nr 2 (2014): 287–300. http://dx.doi.org/10.5212/muitasvozes.v.3i2.0001.

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McKay, Belinda. "Narrating Colonial Queensland: Francis Adams, Frank Jardine and ‘The Red Snake’". Queensland Review 15, nr 1 (styczeń 2008): 97–109. http://dx.doi.org/10.1017/s1321816600004591.

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In 1949, Clive Turnbull remarked that Australian Life (1892), a collection of short stories by Francis Adams, ‘is a book that deserves to be resurrected’. While two of the radical English writer's novels have been republished over the last three decades, Australian Life — which Turnbull regarded as ‘perhaps the most noteworthy’ of Adams' works of fiction — has not been resurrected either in print or online, and is accessible only in rare book libraries. Republication here in Queensland Review of the original version of Adams' short story ‘The Red Snake’, which appeared first in the Boomerang in 1888 and was later revised for Australian Life, may help to renew interest in Francis Adams' carefully crafted but disturbing narratives of life in the Australian colonies in the 1880s.
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Rozprawy doktorskie na temat "Short stories, Australian"

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McDonald, Donna. "The view from here : a collection of essays and short stories". Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35900/1/35900_McDonald_1998.pdf.

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Wang, Labao. "Australian short fiction in the 1980s : continuity and change". Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.

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This thesis offers a critical survey and a comprehensive bibliography of the Australian short story in the 1980s. Conceived partly as an continuation of Stephen Torre’s study of Australian short fiction of the 1940-1980 period, it starts where Torre’s thesis stopped, focusing on Australian short story writing published in the ten years between 1981 and 1990. Torre has summed up the 1940-1980 period as ‘a time of development and innovation’ in the history of Australian short fiction. In comparison, the 1980s is probably best described as a decade of unprecedented expansion and diversification. During that time, Australian short fiction broke away from its earlier domination by monolithic traditions and became a much more eclectic and pluralistic form. Contributing to this eclecticism and plurality were five different streams of story writing created by five separate groups of writers. Due to constraints of space, the critical text of the thesis examines only four of them.
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Shaw, Edwina. "Thrill seekers and In search of a genre or What exactly is it that I've written? /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18754.pdf.

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Caskey, Sarah A. "Open secrets, ambiguity and irresolution in the Australian, New Zealand, and Canadian short story". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ58399.pdf.

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Darby, Robert English Australian Defence Force Academy UNSW. "While freedom lives : political preoccupations in the writing of Marjorie Barnard and Frank Dalby Davison, 1935-1947". Awarded by:University of New South Wales - Australian Defence Force Academy. Dept. of English, 1989. http://handle.unsw.edu.au/1959.4/38670.

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The problem with which this thesis is concerned is the relationship between literature and politics. By means of a biographical and historical study two significant writers of the 1930s/40s I examine the ways in which the pressures of Depression, the threat of fascism and the onset of war influenced Australian writing. In particular, I ask whether the political issues of the period affected what these authors wrote and how they wrote it. My conclusion is that pressure of political concern caused significant personal, philosophical and political changes in Barnard and Davison, and that it affected both the genre in which they wrote and the content of their fiction. They turned from fiction to cultural commentary, historical writing, political pamphleteering and activism. They utilised short fiction as a means of discussing their worries about the state of the world and in order to promote values they felt threatened. When they returned to longer fiction their work bore, to differing degrees, in its ideas, arguments and imagery, the influence of their political engagement. More generally, I conclude that liberal humanism was the major animating philosophy of writers in the 1930s and that their concern with political issues grew from their conviction that western liberal democracy was the most fruitful soil for the production of art, a climate of freedom which they felt threatened by both fascism and war. This anxiety is the most important factor in both their politicisation and the work they did under the latter???s influence.
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Hawryluk, Lynda J. "Semi-detached /". View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.102851/index.html.

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Hawryluk, Lynda J. "Semi-detached". Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.

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This collection of short stories is about being a twenty-something in the 90s, trying to get by, have a little fun and make somewhat of a mark in the process. It’s about the process of growing up, and the seemingly desperate need to hold onto all those youthful pursuits. It’s about finding out that life as an adult tries to suck the life out of you, rather than allowing you to suck the life out of it. That constant struggle, the battle of wills between attending to your needs or just satisfying your wants. This is a time for you when your needs and wants are siblings, bickering in the back of the car on a long drive up the coast. The characters in these stories are having their good time while it lasts. Avoiding the inevitable: maturity, responsibility, adulthood. And so they should. After all, these aren’t called ‘the best years of our lives’ for nothing. The stories celebrate your life as a twenty-something.
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Kato, Megumi Humanities &amp Social Sciences Australian Defence Force Academy UNSW. "Representations of Japan and Japanese people in Australian literature". Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.

