Zaloguj się

Gotowe bibliografie tematyczne / Shawnee art / Artykuły w czasopismach

Kliknij ten link, aby zobaczyć inne rodzaje publikacji na ten temat: Shawnee art.

Artykuły w czasopismach na temat „Shawnee art”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 31 lipca 2025

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Sprawdź 50 najlepszych artykułów w czasopismach naukowych na temat „Shawnee art”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Przeglądaj artykuły w czasopismach z różnych dziedzin i twórz odpowiednie bibliografie.

1

Lepper, Bradley T., James R. Duncan, Carol Diaz-Granados, and John Soderberg. "Ohio Rock Art and Serpent Mound: Shared Iconography, Shared Stories." Midcontinental Journal of Archaeology 48, no. 2 (2023): 147–71. http://dx.doi.org/10.5406/23274271.48.2.03.

Pełny tekst źródła

Streszczenie:

Abstract James Swauger's study of Ohio's rock art, Petroglyphs of Ohio, has been the definitive guide to the subject since its publication in 1984. Swauger concluded that the Indigenous American Indian petroglyphs were created during the late precontact period and proposed that the makers of the designs were “proto-Shawnee,” but he deliberately eschewed any attempt to attribute meanings to the designs. Building on Swauger's work, we consider Ohio rock art through the lens of our previous research on Serpent Mound and the rock art of midcontinental North America, particularly the unique suite o

Style APA, Harvard, Vancouver, ISO itp.

2

Vertinsky, Patricia. "“This Dancing Business is More Hazardous Than Any ‘He-Man’ Sport”: Ted Shawn and His Men Dancers." Sociology of Sport Journal 35, no. 2 (2018): 168–77. http://dx.doi.org/10.1123/ssj.2017-0009.

Pełny tekst źródła

Streszczenie:

Selecting Springfield College, founding home of the International YMCA as a training ground for male dancers was an inspired choice by American modern dancer Ted Shawn given the founding credo of the College to ‘build builders of men.’ I would like to see men dancing in gymnasiums and stadiums, he claimed, so that the dance could reach again the position it held among the Greeks as the most perfect athletic accomplishment and the finest means of physical training and development. They were earnest and interesting efforts to foster an aura of ‘authentic rugged American masculinity’ for the era,

Style APA, Harvard, Vancouver, ISO itp.

3

Weinert, Adam H. "The Reaccession of Ted Shawn: A Study in Virtual Permanence." PAJ: A Journal of Performance and Art 38, no. 2 (2016): 69–79. http://dx.doi.org/10.1162/pajj_a_00319.

Pełny tekst źródła

Streszczenie:

In the spring of 2013, I was invited to represent the modernist choreographer Ted Shawn at the Museum of Modern Art as part of the exhibition 20 Dancers of the XXth Century, curated by Boris Charmatz. The exhibit proposed the both radical and rudimentary notion that the main museal space for dance is the human body. In many ways, this is in keeping with how dance has historically been preserved—passing down from generation to generation as an oral and kinesthetic tradition without the benefit of a comprehensive or standardized notation system. With this tradition in mind, I endeavored to becom

Style APA, Harvard, Vancouver, ISO itp.

4

Artists, Multiple, and With Carina Magazzeni. "Imagined Urban Gardens, Rodman Hall Art Centre." ti< 9, no. 1 (2020): 5–14. http://dx.doi.org/10.26522/ti.v9i1.2448.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

5

Blau, Shawn. "Getting Things Done: The Art of Stress-Free Productivity." New England Journal of Entrepreneurship 4, no. 2 (2001): 81–82. http://dx.doi.org/10.1108/neje-04-02-2001-b008.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

6

Brask, Per. "Kierkegaard and the Art in Ross McMillan’s Fever." Canadian Theatre Review 92 (September 1997): 23–26. http://dx.doi.org/10.3138/ctr.92.005.

