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Książki na temat „Shilha language”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 26 lutego 2023

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1

Mountassir, Abdallah El. Dictionnaire des verbes tachelhit-français: (parler berbère du sud du Maroc). Paris: L'Harmattan, 2003.

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2

Boumalk, Abdallah. Manuel de conjugaison du tachelhit: (langue berbère du Maroc). Paris: L'Harmattan, 2003.

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3

Roux, Arsène. La vie berbère par les textes: Les parlers du Maroc central. Köln: Rüdiger Köppe Verlag, 2021.

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4

Bounfour, Abdallah. Vocabulaire usuel du tachelhit: Tachelhit-français. Rabat: Centre Tarik ibn Zyad, 2001.

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5

Moujahid, El Houssaïn El. Grammaire générative du berbère: Morphologie et syntaxe du nom en Tachelhit. Rabat: Faculté des lettres et des sciences humaines, 1997.

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6

Arsène, Roux, red. Tashelhiyt Berber texts from the Ayt Brayyim, Lakhsas and Guedmioua region (South Morocco): A linguistic reanalysis of Recits, contes et legendes berberes en Tachelhiyt by Arsene Roux with an English translation. Köln: Köppe, 2003.

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7

F, Corjon, Franchi J. -M i Eugène J, red. Textes berbères des Guedmioua et Goundafa (Haut Atlas, Maroc): Basés sur les documents de F. Corjon, J.-M. Franchi et J. Eugène. [Aix-en-Provence]: Edisud, 2001.

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8

Mohamed, Elmedlaoui, red. Syllables in Tashlhiyt Berber and in Moroccan Arabic. Dordrecht: Kluwer Academic Publishers, 2002.

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9

Kenkyūkai, Nihon Shokuminchi Kyōikushi. Gengo to shokuminchi shihai. Tōkyō: Kōseisha, 2000.

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10

Chōsen shokuminchi shihai to gengo. Tōkyō: Akashi Shoten, 2010.

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11

Chikashi, Furukawa, Lin Zhuxue i Kawaguchi Takayuki, red. Taiwan, Kankoku, Okinawa de Nihongo wa nani o shita no ka: Gengo shihai no motarasu mono. Tōkyō: Sangensha, 2007.

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12

Gago, kago, go-shichigo jiten: Gago, kago jiyū jizai...meika, meiku no goon shichion hyōgen. Tōkyō: Sanseidō, 2012.

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13

Sofer, Shabsi. Sidur. Bolṭimor, MD: Yeshivat Ner Yiśraʾel, 1987.

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14

Tashelhiyt Berber folktales from Tazerwalt (South Morocco): A linguistic reanalysis of Hans Stumme's Tazerwelt texts with an English translation. Köln: Rüdiger Köppe Verlag, 2002.

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15

A, Boud'hors, Bosson N i Aufrère S. H. Labor Omnia Uicit Improbus: Miscellanea in Honorem Ariel Shisha-Halevy. Peeters Publishers & Booksellers, 2017.

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16

Otsuka, Mitsunobu. Shomono Kirishitan shiryo shichu. Seibundo, 1996.

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17

Shokuminchi shihai to Nihongo: Taiwan, Manshukoku, Tairiku senryochi ni okeru gengo seisaku. Sangensha, 1993.

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18

Dudoignon, Stéphane A. Modernisation vs. Secularisation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190655914.003.0003.

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The chapter analyses the chrestomathies (tadhkiras) of Persian-language Sunni religious poets have published in Iranian Baluchistan since the late 1990s. It demonstrates how the ulama of the Sarbaz nexus, and their centralised transregional madrasa network, have managed to impose their discursive hegemony in Easternmost Iran, with the assistance of local Shia-background institutions and NGOs patronized by Guide Ali Khamenei. This triumph of the Islamic discourse of the Deoband School in Iranian territory, and the eclipse of tribal authority from Baluch memory, are explained here as effects of the anti-tribal modernisation policy implemented by the Pahlavi monarchy and its encouragement of Shia migration to the country’s Sunni-peopled peripheries – which had been exposed, already, by Iranian anticolonial discourse of the 1960s-70s.

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19

Blomfield, Bridget. Language of Tears: My Journey into the World of Shi'i Muslim Women. White Cloud Press, 2015.

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20

Jue, Melody, i Rafico Ruiz, red. Saturation. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013044.

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Bringing together media studies and environmental humanities, the contributors to Saturation develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism's saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, Saturation illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other. Contributors. Marija Cetinić, Jeff Diamanti, Bishnupriya Ghosh, Lisa Yin Han, Stefan Helmreich, Mél Hogan, Melody Jue, Rahul Mukherjee, Max Ritts, Rafico Ruiz, Bhaskar Sarkar, John Shiga, Avery Slater, Janet Walker, Joanna Zylinska

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21

Teo, Tze-Yin. If Babel Had a Form. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9781531500184.001.0001.

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In twentieth-century intersections of China and Asia with the United States, translations did more than communicate meaning across politicized and racializing differences of language and nation. Instead, transpacific translation breached the regulative protocols that created those very differences of cultural value and meaning. The result saw translators cleaving to the sounds and shapes of poetry to imagine a translingual “likeness of form” but not of meaning or kind. At stake in this form without meaning is a new task of equivalence. As a concept, equivalence has been rejected for its colonizing epistemology of value, naming a broken promise of translation and false premise of comparison. Yet in veering from those very ways of knowing, the writers studied in this book theorized a poetic equivalence, negating the colonial foundations of the concept to discover the power of translation in surprising places. Igniting aporias of meaning into flashpoints for a radical literary translation, the book’s immanent readings narrate accounts of poetic equivalence across the iconoclastic poetics of American modernist Ernest Fenollosa, the vernacular experiments of Republican-era China’s central reformer Hu Shih, the trilingual musings of modern Chinese writer and Los Angeles expatriate Eileen Chang, the unfinished work of the Asian American transmedial artist Theresa Cha, and a post-Tiananmen elegy by the contemporary Chinese poet Yang Lian. The conclusion returns to the deconstructive genealogy of recent debates on translation and untranslatability, displacing the convention of radical alterity for a no less radical equivalence.

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