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This thesis is a broadly chronological study of representations of Japan and the Japanese in Australian novels, stories and memoirs from the late nineteenth century to the twenty-first century. Adopting Edward Said???s Orientalist notion of the `Other???, it attempts to elaborate patterns in which Australian authors describe and evaluate the Japanese. As well as examining these patterns of representation, this thesis outlines the course of their development and change over the years, how they relate to the context in which they occur, and how they contribute to the formation of wider Australian views on Japan and the Japanese. The thesis considers the role of certain Australian authors in formulating images and ideas of the Japanese ???Other???. These authors, ranging from fiction writers to journalists, scholars and war memoirists, act as observers, interpreters, translators, and sometimes ???traitors??? in their cross-cultural interactions. The thesis includes work from within and outside ???mainstream??? writings, thus expanding the contexts of Australian literary history. The major ???periods??? of Australian literature discussed in this thesis include: the 1880s to World War II; the Pacific War; the post-war period; and the multicultural period (1980s to 2000). While a comprehensive examination of available literature reveals the powerful and continuing influence of the Pacific War, images of ???the stranger???, ???the enemy??? and later ???the ally??? or ???partner??? are shown to vary according to authors, situations and wider international relations. This thesis also examines gender issues, which are often brought into sharp relief in cross-cultural representations. While typical East-West power-relationships are reflected in gender relations, more complex approaches are also taken by some authors. This thesis argues that, while certain patterns recur, such as versions of the ???Cho-Cho-San??? or ???Madame Butterfly??? story, Japan-related works have given some Australian authors, especially women, opportunities to reveal more ???liberated??? viewpoints than seemed possible in their own cultural context. As the first extensive study of Japan in Australian literary consciousness, this thesis brings to the surface many neglected texts. It shows a pattern of changing interests and interactions between two nations whose economic interactions have usually been explored more deeply than their literary and cultural relations.
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Samuels, Selina Ruth. "Fertile soil : short stories by women from Australia, Canada and the Caribbean, 1968-1995". Thesis, Queen Mary, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285693.

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Gillieatt, Sue Jane. "Ambivalence in the provision of intergenerational care to older Australians and neighbourhood watch (short stories)". Thesis, Curtin University, 2012. http://hdl.handle.net/20.500.11937/1217.

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This thesis examines ambivalence in the provision of intergenerational care to older Australians through analysing disciplinary and discursive literatures, reviewing fiction and memoir and writing an anthology of short stories about caring for older people. This enables a unique and complementary dialogue between two knowledges—one derived from official knowledge or institutional discourse about care and caring, the other from unofficial knowledge derived from fiction and memoir—to probe ambivalence more deeply.
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Książki na temat "Short stories, Australian"

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Bird, Carmel. Australian short stories. Boston: Houghton Mifflin, 1991.

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1874-1970, Murdoch Walter Sir, i Drake-Brockman Henrietta 1901-1969, red. Classic Australian short stories. Melbourne: Oxford University Press, 1997.

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1940-, Bird Carmel, red. Relations: Australian short stories. Wantirna South, Vic: Houghton Mifflin Australia, 1991.

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Barry, Oakley, red. Families: Modern Australian short stories. Scoresby, Vic: Five Mile Press, 2008.

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Pascoe, Bruce, i Lyn Harwood, red. Australian Short Stories No 53. Victoria, Australia: Pascoe Publishing, 1996.

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Barry, Oakley, red. Journeys: Modern Australian short stories. Rowville, Vic: Five Mile Press, 2007.

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1929-, Wilson Barbara Ker, red. Brief encounters: Short stories. St Lucia, Qld: University of Queensland Press, 1992.

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Game, Cathryn, red. Australian Women's Stories. Melbourne, Australia: Oxford University Press, 1999.

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1953-, Goldsworthy Kerryn, red. Australian love stories. Melbourne: Oxford University Press, 1996.

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Nuttall, Barbara H. Australian themes: Short stories, poetry, illustrations. New York: Vantage Press, 1995.

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Części książek na temat "Short stories, Australian"

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Hill, Lisa, Max Douglass i Ravi Baltutis. "The Effects of False Campaign Statements". W How and Why to Regulate False Political Advertising in Australia, 15–22. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2123-0_2.