Pełny tekst źródła

Streszczenie:

What appeals to me in a monodrama is the way it can suggest the interiority of a character, a life of the mind. At stake in Wallace Shawn’s play The Fever is precisely this interiority, this being born into the life of the mind which is the “privilege” of members of the middle classes (and above) of Western culture. He has chosen the dramatic form which best approaches interiority in order to make it problematic.

Style APA, Harvard, Vancouver, ISO itp.

7

Artists, Multiple. "Crisscross." ti< 9, no. 1 (2020): 15–28. http://dx.doi.org/10.26522/ti.v9i1.2449.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

8

Dempsey, Shawna, and Lorri Millan. "Mary Medusa." Canadian Theatre Review 76 (September 1993): 42–57. http://dx.doi.org/10.3138/ctr.76.009.

Pełny tekst źródła

Streszczenie:

Caution: copyright 1993 by Shawna Dempsey and Lorri Millan. This work is fully protected under the copyright laws of Canada and all other countries of the Copyright Union and all performances are subject to royalty. Change to the script is expressly forbidden without the written consent of Shawna Dempsey and Lorri Millan. Rights to produce, film, or record, in whole or in any part, in any medium, in any language, by any group, amateur or professional, are retained by Shawna Dempsey and Lorri Millan. Interested persons are requested to apply for permission and terms to Shawna Dempsey and Lorri

Style APA, Harvard, Vancouver, ISO itp.

9

Parayre, Catherine, and Artistes Multiples. "Shawn Serfas en février et les enfants au travail." ti< 5, no. 1 (2016): 25–46. http://dx.doi.org/10.26522/ti.v5i1.1341.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

10

Spears, Charlotte. "Consumer Protection: Online Sale of Prescription Drugs to Minors Not Unconscionable." Journal of Law, Medicine & Ethics 30, no. 2 (2002): 315–17. http://dx.doi.org/10.1017/s1073110500008561.

Pełny tekst źródła

Streszczenie:

In Stovall v. Confimed.com, the Kansas Supreme Court held that an out-of-state medical doctor who sold a prescription drug to a Kansas minor over the Internet did not commit an unconscionable act under the Kansas Consumer Protection Act (KCPA). The Shawnee Country District Court had enjoined the doctor from prescribing or dispensing prescription medicine within the state of Kansas, and the doctor appealed the injunction to the Kansas Supreme Court. The Supreme Court affirmed the district court's decision to grant injunctive relief, but found no unconscionable conduct under the KCPA.The appelle

Style APA, Harvard, Vancouver, ISO itp.

11

Bennett, Susan. "Radical (Self-) Direction and the Body: Shawna Dempsey and Lorri Millan’s Performance Art." Canadian Theatre Review 76 (September 1993): 37–41. http://dx.doi.org/10.3138/ctr.76.008.

Pełny tekst źródła

Streszczenie:

In the traditional hierarchy of theatrical production, the director functions as a medium through which the textual body comes to exist on and by the physical body of the performer. As “the afterimage of processes set in motion” during rehearsal, performance includes the invisible presence of the director (Letzler Cole 2).1 It is also the apparatus which affords real, live – that is, visibly present – bodies (the audience) the privilege to gaze at the embodied text, to read, decode, and judge its possible meanings. Wherever we might locate ourselves (our bodies) in this creative process, we ar

Style APA, Harvard, Vancouver, ISO itp.

12

Hall, Lynda. "Bodies in Sight: Shawna Dempsey (Re)Configures Desire." Canadian Theatre Review 92 (September 1997): 10–16. http://dx.doi.org/10.3138/ctr.92.002.

Pełny tekst źródła

Streszczenie:

Solo performance artist Shawna Dempsey (together with her collaborator, Lorri Millan) uses performance in an innovative way - one that exposes, bare(s) witness, and intervenes in the social “performance” of gender roles and also stages lesbian presence. Revealing how misogynist, heterosexist culture is re-produced, and therefore how it can be altered, she states, “in the self-created world of the performance space, our personas have the freedom to make their own self-definitions” (Bennett 9). Dempsey has collaborated with Lorri Millan on the creation of feminist, costume-based performance art

Style APA, Harvard, Vancouver, ISO itp.

13

King, W. D. "DIONYSUS IN SANTA BARBARA: WALLACE SHAWN'S EURIPIDEAN FEVER." Theater 23, no. 1 (1992): 83–87. http://dx.doi.org/10.1215/01610775-23-1-83.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

14

Edmunds, R. David. "“Evil Men Who Add to Our Difficulties”: Shawnees, Quakers, and William Wells, 1807–1808." American Indian Culture and Research Journal 14, no. 4 (1990): 1–14. http://dx.doi.org/10.17953/aicr.14.4.88522u215u4555g6.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

15

Dempsey, Shawna, and Lorri Millan. "Object/Subject of Desire." Canadian Theatre Review 92 (September 1997): 17–18. http://dx.doi.org/10.3138/ctr.92.003.

Pełny tekst źródła

Streszczenie:

Shawna Dempsey and Lorri Millan have been creating performance-based work in a variety of media since 1989. They articulate their feminist and lesbian concerns largely through the use of metaphoric costumes, animated by text and minimal gesture. Humour is a prominent feature of their work, consciously used to destabilize the viewer and create multiple/simultaneous meanings. Dempsey and Millan make their home in Winnipeg.

Style APA, Harvard, Vancouver, ISO itp.

16

Snow, K. Mitchell. "Orientalized Aztecs: Observations on the Americanization of Theatrical Dance." Dance Research Journal 51, no. 2 (2019): 35–50. http://dx.doi.org/10.1017/s0149767719000172.

Pełny tekst źródła

Streszczenie:

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of

Style APA, Harvard, Vancouver, ISO itp.

17

Sherman, Jane. "The American Indian imagery of Ted Shawn." Dance Chronicle 12, no. 3 (1989): 366–82. http://dx.doi.org/10.1080/01472528908569016.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

18

Guttmacher, Laurence B., and Angela K. Hodge. "Psychiatric Interviewing: The Art of Understanding—by Shawn C. Shea, M.D.; Philadelphia, Saunders, 1988, 569 pages, $25." Psychiatric Services 40, no. 9 (1989): 968—a—969. http://dx.doi.org/10.1176/ps.40.9.968-a.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

19

Schiller, Gretchen, Ron Honsa, Murray Louis, Doris Humphrey, Marilyn Cristofori, and Nancy Mason Hauser. "The Men Who Danced: The Story of Ted Shawn's Male Dancers 1933-1940." Dance Research Journal 23, no. 1 (1991): 44. http://dx.doi.org/10.2307/1478704.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

20

Schwan, Alexander. "Ethos Formula: Liturgy and Rhetorics in the Work of Ted Shawn." Performance Philosophy 3, no. 1 (2017): 23. http://dx.doi.org/10.21476/pp.2017.31168.

Pełny tekst źródła

Streszczenie:

Beginning with Giorgio Agamben�s alignment of ethics and potentiality, this essay questions the ethical dimension of gesture in the field of dance as an eminently potentiality-bound art form. This draws on Daniel Sibony�s concept of law and dance, according to which the body simultaneously repels and longs for the law as a nexus of heteronomous structures. I frame this through a revision of Aby Warburg�s rhetorical concept, pathos formula, into the corollary term, ethos formula, as the encoded movement patterns of ethical attitudes or comportments which are motivated by decision-making rather

Style APA, Harvard, Vancouver, ISO itp.