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AbstractIn this chapter we explore the short- and long-term effects of false election information on electoral and other democratic processes from both a theoretical and empirical perspective. We examine the supply and demand side of the mis- and disinformation stories, drawing on the literature in behavioural economics and psychology to explain the underlying mechanisms at play in the demand side (consumers) and the motivations on the supply side (producers). We show that, due to the high stakes and unavoidably competitive nature of modern elections on the one hand, and perverse financial incentives within the information market on the other, election mis- and disinformation will be difficult to combat without a legal remedy.
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Roberts, Gillian. "Conclusion". W Race, Nation and Cultural Power in Film Adaptation, 220–23. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474483537.003.0009.

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The conclusion discusses phenomena not addressed elsewhere, such as novels in production at the same time as their film adaptations (as in Christine Leunen’s Caging Skies(2019), adapted by Taika Waititi as Jojo Rabbit (2019)) as well as Indigenous and partly-Indigenous films made from settler-colonial cultural texts, as in Jeff Barnaby, Kent Monkman, and Caroline Monnet’s short films made from pre-existing footage from Canada’s National Film Board about Indigenous people and the Australian film Ten Canoes, derived from ethnographic photographs and co-directed by Rolf De Heer and Peter Djigirr. Although we see some mainstreaming of Indigenous cinema and culture through Waititi’s Academy Award for Best Adapted Screenplay and his land acknowledgment at the Oscar pageant, it remains the case that not all texts or their adaptations circulate in the same way or with the same reach within and across the global cultural marketplace. However, when these stories reach us from across and via the global cultural marketplace, it is our responsibility not just to take pleasure in them, or take them at face value, but also to consider other versions of these stories, who has told them, and for whom.
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Lane, Jenny. "A Multimodal Discourse on the Use of Touch Enabled Mobile Devices for Mathematics Education". W Integrating Touch-Enabled and Mobile Devices into Contemporary Mathematics Education, 214–40. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8714-1.ch010.

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The Technological, Pedagogical and Content Knowledge (TPACK) iPads in School Project aimed to investigate how touch enabled mobile devices, iPads, were used in classrooms. This chapter shares findings from the research selected for their relevance for mathematics education. Qualitative and quantitative research was undertaken in ten West Australian classrooms from kindergarten to year ten, over two years. A community of practice model supported teacher reflection “on action” and “in action” aligned to national standards. Self-tracking video devices gathered evidence on how teachers were using iPads in teaching. Videos were analysed and tagged using multimodal discourse analysis software and a research-based checklist to identify effective pedagogical practices using iPads in mathematics education entitled the TIPs Mobile Pedagogies in Mathematics Checklist (Tips-Mobile-Maths) was developed. A series of short vignettes called “i-Stories” were developed. Social networking connected the teachers and was used for dissemination of research findings.
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White, Jeremy. "Digital stories: improving the process using smartphone technology". W CALL and complexity – short papers from EUROCALL 2019, 402–6. Research-publishing.net, 2019. http://dx.doi.org/10.14705/rpnet.2019.38.1044.

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With smartphone saturation at 100% among Japanese university students, educators are developing new and innovative ways to bring them to the forefront of learning, ensuring students are as engaged with their technology in their formal learning as they are with their informal learning. Smartphones of today are small, portable, have high spec cameras, microphones, and a large storage capacity. These devices also allow for videos to be edited within applications on the smartphone itself, without the need for a separate and expensive computer and editing software. Aspects such as these make using smartphones to make Digital Stories (DS) one possible way to effectively use this technology for formal learning purposes. This paper shows the results of a paper-based survey and discusses preliminary observations conducted with 38 Japanese university students undertaking a short-term study abroad experience in Australia and New Zealand.
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Roberts, Gillian. "Cultural Appropriation: The Chant of Jimmie Blacksmith , Black Robe and Dance Me Outside". W Race, Nation and Cultural Power in Film Adaptation, 131–62. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474483537.003.0006.