21

van der Ploeg, G. J. "Psychiatric Interviewing: The Art of Understanding. By Shawn C. Shea Sidcup: Harcourt Brace Jovanovich. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 05 (1989): 749. http://dx.doi.org/10.1017/s0007125000176081.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

22

Galloway, Jean C. R. "Psychiatric Interviewing: The Art of Understanding. By Shawn Christopher Shea. Philadelphia: W. B. Saunders. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 3 (1989): 430. http://dx.doi.org/10.1192/s0007125000174641.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

23

van der Ploeg, G. J. "Psychiatric Interviewing: The Art of Understanding. By Shawn C. Shea Sidcup: Harcourt Brace Jovanovich. 1988. 583 pp. £16.75." British Journal of Psychiatry 154, no. 5 (1989): 749. http://dx.doi.org/10.1192/s0007125000176081.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

24

Marranca, Bonnie. "The Solace of Chocolate Squares: Wallace Shawn in Mourning." PAJ: A Journal of Performance and Art 22, no. 3 (2000): 38. http://dx.doi.org/10.2307/3247839.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

25

Wiens, A. "Psychiatric interviewing: The art of understanding By Shawn C. Shea, M.D. Philadelphia: W. B. Saunders Co., 1988. 576pp. $25.00." Clinical Psychology Review 10, no. 1 (1990): 151–52. http://dx.doi.org/10.1016/0272-7358(90)90111-m.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

26

Palfy, Barbara, and Susan Brady. "After the Dance: Documents of Ruth St. Denis and Ted Shawn." Dance Research Journal 30, no. 1 (1998): 64. http://dx.doi.org/10.2307/1477895.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

27

Booth, David. "Children as Drama-Makers." Canadian Theatre Review 133 (March 2008): 3–10. http://dx.doi.org/10.3138/ctr.133.001.

Pełny tekst źródła

Streszczenie:

“Why don’t you make up a play about your dreams?” their teacher said. “Yes! Yes!” the kids cried. Everybody except Eddy. The kids fixed the curtain for the theatre. “I am the DREAM MASTER!“ said Federico. “Get a costume … the play is beginning!” “DREAM MASTER! Ha, Ha!” laughed Eddy. Eddy laughed at Michaela and Shawn and Trisha. “You look stupid in those costumes.” Federico called, “Anyone who wants to dream, go inside the curtain!” “Come on, Eddy,” said Shamika. —Eddy’s Dream by Miriam Cohen

Style APA, Harvard, Vancouver, ISO itp.

28

Anderson, Bailey. "Overcoming and Denial: Disability and Modern Dance in the United States." Dance Research Journal 52, no. 3 (2020): 58–75. http://dx.doi.org/10.1017/s0149767720000364.

Pełny tekst źródła

Streszczenie:

Dancers and choreographers have always been navigating disability within an ableist representational form. This article questions the ableist histories of modern dance in the United States and seeks to redefine how disability is conceived of within the field of dance. The article explores five themes found within archival research, including overcoming narratives, symbiotic and inseparability of dance and disability, denial of disability, changing choreographic practices, and disability aesthetics. Examples of these themes are found in primary source documents about and by Martha Graham, Ted S

Style APA, Harvard, Vancouver, ISO itp.

29

Exhibition, Group. "Colour Constructs / Constructions en couleurs." ti< 7, no. 1 (2018): 13–19. http://dx.doi.org/10.26522/ti.v7i1.1733.

Pełny tekst źródła

Streszczenie:

Colour Constructs / Constructions en couleursRodman Hall (30 Nov. 2017-4 March 2018)In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based a

Style APA, Harvard, Vancouver, ISO itp.

30

Alexandrowicz, Conrad. "The Wines of Tuscany." Canadian Theatre Review 97 (December 1998): 66–76. http://dx.doi.org/10.3138/ctr.97.013.

Pełny tekst źródła

Streszczenie:

The Wines of Tuscany was first produced by the Playwrights’ Theatre Centre, in co-production with Wild Excursions Performance, as part of the 1996 New Play Festival at Performance Works on Granville Island in Vancouver. The text, direction and choreography were by Conrad Alexandrowicz. The cast was Shawn Macdonald and Shaun Phillips. Costume and set design were by Catherine Hahn, lighting design by Del Surjik, sound design by Conrad Alexandrowicz and Ron Samworth. The stage manager was Mary Kavanagh. Special thanks to Sylvia Alexandrowicz for financial support that made the production possible

Style APA, Harvard, Vancouver, ISO itp.

31

Knowles, Ric, and Harry Lane. "Solo Performance." Canadian Theatre Review 92 (September 1997): 3–4. http://dx.doi.org/10.3138/ctr.92.fm.

Pełny tekst źródła

Streszczenie:

This issue began from a sense not only that the number of theatre productions with only one performer has grown rapidly in the 1980s and 90s, but also that some of our most provocative theatre experiences have resulted from the encounter between the audience and the solo actor: Pol Pelletier’s Joie, Guillermo Verdecchia’s Fronteras Americanas, Shawna Dempsey and Lorri Millan’s dress pieces, and Daniel MacIvor’s House, to name only a few. While we have not assembled the statistics, we have little doubt that they would show a huge increase in solo-performer theatre productions in the last ten ye

Style APA, Harvard, Vancouver, ISO itp.

32

Arceo, Alicia Peón. "Haley, Shawn D., and Curt Fukuda: The Day of the Dead." Anthropos 102, no. 1 (2007): 259–60. http://dx.doi.org/10.5771/0257-9774-2007-1-259.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

33

Wirth, Jason M. "A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film." Film-Philosophy 28, no. 1 (2024): 98–112. http://dx.doi.org/10.3366/film.2024.0257.

Pełny tekst źródła

Streszczenie:

This is a philosophical rumination on Shawn Loht’s important extension of “film as philosophy” into a Heideggerian phenomenological account of the philosophical response that cinema can engender. After considering the importance of these kinds of approaches, I turn to Loht’s phenomenological engagement with Terrence Malick’s early masterpiece, Days of Heaven (1978). After sympathetically reviewing his “interpretation”, I expand upon its delineation of “earth and world” to include the “fallenness” of the world as well as the possibility of a metanōetic awakening to the vocation of “mud doctor”,

Style APA, Harvard, Vancouver, ISO itp.

34

Ganson, Barbara A. "Colonial Kinship: Guaraní, Spaniards, and Africans in Paraguay by Shawn Michael Austin." Catholic Historical Review 108, no. 3 (2022): 620–21. http://dx.doi.org/10.1353/cat.2022.0079.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

35

O. Pagan, Nicholas. "From C.Y. Lee to Shawn Wong: The Transnational Family and its Implicit Rules." Southeast Asian Review of English 58, no. 2 (2021): 30–45. http://dx.doi.org/10.22452/sare.vol58no2.3.

Pełny tekst źródła

Streszczenie:

Employing the distinction between explicit and implicit rules as formulated by psychoanalytic theorist and philosopher Slavoj Žižek, this article examines the way in which challenges toward an initial rule-based fantasy take place within transnational families. In particular, the article employs an implicit, unwritten rules framework to assess the effect of transpacific migration on the institution of family within the Chinese American diaspora as represented in post-World War II fiction by Asian Pacific authors C.Y. Lee and Shawn Wong. Suggesting five implicit rules underpinning Chinese Ameri

Style APA, Harvard, Vancouver, ISO itp.

36

Vargas-Cetina, Gabriela. "India and the Translocal Modern Dance Scene, 1890s–1950s." Review of International American Studies 13, no. 2 (2020): 39–59. http://dx.doi.org/10.31261/rias.9805.

Pełny tekst źródła

Streszczenie:

At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte me

Style APA, Harvard, Vancouver, ISO itp.

37

Vargas-Cetina, Gabriela. "India and the Translocal Modern Dance Scene, 1890s–1950s." Review of International American Studies 13, no. 2 (2020): 39–59. http://dx.doi.org/10.31261/rias.9805.