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This chapter focuses on literary and cinematic texts in which Indigenous peoples have been appropriated by non-Indigenous authors and filmmakers: The Chant of Jimmie Blacksmith (1978), written by Australian author Thomas Keneally and adapted by Australian director Fred Schepisi; Black Robe (1991), written by Northern Irish-Canadian author Brian Moore (1984) and adapted by Australian director Bruce Beresford; and Dance Me Outside (1994), stories written by Canadian author W.P. Kinsella and adapted by Canadian director Bruce McDonald. The chapter probes the ways in which settler-colonial culture borrows from Indigenous cultures. These case studies were produced either prior to or in the midst of debates surrounding the legitimacy of non-Indigenous representations of Indigenous culture in the late 1980s and early 1990s. The chapter also discusses multiple adaptations through historical antecedents to the novels (Keneally’s novel’s basis in the historical figure of Jimmy Governor, a mixed-race man who, along with his brother, murdered several white people in early twentieth-century Australia; Black Robe’s use of the Jesuit writings in New France) and the continuation of Dance Me Outside’s narrative and characters in Nick Craine’s graphic-novel version of the screenplay ultimately used to shoot the film (1994) and CBC television’s The Rez (1995-1997).
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Prickett, Nigel. "Trans-Tasman stories: Australian Aborigines in New Zealand sealing and shore whaling". W Islands of Inquiry: Colonisation, seafaring and the archaeology of maritime landscapes. ANU Press, 2008. http://dx.doi.org/10.22459/ta29.06.2008.22.

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Khorana, Sukhmani. "Witnessing as an Expression of Critical Empathy: An Examination of Audience Responses to a Refugee-Themed Documentary". W Mediated Emotions of Migration, 19–31. Policy Press, 2022. http://dx.doi.org/10.1332/policypress/9781529218237.003.0002.

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The mainstream news media narratives that aim to effect social change on the issue of asylum seeker policy in Australia often stop short at conflating humanisation with the invoking of empathy. In this chapter, I unpack how this kind of individually mobilised, transient and selective empathy is problematic. This critique of empathy is followed by the case study of a small-scale project in which the documentary Freedom Stories was screened in a university and audience feedback was obtained. An analysis of the responses emphasises ‘witnessing’ as an expression of critical empathy that is more conducive to taking responsibility through concerted action.
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Beinart, William, i Lotte Hughes. "Empire and the Visual Representation of Nature". W Environment and Empire. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199260317.003.0018.

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Science and technology helped to shape resource frontiers in the Empire and conquer environments. They also framed new understandings of environmental change and conservationist policies. In a different way, visual representations conjured the Empire for British people and permeated their view of it. They were an inescapable element in the imagining of imperial nature. The growing range of images, we will argue, similarly had potential for encouraging possession, exploitation, and conservation of natural resources. In 1926, an Empire Marketing Board was established in Britain to promote the consumption of food and products from the colonies and dominions. In its short life till 1933, it produced some of the most striking pictorial representations of empire in the shape of over 700 posters. These were carefully commissioned with explicit instructions to some of the leading designers and poster artists in the country. Many captured the central themes that we have tried to illustrate: they depicted commodities, such as South African fruit, Australian wool, Ghanaian cocoa, or Malaysian pineapples, against a background of vivid landscapes, and sometimes the people who worked to turn nature into commodities. They promoted a positive image of an interdependent empire, in which exotic and beautiful environments, partly tamed, gave forth their riches for the British consumer. In this chapter, we try to describe some of the images transmitted about the landscape and environment of empire, especially in the century from about 1850.While our major focus is on British-based representations, some reference is made to artistic work elsewhere that fed into the imperial visual store. Visual material such as Marketing Board posters familiarized British audiences with far-flung conquered zones, and naturalized their exploitation. However, these images were only one style of representation; there were many others and it is important to capture some of the complexity and variety of visual imaginations, developed in many different media. Images could transcend their intended purpose, and, as in the case of approaches to nature itself, there were conflicting and contending voices. Jostling alongside images that celebrated exploitation were others that championed nature or portrayed it sympathetically. Because of the power of visual media, it is arguable that these had a particular influence on environmental thinking.
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Streszczenia konferencji na temat "Short stories, Australian"

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McFadden, Chloe, i Oliver Bown. "Generated tools: A Defamiliarizing Approach to Creating ML Art". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-17-short-mcfadden-et-al-generated-tools.

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SHORT PAPER. In recent years there has been an increase in the adoption of machine learning (ML) systems that can generate novel images. This increased use may reveal the beginning of a familiarity in which the implications of these emerging technologies are naturalised or made increasingly invisible. Thus, practices which can disrupt familiarity may allow us to create experiences of heightened awareness in which we can consider our engagement with this emerging technology. In this paper, I discuss the outcomes of working with a Generative Adversarial Network (GAN), using a dataset created from the hand tools section of a popular Australian hardware store. Through this creative practice, I investigate how artists can use ML as mechanisms for creating artworks that disrupt, investigate and defamiliarize the known.
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