Pełny tekst źródła

Streszczenie:

At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte me

Style APA, Harvard, Vancouver, ISO itp.

38

Collins, Lisa Gail. "Photographic Returns: Racial Justice and the Time of Photography by Shawn Michelle Smith." African American Review 55, no. 2-3 (2022): 248–50. http://dx.doi.org/10.1353/afa.2022.0032.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

39

Selman, Interviewed by Matt. "Never Stop Growing! An Interview with Improvisational Artist, Teacher and Performer Shawn Kinley." Teaching Artist Journal 18, no. 1-2 (2020): 37–44. http://dx.doi.org/10.1080/15411796.2020.1783148.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

40

Biles, Jeremy. "Shadowman: Dead and Gone. Graphic fiction. By Andy Diggle. Art by Shawn Martinbrough, Doug Braithwaite, Renato Guedes, José Villarrubia. New York: Valiant Entertainment, 2018. $14.99." Religious Studies Review 45, no. 1 (2019): 59. http://dx.doi.org/10.1111/rsr.13815.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

41

Kelley, Shawn. "Hear Then No More Parables: The Case against ‘Parable’." Journal for the Study of the Historical Jesus 11, no. 2 (2013): 153–69. http://dx.doi.org/10.1163/17455197-01102003.

Pełny tekst źródła

Streszczenie:

Scandalous racial ideas are woven into the very fabric of some of the most cherished concepts of modern biblical scholarship. In his book Racializing Jesus, Shawn Kelley argues that race plays an essential role in the construction of a dizzying amount of cherished scholarly categories. Central to his argument is the claim that the category of parable is decidedly problematic because it emerges from, and is rendered coherent by, some of the most toxic elements of modern racialized ideology. Parable scholarship has long drawn its fundamental interpretive ideas from specific, modern views concern

Style APA, Harvard, Vancouver, ISO itp.

42

Stachura, Julia. "Double Index. The Self-Shadow in American Photography of the Second Half of the 20th Century." Artium Quaestiones, no. 33 (December 30, 2022): 279–99. http://dx.doi.org/10.14746/aq.2022.33.11.

Pełny tekst źródła

Streszczenie:

The article focuses on the notion of the image of self-shadow in American photography in the second half of the twentieth century, understood as a shadow silhouette of the creator captured in a photograph. The two main problems that concern the author’s research are the lack of current, theoretical study on the problem of shadow in the history of photography from the perspective of art history (V. Stoichita, R. Casati, P. Cavanagh, H. Kanaan) and the lack of the definition of the phenomenon of self-shadow and its possible types in self-portraiture. The author’s proposition of a definition of s

Style APA, Harvard, Vancouver, ISO itp.

43

Peiser, Megan. "Moore, Shawn, and Jacob Tootalian, principal investigators. Digital Cavendish: A Scholarly Collaborative. Other." Renaissance and Reformation 43, no. 1 (2020): 161–64. http://dx.doi.org/10.33137/rr.v43i1.34084.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

44

May, Jessica. "Lynching Photographs by Dora Apel and Shawn Michelle Smith / Weegee andNaked Cityby Anthony W. Lee and Richard Meyer." Visual Resources 26, no. 4 (2010): 372–77. http://dx.doi.org/10.1080/01973762.2010.522395.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

45

Adovasio, J. M. "Shawnee Minisink: A Stratified Paleoindian-Archaic Site in the Upper Delaware Valley of Pennsylvania. Charles W. Mcnett,Jr. , editor. Academic Press, Orlando, 1985. xii + 329 pp., figures, tables, references, index. $60.00 (cloth); $34.95 (paper)." American Antiquity 52, no. 3 (1987): 646–47. http://dx.doi.org/10.2307/281607.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

46

Gore, Charles. "Photography on the color line: W.E.B. Du Bois, race, and visual culture – Shawn Michelle Smith." Journal of the Royal Anthropological Institute 12, no. 3 (2006): 703–4. http://dx.doi.org/10.1111/j.1467-9655.2006.00359_26.x.

Pełny tekst źródła

Style APA, Harvard, Vancouver, ISO itp.

47

Ølgaard, Daniel Møller. "Play, Politics, & the Practice of Resistance." Journal of Resistance Studies 1, no. 1 (2025): 119. https://doi.org/10.63961/2025.015.

Pełny tekst źródła

Streszczenie:

Politics are Fun Again. It is a seductive and influential image of our contemporary world that Jean Baudrillard presents. In the transition from the modern era of manual production to the postmodern age of global information technologies, our world ‘has been launched into hyperspace in a kind of postmodern apocalypse … leaving us satellites in aimless orbit around an empty center’ (Massumi 1987: 90). The substitution of reality with the signs and symbols that simulate reality means that everything is essentially empty, passive, and without meaning. Art has become the art of pure reproduction o

Style APA, Harvard, Vancouver, ISO itp.

48

de Roo, Ludo. "An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger." Film-Philosophy 28, no. 1 (2024): 11–30. http://dx.doi.org/10.3366/film.2024.0252.

Pełny tekst źródła

Streszczenie:

Shawn Loht's ground-breaking Phenomenology of Film: A Heideggerian Account of the Film Experience (2017) offers a detailed account of film experience as rooted in Martin Heidegger's existential structure of Dasein. Adapting Being and Time for a phenomenology of cinematic experience, Loht accurately describes how various existential structures of Dasein are “fostered” by the projected world of film: in Loht's account, being-in-the-world is extended in the film experience. Loht's project offers fertile ground for developing the phenomenological basis of film experience. Yet, Loht anchors this ac

Style APA, Harvard, Vancouver, ISO itp.

49

Chaves, Natália Cristina, and Henry Colombi. "Inteligência Artificial e Personalidade Jurídica: Perspectivas no Direito Societário Brasileiro." REVISTA INTERNACIONAL CONSINTER DE DIREITO 14, no. 14 (2022): 113–31. http://dx.doi.org/10.19135/revista.consinter.00014.04.

Pełny tekst źródła

Streszczenie:

This article is focused on the impact of Artificial Intelligence (AI) on the legal sector. The premise is that positive law can adapt to new phenomena concerning the juridical agency of AI, assuming, as a hypothesis, that Brazilian LLC could grant AI a de facto legal personality. It uses legal methodology of comprehensive-propositional type, engaging in inductive-deductive reasoning. The work critically analyses data from primary and secondary direct sources. The first part is dedicated to making general points about AI. To face the new challenges, in Europe, the discussions are moving in the

Style APA, Harvard, Vancouver, ISO itp.

50

STAVTSEVA, OLGA. "HEIDEGGER’S PHENOMENOLOGY OF THE CINEMATIC EXPERIENCE BOOK REVIEW: LOHT S. PHENOMENOLOGY OF FILM: A HEIDEGGERIAN ACCOUNT OF THE FILM EXPERIENCE. Lanham, Maryland: Lexington Books, 2017." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 13, no. 2 (2024): 669–81. https://doi.org/10.21638/2226-5260-2024-13-2-669-681.

Pełny tekst źródła

Streszczenie:

In my review, I analyze the main points of Shawn Loht’s book “Phenomenology of Film: A Heideggerian Account of the Film Experience” (2017), in which the author makes not only an attempt to develop the phenomenology of cinema, but also to substantiate it as a kind of philosophy—philosophy through watching a movie. The content of the book can be reduced to three major components: 1) clarifying M. Heidegger’s attitude to cinema and evaluating the contribution of his philosophy to the analysis of cinema; 2) revealing cinema viewing as one of the ways of human existence; 3) substantiating cinema ar

Style APA, Harvard, Vancouver, ISO itp.

Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!